en to en_AU translation catalogue (3089 entries)

en: Unrecognized desktop file Version '%s'
en_AU: Unrecognised desktop file Version '%s'

en: Unrecognized launch option: %d
en_AU: Unrecognised launch option: %d

en: Auto Rotate and Center
en_AU: Auto Rotate and Centre

en: Rotate printer page orientation of each page to match orientation of each document page. Document pages will be centered within the printer page.
en_AU: Rotate printer page orientation of each page to match orientation of each document page. Document pages will be centred within the printer page.

en: Color:
en_AU: Colour:

en: _Inverted Colors
en_AU: _Inverted Colours

en: Show page contents with the colors inverted
en_AU: Show page contents with the colours inverted

en: Configure window behavior and shortcuts
en_AU: Configure window behaviour and shortcuts

en: Failed to initialize xfconf. Reason: %s
en_AU: Failed to initialise xfconf. Reason: %s

en: Could not create the settings dialog.
en_AU: Could not create the settings dialogue.

en: _Draw frame around selected window while cycling
en_AU: _Draw frame around selected windows while cycling

en: Honor _standard ICCCM focus hint
en_AU: Honour _standard ICCCM focus hint

en: Hide frame of windows when ma_ximized
en_AU: Hide frame of windows when ma_ximised

en: Hide title of windows when maximized
en_AU: Hide title of windows when maximised

en: At the c_enter of the screen
en_AU: At the c_entre of the screen

note: #-#-#-#-#  136 (marco 1.27.0)  #-#-#-#-# Translators: Translate this string the same way as you do in libwnck!
en: Ma_ximize
en_AU: Ma_ximise

note: #-#-#-#-#  136 (marco 1.27.0)  #-#-#-#-# Translators: Translate this string the same way as you do in libwnck!
en: Unma_ximize
en_AU: Unma_ximise

note: #-#-#-#-#  136 (marco 1.27.0)  #-#-#-#-# Translators: Translate this string the same way as you do in libwnck!
en: Mi_nimize
en_AU: Mi_nimise

en: Minimize _Other Windows
en_AU: Minimise _All Other Windows

en: Customize your MPD client
en_AU: Customise your MPD client

en: Mo_ve to Trash
en_AU: Mo_ve to Rubbish

note: #-#-#-#-#  0 (thunar.xfce-4-20)  #-#-#-#-# prepare the menu item
en: _Empty Trash
en_AU: _Empty Rubbish

en: Set desktop background and menu and icon behavior
en_AU: Set desktop background and menu and icon behaviour

en: Move this dialog to the display you want to edit the settings for.
en_AU: Move this dialogue to the display you want to edit the settings for.

en: Move this dialog to the display and workspace you want to edit the settings for.
en_AU: Move this dialogue to the display and workspace you want to edit the settings for.

en: Move this dialog to the workspace you want to edit the settings for.
en_AU: Move this dialogue to the workspace you want to edit the settings for.

en: Solid color
en_AU: Solid colour

en: Specify the style of the color drawn behind the backdrop image.
en_AU: Specify the style of the colour drawn behind the backdrop image.

en: Specifies the solid color, or the "left" or "top" color of the gradient.
en_AU: Specifies the solid colour, or the "left" or "top" colour of the gradient.

en: Select First Color
en_AU: Select First Colour

en: Specifies the "right" or "bottom" color of the gradient.
en_AU: Specifies the "right" or "bottom" colour of the gradient.

en: Select Second Color
en_AU: Select Second Colour

en: C_olor:
en_AU: C_olour:

en: Minimized application icons
en_AU: Minimised application icons

en: Trash Error
en_AU: Rubbish Error

en: The selected files could not be moved to the trash
en_AU: The selected files could not be moved to the rubbish bin

en: This feature requires a trash service to be present (such as the one supplied by Thunar).
en_AU: This feature requires a rubbish service to be present (such as the one supplied by Thunar).

en: Could not empty the trash
en_AU: Could not empty the rubbish

en: The file properties dialog could not be opened
en_AU: The file properties dialogue could not be opened

en: Trash is empty
en_AU: Rubbish is empty

en: Trash contains one item
en_AU: Rubbish contains one item

en: Trash contains %d items
en_AU: Rubbish contains %d items

en: For locations outside Norway the elevation model that's used by the met.no webservice is not very good, so it's usually necessary to specify the altitude as an additional parameter, otherwise the reported values will not be correct.
    
    The plugin tries to auto-detect the altitude using the GeoNames webservice, but that might not always be correct too, so you can change it here.
    
    Altitude is given in meters above sea level, or alternatively in feet by changing the unit on the units page. It should match the real value roughly, but small differences will have no influence on the weather data. Inside Norway, this setting has no effect at all.
en_AU: For locations outside Norway the elevation model that's used by the met.no webservice is not very good, so it's usually necessary to specify the altitude as an additional parameter, otherwise the reported values will not be correct.
    
    The plugin tries to auto-detect the altitude using the GeoNames webservice, but that might not always be correct too, so you can change it here.
    
    Altitude is given in metres above sea level, or alternatively in feet by changing the unit on the units page. It should match the real value roughly, but small differences will have no influence on the weather data. Inside Norway, this setting has no effect at all.

en: Kilometers per hour (km/h)
en_AU: Kilometres per hour (km/h)

en: Meters per second (m/s)
en_AU: Metres per second (m/s)

en: Millimeters (mm)
en_AU: Millimetres (mm)

en: Meters (m)
en_AU: Metres (m)

en: Font and color:
en_AU: Font and colour:

en: There may be problems with some themes that cause the scrollbox text to be hardly readable. If this is the case or you simply want it to appear in another color, then you can change it using this button. Middle-click on the button to unset the scrollbox text color.
en_AU: There may be problems with some themes that cause the scrollbox text to be hardly readable. If this is the case or you simply want it to appear in another colour, then you can change it using this button. Middle-click on the button to unset the scrollbox text colour.

en: The pascal, named after mathematician, physicist and philosopher Blaise Pascal, is a SI derived unit and a measure of force per unit area, defined as one newton per square meter. One standard atmosphere (atm) is 1013.25 hPa.
en_AU: The pascal, named after mathematician, physicist and philosopher Blaise Pascal, is a SI derived unit and a measure of force per unit area, defined as one newton per square metre. One standard atmosphere (atm) is 1013.25 hPa.

en: The torr unit was named after the physicist and mathematician Evangelista Torricelli who discovered the principle of the barometer in 1644 and demonstrated the first mercury barometer to the general public. A pressure of 1 torr is approximately equal to one millimeter of mercury, and one standard atmosphere (atm) equals 760 Torr.
en_AU: The torr unit was named after the physicist and mathematician Evangelista Torricelli who discovered the principle of the barometer in 1644 and demonstrated the first mercury barometer to the general public. A pressure of 1 torr is approximately equal to one millimetre of mercury, and one standard atmosphere (atm) equals 760 Torr.

en: Meter per second is <i>the</i> unit typically used by meteorologists to denote wind speeds.
en_AU: Metre per second is <i>the</i> unit typically used by meteorologists to denote wind speeds.

en: The foot per second (pl. feet per second) in the imperial unit system is the counterpart to the meter per second in the International System of Units.
en_AU: The foot per second (pl. feet per second) in the imperial unit system is the counterpart to the metre per second in the International System of Units.

en: 1 millimeter is one thousandth of a meter - the fundamental unit of length in the International System of Units -, or approximately 0.04 inches.
en_AU: 1 millimetre is one thousandth of a metre - the fundamental unit of length in the International System of Units -, or approximately 0.04 inches.

en: The English word <i>inch</i> comes from Latin <i>uncia</i> meaning <i>one-twelfth part</i> (in this case, one twelfth of a foot). In the past, there have been many different standards of the inch with varying sizes of measure, but the current internationally accepted value is exactly 25.4 millimeters.
en_AU: The English word <i>inch</i> comes from Latin <i>uncia</i> meaning <i>one-twelfth part</i> (in this case, one twelfth of a foot). In the past, there have been many different standards of the inch with varying sizes of measure, but the current internationally accepted value is exactly 25.4 millimetres.

en: The meter is the fundamental unit of length in the International System of Units. Originally intended to be one ten-millionth of the distance from the Earth's equator to the North Pole at sea level, its definition has been periodically refined to reflect growing knowledge of metrology (the science of measurement).
en_AU: The metre is the fundamental unit of length in the International System of Units. Originally intended to be one ten-millionth of the distance from the Earth's equator to the North Pole at sea level, its definition has been periodically refined to reflect growing knowledge of metrology (the science of measurement).

en: <b>Directory:</b> %s
    
    <b>Author:</b> %s
    
    <b>Description:</b> %s
    
    <b>License:</b> %s
en_AU: <b>Directory:</b> %s
    
    <b>Author:</b> %s
    
    <b>Description:</b> %s
    
    <b>Licence:</b> %s

en: Humidity is defined as the amount of water vapor in the air and increases the possibility of precipitation, fog and dew. While absolute humidity is the water content of air, relative humidity gives (in %) the current absolute humidity relative to the maximum for that air temperature and pressure.
en_AU: Humidity is defined as the amount of water vapour in the air and increases the possibility of precipitation, fog and dew. While absolute humidity is the water content of air, relative humidity gives (in %) the current absolute humidity relative to the maximum for that air temperature and pressure.

en: This reports the high-level cloud cover in percent. According to WMO definition, high-level clouds can be found in altitudes of 8,000 to 15,000 m (26,000 to 49,000 ft), or 10,000 m-18,000 m (33,000-59,000 ft) at the equator, where temperatures are so low that they are mainly composed of ice crystals. While typically thin and white in appearance, they can be seen in a magnificent array of colors when the sun is low on the horizon.
en_AU: This reports the high-level cloud cover in percent. According to WMO definition, high-level clouds can be found in altitudes of 8,000 to 15,000 m (26,000 to 49,000 ft), or 10,000 m-18,000 m (33,000-59,000 ft) at the equator, where temperatures are so low that they are mainly composed of ice crystals. While typically thin and white in appearance, they can be seen in a magnificent array of colours when the sun is low on the horizon.

en: Cloudiness, or cloud cover, defines the fraction of the sky obscured by clouds when observed from a given location. Clouds are both carriers of precipitation and regulator to the amount of solar radiation that reaches the surface. While during daytime they reduce the temperature, at night they have the opposite effect, as water vapor prevents long-wave radiation from escaping into space. Apart from that, clouds reflect light to space and in that way contribute to the cooling of the planet.
en_AU: Cloudiness, or cloud cover, defines the fraction of the sky obscured by clouds when observed from a given location. Clouds are both carriers of precipitation and regulator to the amount of solar radiation that reaches the surface. While during daytime they reduce the temperature, at night they have the opposite effect, as water vapour prevents long-wave radiation from escaping into space. Apart from that, clouds reflect light to space and in that way contribute to the cooling of the planet.

note: #-#-#-#-#  299 (Xfce Panel Plugins)  #-#-#-#-# Plugin background color label #-#-#-#-#  1 (Abiword 2.3.0)  #-#-#-#-# DLG_FormatFrame_Background_Color DLG_FormatTable_Background_Color
en: Background color:
en_AU: Background colour:

note: Plugin foreground color label
en: Text color:
en_AU: Text colour:

en: Don't display a warning  if an alarm command is set
en_AU: Don't display a warning if an alarm command is set

en: Solarized (dark)
en_AU: Solarised (dark)

en: Solarized (light)
en_AU: Solarised (light)

note: #-#-#-#-#  296 (Xfce Apps)  #-#-#-#-# parameter of --color-text parameter of --color-bg
en: color
en_AU: colour

en: Option "%s" requires specifying the color as its parameter
en_AU: Option "%s" requires specifying the colour as its parameter

en: Unable to parse color: %s
en_AU: Unable to parse colour: %s

en: None (use solid color)
en_AU: None (use solid colour)

en: Text Color:
en_AU: Text Colour:

en: Background Color:
en_AU: Background Colour:

en: _Use system theme colors for text and background
en_AU: _Use system theme colours for text and background

en: _Vary the background color for each tab
en_AU: _Vary the background colour for each tab

note: section: Custom colors
en: Custom Colors
en_AU: Custom Colours

en: Enable this option to set a custom bold color. If disabled the text color will be used.
en_AU: Enable this option to set a custom bold colour. If disabled the text colour will be used.

en: Open the preferences dialog
en_AU: Open the preferences dialogue

en: Set Title Co_lor...
en_AU: Set Title Co_lour...

en: Choose title color
en_AU: Choose title colour

en: Customize the look of your desktop
en_AU: Customise the look of your desktop

en: Enable color management for %s
en_AU: Enable colour management for %s

en: Color Profiles
en_AU: Colour Profiles

en: Colorspace:
en_AU: Colourspace:

en: Import color profile files (*.icc)
en_AU: Import colour profile files (*.icc)

note: TRANSLATORS: this is a profile prefix to signify the * profile his a standard space like AdobeRGB
en: Colorspace:
en_AU: Colourspace:

en: Set color profiles
en_AU: Set colour profiles

en: Beha_vior
en_AU: Beha_viour

en: Unable to initialize GTK+.
en_AU: Unable to initialise GTK+.

en: The following TYPEs are supported for the --launch and --query commands:
    
      WebBrowser       - The preferred Web Browser.
      MailReader       - The preferred Mail Reader.
      FileManager      - The preferred File Manager.
      TerminalEmulator - The preferred Terminal Emulator.
en_AU: The following TYPEs are supported for the --launch and --query commands:
    
    WebBrowser - The preferred Web Browser.
    MailReader - The preferred Mail Reader.
    FileManager - The preferred File Manager.
    TerminalEmulator - The preferred Terminal Emulator.

en: Active device in the dialog
en_AU: Active device in the dialogue

en: Counterclockwise
en_AU: Anti-clockwise

en: _Behavior
en_AU: _Behaviour

en: Configure pointer device behavior and appearance
en_AU: Configure pointer device behaviour and appearance

en: Settings dialog to show
en_AU: Settings dialogue to show

en: Log out without displaying the logout dialog
en_AU: Log out without displaying the logout dialogue

en: Halt without displaying the logout dialog
en_AU: Halt without displaying the logout dialogue

en: Reboot without displaying the logout dialog
en_AU: Reboot without displaying the logout dialogue

en: Suspend without displaying the logout dialog
en_AU: Suspend without displaying the logout dialogue

en: Hibernate without displaying the logout dialog
en_AU: Hibernate without displaying the logout dialogue

en: Switch user without displaying the logout dialog
en_AU: Switch user without displaying the logout dialogue

note: #-#-#-#-#  152 (PACKAGE VERSION)  #-#-#-#-# (itstool) path: para/guibutton (itstool) path: varlistentry/term #-#-#-#-#  52 (linuxmint)  #-#-#-#-# settings-example@cinnamon.org->settings-schema.json->tree->columns->title #-#-#-#-#  1 (Abiword 2.3.0)  #-#-#-#-# DLG_UP_Color
en: Color
en_AU: Colour

en: Tacho color alpha value:
en_AU: Tacho colour alpha value:

en: Tacho color value:
en_AU: Tacho colour value:

en: Xfce4 Sensors %s
    This program is published under the GPL v2.
    The license text can be found inside the program's source archive or under /usr/share/apps/LICENSES/GPL_V2 or at http://www.gnu.org/licenses/old-licenses/gpl-2.0.txt
en_AU: Xfce4 Sensors %s
    This program is published under the GPL v2.
    The licence text can be found inside the program's source archive or under /usr/share/apps/LICENCES/GPL_V2 or at http://www.gnu.org/licences/old-licences/gpl-2.0.txt

en: Color to use for images background
en_AU: Colour to use for images background

en: A pop-art-ish grid of pulsing colors.
en_AU: A pop-art-ish grid of pulsing colours.

en: Background color
en_AU: Background colour

en: Audio mixer command that can be executed from the context menu, e.g. "pavucontrol", "unity-control-center sound".
en_AU: Audio mixer command that can be executed from the context menu, e.g. "pavucontrol", "unity-control-centre sound".

en: Authorized to suspend
en_AU: Authorised to suspend

en: Authorized to hibernate
en_AU: Authorised to hibernate

en: Authorized to shutdown
en_AU: Authorised to shutdown

en: Show the configuration dialog
en_AU: Show the configuration dialogue

en: Customize the panel
en_AU: Customise the panel

en: Show the 'Panel Preferences' dialog
en_AU: Show the 'Panel Preferences' dialogue

en: Show the 'Add New Items' dialog
en_AU: Show the 'Add New Items' dialogue

en: Failed to show the preferences dialog
en_AU: Failed to show the preferences dialogue

en: Failed to show the add new items dialog
en_AU: Failed to show the add new items dialogue

en: Pick a Panel Color
en_AU: Pick a Panel Colour

en: _Show confirmation dialog
en_AU: _Show confirmation dialogue

en: Show a confirmation dialog with a 30 second timeout for some of the actions.
en_AU: Show a confirmation dialogue with a 30 second timeout for some of the actions.

en: Analog
en_AU: Analogue

en: Restore the minimized windows
en_AU: Restore the minimised windows

en: Minimize all open windows and show the desktop
en_AU: Minimise all open windows and show the desktop

en: Minimize Window
en_AU: Minimise Window

en: Restore minimized windows to current _workspace
en_AU: Restore minimised windows to current _workspace

en: Show only _minimized windows
en_AU: Show only _minimised windows

en: Mi_nimize All
en_AU: Mi_nimise All

en: Un_minimize All
en_AU: Un_minimise All

en: Ma_ximize All
en_AU: Ma_ximise All

en: _Unmaximize All
en_AU: _Unmaximise All

en: Released under the terms of the GNU General Public License, version 2
en_AU: Released under the terms of the GNU General Public Licence, version 2

en: Customize how notifications appear on your screen
en_AU: Customise how notifications appear on your screen

en: Unable to open the settings dialog
en_AU: Unable to open the settings dialogue

note: #-#-#-#-#  193 (Pidgin)  #-#-#-#-# Buddy List
en: Background Color
en_AU: Background Colour

en: %s: Error in initializing:
    %s
en_AU: %s: Error in initialising:
    %s

en: Bar color (i_ncoming):
en_AU: Bar colour (i_ncoming):

en: Bar color (_outgoing):
en_AU: Bar colour (_outgoing):

en: _Colorize values
en_AU: _Colourise values

en: size:                %g
en_AU: size: %g

en: used size:           %g
en_AU: used size: %g

en: percentage used:     %d
en_AU: percentage used: %d

en: file system type:    %s
en_AU: file system type: %s

en: actual mount point:  %s
en_AU: actual mount point: %s

en: The folder list cannot be retrieved until a server, username, and probably password are set.  Also be sure to check any security settings in the Advanced dialog.
en_AU: The folder list cannot be retrieved until a server, username, and probably password are set.  Also be sure to check any security settings in the Advanced dialogue.

en: Canceling read: read too many bytes without a newline
en_AU: Cancelling read: read too many bytes without a newline

en: A featureful mail-checker applet for the Xfce Panel
en_AU: A full-featured mail-checker applet for the Xfce Panel

en: Display meter
en_AU: Display metre

en: Bar color
en_AU: Bar colour

en: Press to change color
en_AU: Press to change colour

en: Read bar color
en_AU: Read bar colour

en: Write bar color
en_AU: Write bar colour

en: "%s" is spelled correctly (%s).
en_AU: "%s" is spelt correctly (%s).

en: Please set the spell check command in the preferences dialog.
en_AU: Please set the spell check command in the preferences dialogue.

en: Wikipedia, the free encyclopedia (EN)
en_AU: Wikipedia, the free encyclopaedia (EN)

en: <b>Colors:</b>
en_AU: <b>Colours:</b>

en: Spelled correctly:
en_AU: Spelt correctly:

en: Spelled incorrectly:
en_AU: Spelt incorrectly:

en: Color 1:
en_AU: Colour 1:

en: Color 2:
en_AU: Colour 2:

en: Color 3:
en_AU: Colour 3:

en: Bars color:
en_AU: Bars colour:

en: Color mode:
en_AU: Colour mode:

en: _Font color:
en_AU: _Font colour:

en: Select font color
en_AU: Select font colour

en: Bar _colors
en_AU: Bar _colours

en: Always c_enter the window
en_AU: Always c_entre the window

en: Center the window on startup.
en_AU: Centre the window on startup.

en: Cannot recognize state of drive and disc
en_AU: Cannot recognise state of drive and disc

en: <b>Unable to retrieve the speed list for the drive.</b>
    
    This is a known bug for drives. If you're interested in fixing it, please have a look at the libburn library.
    
    Burning should still work, but if there are problems anyways, please let us know.
    
    <i>Thank you!</i>
en_AU: <b>Unable to retrieve the speed list for the drive.</b>
    
    This is a known bug for drives. If you're interested in fixing it, please have a look at the libburn library.
    
    Burning should still work, but if there are problems anyway, please let us know.
    
    <i>Thank you!</i>

en: Unable to initialize the burning backend.
en_AU: Unable to initialise the burning backend.

en: Failed to initialize %s transcoder: %s
    	(falling back to basic implementation)
en_AU: Failed to initialise %s transcoder: %s
    	(falling back to basic implementation)

en: Cannot recognize the state of the drive and disc.
en_AU: Cannot recognise the state of the drive and disc.

note: #-#-#-#-#  263 (Xfce Apps)  #-#-#-#-# label
en: Initializing...
en_AU: Initialising...

en: Prepare the rewriteable disc for a new burn
en_AU: Prepare the re-writeable disc for a new burn

en: The gstreamer transcoder uses the gstreamer
    library for creating audio compositions.
    
    Essentially all audio files should be supported
    given that the correct plugins are installed.
    If an audio file is not recognized, make sure
    that you have the 'good','bad', and 'ugly'
    gstreamer plugin packages installed.
en_AU: The gstreamer transcoder uses the gstreamer
    library for creating audio compositions.
    
    Essentially all audio files should be supported
    given that the correct plugins are installed.
    If an audio file is not recognised, make sure
    that you have the 'good','bad', and 'ugly'
    gstreamer plugin packages installed.

en: Can burn CDR
en_AU: Can burn CD-R

en: Can burn CDRW
en_AU: Can burn CD-RW

en: Can burn DVDR
en_AU: Can burn DVD-R

en: Can burn DVDPLUSR
en_AU: Can burn DVD+R

en: Can burn DVDRAM
en_AU: Can burn DVD-RAM

en: The selected color scheme cannot be installed.
en_AU: The selected colour scheme cannot be installed.

en: Color Scheme Files
en_AU: Colour Scheme Files

en: Could not remove color scheme "%s".
en_AU: Could not remove colour scheme "%s".

en: Analyzes the current document and reports the number of words, lines, characters and non-space characters in it.
en_AU: Analyses the current document and reports the number of words, lines, characters and non-space characters in it.

en: Cannot move file to trash, do you
    want to delete permanently?
en_AU: Cannot move file to rubbish, do you
    want to delete permanently?

en: The file "%s" cannot be moved to the trash.
en_AU: The file "%s" cannot be moved to the rubbish.

en: The selected files cannot be moved to the trash.
en_AU: The selected files cannot be moved to the rubbish.

en: Move selected file or folder to trash
en_AU: Move selected file or folder to rubbish

note: #-#-#-#-#  262 (MATE Desktop Environment)  #-#-#-#-# Deprecated since HTML 4.01, not supported in XHTML 1.0 Strict DTD.
en: Background color (deprecated)
en_AU: Background colour (deprecated)

note: #-#-#-#-#  262 (MATE Desktop Environment)  #-#-#-#-# Deprecated since HTML 4.01, not supported in XHTML 1.0 Strict DTD.
en: Center (deprecated)
en_AU: Centre (deprecated)

note: #-#-#-#-#  262 (MATE Desktop Environment)  #-#-#-#-# Deprecated since HTML 4.01, not supported in XHTML 1.0 Strict DTD.
en: Color of selected links (deprecated)
en_AU: Colour of selected links (deprecated)

note: #-#-#-#-#  262 (MATE Desktop Environment)  #-#-#-#-# Deprecated since HTML 4.01, not supported in XHTML 1.0 Strict DTD.
en: Link color (deprecated)
en_AU: Link colour (deprecated)

note: #-#-#-#-#  262 (MATE Desktop Environment)  #-#-#-#-# Deprecated since HTML 4.01, not supported in XHTML 1.0 Strict DTD.
en: Text color (deprecated)
en_AU: Text colour (deprecated)

note: #-#-#-#-#  262 (MATE Desktop Environment)  #-#-#-#-# Deprecated since HTML 4.01, not supported in XHTML 1.0 Strict DTD.
en: Visited link color (deprecated)
en_AU: Visited link colour (deprecated)

en: Border color
en_AU: Border colour

en: Color of selected links
en_AU: Colour of selected links

en: Link color
en_AU: Link colour

en: Text color
en_AU: Text colour

en: Visited link color
en_AU: Visited link colour

en: List itemize
en_AU: List itemise

en: '%s' is not writable
en_AU: '%s' is not writeable

en: Could not normalize source address
en_AU: Could not normalise source address

en: Could not normalize destination address
en_AU: Could not normalise destination address

en: Rule changed after normalization
en_AU: Rule changed after normalisation

note: View at http://www.tuxpaint.org/stamps/stamps/seasonal/halloween/jackolantern_mean.svg
en: A Jack-o’-lantern.
en_AU: A Jack-o’-lantern for Halloween.

note: View at http://www.tuxpaint.org/stamps/stamps/animals/birds/silver-gull.png
en: A Silver Gull.
en_AU: A Silver Sea gull.

note: View at http://www.tuxpaint.org/stamps/stamps/vehicles/auto/beetle.png
en: A VW Beetle.
en_AU: A VW car nicknamed a Beetle.

note: View at http://www.tuxpaint.org/stamps/stamps/vehicles/locomotive/cartoon/boxcar.png
en: A boxcar is used to carry livestock.
en_AU: A railway freight van is used to carry livestock.

note: View at http://www.tuxpaint.org/stamps/stamps/seasonal/christmas/xmas_tp_bulb.png
en: A bulb ornament.
en_AU: A bulb Christmas ornament.

note: View at http://www.tuxpaint.org/stamps/stamps/seasonal/christmas/Candy_cane_photo_1.png View at http://www.tuxpaint.org/stamps/stamps/seasonal/christmas/Candy_cane_photo_2.png
en: A candy cane is a traditional Christmas treat in the United States.
en_AU: A candy cane is a traditional Christmas treat in the United States and Australia.

note: View at http://www.tuxpaint.org/stamps/stamps/animals/mammals/deer/caribou.png
en: A caribou.
en_AU: A caribou. A large deer.

note: View at http://www.tuxpaint.org/stamps/stamps/plants/mushrooms/cep-1.png
en: A cep.
en_AU: A cep mushroom.

note: View at http://www.tuxpaint.org/stamps/stamps/seasonal/christmas/Christmas_pudding.png
en: A christmas pudding is eaten on Christmas Day in England.
en_AU: A christmas pudding is eaten on Christmas Day in England and Australia.

note: View at http://www.tuxpaint.org/stamps/stamps/food/fruit/cartoon/grapes.svg
en: A cluster of grapes.
en_AU: A bunch of grapes.

note: View at http://www.tuxpaint.org/stamps/stamps/seasonal/christmas/bow.png
en: A colorful bow.
en_AU: A colourful bow.

note: View at http://www.tuxpaint.org/stamps/stamps/household/electronics/compact_disc.svg
en: A compact disc for music, movies, or data!
en_AU: A compact disc or DVD for music, movies, or data!

note: View at http://www.tuxpaint.org/stamps/stamps/animals/mammals/deer/doe.png
en: A doe.
en_AU: A doe. A female deer.

note: View at http://www.tuxpaint.org/stamps/stamps/vehicles/masstransit/cartoon/double_decker_bus.png
en: A double decker bus.
en_AU: A red double decker bus.

note: View at http://www.tuxpaint.org/stamps/stamps/clothes/hats/mortarboard.svg
en: A hat worn by a university student.
en_AU: A hat worn by a university student at graduation.

note: View at http://www.tuxpaint.org/stamps/stamps/people/body_parts/head_female.svg
en: A head.
en_AU: A ladie's head.

note: View at http://www.tuxpaint.org/stamps/stamps/animals/birds/little-penguin.png
en: A little penguin.
en_AU: A little Fairy penguin.

note: View at http://www.tuxpaint.org/stamps/stamps/animals/birds/magpie.png
en: A magpie.
en_AU: A magpie or a piping shrike.

note: View at http://www.tuxpaint.org/stamps/stamps/animals/mammals/bovines/mountaingoat.png
en: A mountaingoat.
en_AU: A mountain goat.

note: View at http://www.tuxpaint.org/stamps/stamps/military/vehicles/mustang.svg
en: A mustang airplane.
en_AU: A Mustang airplane.

note: View at http://www.tuxpaint.org/stamps/stamps/people/cartoon/woman_nurse.svg
en: A nurse.
en_AU: A woman nurse.

note: View at http://www.tuxpaint.org/stamps/stamps/clothes/t_pants.png
en: A pair of pants.
en_AU: A pair of pants or trousers.

note: View at http://www.tuxpaint.org/stamps/stamps/vehicles/locomotive/cartoon/carriage.png
en: A passenger carriage.
en_AU: An old style of passenger carriage.

note: View at http://www.tuxpaint.org/stamps/stamps/people/cartoon/woman_police_officer_1.svg View at http://www.tuxpaint.org/stamps/stamps/people/cartoon/woman_police_officer_2.svg
en: A police officer.
en_AU: A woman police officer.

note: View at http://www.tuxpaint.org/stamps/stamps/plants/mushrooms/cep.png
en: A red headed cep.
en_AU: A red headed cep mushroom.

note: View at http://www.tuxpaint.org/stamps/stamps/seasonal/christmas/rudolf_reindeer.svg
en: A red-nosed reindeer.
en_AU: A red-nosed reindeer. Leads Santa's sleigh

note: View at http://www.tuxpaint.org/stamps/stamps/household/garbagecan.png View at http://www.tuxpaint.org/stamps/stamps/household/trash_can.svg
en: A silver garbage can.
en_AU: A silver garbage bin.

note: View at http://www.tuxpaint.org/stamps/stamps/animals/fish/stripedfish.png
en: A stripey fish.
en_AU: A fish with stripes.

note: View at http://www.tuxpaint.org/stamps/stamps/vehicles/locomotive/cartoon/trainSign.png
en: A train sign.
en_AU: A train warning sign you could see in USA.

note: View at http://www.tuxpaint.org/stamps/stamps/household/dishes/pitcher_small.png
en: A very small pitcher.
en_AU: A very small jug.

note: View at http://www.tuxpaint.org/stamps/stamps/animals/mammals/deer/wapiti.png
en: A wapiti.
en_AU: A wapiti deer.

note: View at http://www.tuxpaint.org/stamps/stamps/vehicles/flight/planes/plane.svg View at http://www.tuxpaint.org/stamps/stamps/vehicles/flight/planes/747.png
en: An airplane.
en_AU: An aeroplane.

note: View at http://www.tuxpaint.org/stamps/stamps/town/monuments/inukshuk-outline.png View at http://www.tuxpaint.org/stamps/stamps/town/monuments/inukshuk-photo.png
en: An inukshuk (or inuksuk), a landmark made of stones. It was used as a milestone or directional marker by the Inuit of the Canadian Artic.
en_AU: An inukshuk (or inuksuk), a landmark made of stones. It was used as a milestone or directional marker by the Inuit of the Canadian Arctic.

note: View at http://www.tuxpaint.org/stamps/stamps/vehicles/ship/chineseJunk.png
en: An old Chinese sailing ship.
en_AU: An olden Chinese sailing ship.

note: View at http://www.tuxpaint.org/stamps/stamps/clothes/clothespin_old.png
en: An old-fashioned clothespin.
en_AU: An old-fashioned clothes peg.

note: View at http://www.tuxpaint.org/stamps/stamps/symbols/money/00_symbols/dollars_2_cent.svg
en: Cent sign. 100 cents make 1 dollar.
en_AU: Cent sign. 100 cents make 1 dollar. You might see this symbol in the USA.

note: View at http://www.tuxpaint.org/stamps/stamps/town/roadsigns/dead_end_sign.png
en: Dead end ahead!
en_AU: Dead end ahead! You might see this in the USA.

note: View at http://www.tuxpaint.org/stamps/stamps/symbols/music/note_050_b.png View at http://www.tuxpaint.org/stamps/stamps/symbols/music/note_050_a.png
en: Half note.
en_AU: Half note in music.

note: View at http://www.tuxpaint.org/stamps/stamps/plants/mushrooms/cep-2.png
en: It's a cep, or they are two ceps?
en_AU: It's a cep mushroom, or they are two cep mushrooms?

note: View at http://www.tuxpaint.org/stamps/stamps/symbols/chess/w_1_king.png View at http://www.tuxpaint.org/stamps/stamps/symbols/chess/b_1_king.png
en: King. Can move one step in any direction. Protect him!
en_AU: In Chess the King can move one step in any direction. Protect him!

note: View at http://www.tuxpaint.org/stamps/stamps/symbols/chess/b_4_knight.png View at http://www.tuxpaint.org/stamps/stamps/symbols/chess/w_4_knight.png
en: Knight. The only piece that can jump over others. Move forward or back two, then left or right one—or move left or right two, and forward or back one.
en_AU: In Chess this is a Knight. The only piece that can jump over others. Move forward or back two, then left or right one—or move left or right two, and forward or back one.

note: View at http://www.tuxpaint.org/stamps/stamps/symbols/faces/mad.png
en: Mad!
en_AU: Angry!

note: View at http://www.tuxpaint.org/stamps/stamps/space/planets/4_mars.png
en: Mars—the red planet. It’s just beyond earth.
en_AU: Mars—the red planet. It’s just beyond Earth.

note: View at http://www.tuxpaint.org/stamps/stamps/symbols/chess/b_6_pawn.png View at http://www.tuxpaint.org/stamps/stamps/symbols/chess/w_6_pawn.png
en: Pawn. Can only move forward, unless capturing. Can move two squares on the first move, but later only one. Captures diagonally one square.
en_AU: In Chess this is a Pawn. Can only move forward, unless capturing. Can move two squares on the first move, but later only one. Captures diagonally one square.

note: View at http://www.tuxpaint.org/stamps/stamps/animals/birds/cartoon/pengwin.png
en: Penguins are wining!
en_AU: Penguins are winning!

note: View at http://www.tuxpaint.org/stamps/stamps/symbols/money/00_symbols/gbp_2_penny.svg
en: Penny sign. 100 pence make 1 pound sterling.
en_AU: English Penny symbol. 100 pence make 1 pound sterling.

note: View at http://www.tuxpaint.org/stamps/stamps/symbols/money/00_symbols/gbp_1_pound.svg
en: Pound sign.
en_AU: English Pound sign.

note: View at http://www.tuxpaint.org/stamps/stamps/symbols/chess/w_2_queen.png View at http://www.tuxpaint.org/stamps/stamps/symbols/chess/b_2_queen.png
en: Queen. Can move in any direction.
en_AU: In Chess this is a Queen. Can move in any direction.

note: View at http://www.tuxpaint.org/stamps/stamps/symbols/chess/b_5_rook.png View at http://www.tuxpaint.org/stamps/stamps/symbols/chess/w_5_rook.png
en: Rook. Can only move forward, back, left or right, but not diagonally.
en_AU: In Chess this is a Rook. Can only move forward, back, left or right, but not diagonally.

note: View at http://www.tuxpaint.org/stamps/stamps/town/roadsigns/roundabout.png
en: Roundabout ahead! Which way will you go?
en_AU: Roundabout ahead! Which way will you go? There is a similar sign for Australian roads

note: View at http://www.tuxpaint.org/stamps/stamps/town/roadsigns/school_sign.png
en: School ahead! Drive slowly!
en_AU: School ahead! Drive slowly! There are similar signs in Australia but yellow

note: View at http://www.tuxpaint.org/stamps/stamps/vehicles/locomotive/cartoon/caboose.png
en: The caboose—a carriage for the guard.
en_AU: The brakevan—a carriage for the guard.

note: View at http://www.tuxpaint.org/stamps/stamps/vehicles/locomotive/cartoon/tender.png
en: The tender carries water and coal for the engine.
en_AU: The tender carries water and coal for the steam engine.

note: View at http://www.tuxpaint.org/stamps/stamps/sports/cartoon/football_helmet_front.png View at http://www.tuxpaint.org/stamps/stamps/sports/cartoon/football_helmet_side.png
en: – Because a brain is a terrible thing to waste…
en_AU: An American Football helmet – Because a brain is a terrible thing to waste…

note: View at http://www.tuxpaint.org/stamps/stamps/town/roadsigns/xing_school.png
en: “School Crossing”.
en_AU: “School Crossing” In Australia the signs are a little different.

note: View at http://www.tuxpaint.org/stamps/stamps/town/roadsigns/yield.png
en: “Yield” means you have to let other people go first.
en_AU: “Yield” means you have to let other people go first. You might see this sign in the USA

note: Description of a circle
en: A circle is a curve where all points have the same distance from the center.
en_AU: A circle is a curve where all points have the same distance from the centre.

note: Paint tool instructions
en: Pick a color and a brush shape to draw with.
en_AU: Pick a colour and a brush shape to draw with.

note: Response to 'start a new image' action
en: Pick a color or picture with which to start a new drawing.
en_AU: Pick a colour or picture with which to start a new drawing.

en: Color Shift
en_AU: Colour Shift

en: Click to change the colors in your entire picture.
en_AU: Click to change the colours in your entire picture.

en: Choose a background color and click to turn the corner of the page over.
en_AU: Choose a background colour and click to turn the corner of the page over.

en: Click and drag the mouse to paint with a metallic color.
en_AU: Click and drag the mouse to paint with a metallic colour.

en: You can draw in rainbow colors!
en_AU: You can draw in rainbow colours!

en: Color & White
en_AU: Colour & White

en: Click to change the color of your entire picture.
en_AU: Click to change the colour of your entire picture.

en: Click to turn your entire picture into white and a color you choose.
en_AU: Click to turn your entire picture into white and a colour you choose.

en: Xor Colors
en_AU: Xor Colours

en: Failed to call the specialized thumbnailer: timeout
en_AU: Failed to call the specialised thumbnailer: timeout

en: Failed to call the specialized thumbnailer: %s
en_AU: Failed to call the specialised thumbnailer: %s

en: RGB Colorspace
en_AU: RGB Colourspace

en: Unsupported thumbnail flavor requested
en_AU: Unsupported thumbnail flavour requested

note: there was an error in the freetype initialization, abort
en: Could not initialize freetype: %s
en_AU: Could not initialise freetype: %s

en: Start minimized in notification area
en_AU: Start minimised in notification area

en: Honor global _limits
en_AU: Honour global _limits

en: %s: invalid value for --max-turn: '%s'
en_AU: %s: invalid value for --max-turn: ‘%s’

en: %s: invalid operand '%s'
en_AU: %s: invalid operand ‘%s’

en: %s: invalid game number '%s'
en_AU: %s: invalid game number ‘%s’

en: %s: extra operand '%s'
en_AU: %s: extra operand ‘%s’

en: %s: Try '%s --help' for more information.
en_AU: %s: Try ‘%s --help’ for more information.

en: Options:
      -V, --version        output version information and exit
      -h, --help           display this help and exit
          --no-color       don't use color for displaying text
          --max-turn=NUM   set the number of turns to NUM
en_AU: Options:
      -V, --version        output version information and exit
      -h, --help           display this help and exit
          --no-colour      don’t use colour for displaying text
          --max-turn=NUM   set the number of turns to NUM

en: %s: illegal field on line %d: '%s'
en_AU: %s: illegal field on line %d: ‘%s’

en: %s: illegal value on line %d: '%s'
en_AU: %s: illegal value on line %d: ‘%s’

note: TRANSLATORS: The help text for Star Traders is marked up using a custom mark-up format NOT used anywhere else in the source code. Each string is a single page of text that is displayed in an area 76 columns wide by 16 lines high.  Each line is delimited by "\n".  NO word-wrapping is performed: you m
en: ^BStar Traders^N  is a simple game  of  interstellar trading.  The object of the
    game is to amass  the greatest amount  of wealth  possible.  This is done by
    creating interstellar  shipping lanes, expanding them  and buying shares  in
    the companies  controlling  them.  Shares  appreciate  in value  as  company
    operations expand.  In addition, the return  on each share (as a percentage)
    also changes.  Players may also borrow from the Interstellar Trading Bank to
    finance additional purchases on the Stock Exchange.
    
    The map of the galaxy  is represented  by a ^B~x^N x ^B~y^N grid.  A typical section
    of it may be:
    
            ^e ~. ~. ^s~*^e ~. ~. ~. ^s~*^e ^s~*^e ~. ^N
            ^e ~. ~. ~. ~. ~. ~. ~. ~. ~. ^N        ^e ~. ^N represents ^Bempty space^N,
            ^e ~. ^s~*^e ~. ~. ~. ~. ~. ~. ~. ^N        ^s ~* ^N represents a ^Bstar^N.
            ^e ~. ~. ~. ~. ~. ~. ~. ^s~*^e ~. ^N
            ^e ~. ~. ~. ~. ^s~*^e ~. ~. ~. ~. ^N
en_AU: ^BStar Traders^N  is a simple game  of  interstellar trading.  The object of the
    game is to amass  the greatest amount  of wealth  possible.  This is done by
    creating interstellar  shipping lanes, expanding them  and buying shares  in
    the companies  controlling  them.  Shares  appreciate  in value  as  company
    operations expand.  In addition, the return  on each share (as a percentage)
    also changes.  Players may also borrow from the Interstellar Trading Bank to
    finance additional purchases on the Stock Exchange.
    
    The map of the galaxy  is represented  by a ^B~x^N × ^B~y^N grid.  A typical section
    of it may be:
    
            ^e ~. ~. ^s~*^e ~. ~. ~. ^s~*^e ^s~*^e ~. ^N
            ^e ~. ~. ~. ~. ~. ~. ~. ~. ~. ^N        ^e ~. ^N represents ^Bempty space^N,
            ^e ~. ^s~*^e ~. ~. ~. ~. ~. ~. ~. ^N        ^s ~* ^N represents a ^Bstar^N.
            ^e ~. ~. ~. ~. ~. ~. ~. ^s~*^e ~. ^N
            ^e ~. ~. ~. ~. ^s~*^e ~. ~. ~. ~. ^N

en: The computer selects ^B~m^N moves  (labeled ^k~1^N to ^k~M^N)  at random, and places these
    on the map.  To select  any of the highlighted positions, press that letter.
    For example, some of the moves on the map may be:
    
    
            ^e ^k~1^e ~. ^s~*^e ~. ~. ~. ^s~*^e ^s~*^e ~. ^N
            ^e ~. ~. ~. ^k~3^e ~. ~. ~. ~. ~. ^N
            ^e ~. ^s~*^e ~. ~. ~. ~. ^k~5^e ~. ~. ^N        Moves ^k~1^N to ^k~5^N shown.
            ^e ~. ^k~2^e ~. ~. ^k~4^e ~. ~. ^s~*^e ~. ^N
            ^e ~. ~. ~. ~. ^s~*^e ~. ~. ~. ~. ^N
    
    
    Selecting a position  that is  ^Bnot^N  next to a star (such as moves ^k~1^N, ^k~3^N or ^k~5^N)
    will set up  an ^Boutpost^N,  not belonging  to any company.  Thus, if move ^k~3^N is
    selected on the above map, a ^o ~+ ^N would be placed at that position.
en_AU: The computer selects ^B~m^N moves (labelled ^k~1^N to ^k~M^N)  at random, and places these
    on the map.  To select  any of the highlighted positions, press that letter.
    For example, some of the moves on the map may be:
    
    
            ^e ^k~1^e ~. ^s~*^e ~. ~. ~. ^s~*^e ^s~*^e ~. ^N
            ^e ~. ~. ~. ^k~3^e ~. ~. ~. ~. ~. ^N
            ^e ~. ^s~*^e ~. ~. ~. ~. ^k~5^e ~. ~. ^N        Moves ^k~1^N to ^k~5^N shown.
            ^e ~. ^k~2^e ~. ~. ^k~4^e ~. ~. ^s~*^e ~. ^N
            ^e ~. ~. ~. ~. ^s~*^e ~. ~. ~. ~. ^N
    
    
    Selecting a position  that is  ^Bnot^N  next to a star (such as moves ^k~1^N, ^k~3^N or ^k~5^N)
    will set up  an ^Boutpost^N,  not belonging  to any company.  Thus, if move ^k~3^N is
    selected on the above map, a ^o ~+ ^N would be placed at that position.

en: If, on the other hand, a position  next to  a star  (or another outpost)  is
    selected, a ^Bcompany^N would be formed  and its letter would appear on the map.
    As a reward for creating the company, you are granted the first five shares.
    Up to ^B~c^N companies can be created in this way.
    
    If a position  next to  an existing company  is selected, the company  would
    expand its operations  by one square.  This increases the cost of its shares
    and hence  your return.  Thus,  if the map  was as shown below,  selecting ^k~6^N
    or ^k~8^N increases Company ^B~B^N's shipping lane:
    
            ^e ^k~1^e ~. ^s~*^e ~. ~. ~. ^s~*^e ^s~*^e ~. ^N
            ^e ~. ~. ~. ^o~+^e ~. ~. ^k~6^e ~. ~. ^N
            ^e ~. ^s~*^e ~. ~. ~. ~. ^c~B^e ^c~B^e ^c~B^e ^N        Move ^k~6^N or ^k~8^N increases Company ^B~B^N.
            ^e ~. ^k~2^e ~. ~. ^k~4^e ~. ~. ^s~*^e ^c~B^e ^N
            ^e ~. ~. ~. ~. ^s~*^e ~. ~. ~. ^k~8^e ^N
en_AU: If, on the other hand, a position  next to  a star  (or another outpost)  is
    selected, a ^Bcompany^N would be formed  and its letter would appear on the map.
    As a reward for creating the company, you are granted the first five shares.
    Up to ^B~c^N companies can be created in this way.
    
    If a position  next to  an existing company  is selected, the company  would
    expand its operations  by one square.  This increases the cost of its shares
    and hence  your return.  Thus,  if the map  was as shown below,  selecting ^k~6^N
    or ^k~8^N increases Company ^B~B^N’s shipping lane:
    
            ^e ^k~1^e ~. ^s~*^e ~. ~. ~. ^s~*^e ^s~*^e ~. ^N
            ^e ~. ~. ~. ^o~+^e ~. ~. ^k~6^e ~. ~. ^N
            ^e ~. ^s~*^e ~. ~. ~. ~. ^c~B^e ^c~B^e ^c~B^e ^N        Move ^k~6^N or ^k~8^N increases Company ^B~B^N.
            ^e ~. ^k~2^e ~. ~. ^k~4^e ~. ~. ^s~*^e ^c~B^e ^N
            ^e ~. ~. ~. ~. ^s~*^e ~. ~. ~. ^k~8^e ^N

en: Selecting positions next to stars increases the value of your stock by about
    five times as much  as an extension  not next to a star.  Thus move ^k~6^N should
    be preferred to move ^k~8^N.
    
            ^e ^c~C^e ~. ^s~*^e ~. ~. ~. ^s~*^e ^s~*^e ~. ^N
            ^e ^k~1^e ^o~+^e ~. ^o~+^e ~. ~. ^k~6^e ~. ~. ^N
            ^e ~. ^s~*^e ~. ~. ~. ~. ^c~B^e ^c~B^e ^c~B^e ^N        Move ^k~6^N is preferred to ^k~8^N.
            ^e ~. ^k~2^e ~. ~. ^k~4^e ~. ~. ^s~*^e ^c~B^e ^N
            ^e ~. ~. ~. ~. ^s~*^e ~. ~. ~. ^k~8^e ^N
    
    You may also expand  any company  by selecting positions  next to  outposts.
    Such outposts  will be swallowed up  by  that company.  Thus,  move  ^k~1^N  will
    extend  Company ^B~C^N by ^Btwo^N squares.  As a bonus,  outposts  next to  stars are
    more valuable:  the company's share price  will increase by a greater amount
    than it would for outposts not next to stars.
en_AU: Selecting positions next to stars increases the value of your stock by about
    five times as much  as an extension  not next to a star.  Thus move ^k~6^N should
    be preferred to move ^k~8^N.
    
            ^e ^c~C^e ~. ^s~*^e ~. ~. ~. ^s~*^e ^s~*^e ~. ^N
            ^e ^k~1^e ^o~+^e ~. ^o~+^e ~. ~. ^k~6^e ~. ~. ^N
            ^e ~. ^s~*^e ~. ~. ~. ~. ^c~B^e ^c~B^e ^c~B^e ^N        Move ^k~6^N is preferred to ^k~8^N.
            ^e ~. ^k~2^e ~. ~. ^k~4^e ~. ~. ^s~*^e ^c~B^e ^N
            ^e ~. ~. ~. ~. ^s~*^e ~. ~. ~. ^k~8^e ^N
    
    You may also expand  any company  by selecting positions  next to  outposts.
    Such outposts  will be swallowed up  by  that company.  Thus,  move  ^k~1^N  will
    extend  Company ^B~C^N by ^Btwo^N squares.  As a bonus,  outposts  next to  stars are
    more valuable:  the company’s share price  will increase by a greater amount
    than it would for outposts not next to stars.

en: Once you select your move, you enter  the ^BInterstellar Stock Exchange^N.  Here
    you may  purchase shares,  sell them, borrow from  the Trading Bank or repay
    some of your debt (if applicable).  Note that each company  issues a limited
    number of shares -- you cannot go on buying for ever!  You may, however, bid
    for more shares to be issued.  You have a better chance of succeeding if you
    own a larger proportion of the company.
    
    The game usually ends after ^B~t^N turns.  However, you may  end the game sooner
    by pressing  ^K<CTRL><C>^N  when asked  to select  a move.  As  well, individual
    players can declare themselves bankrupt at  any time.  If your debt is large
    enough, the Bank  may do this for you!  If you  do not complete your game in
    the time you have available, you may save the game and continue it later.
    
    
    The ^Bwinner of the game^N  is the person  with the greatest  net  worth  (total
    value of cash, stock and debt).  ^HGood luck^N and may the best person win!
en_AU: Once you select your move, you enter  the ^BInterstellar Stock Exchange^N.  Here
    you may  purchase shares,  sell them, borrow from  the Trading Bank or repay
    some of your debt (if applicable).  Note that each company  issues a limited
    number of shares — you cannot go on  buying for ever!  You may, however, bid
    for more shares to be issued.  You have a better chance of succeeding if you
    own a larger proportion of the company.
    
    The game usually ends after ^B~t^N turns.  However, you may  end the game sooner
    by pressing  ^K<CTRL><C>^N  when asked  to select  a move.  As  well, individual
    players can declare themselves bankrupt at  any time.  If your debt is large
    enough, the Bank  may do this for you!  If you  do not complete your game in
    the time you have available, you may save the game and continue it later.
    
    
    The ^Bwinner of the game^N  is the person  with the greatest  net  worth  (total
    value of cash, stock and debt).  ^HGood luck^N and may the best person win!

en: %s: string has incorrect format: '%s'
en_AU: %s: string has incorrect format: ‘%s’

en: %s: character has illegal width: '%lc'
en_AU: %s: character has illegal width: ‘%lc’

en: mkchstr: '%s'
en_AU: mkchstr: ‘%s’

en: gettxline: illegal character in string: '%ls'
en_AU: gettxline: illegal character in string: ‘%ls’

en: xmbstowcs: '%s'
en_AU: xmbstowcs: ‘%s’

en: xwcrtomb: '%lc'
en_AU: xwcrtomb: ‘%lc’

en: %s: option '%s%s' is ambiguous
en_AU: %s: option ‘%s%s’ is ambiguous

en: %s: option '%s%s' is ambiguous; possibilities:
en_AU: %s: option ‘%s%s’ is ambiguous; possibilities:

en: %s: unrecognized option '%s%s'
en_AU: %s: unrecognised option ‘%s%s’

en: %s: option '%s%s' doesn't allow an argument
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en: %s: option '%s%s' requires an argument
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en: %s: invalid option -- '%c'
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en: %s: option requires an argument -- '%c'
en_AU: %s: option requires an argument -- ‘%c’

note: TRANSLATORS: These strings are used in older versions of various libraries, such as the GNU C Library as released with various Linux distributions.
en: %s: option `%s%s' is ambiguous
en_AU: %s: option ‘%s%s’ is ambiguous

en: %s: option `%s%s' is ambiguous; possibilities:
en_AU: %s: option ‘%s%s’ is ambiguous; possibilities:

en: %s: unrecognized option `%s%s'
en_AU: %s: unrecognised option ‘%s%s’

en: %s: option `%s%s' doesn't allow an argument
en_AU: %s: option ‘%s%s’ doesn’t allow an argument

en: %s: option `%s%s' requires an argument
en_AU: %s: option ‘%s%s’ requires an argument

en: %s: invalid option -- `%c'
en_AU: %s: invalid option -- ‘%c’

en: %s: option requires an argument -- `%c'
en_AU: %s: option requires an argument -- ‘%c’

en: %s: option `%s' is ambiguous; possibilities:
en_AU: %s: option ‘%s’ is ambiguous; possibilities:

en: %s: option '%s' is ambiguous; possibilities:
en_AU: %s: option ‘%s’ is ambiguous; possibilities:

en: %s: option `%s' is ambiguous
en_AU: %s: option ‘%s’ is ambiguous

en: %s: option '%s' is ambiguous
en_AU: %s: option ‘%s’ is ambiguous

en: %s: option `--%s' doesn't allow an argument
en_AU: %s: option ‘--%s’ doesn’t allow an argument

en: %s: option '--%s' doesn't allow an argument
en_AU: %s: option ‘--%s’ doesn’t allow an argument

en: %s: option `%c%s' doesn't allow an argument
en_AU: %s: option ‘%c%s’ doesn’t allow an argument

en: %s: option '%c%s' doesn't allow an argument
en_AU: %s: option ‘%c%s’ doesn’t allow an argument

en: %s: option `--%s' requires an argument
en_AU: %s: option ‘--%s’ requires an argument

en: %s: option '--%s' requires an argument
en_AU: %s: option ‘--%s’ requires an argument

en: %s: unrecognized option `--%s'
en_AU: %s: unrecognised option ‘--%s’

en: %s: unrecognized option '--%s'
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en: %s: unrecognized option `%c%s'
en_AU: %s: unrecognised option ‘%c%s’

en: %s: unrecognized option '%c%s'
en_AU: %s: unrecognised option ‘%c%s’

en: %s: option `-W %s' is ambiguous
en_AU: %s: option ‘-W %s’ is ambiguous

en: %s: option '-W %s' is ambiguous
en_AU: %s: option ‘-W %s’ is ambiguous

en: %s: option `-W %s' doesn't allow an argument
en_AU: %s: option ‘-W %s’ doesn’t allow an argument

en: %s: option '-W %s' doesn't allow an argument
en_AU: %s: option ‘-W %s’ doesn’t allow an argument

en: %s: option `-W %s' requires an argument
en_AU: %s: option ‘-W %s’ requires an argument

en: %s: option '-W %s' requires an argument
en_AU: %s: option ‘-W %s’ requires an argument

en: Revert to Revision
en_AU: Revert to revision

en: Patch series description is sent in initial summary email with [PATCH 0 of N] subject.  It should describe the effects of the entire patch series.  When emailing a bundle, these fields make up the message subject and body. Flags is a comma separated list of tags which are inserted into the message subject prefix.
en_AU: Patch series description is sent in initial summary e-mail with [PATCH 0 of N] subject.  It should describe the effects of the entire patch series.  When e-mailing a bundle, these fields make up the message subject and body. Flags is a comma separated list of tags which are inserted into the message subject prefix.

en: unrecognized profiling format '%s' - Ignored
en_AU: unrecognised profiling format '%s' - Ignored

en: print license
en_AU: print licence

en: TortoiseHg Dialogs (version %s), Mercurial (version %s)
en_AU: TortoiseHg Dialogues (version %s), Mercurial (version %s)

en: Specify visual diff tool, as described in the [merge-tools] section of your Mercurial configuration files.  If left unspecified, TortoiseHg will use the selected merge tool. Failing that it uses the first applicable tool it finds.
en_AU: Specify visual diff tool, as described in the [merge-tools] section of your Mercurial configuration files.  If left unspecified TortoiseHg will use the selected merge tool. Failing that it uses the first applicable tool it finds.

en: Show a full directory path of the repository in the dialog title instead of just the root directory name.  Default: False
en_AU: Show a full directory path of the repository in the dialogue title instead of just the root directory name.  Default: False

en: Author Coloring
en_AU: Author Colouring

en: Branch Colors
en_AU: Branch Colours

en: Name or email address of the person in charge of the repository.
en_AU: Name or e-mail address of the person in charge of the repository.

en: Comma separated list of archive formats allowed for downloading
en_AU: Comma-separated list of archive formats allowed for downloading

en: Email address to use in the "From" header and for the SMTP envelope
en_AU: E-mail address to use in the "From" header and for the SMTP envelope

en: Comma-separated list of recipient email addresses
en_AU: Comma-separated list of recipient e-mail addresses

en: Comma-separated list of carbon copy recipient email addresses
en_AU: Comma-separated list of carbon copy recipient e-mail addresses

en: Comma-separated list of blind carbon copy recipient email addresses
en_AU: Comma-separated list of blind carbon copy recipient e-mail addresses

en: Optional. Method to use to send email messages. If value is "smtp" (default), use SMTP (configured below).  Otherwise, use as name of program to run that acts like sendmail (takes "-f" option for sender, list of recipients on command line, message on stdin). Normally, setting this to "sendmail" or "/usr/sbin/sendmail" is enough to use sendmail to send messages.
en_AU: Optional. Method to use to send e-mail messages. If value is "smtp" (default), use SMTP (configured below).  Otherwise, use as name of program to run that acts like sendmail (takes "-f" option for sender, list of recipients on command line, message on stdin). Normally, setting this to "sendmail" or "/usr/sbin/sendmail" is enough to use sendmail to send messages.

en: Ignore WS Amount
en_AU: Ignore White Space Amount

en: Sub menu items:
en_AU: Submenu items:

en: Size (KB)
en_AU: Size (kB)

en: Unable to save an URL
en_AU: Unable to save a URL

en: Temporary files are removed when this dialog is closed
en_AU: Temporary files are removed when this dialogue is closed

en: Repository status & changes
en_AU: Repository status and changes

en: Synchronize
en_AU: Synchronise

en: Synchronize with remote repository
en_AU: Synchronise with remote repository

en: Show About Dialog
en_AU: Show About Dialogue

en: DnD Synchronize
en_AU: DnD Synchronise

en: Synchronize with dragged repository
en_AU: Synchronise with dragged repository

en: Canceled
en_AU: Cancelled

en: Name *%s* already exist
en_AU: Name *%s* already exists

en: Maximised
en_AU: Maximized

en: _Use colors from system theme
en_AU: _Use colours from system theme

en: Color p_alette:
en_AU: Colour p_alette:

en: _Solid color
en_AU: _Solid colour

en: <small><i><b>Note:</b> These options may cause some applications to behave incorrectly.  They are only here to allow you to work around certain applications and operating systems that expect different terminal behavior.</i></small>
en_AU: <small><i><b>Note:</b> These options may cause some applications to behave incorrectly.  They are only here to allow you to work around certain applications and operating systems that expect different terminal behaviour.</i></small>

note: Arabic (Al-Sufi) sky culture introduction section in markdown format
en: The Book of Fixed Stars was written shortly before 964 AD. Dr. Paul Kunitzsch described it as "the most outstanding among the works of the prominent astronomer Abu 'l-Ḥusayn 'Abd al-Raḥmān ibn 'Umar al-Şūfi (born in Rayy, 903; died 986), referred to as al-Sufi. In it, al-Şūfī treats the 48 classical constellations, which were established and transmitted in Ptolemy's Almagest. The description of each constellation comprises the following four sections: first, a general discussion of the constellation and its individual stars; this section also includes alŞūfi's criticism of the Ptolemaic tradition and notices of his own observations. Second, a record of the indigenous Arabic star names falling under that constellation, and the exact identification of the respective stars with the corresponding Ptolemaic stars. Third, two drawings of the constellation, one as it is seen on a celestial globe, and the other one as it is seen in the sky. Fourth, a table of the stars making up that constellation, giving a verbal description of each star's location and its longitude, latitude, and magnitude. This table closely follows the arrangement of Ptolemy's star catalogue in the Almagest." [#1]. In addition to the four sections of each constellation mentioned by dr. Kunitzsch, Al-Sufi would identify stars within the 6 magnitudes that were neglected by Ptolemy, but he did not catalogue them and was faithful to Ptolemy star catalog.
en_AU: The Book of Fixed Stars was written shortly before 964 AD. Dr. Paul Kunitzsch described it as "the most outstanding among the works of the prominent astronomer Abu 'l-Ḥusayn 'Abd al-Raḥmān ibn 'Umar al-Şūfi (born in Rayy, 903; died 986), referred to as al-Sufi. In it, al-Şūfī treats the 48 classical constellations, which were established and transmitted in Ptolemy's Almagest. The description of each constellation comprises the following four sections: first, a general discussion of the constellation and its individual stars; this section also includes alŞūfi's criticism of the Ptolemaic tradition and notices of his own observations. Second, a record of the indigenous Arabic star names falling under that constellation, and the exact identification of the respective stars with the corresponding Ptolemaic stars. Third, two drawings of the constellation, one as it is seen on a celestial globe, and the other one as it is seen in the sky. Fourth, a table of the stars making up that constellation, giving a verbal description of each star's location and its longitude, latitude, and magnitude. This table closely follows the arrangement of Ptolemy's star catalogue in the Almagest." [#1]. In addition to the four sections of each constellation mentioned by dr. Kunitzsch, Al-Sufi would identify stars within the 6 magnitudes that were neglected by Ptolemy, but he did not catalogue them and was faithful to Ptolemy star catalogue.

note: Arabic (Al-Sufi) sky culture description section in markdown format
en: An important aspect of the general discussion section is Al-Sufi method of facilitating the star identification. He describes each individual star in more than way: By the star position related to the constellation figure, by its magnitude, by the asterism it forms with other stars like triangle or arc shapes, sometimes by the star position related to the Milky way, and by the angular distance from a close by star. I have counted more than 700 angular distances measured by al-Sufi in his book. The units he uses for angular distances are cubits, spear length, man-height, span, and finger. Al-Sufi explicitly said in his book that a cubit is equal to two degrees and 20 minutes [#2]. For the other units, Schjellerup concluded some values, but tracking the 700 measurements, I came up with different values. The following table summarizes the units and relationship to the cubit value from Schjellerup[#3] and from my research.
    
    ### Angular distance units used by Al-Sufi
    
    <table>
    <tr valign="top">
    	<td><notr>&nbsp;</notr></td>
    	<td colspan="2" style="text-align:center;"><b>Schjellerup</b></td>
    	<td colspan="2" style="text-align:center;"><b>Khalid</b></td>
    </tr>
    <tr valign="top">
    	<td><b>unit</b></td>
    	<td><b>cubits</b></td>
    	<td><b>Angular Value</b></td>
    	<td><b>cubits</b></td>
    	<td><b>Angular Value</b></td>
    </tr>
    <tr valign="top">
    	<td>spear</td>
    	<td>6 cubits</td>
    	<td><notr>14°</notr></td>
    	<td>6 cubits</td>
    	<td><notr>14°</notr></td>
    </tr>
    <tr valign="top">
    	<td>Man-Height</td>
    	<td></td>
    	<td></td>
    	<td>3 cubits</td>
    	<td><notr>7°</notr></td>
    </tr>
    <tr valign="top">
    	<td>cubit</td>
    	<td>1 cubit</td>
    	<td><notr>2°20'</notr></td>
    	<td>1 cubit</td>
    	<td><notr>2°20'</notr></td>
    </tr>
    <tr valign="top">
    	<td>span</td>
    	<td>1/3 of a cubit</td>
    	<td><notr>47'</notr></td>
    	<td>1/2 of a cubit</td>
    	<td><notr>1°10'</notr></td>
    </tr>
    <tr valign="top">
    	<td>finger</td>
    	<td>1/32 of a cubit</td>
    	<td><notr>4.4'</notr></td>
    	<td>1/16 of a cubit</td>
    	<td><notr>8.75'</notr></td>
    </tr>
    </table>
    
    Another important aspect of Al-Sufi book is his record of the indigenous Arabic star names falling under each constellation, and the exact identification of the respective stars with the corresponding Ptolemaic stars. This means that we are looking at two layers of stars knowledge at the same time: the Ptolemaic one and the indigenous Arab one.
    
    ### The Sky Culture
    
    This sky culture is a result of a research done on several manuscripts of the book, oldest of which is the [#8].
    
    First, the manuscripts of the Book of Fixed Stars were critically edited, and the text was produced. Second, each member star of the 48 constellations was identified according to Al-Sufi description, and new tables were built including modern star designations from the Hipparcos, Bright stars, and Bayer catalogues. Third, Arab indigenous star names were collected and identified as mapped by Al-Sufi to the Ptolemaic ones. All the previous steps were included in a book published digitally of the Book of Fixed Stars plus explanations and commentary by Khalid Al-Ajaji[#4].
    
    The sky culture stick figures of the constellations are the images in the Ulugh Beg manuscript of the Book of Fixed Stars, extracted, and adapted for Stellarium by Mr. Kutaibaa Akraa [#5]. The star names file includes the star number in the constellation as the primary star name and the description of the star in the tables as a secondary name. For example, Polaris primary name that is displayed with the star is: UMi1, UMi being Ursa Minor and 1 is the first star of this constellation. If the star is selected other secondary names are displayed, which will display "The star on the end of the tail" on the top of the screen. The constellation lines are constructed according to the constellation shapes with an attempt to include most of the member stars. For indigenous Arab star knowledge, individual star names were added to the star file as secondary names, while names of group of stars were defined through asterism names and asterism lines files.
    
    The translation of star descriptions from Arabic into English was extracted from Ernie Wright website[#6] which was transcribed from Toomer's translation of the Almagest[#7]. The translation was modified in a few places to agree with Al-Sufi wording.
    
    The single source of the sky culture is the Book of Fixed Stars and the objective is to give a faithful representation of the book content.
en_AU: An important aspect of the general discussion section is Al-Sufi method of facilitating the star identification. He describes each individual star in more than way: By the star position related to the constellation figure, by its magnitude, by the asterism it forms with other stars like triangle or arc shapes, sometimes by the star position related to the Milky way, and by the angular distance from a close by star. I have counted more than 700 angular distances measured by al-Sufi in his book. The units he uses for angular distances are cubits, spear length, man-height, span, and finger. Al-Sufi explicitly said in his book that a cubit is equal to two degrees and 20 minutes [#2]. For the other units, Schjellerup concluded some values, but tracking the 700 measurements, I came up with different values. The following table summarises the units and relationship to the cubit value from Schjellerup[#3] and from my research.
    
    ### Angular distance units used by Al-Sufi
    
    <table>
    <tr valign="top">
    	<td><notr>&nbsp;</notr></td>
    	<td colspan="2" style="text-align:center;"><b>Schjellerup</b></td>
    	<td colspan="2" style="text-align:center;"><b>Khalid</b></td>
    </tr>
    <tr valign="top">
    	<td><b>unit</b></td>
    	<td><b>cubits</b></td>
    	<td><b>Angular Value</b></td>
    	<td><b>cubits</b></td>
    	<td><b>Angular Value</b></td>
    </tr>
    <tr valign="top">
    	<td>spear</td>
    	<td>6 cubits</td>
    	<td><notr>14°</notr></td>
    	<td>6 cubits</td>
    	<td><notr>14°</notr></td>
    </tr>
    <tr valign="top">
    	<td>Man-Height</td>
    	<td></td>
    	<td></td>
    	<td>3 cubits</td>
    	<td><notr>7°</notr></td>
    </tr>
    <tr valign="top">
    	<td>cubit</td>
    	<td>1 cubit</td>
    	<td><notr>2°20'</notr></td>
    	<td>1 cubit</td>
    	<td><notr>2°20'</notr></td>
    </tr>
    <tr valign="top">
    	<td>span</td>
    	<td>1/3 of a cubit</td>
    	<td><notr>47'</notr></td>
    	<td>1/2 of a cubit</td>
    	<td><notr>1°10'</notr></td>
    </tr>
    <tr valign="top">
    	<td>finger</td>
    	<td>1/32 of a cubit</td>
    	<td><notr>4.4'</notr></td>
    	<td>1/16 of a cubit</td>
    	<td><notr>8.75'</notr></td>
    </tr>
    </table>
    
    Another important aspect of Al-Sufi book is his record of the indigenous Arabic star names falling under each constellation, and the exact identification of the respective stars with the corresponding Ptolemaic stars. This means that we are looking at two layers of stars knowledge at the same time: the Ptolemaic one and the indigenous Arab one.
    
    ### The Sky Culture
    
    This sky culture is a result of a research done on several manuscripts of the book, oldest of which is the [#8].
    
    First, the manuscripts of the Book of Fixed Stars were critically edited, and the text was produced. Second, each member star of the 48 constellations was identified according to Al-Sufi description, and new tables were built including modern star designations from the Hipparcos, Bright stars, and Bayer catalogues. Third, Arab indigenous star names were collected and identified as mapped by Al-Sufi to the Ptolemaic ones. All the previous steps were included in a book published digitally of the Book of Fixed Stars plus explanations and commentary by Khalid Al-Ajaji[#4].
    
    The sky culture stick figures of the constellations are the images in the Ulugh Beg manuscript of the Book of Fixed Stars, extracted, and adapted for Stellarium by Mr. Kutaibaa Akraa [#5]. The star names file includes the star number in the constellation as the primary star name and the description of the star in the tables as a secondary name. For example, Polaris primary name that is displayed with the star is: UMi1, UMi being Ursa Minor and 1 is the first star of this constellation. If the star is selected other secondary names are displayed, which will display "The star on the end of the tail" on the top of the screen. The constellation lines are constructed according to the constellation shapes with an attempt to include most of the member stars. For indigenous Arab star knowledge, individual star names were added to the star file as secondary names, while names of group of stars were defined through asterism names and asterism lines files.
    
    The translation of star descriptions from Arabic into English was extracted from Ernie Wright website[#6] which was transcribed from Toomer's translation of the Almagest[#7]. The translation was modified in a few places to agree with Al-Sufi wording.
    
    The single source of the sky culture is the Book of Fixed Stars and the objective is to give a faithful representation of the book content.

note: Arabic (Al-Sufi) sky culture references section in markdown format
en:  - [#1]: The Arabs and the Stars, Paul Kunitzsch,The Astronomer Abu'L-Husayn Al-Sufi And His Book On The Constellations, XI, pg 57. Northampton [England]: Variorum Reprints, 1989.
     - [#2]: See Al-Sufi description in his book of the 14th star in Auriga.
     - [#3]: DESCRIPTIONS DES ETOILES FIXES, traduction littérale avec des notes par H C F C Schjellerup, St Petersbourg, 1874, pg 26-27.
     - [#4]: [Book of Fixed Stars: Critical edition with commentary by Khalid AlAjaji](https://drive.google.com/drive/folders/1s6JXzftwjMQ5rgZoGE3718EtBLBZtjzr?usp=sharing).
     - [#5]: [Oulough Beg copy of ʿAbd al-Raḥmān ibn ʿUmar al-Ṣūfī. Kitāb ṣuwar al-kawākib al-ṯābita, Paris, Bibliothèque nationale de France Ms. Arabe 5036](https://gallica.bnf.fr/ark:/12148/btv1b60006156.r=.langEN).
     - [#6]: [Seeing Ancient Stars, Visualization of the Almagest Catalog](http://www.etwright.org/astro/almagest.html#cat).
     - [#7]: Ptolemy’s ALMAGEST, G. J. Toomer, Princeton University Press, 2nd ed., 1998.
     - [#8]: [Oxford, Bodleian Library Ms. Marsh 144 dated 1009 AD](https://iiif.bodleian.ox.ac.uk/iiif/viewer/c1caa84c-f6d2-483f-9eb4-2439cccdc801#?c=0&m=0&s=0&cv=25&r=0&xywh=-4815%2C-378%2C14782%2C7535)
en_AU:  - [#1]: The Arabs and the Stars, Paul Kunitzsch,The Astronomer Abu'L-Husayn Al-Sufi And His Book On The Constellations, XI, pg 57. Northampton [England]: Variorum Reprints, 1989.
     - [#2]: See Al-Sufi description in his book of the 14th star in Auriga.
     - [#3]: DESCRIPTIONS DES ETOILES FIXES, traduction littérale avec des notes par H C F C Schjellerup, St Petersbourg, 1874, pg 26-27.
     - [#4]: [Book of Fixed Stars: Critical edition with commentary by Khalid AlAjaji](https://drive.google.com/drive/folders/1s6JXzftwjMQ5rgZoGE3718EtBLBZtjzr?usp=sharing).
     - [#5]: [Oulough Beg copy of ʿAbd al-Raḥmān ibn ʿUmar al-Ṣūfī. Kitāb ṣuwar al-kawākib al-ṯābita, Paris, Bibliothèque nationale de France Ms. Arabe 5036](https://gallica.bnf.fr/ark:/12148/btv1b60006156.r=.langEN).
     - [#6]: [Seeing Ancient Stars, Visualisation of the Almagest Catalogue](http://www.etwright.org/astro/almagest.html#cat).
     - [#7]: Ptolemy’s ALMAGEST, G. J. Toomer, Princeton University Press, 2nd ed., 1998.
     - [#8]: [Oxford, Bodleian Library Ms. Marsh 144 dated 1009 AD](https://iiif.bodleian.ox.ac.uk/iiif/viewer/c1caa84c-f6d2-483f-9eb4-2439cccdc801#?c=0&m=0&s=0&cv=25&r=0&xywh=-4815%2C-378%2C14782%2C7535)

note: Babylonian (Seleucid) sky culture description section in markdown format
en: ### Single Stars
    
     <p>
     In contrast to constellations, there are much more lists of single stars preserved from the later epochs. We use this Late Babylonian or Seleucid sky culture to focus on the single star names. There are plenty of <i>ziqpu</i> lists (lists of culminating stars) and for measurements in the zodiac, "normal stars" have been introduced. Normal stars (from Latin "norma" = the measure) are a frame of reference for mathematical astrometry of the Late Babylonian epoch. While for most of the other stars the margin of error concerning their identification with a celestial counterpart is sometimes huge, the normal stars are identified properly because their coordinates can be derived from the planets standing next to them (Jones, 2004).
    </p>
    
    ### Source(s)
    
    <p>The lists of ziqpu stars and normal stars are mostly compiled from the modern compendium Hunger and Pingree: Astral Science in Mesopotamia, 1999 and some of the other papers given in "Further Reading". The book by Hoffmann, 2017 already contains several computations with these stars and more literature (e.g. Wayne Horowitz has worked on <i>ziqpu</i> stars for many years but is not mentioned here with a special paper although his translations contributed a lot for this study). A likely version of the Late Babylonian stick figures will be added in a later release of Stellarium.
    </p>
    <p>
    
    ### MUL.APIN constellations partially re-worked
    
    <table cellpadding="7" cellspacing="1" style="background: transparent">
    <tbody>
    <tr valign="top" style="background: #e6e6e6; font-weight: bold">
    <td width="5ex">constellation number</td>
    <td>asterism</td>
    <td>our commentary</td>
    <td>position in the sky</td>
    </tr>
    <tr valign="top" style="background: #e7e6e6;">
    <td><notr>1</notr></td>
    <td><sup>STAR</sup><i>EPINNU</i>(Plough)</td>
    <td></td>
    <td><notr>Cas</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6;">
    <td><notr>2</notr></td>
    <td><sup>STAR</sup><i>BARBARU</i> (Wolf): seeder of <sup>STAR</sup><i>EPINNU</i></td>
    <td>"wolf" here does not mean the animal but a part of the plough.</td>
    <td><notr>&gamma; Cas (+?)</notr></td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>3</notr></td>
    <td><sup>STAR</sup><i>&Scaron;&#298;BU</i>(Old Man)</td>
    <td></td>
    <td><notr>Per</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>4</notr></td>
    <td><sup>STAR</sup><i>GAMLU</i>(Throwing-stick)</td>
    <td></td>
    <td>in<notr> Aur</notr></td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>5</notr></td>
    <td><sup>STAR</sup><i>T&#362;'AM&#362;&middot;RAB&Ucirc;TU</i>(Great Twins)</td>
    <td></td>
    <td><notr>Gem</notr></td>
    </tr>
    </tbody>
    <tbody>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>6</notr></td>
    <td><sup>STAR</sup><i>T&#362;'AM&#362;&middot;&#7778;E&#7722;R&#362;TU</i>(Little Twins)</td>
    <td>do not exist anymore (merged with Great Twins) </td>
    <td><notr>Gem</notr></td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>7</notr></td>
    <td><sup>STAR</sup><i>ALLUTTU</i>(Crab)</td>
    <td></td>
    <td><notr>Cnc</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>8</notr></td>
    <td><sup>STAR</sup><i>URGUL&Ucirc;</i>(Lion)</td>
    <td></td>
    <td><notr>Leo</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>9</notr></td>
    <td>STAR opposite <sup>STAR</sup><i>URGUL&Ucirc;</i>: STAR (of the) King</td>
    <td></td>
    <td>Regulus</td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>10</notr></td>
    <td>twinkling STARs in the tail of <sup>STAR</sup><i>URGUL&Ucirc;</i>: &quot;date-palm spadix&quot; (jewellery?) (of) <sup>GOD</sup>Erua</td>
    <td></td>
    <td><notr>Com</notr></td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>11</notr></td>
    <td><sup>STAR</sup>&Scaron;U.PA(The Bright?) = <sup>GOD</sup>Enlil</td>
    <td></td>
    <td><notr>Boo</notr></td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>12</notr></td>
    <td>STAR in front of it: <sup>STAR</sup><i>&#7722;ENGALL&#256;YU</i> (Abundant)</td>
    <td></td>
    <td><notr>&alpha; Boo </notr>or<notr> &alpha; CVn</notr></td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>13</notr></td>
    <td>STAR behind it: <sup>STAR</sup><i>B&#256;&Scaron;TUM</i> (Dignity)</td>
    <td></td>
    <td><notr>CrB</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>14</notr></td>
    <td><sup>STAR</sup><i>EREQQU</i> (Wagon)</td>
    <td></td>
    <td><notr>UMa</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>15</notr></td>
    <td>STAR by the pole of <sup>STAR</sup><i>EREQQU</i>: <sup>STAR</sup><i>&Scaron;&#274;LEBU</i>(Fox)</td>
    <td></td>
    <td>Alcor<notr> (80 UMa)</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>16</notr></td>
    <td>STAR on the forehead of <sup>STAR</sup><i>EREQQU</i>: <sup>STAR</sup><i>LA&#7722;RU</i>(Ewe)</td>
    <td></td>
    <td><notr>&alpha; UMa (+)</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>17</notr></td>
    <td><sup>STAR</sup>MU.BU.K&Eacute;&Scaron;.DA (Hitched yoke?)</td>
    <td></td>
    <td><notr>UMi</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>18</notr></td>
    <td><sup>STAR</sup>MAR.G&Iacute;D.DA.AN.NA (Wagon of heaven)</td>
    <td></td>
    <td>somewhere betw UMi and Vega?</td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>19</notr></td>
    <td>STAR in its bond: <sup>STAR</sup><i>APIL-EMA&#7722;</i> (Heir of the Ema&#7723;-temple)</td>
    <td></td>
    <td><notr>&alpha; UMi (?)</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>20</notr></td>
    <td><sup>STAR</sup><i>ENZU</i>(She-Goat)</td>
    <td></td>
    <td><notr>Lyr</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>21</notr></td>
    <td>STAR in front of <sup>STAR</sup><i>ENZU</i>: <sup>STAR</sup><i>KALBU</i>(Dog) [of Goddess Gula]</td>
    <td></td>
    <td>in<notr> Her</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>22</notr></td>
    <td>bright STAR of <sup>STAR</sup><i>ENZU</i></td>
    <td></td>
    <td><notr>&alpha; Lyr</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>23</notr></td>
    <td>2 STAR<sup>s</sup> behind it: <sup>GOD</sup>Nin-SAR and <sup>GOD</sup>Errakal</td>
    <td></td>
    <td><notr>&eta;, &theta; Lyr ?</notr></td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>24</notr></td>
    <td><sup>STAR</sup><i>nimru</i> (Panther)</td>
    <td>In Late Babylonian language ("dictionaries") a new reading of this constellation name appears: it should be interpreted as Akkadian word "nimru" translating to "the Panther"; the old demon at this place seems to have been replaced.</td>
    <td><notr>Cyg</notr></td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>25</notr></td>
    <td>STAR to the right of it: <sup>STAR</sup>&Scaron;<i>A&#7722;&Ucirc;</i> (Pig)</td>
    <td></td>
    <td><notr>?</notr></td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>26</notr></td>
    <td>STAR to the left of it: <sup>STARS</sup><i>SIS&Ucirc;</i> (Horse)</td>
    <td></td>
    <td><notr>?</notr></td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>27</notr></td>
    <td>STAR behind it: <sup>STAR</sup><i>LULIMMU</i> (Stag)</td>
    <td>We shifted the Stag to display another suggestion and because the Panther occupies different areas than the UKADUA demon. It is still uncertain but in this version the breast of the Stag includes M31 which could be the "Field Mouse". </td>
    <td><notr>?</notr></td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>28</notr></td>
    <td>twinkling STAR<sup>s</sup> opposite <sup>STAR</sup><i>LULIMMU</i>(Stag): <sup>GOD</sup>&#7722;arriru (Field Mouse)</td>
    <td></td>
    <td><notr>M31 ?</notr></td>
    </tr>
    <tr valign="top" style="background: #c6c6c6; color: #ff0000">
    <td></td>
    <td colspan="3">Path of <sup>GOD</sup>Enlil finished.</td>
    </tr>
    </tbody>
    </table>
    <table cellpadding="7" cellspacing="1">
    <tbody>
    <tr valign="top" style="background: #e6e6e6; font-weight: bold">
    <td width="5ex">constellation number</td>
    <td>asterism</td>
    <td>our commentary</td>
    <td>position in the sky</td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>32</notr></td>
    <td><sup>STAR</sup>ONE&middot;&quot;FIELD&quot;(area measure)</td>
    <td></td>
    <td><notr>Peg</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>33</notr></td>
    <td>STAR opposite <sup>STAR</sup>ONE&middot;'FIELD': <sup>STAR</sup><i>&Scaron;IN&#362;NUTU</i>(Swallow)</td>
    <td>the southern one of the two ellipses of fish; in comparison to the earlier version a small constellation which shifted northwestwards</td>
    <td><notr>Psc</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>33 (a)</notr></td>
    <td><sup>STAR</sup><i>ZIBATI</i>(Tails)</td>
    <td>Since the Old Babylonian 'Great Swallow' turned into a small swallow and was shifted to another place, the V-shaped tails of the Great Swallow remained without any meaning. Still, they are used as constellation (Tails - but nobody knows of whom). Later, the V-shape was interpreted as a band connecting the little swallow with a little fish below the constellation of Anunitu.</td>
    <td><notr>Psc</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>34</notr></td>
    <td>STAR behind <sup>STAR</sup>ONE&middot;'FIELD': <sup>STAR</sup><i>ANUNN&#298;TU</i></td>
    <td>Our stick figure is prepared to transform to the Greek Andromeda: Anunitu is another name for the Babylonian goddess of sexual love Ishtar who was equalized with Greek Aphrodite whose myth in Syria was connected to fish.</td>
    <td><notr>And</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>35</notr></td>
    <td>STAR behind it: <sup>STAR</sup><i>AGRU</i>(Hired Worker)</td>
    <td>Over centuries of abbreviation of the names of constellations, the Babylonian LU.HUN.GA transformed to HUN which is a sign similar to UDU (sheep). Therefore, the working man transformed to a sheep. This was likely a Babylonian wordplay only and therefore the constellation figure is not supposed to really look like a sheep.</td>
    <td><notr>Ari</notr></td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>36</notr></td>
    <td>STAR.STAR(<i>ZAPPU</i>, Bristle): <sup>GOD</sup>Sebettu</td>
    <td>Old Babylonian termed only "the Star Cluster", Middle Babylonian insists to equalize this with Sebettu (the Seven Gods, warriors) - reason unknown. Late Babylonian more often uses the term "the Bristle" on the neck of the Bull. This interpretation is equal to the Greek one.</td>
    <td>Pleiades</td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>37</notr></td>
    <td><sup>STAR</sup>BULL&middot;OF&middot;HEAVEN(<i>AL&Ucirc;</i>) and <sup>GOD</sup><i>Is-l&ecirc;</i> (Jaw of the Wild Bull)</td>
    <td>The Bull of Heaven is a mythological figure from the epos of Gilgamesh. Gilgamesh fights him and divides him in halves (which explains its depiction in the sky). The "Jaw" are the Hyades.</td>
    <td><notr>Tau </notr>and Hyades</td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>38</notr></td>
    <td><sup>STAR</sup>TRUE&middot;SHEPHERD&middot;OF&middot;HEAVEN (<i>&Scaron;ITADDALLU</i>, Orion)</td>
    <td></td>
    <td><notr>Ori</notr></td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>39</notr></td>
    <td>Twin STARs opposite <sup>STAR</sup><i>&Scaron;ITADDALLU</i></td>
    <td></td>
    <td><notr>&pi;<sub>3</sub>, &pi;<sub>4</sub> Ori ?</notr></td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>40</notr></td>
    <td>STAR behind it: <sup>STAR</sup><i>TARLUGALLU</i> (Cock)</td>
    <td>Normally, the Cock is identified with modern Lepus but this does not make any sense to me: "behind" Orion, i.e. rising after him is Prokyon, a very bright star without any known Babylonian name. The Greeks named him "pro kyon" (rising before the dog) because in some of the conquered cultures Prokyon was an indicator for the soon rising of Sirius (the dog star for them). Sirius was not a dog star in Babylonian sky culture but, however, important for the calendar. That is why, I suggest to take Prokyon for a crowing rooster, somehow announcing the brighter Sirius.</td>
    <td><notr>Lep (</notr>or<notr> &alpha; CMi ??)</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>41</notr></td>
    <td><sup>STAR</sup>GAG.SI.S&Aacute; (Arrow)</td>
    <td>The depicted version is a suggestion. Sure is only Sirius, for the rest, there are multiple options.</td>
    <td>Sirius + </td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>42</notr></td>
    <td><sup>STAR</sup><i>QA&Scaron;TU</i> (Bow)</td>
    <td>I suppose, this is the mostly accepted version (out of several existing options).</td>
    <td>in<notr> CMa ?</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>43</notr></td>
    <td>STAR (of) <sup>GOD</sup>NIRA&#7722; (Snake-god)</td>
    <td></td>
    <td><notr>Hya</notr></td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>44</notr></td>
    <td><sup>STAR</sup><i>&#256;RIBU</i> (Raven)</td>
    <td></td>
    <td><notr>Crv</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>45</notr></td>
    <td><sup>STAR</sup><i><sup>GOD</sup>&Scaron;ala</i>, ear of grain</td>
    <td>The old constellation of the Furrow vanished and left the Maiden (goddess &Scaron;ala) instead. The stable element is the 'ear of grain' as name for the brightest star (Greek Stachys, Latin Spica).</td>
    <td><notr>Vir</notr></td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>46</notr></td>
    <td><sup>STAR</sup><i>ZIB&#256;N&#298;TU</i>(Scales)</td>
    <td>Since MUL.APIN identifies the Scales with a part (horns) of the Scorpion this constellation vanished in early Greek astronomy and re-appeared only in early Roman times (Almagest and thereafter). We think, that the earlier versions of the Scales should have been a separate constellation and not part of the Scorpion. That's why, we turned it around 180° because in the Babylonian sky culture Virgo (as Furrow as well as the Maiden &Scaron;ala) does not need so much space.</td>
    <td>circa Lib</td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>47</notr></td>
    <td>STAR (of) <sup>GOD</sup>Zababa</td>
    <td>Normally identified with the area of Ophiuchus. </td>
    <td><notr>Oph</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>48, 49</notr></td>
    <td><sup>STAR</sup><i>ER&Ucirc;</i> (Eagle) and <sup>STAR</sup><i>PAGRU</i> (Corpse)</td>
    <td>The Eagle (Aql) is connected with a Corpse which reminds on the Almagest figure of the Eagle carrying dead Antinuos. It appears likely that the Eagle, in former times, had been a vulture because vultures are associated with dead bodies and eagles not and in Babylonian mythology an eagle carries preferably a living (not dead) man. Additionally, many early languages do not distinguish eagles and vultures. </td>
    <td><notr>Aql +</notr></td>
    </tr>
    <tr valign="top" style="background: #c6c6c6; color: #ff0000">
    <td></td>
    <td colspan="3">Path of Anum completed.</td>
    </tr>
    </tbody>
    </table>
    <table cellpadding="7" cellspacing="1">
    <tbody>
    <tr valign="top" style="background: #e6e6e6; font-weight: bold">
    <td width="5ex">constellation number</td>
    <td>asterism</td>
    <td>our commentary</td>
    <td>position in the sky</td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>54</notr></td>
    <td><sup>STAR</sup><i>N&#362;NU</i>(Fish)</td>
    <td>Greek "the Great Fish" </td>
    <td><notr>PsA</notr></td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>55</notr></td>
    <td>GREAT&middot;STAR: <sup>GOD</sup>Ea</td>
    <td>The god of wisdom and witchcraft, Ea, is usually depicted with streams of water springing from his shoulders. For Babylonians this was a clear image of the springs of Euphrates and Tigris. Since this was not cler to the Greek, they named this figure simply "the Man with the Water" or "Water-Carrier".</td>
    <td><notr>Aqr</notr></td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>56</notr></td>
    <td>STAR of (the city of) Eridu</td>
    <td></td>
    <td>Canopus<notr> (&alpha; Car)</notr></td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>57</notr></td>
    <td>STAR to its right: STAR (of) <sup>&lt;GOD&gt;</sup>Ninma&#7723;</td>
    <td>Since Canopus is almost opposite Aquarius in the sky, it is unclear where this asterism is to be located.</td>
    <td><notr>?</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>58</notr></td>
    <td><sup>STAR</sup><i>&#7722;AB(B)A&#7778;&#7778;&#274;R&#256;NU</i></td>
    <td>still unclear</td>
    <td><notr>?</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>59</notr></td>
    <td>STAR to its right: <sup>STAR</sup><i>MA&Scaron;KAK&#256;TU</i>(Harrow), in the centre of which the Aps&ucirc; is visible</td>
    <td> still unclear - but maybe the Aps&ucirc; is the southernmost part of the Milky Way. </td>
    <td>in<notr> Vela (Aps&ucirc;~MW?)</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>60</notr></td>
    <td>2 STAR<sup>s</sup> behind it: <sup>GOD</sup>&Scaron;ullat and <sup>GOD</sup>&#7722;ani&scaron;</td>
    <td>no hints, no clue</td>
    <td><notr>?</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>61</notr></td>
    <td>STAR behind it which lights up like <sup>GOD</sup>Ea (and) sets like Ea: STAR (of) <sup>GOD</sup>Numu&scaron;da</td>
    <td>should be an male anthropomorphous figure (a god)</td>
    <td><notr>Cen</notr></td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>62</notr></td>
    <td>STAR to the left of <sup>STAR</sup><i>ZUQAQ&#298;PU</i> (Scorpion): <sup>STAR</sup><i>URIDIMMU</i></td>
    <td></td>
    <td><notr>Lup</notr></td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>63</notr></td>
    <td><sup>STAR</sup><i>ZUQAQ&#298;PU</i></td>
    <td></td>
    <td><notr>Sco</notr></td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>64</notr></td>
    <td><sup>STAR</sup><i>IRAT&middot;ZUQAQ&#298;PI<br/></i> (Breast of the Scorpion): <sup>GOD</sup>Lisin</td>
    <td>single star name</td>
    <td>Antares<notr> (&alpha; Sco)</notr></td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>65</notr></td>
    <td>2 STAR<sup>s</sup> on the sting (<i>ZIQTU</i>) of <sup>STAR</sup><i>ZUQAQ&#298;PU</i>: <sup>GOD</sup>&Scaron;arur and <sup>GOD</sup>&Scaron;argaz</td>
    <td>Since &Scaron;argaz is an old term for the sting, this is almost clear and re-applied as official modern star name by the IAU 2016.</td>
    <td><notr>&lambda;, &nu; Sco</notr></td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>66</notr></td>
    <td>STAR behind them: <sup>GOD</sup>Pabilsa&#285;</td>
    <td>The depiction of god Pabilsa&#285; is iconographically clear. It can easily be transformed to a Greek centaur (see Boll, 1903). </td>
    <td><notr>Sgr</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>67, 68</notr></td>
    <td><sup>STAR</sup><i>MAKURRU</i> (Bark) (and?) <sup>STAR</sup><i>SU&#7722;URM&#256;&Scaron;U</i> (Goat-fish) </td>
    <td> Either the Bark was identified with the Goat-Fish implying that both terms designate the same constellation (esp. likely for Old Babylonian epochs before MUL.APIN, hypotheses published by Craig Crossen in Sky&Telescope). Alternatively (and esp. likely for later epochs) the Bark was shifted to the west, under the feet of Pabilsa&#285; (Sagittarius). That explains Eratosthenes's long debate on the illogial image of a centaur standing on a ship. In case The Bark was a standalone constellation, it should be identified with Ptolemy's Southern Crown (Corona Australis).</td>
    <td><notr>(CrA &amp;) Cap</notr></td>
    </tr>
    <tr valign="top" style="background: #c6c6c6;; color: #ff0000">
    <td></td>
    <td colspan="3">Path of <sup>GOD</sup>Ea completed.</td>
    </tr>
    </tbody>
    </table>
    </p>
en_AU: ### Single Stars
    
     <p>
     In contrast to constellations, there are much more lists of single stars preserved from the later epochs. We use this Late Babylonian or Seleucid sky culture to focus on the single star names. There are plenty of <i>ziqpu</i> lists (lists of culminating stars) and for measurements in the zodiac, "normal stars" have been introduced. Normal stars (from Latin "norma" = the measure) are a frame of reference for mathematical astrometry of the Late Babylonian epoch. While for most of the other stars the margin of error concerning their identification with a celestial counterpart is sometimes huge, the normal stars are identified properly because their coordinates can be derived from the planets standing next to them (Jones, 2004).
    </p>
    
    ### Source(s)
    
    <p>The lists of ziqpu stars and normal stars are mostly compiled from the modern compendium Hunger and Pingree: Astral Science in Mesopotamia, 1999 and some of the other papers given in "Further Reading". The book by Hoffmann, 2017 already contains several computations with these stars and more literature (e.g. Wayne Horowitz has worked on <i>ziqpu</i> stars for many years but is not mentioned here with a special paper although his translations contributed a lot for this study). A likely version of the Late Babylonian stick figures will be added in a later release of Stellarium.
    </p>
    <p>
    
    ### MUL.APIN constellations partially re-worked
    
    <table cellpadding="7" cellspacing="1" style="background: transparent">
    <tbody>
    <tr valign="top" style="background: #e6e6e6; font-weight: bold">
    <td width="5ex">constellation number</td>
    <td>asterism</td>
    <td>our commentary</td>
    <td>position in the sky</td>
    </tr>
    <tr valign="top" style="background: #e7e6e6;">
    <td><notr>1</notr></td>
    <td><sup>STAR</sup><i>EPINNU</i>(Plough)</td>
    <td></td>
    <td><notr>Cas</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6;">
    <td><notr>2</notr></td>
    <td><sup>STAR</sup><i>BARBARU</i> (Wolf): seeder of <sup>STAR</sup><i>EPINNU</i></td>
    <td>"wolf" here does not mean the animal but a part of the plough.</td>
    <td><notr>&gamma; Cas (+?)</notr></td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>3</notr></td>
    <td><sup>STAR</sup><i>&Scaron;&#298;BU</i>(Old Man)</td>
    <td></td>
    <td><notr>Per</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>4</notr></td>
    <td><sup>STAR</sup><i>GAMLU</i>(Throwing-stick)</td>
    <td></td>
    <td>in<notr> Aur</notr></td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>5</notr></td>
    <td><sup>STAR</sup><i>T&#362;'AM&#362;&middot;RAB&Ucirc;TU</i>(Great Twins)</td>
    <td></td>
    <td><notr>Gem</notr></td>
    </tr>
    </tbody>
    <tbody>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>6</notr></td>
    <td><sup>STAR</sup><i>T&#362;'AM&#362;&middot;&#7778;E&#7722;R&#362;TU</i>(Little Twins)</td>
    <td>do not exist anymore (merged with Great Twins) </td>
    <td><notr>Gem</notr></td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>7</notr></td>
    <td><sup>STAR</sup><i>ALLUTTU</i>(Crab)</td>
    <td></td>
    <td><notr>Cnc</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>8</notr></td>
    <td><sup>STAR</sup><i>URGUL&Ucirc;</i>(Lion)</td>
    <td></td>
    <td><notr>Leo</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>9</notr></td>
    <td>STAR opposite <sup>STAR</sup><i>URGUL&Ucirc;</i>: STAR (of the) King</td>
    <td></td>
    <td>Regulus</td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>10</notr></td>
    <td>twinkling STARs in the tail of <sup>STAR</sup><i>URGUL&Ucirc;</i>: &quot;date-palm spadix&quot; (jewellery?) (of) <sup>GOD</sup>Erua</td>
    <td></td>
    <td><notr>Com</notr></td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>11</notr></td>
    <td><sup>STAR</sup>&Scaron;U.PA(The Bright?) = <sup>GOD</sup>Enlil</td>
    <td></td>
    <td><notr>Boo</notr></td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>12</notr></td>
    <td>STAR in front of it: <sup>STAR</sup><i>&#7722;ENGALL&#256;YU</i> (Abundant)</td>
    <td></td>
    <td><notr>&alpha; Boo </notr>or<notr> &alpha; CVn</notr></td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>13</notr></td>
    <td>STAR behind it: <sup>STAR</sup><i>B&#256;&Scaron;TUM</i> (Dignity)</td>
    <td></td>
    <td><notr>CrB</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>14</notr></td>
    <td><sup>STAR</sup><i>EREQQU</i> (Wagon)</td>
    <td></td>
    <td><notr>UMa</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>15</notr></td>
    <td>STAR by the pole of <sup>STAR</sup><i>EREQQU</i>: <sup>STAR</sup><i>&Scaron;&#274;LEBU</i>(Fox)</td>
    <td></td>
    <td>Alcor<notr> (80 UMa)</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>16</notr></td>
    <td>STAR on the forehead of <sup>STAR</sup><i>EREQQU</i>: <sup>STAR</sup><i>LA&#7722;RU</i>(Ewe)</td>
    <td></td>
    <td><notr>&alpha; UMa (+)</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>17</notr></td>
    <td><sup>STAR</sup>MU.BU.K&Eacute;&Scaron;.DA (Hitched yoke?)</td>
    <td></td>
    <td><notr>UMi</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>18</notr></td>
    <td><sup>STAR</sup>MAR.G&Iacute;D.DA.AN.NA (Wagon of heaven)</td>
    <td></td>
    <td>somewhere betw UMi and Vega?</td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>19</notr></td>
    <td>STAR in its bond: <sup>STAR</sup><i>APIL-EMA&#7722;</i> (Heir of the Ema&#7723;-temple)</td>
    <td></td>
    <td><notr>&alpha; UMi (?)</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>20</notr></td>
    <td><sup>STAR</sup><i>ENZU</i>(She-Goat)</td>
    <td></td>
    <td><notr>Lyr</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>21</notr></td>
    <td>STAR in front of <sup>STAR</sup><i>ENZU</i>: <sup>STAR</sup><i>KALBU</i>(Dog) [of Goddess Gula]</td>
    <td></td>
    <td>in<notr> Her</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>22</notr></td>
    <td>bright STAR of <sup>STAR</sup><i>ENZU</i></td>
    <td></td>
    <td><notr>&alpha; Lyr</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>23</notr></td>
    <td>2 STAR<sup>s</sup> behind it: <sup>GOD</sup>Nin-SAR and <sup>GOD</sup>Errakal</td>
    <td></td>
    <td><notr>&eta;, &theta; Lyr ?</notr></td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>24</notr></td>
    <td><sup>STAR</sup><i>nimru</i> (Panther)</td>
    <td>In Late Babylonian language ("dictionaries") a new reading of this constellation name appears: it should be interpreted as Akkadian word "nimru" translating to "the Panther"; the old demon at this place seems to have been replaced.</td>
    <td><notr>Cyg</notr></td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>25</notr></td>
    <td>STAR to the right of it: <sup>STAR</sup>&Scaron;<i>A&#7722;&Ucirc;</i> (Pig)</td>
    <td></td>
    <td><notr>?</notr></td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>26</notr></td>
    <td>STAR to the left of it: <sup>STARS</sup><i>SIS&Ucirc;</i> (Horse)</td>
    <td></td>
    <td><notr>?</notr></td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>27</notr></td>
    <td>STAR behind it: <sup>STAR</sup><i>LULIMMU</i> (Stag)</td>
    <td>We shifted the Stag to display another suggestion and because the Panther occupies different areas than the UKADUA demon. It is still uncertain but in this version the breast of the Stag includes M31 which could be the "Field Mouse". </td>
    <td><notr>?</notr></td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>28</notr></td>
    <td>twinkling STAR<sup>s</sup> opposite <sup>STAR</sup><i>LULIMMU</i>(Stag): <sup>GOD</sup>&#7722;arriru (Field Mouse)</td>
    <td></td>
    <td><notr>M31 ?</notr></td>
    </tr>
    <tr valign="top" style="background: #c6c6c6; color: #ff0000">
    <td></td>
    <td colspan="3">Path of <sup>GOD</sup>Enlil finished.</td>
    </tr>
    </tbody>
    </table>
    <table cellpadding="7" cellspacing="1">
    <tbody>
    <tr valign="top" style="background: #e6e6e6; font-weight: bold">
    <td width="5ex">constellation number</td>
    <td>asterism</td>
    <td>our commentary</td>
    <td>position in the sky</td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>32</notr></td>
    <td><sup>STAR</sup>ONE&middot;&quot;FIELD&quot;(area measure)</td>
    <td></td>
    <td><notr>Peg</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>33</notr></td>
    <td>STAR opposite <sup>STAR</sup>ONE&middot;'FIELD': <sup>STAR</sup><i>&Scaron;IN&#362;NUTU</i>(Swallow)</td>
    <td>the southern one of the two ellipses of fish; in comparison to the earlier version a small constellation which shifted northwestwards</td>
    <td><notr>Psc</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>33 (a)</notr></td>
    <td><sup>STAR</sup><i>ZIBATI</i>(Tails)</td>
    <td>Since the Old Babylonian 'Great Swallow' turned into a small swallow and was shifted to another place, the V-shaped tails of the Great Swallow remained without any meaning. Still, they are used as constellation (Tails - but nobody knows of whom). Later, the V-shape was interpreted as a band connecting the little swallow with a little fish below the constellation of Anunitu.</td>
    <td><notr>Psc</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>34</notr></td>
    <td>STAR behind <sup>STAR</sup>ONE&middot;'FIELD': <sup>STAR</sup><i>ANUNN&#298;TU</i></td>
    <td>Our stick figure is prepared to transform to the Greek Andromeda: Anunitu is another name for the Babylonian goddess of sexual love Ishtar who was equalised with Greek Aphrodite whose myth in Syria was connected to fish.</td>
    <td><notr>And</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>35</notr></td>
    <td>STAR behind it: <sup>STAR</sup><i>AGRU</i>(Hired Worker)</td>
    <td>Over centuries of abbreviation of the names of constellations, the Babylonian LU.HUN.GA transformed to HUN which is a sign similar to UDU (sheep). Therefore, the working man transformed to a sheep. This was likely a Babylonian wordplay only and therefore the constellation figure is not supposed to really look like a sheep.</td>
    <td><notr>Ari</notr></td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>36</notr></td>
    <td>STAR.STAR(<i>ZAPPU</i>, Bristle): <sup>GOD</sup>Sebettu</td>
    <td>Old Babylonian termed only "the Star Cluster", Middle Babylonian insists to equalise this with Sebettu (the Seven Gods, warriors) - reason unknown. Late Babylonian more often uses the term "the Bristle" on the neck of the Bull. This interpretation is equal to the Greek one.</td>
    <td>Pleiades</td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>37</notr></td>
    <td><sup>STAR</sup>BULL&middot;OF&middot;HEAVEN(<i>AL&Ucirc;</i>) and <sup>GOD</sup><i>Is-l&ecirc;</i> (Jaw of the Wild Bull)</td>
    <td>The Bull of Heaven is a mythological figure from the epos of Gilgamesh. Gilgamesh fights him and divides him in halves (which explains its depiction in the sky). The "Jaw" are the Hyades.</td>
    <td><notr>Tau </notr>and Hyades</td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>38</notr></td>
    <td><sup>STAR</sup>TRUE&middot;SHEPHERD&middot;OF&middot;HEAVEN (<i>&Scaron;ITADDALLU</i>, Orion)</td>
    <td></td>
    <td><notr>Ori</notr></td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>39</notr></td>
    <td>Twin STARs opposite <sup>STAR</sup><i>&Scaron;ITADDALLU</i></td>
    <td></td>
    <td><notr>&pi;<sub>3</sub>, &pi;<sub>4</sub> Ori ?</notr></td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>40</notr></td>
    <td>STAR behind it: <sup>STAR</sup><i>TARLUGALLU</i> (Cock)</td>
    <td>Normally, the Cock is identified with modern Lepus but this does not make any sense to me: "behind" Orion, i.e. rising after him is Prokyon, a very bright star without any known Babylonian name. The Greeks named him "pro kyon" (rising before the dog) because in some of the conquered cultures Prokyon was an indicator for the soon rising of Sirius (the dog star for them). Sirius was not a dog star in Babylonian sky culture but, however, important for the calendar. That is why, I suggest to take Prokyon for a crowing rooster, somehow announcing the brighter Sirius.</td>
    <td><notr>Lep (</notr>or<notr> &alpha; CMi ??)</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>41</notr></td>
    <td><sup>STAR</sup>GAG.SI.S&Aacute; (Arrow)</td>
    <td>The depicted version is a suggestion. Sure is only Sirius, for the rest, there are multiple options.</td>
    <td>Sirius + </td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>42</notr></td>
    <td><sup>STAR</sup><i>QA&Scaron;TU</i> (Bow)</td>
    <td>I suppose, this is the mostly accepted version (out of several existing options).</td>
    <td>in<notr> CMa ?</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>43</notr></td>
    <td>STAR (of) <sup>GOD</sup>NIRA&#7722; (Snake-god)</td>
    <td></td>
    <td><notr>Hya</notr></td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>44</notr></td>
    <td><sup>STAR</sup><i>&#256;RIBU</i> (Raven)</td>
    <td></td>
    <td><notr>Crv</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>45</notr></td>
    <td><sup>STAR</sup><i><sup>GOD</sup>&Scaron;ala</i>, ear of grain</td>
    <td>The old constellation of the Furrow vanished and left the Maiden (goddess &Scaron;ala) instead. The stable element is the 'ear of grain' as name for the brightest star (Greek Stachys, Latin Spica).</td>
    <td><notr>Vir</notr></td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>46</notr></td>
    <td><sup>STAR</sup><i>ZIB&#256;N&#298;TU</i>(Scales)</td>
    <td>Since MUL.APIN identifies the Scales with a part (horns) of the Scorpion this constellation vanished in early Greek astronomy and re-appeared only in early Roman times (Almagest and thereafter). We think, that the earlier versions of the Scales should have been a separate constellation and not part of the Scorpion. That's why, we turned it around 180° because in the Babylonian sky culture Virgo (as Furrow as well as the Maiden &Scaron;ala) does not need so much space.</td>
    <td>circa Lib</td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>47</notr></td>
    <td>STAR (of) <sup>GOD</sup>Zababa</td>
    <td>Normally identified with the area of Ophiuchus. </td>
    <td><notr>Oph</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>48, 49</notr></td>
    <td><sup>STAR</sup><i>ER&Ucirc;</i> (Eagle) and <sup>STAR</sup><i>PAGRU</i> (Corpse)</td>
    <td>The Eagle (Aql) is connected with a Corpse which reminds on the Almagest figure of the Eagle carrying dead Antinuos. It appears likely that the Eagle, in former times, had been a vulture because vultures are associated with dead bodies and eagles not and in Babylonian mythology an eagle carries preferably a living (not dead) man. Additionally, many early languages do not distinguish eagles and vultures. </td>
    <td><notr>Aql +</notr></td>
    </tr>
    <tr valign="top" style="background: #c6c6c6; color: #ff0000">
    <td></td>
    <td colspan="3">Path of Anum completed.</td>
    </tr>
    </tbody>
    </table>
    <table cellpadding="7" cellspacing="1">
    <tbody>
    <tr valign="top" style="background: #e6e6e6; font-weight: bold">
    <td width="5ex">constellation number</td>
    <td>asterism</td>
    <td>our commentary</td>
    <td>position in the sky</td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>54</notr></td>
    <td><sup>STAR</sup><i>N&#362;NU</i>(Fish)</td>
    <td>Greek "the Great Fish" </td>
    <td><notr>PsA</notr></td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>55</notr></td>
    <td>GREAT&middot;STAR: <sup>GOD</sup>Ea</td>
    <td>The god of wisdom and witchcraft, Ea, is usually depicted with streams of water springing from his shoulders. For Babylonians this was a clear image of the springs of Euphrates and Tigris. Since this was not cler to the Greek, they named this figure simply "the Man with the Water" or "Water-Carrier".</td>
    <td><notr>Aqr</notr></td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>56</notr></td>
    <td>STAR of (the city of) Eridu</td>
    <td></td>
    <td>Canopus<notr> (&alpha; Car)</notr></td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>57</notr></td>
    <td>STAR to its right: STAR (of) <sup>&lt;GOD&gt;</sup>Ninma&#7723;</td>
    <td>Since Canopus is almost opposite Aquarius in the sky, it is unclear where this asterism is to be located.</td>
    <td><notr>?</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>58</notr></td>
    <td><sup>STAR</sup><i>&#7722;AB(B)A&#7778;&#7778;&#274;R&#256;NU</i></td>
    <td>still unclear</td>
    <td><notr>?</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>59</notr></td>
    <td>STAR to its right: <sup>STAR</sup><i>MA&Scaron;KAK&#256;TU</i>(Harrow), in the centre of which the Aps&ucirc; is visible</td>
    <td> still unclear - but maybe the Aps&ucirc; is the southernmost part of the Milky Way. </td>
    <td>in<notr> Vela (Aps&ucirc;~MW?)</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>60</notr></td>
    <td>2 STAR<sup>s</sup> behind it: <sup>GOD</sup>&Scaron;ullat and <sup>GOD</sup>&#7722;ani&scaron;</td>
    <td>no hints, no clue</td>
    <td><notr>?</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>61</notr></td>
    <td>STAR behind it which lights up like <sup>GOD</sup>Ea (and) sets like Ea: STAR (of) <sup>GOD</sup>Numu&scaron;da</td>
    <td>should be an male anthropomorphous figure (a god)</td>
    <td><notr>Cen</notr></td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>62</notr></td>
    <td>STAR to the left of <sup>STAR</sup><i>ZUQAQ&#298;PU</i> (Scorpion): <sup>STAR</sup><i>URIDIMMU</i></td>
    <td></td>
    <td><notr>Lup</notr></td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>63</notr></td>
    <td><sup>STAR</sup><i>ZUQAQ&#298;PU</i></td>
    <td></td>
    <td><notr>Sco</notr></td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>64</notr></td>
    <td><sup>STAR</sup><i>IRAT&middot;ZUQAQ&#298;PI<br/></i> (Breast of the Scorpion): <sup>GOD</sup>Lisin</td>
    <td>single star name</td>
    <td>Antares<notr> (&alpha; Sco)</notr></td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>65</notr></td>
    <td>2 STAR<sup>s</sup> on the sting (<i>ZIQTU</i>) of <sup>STAR</sup><i>ZUQAQ&#298;PU</i>: <sup>GOD</sup>&Scaron;arur and <sup>GOD</sup>&Scaron;argaz</td>
    <td>Since &Scaron;argaz is an old term for the sting, this is almost clear and re-applied as official modern star name by the IAU 2016.</td>
    <td><notr>&lambda;, &nu; Sco</notr></td>
    </tr>
    <tr valign="top" style="background: #dee6ef">
    <td><notr>66</notr></td>
    <td>STAR behind them: <sup>GOD</sup>Pabilsa&#285;</td>
    <td>The depiction of god Pabilsa&#285; is iconographically clear. It can easily be transformed to a Greek centaur (see Boll, 1903). </td>
    <td><notr>Sgr</notr></td>
    </tr>
    <tr valign="top" style="background: #e7e6e6">
    <td><notr>67, 68</notr></td>
    <td><sup>STAR</sup><i>MAKURRU</i> (Bark) (and?) <sup>STAR</sup><i>SU&#7722;URM&#256;&Scaron;U</i> (Goat-fish) </td>
    <td> Either the Bark was identified with the Goat-Fish implying that both terms designate the same constellation (esp. likely for Old Babylonian epochs before MUL.APIN, hypotheses published by Craig Crossen in Sky&Telescope). Alternatively (and esp. likely for later epochs) the Bark was shifted to the west, under the feet of Pabilsa&#285; (Sagittarius). That explains Eratosthenes's long debate on the illogial image of a centaur standing on a ship. In case The Bark was a standalone constellation, it should be identified with Ptolemy's Southern Crown (Corona Australis).</td>
    <td><notr>(CrA &amp;) Cap</notr></td>
    </tr>
    <tr valign="top" style="background: #c6c6c6;; color: #ff0000">
    <td></td>
    <td colspan="3">Path of <sup>GOD</sup>Ea completed.</td>
    </tr>
    </tbody>
    </table>
    </p>

note: Babylonian (Seleucid) sky culture references section in markdown format
en:  - [#1]: Franz Boll (1903), Sphaera. Teubner, Leipzig.
     - [#2]: Craig Crossen (2015), Sky and Telescope, March 2015, p.36-40.
     - [#3]: Hermann Hunger and David Pingree (1999), Astral Science in Mesopotamia, Brill, Leiden.
     - [#4]: Hermann Hunger and John Steele (2018), The Babylonian astronomical compendium MUL.APIN, Routledge, London/ New York.
     - [#5]: Susanne M. Hoffmann (2017), [Hipparchs Himmelsglobus](https://www.springer.com/de/book/9783658186821), Springer, Wiesbaden, New York.
     - [#6]: Susanne M. Hoffmann (2017), *History of Constellations as popularization of uranometry* in: Wolfschmidt, Gudrun [ed.]: [Popularisierung der Astronomie](https://tredition.de/autoren/gudrun-wolfschmidt-1029/popularisierung-der-astronomie-proceedings-der-tagung-des-arbeitskreises-astronomiegeschichte-in-der-astronomischen-gesellschaft-in-bochum-2016-hardcover-91756/), Nuncius Hamburgensis, Bd. 41, Hamburg.
     - [#7]: Alexander Jones (2004), “A Study of Babylonian Observations of Planets Near Normal Stars”, Archive for History of Exact Sciences.
     - [#8]: Jordi Pàmias and Klaus Geus (2007), Eratosthenes: Sternsagen (Catasterismi), Utopica, Oberhaid.
     - [#9]: Many publications on *ziqpu* star lists by Wayne Horowitz, John M. Steele, E. Weidner, J. Koch, and others are compiled or/and discussed in the above books, especially the one by Hunger and Pingree (1999) which is why we do not list them in detail here.
    
    ### Thanks to
    
    Thanks to some very enthusiastic planetarium managers for their request and development time in their domes.
    
     - Dr. Björn Voss (Manager of LWL Planetarium Münster and head of Society of German-speaking Planetariums)
     - Stefan Harnisch (Manager of Planetarium Jena)
en_AU:  - [#1]: Franz Boll (1903), Sphaera. Teubner, Leipzig.
     - [#2]: Craig Crossen (2015), Sky and Telescope, March 2015, p.36-40.
     - [#3]: Hermann Hunger and David Pingree (1999), Astral Science in Mesopotamia, Brill, Leiden.
     - [#4]: Hermann Hunger and John Steele (2018), The Babylonian astronomical compendium MUL.APIN, Routledge, London/ New York.
     - [#5]: Susanne M. Hoffmann (2017), [Hipparchs Himmelsglobus](https://www.springer.com/de/book/9783658186821), Springer, Wiesbaden, New York.
     - [#6]: Susanne M. Hoffmann (2017), *History of Constellations as popularisation of uranometry* in: Wolfschmidt, Gudrun [ed.]: [Popularisierung der Astronomie](https://tredition.de/autoren/gudrun-wolfschmidt-1029/popularisierung-der-astronomie-proceedings-der-tagung-des-arbeitskreises-astronomiegeschichte-in-der-astronomischen-gesellschaft-in-bochum-2016-hardcover-91756/), Nuncius Hamburgensis, Bd. 41, Hamburg.
     - [#7]: Alexander Jones (2004), “A Study of Babylonian Observations of Planets Near Normal Stars”, Archive for History of Exact Sciences.
     - [#8]: Jordi Pàmias and Klaus Geus (2007), Eratosthenes: Sternsagen (Catasterismi), Utopica, Oberhaid.
     - [#9]: Many publications on *ziqpu* star lists by Wayne Horowitz, John M. Steele, E. Weidner, J. Koch, and others are compiled or/and discussed in the above books, especially the one by Hunger and Pingree (1999) which is why we do not list them in detail here.
    
    ### Thanks to
    
    Thanks to some very enthusiastic planetarium managers for their request and development time in their domes.
    
     - Dr. Björn Voss (Manager of LWL Planetarium Münster and head of Society of German-speaking Planetariums)
     - Stefan Harnisch (Manager of Planetarium Jena)

note: Belarusian sky culture constellations section in markdown format
en:  - Elias's Cart &mdash; the burning cart that is ridden by Elias, the Christianized version of a constellation previously seen as *simply* a large cart.
     - The Bride
     - The Chicks
     - The Cross &mdash; a Peter’s cross
     - The Crown &mdash; the thorn wreath that was put on Christ’s head.
     - The Goat
     - The Grass Snakes
     - The Kingdoms &mdash; These two stars served as a symbol of two states: the Great Lithuanian Princedom and the Polish Kingdom.
     - The Mowers &mdash; These three stars stand one after another in the manner of people mowing the fields.
     - The Nail &mdash; The north star is seen as a nail around which the skies revolve.
     - The Ploughman
     - The Rake
     - The Ram
     - The Serpent &mdash; St. Yuri killed this serpent and hung it near the star that always stands in the same place
     - The Sieve &mdash; It was said that “God used to sift grains of *zhito* through it“.
     - The Small Cart &mdash; Ursa Minor resembles the large cart of Ursa Major.
     - The Throne &mdash; Lord Jesus’s chair.
     - The Twins
     - The Goose's Way
en_AU:  - Elias's Cart &mdash; the burning cart that is ridden by Elias, the Christianised version of a constellation previously seen as *simply* a large cart.
     - The Bride
     - The Chicks
     - The Cross &mdash; a Peter’s cross
     - The Crown &mdash; the thorn wreath that was put on Christ’s head.
     - The Goat
     - The Grass Snakes
     - The Kingdoms &mdash; These two stars served as a symbol of two states: the Great Lithuanian Princedom and the Polish Kingdom.
     - The Mowers &mdash; These three stars stand one after another in the manner of people mowing the fields.
     - The Nail &mdash; The north star is seen as a nail around which the skies revolve.
     - The Ploughman
     - The Rake
     - The Ram
     - The Serpent &mdash; St. Yuri killed this serpent and hung it near the star that always stands in the same place
     - The Sieve &mdash; It was said that “God used to sift grains of *zhito* through it“.
     - The Small Cart &mdash; Ursa Minor resembles the large cart of Ursa Major.
     - The Throne &mdash; Lord Jesus’s chair.
     - The Twins
     - The Goose's Way

note: Chinese Song Dynasty Sky sky culture description section in markdown format
en: ### Medieval Xingguans
    
    From the Three Kingdoms Period to the Ming Dynasty, covering the whole of the Middle Ages, China's star map is similar.
    
    The Xingguans originated in ancient times. Wuxian (巫咸) of Shang Dynasty(16th century BC-1046 BC), Gan De (甘德) and Shi Shen (石申) of The Warring States Period (475–221 BC), created their own Xingguan system respectively. During the Three Kingdoms period (220–280 AD), Chen Zhuo (陈卓) summarized the Xingguans system of Gan De, Shi Shen and Wuxian, including 283 Xingguans and 1464 stars. Since then, Xingguan system has been basically defined, and after a thousand years, there has not been much change. Since the 17th century, Western astronomy has had an impact on Chinese astronomy, and the shape and number of Xingguans have changed significantly. Only about half of the constellations maintained the medieval style.
    
    Determinative star is an important concept. In the Middle Ages, Chinese astronomers did not name all stars, and each Xingguans was chosen as a major star called determinative star. In ancient China, astronomical measurements measured its coordinate position, and other stars in the Xingguan were rarely mentioned. However, some important constellations will be selected more stars for observation and recording. In ancient China, astronomers used mansion distance degrees (determinative star distance) and polar distance degrees to record the position of stars. **In ancient China, the determinative stars of Twenty-eight Lunar Mansions was the benchmark for determining the longitude of the equatorial coordinate system**.
    
    The *Song of the Sky Pacers* (步天歌) is an early Chinese star catalogue in the form of poem in heptasyllabic verse, enumerating the names of stars.
    
    Below is *Xinyixiangfayao Star Map* from Su Song(苏颂, 1020-1101 AD).
    
    ![](illustrations/xyxfy.png)
    
    *Xinyixiangfayao Star Map(1088 AD)*
    
    ### Restore Sky Map
    
    The sky map of the Song dynasty is typical of the Chinese medieval sky map. In 1052 AD, the Song Dynasty official conducted accurate stellar measurements, leaving a lot of data.
    
    Pan Nai(潘鼐) collated these astronomical observations data and based on the *Xinyixiangfayao Star Map*, he restored most of the Song Dynasty's Xingguan in his masterpiece *The History of Stellar Observation in China*, which is the most important reference book. Qi Rui (齐锐) and Wan Haoyi (万昊宜) also restored the Xingguans of the Song Dynasty in the book *Roving China Heavens*, which is also an important reference book.
    
    Due to the limitation of observation conditions in Song Dynasty, combined with instruments, circulated errors and other reasons, different scholars restored the sky map is somewhat different.
    
    Based on these books, Stellarium can almost truly present the Chinese medieval sky map of Huangyou four years (1052 AD).
    
    ### Planets
    
    Taiyang (太阳), Sun. The name comes from yin and yang, meaning a lot of yang,
    
    Taiyin (太阴), Moon. The name comes from yin and yang, meaning a lot of Yin,
    
    Chen Star (辰星), Mercury. Chen is an angle unit, which refers to about 30 degrees. Mercury is always within 30 degrees of the sun.
    
    Taibai (太白), Venus. Taibai means big and white.
    
    Yinghuo (荧惑), Mars. The colors of Mars are like fire, and movement is confusing.
    
    Sui Star (岁星), Jupiter. It means the old star. Jupiter travels around the celestial sphere for a week every 12 years. The ancients took Jupiter's position as the standard of the chronology.
    
    Zhen Star (填星), Saturn. Zhen, means passing Lunar Mansions. Saturn travels around the celestial sphere about every 28 years. Saturn will pass through a Lunar Mansion every year.
en_AU: ### Medieval Xingguans
    
    From the Three Kingdoms Period to the Ming Dynasty, covering the whole of the Middle Ages, China's star map is similar.
    
    The Xingguans originated in ancient times. Wuxian (巫咸) of Shang Dynasty(16th century BC-1046 BC), Gan De (甘德) and Shi Shen (石申) of The Warring States Period (475–221 BC), created their own Xingguan system respectively. During the Three Kingdoms period (220–280 AD), Chen Zhuo (陈卓) summarised the Xingguans system of Gan De, Shi Shen and Wuxian, including 283 Xingguans and 1464 stars. Since then, Xingguan system has been basically defined, and after a thousand years, there has not been much change. Since the 17th century, Western astronomy has had an impact on Chinese astronomy, and the shape and number of Xingguans have changed significantly. Only about half of the constellations maintained the medieval style.
    
    Determinative star is an important concept. In the Middle Ages, Chinese astronomers did not name all stars, and each Xingguans was chosen as a major star called determinative star. In ancient China, astronomical measurements measured its coordinate position, and other stars in the Xingguan were rarely mentioned. However, some important constellations will be selected more stars for observation and recording. In ancient China, astronomers used mansion distance degrees (determinative star distance) and polar distance degrees to record the position of stars. **In ancient China, the determinative stars of Twenty-eight Lunar Mansions was the benchmark for determining the longitude of the equatorial coordinate system**.
    
    The *Song of the Sky Pacers* (步天歌) is an early Chinese star catalogue in the form of poem in heptasyllabic verse, enumerating the names of stars.
    
    Below is *Xinyixiangfayao Star Map* from Su Song(苏颂, 1020-1101 AD).
    
    ![](illustrations/xyxfy.png)
    
    *Xinyixiangfayao Star Map(1088 AD)*
    
    ### Restore Sky Map
    
    The sky map of the Song dynasty is typical of the Chinese medieval sky map. In 1052 AD, the Song Dynasty official conducted accurate stellar measurements, leaving a lot of data.
    
    Pan Nai(潘鼐) collated these astronomical observations data and based on the *Xinyixiangfayao Star Map*, he restored most of the Song Dynasty's Xingguan in his masterpiece *The History of Stellar Observation in China*, which is the most important reference book. Qi Rui (齐锐) and Wan Haoyi (万昊宜) also restored the Xingguans of the Song Dynasty in the book *Roving China Heavens*, which is also an important reference book.
    
    Due to the limitation of observation conditions in Song Dynasty, combined with instruments, circulated errors and other reasons, different scholars restored the sky map is somewhat different.
    
    Based on these books, Stellarium can almost truly present the Chinese medieval sky map of Huangyou four years (1052 AD).
    
    ### Planets
    
    Taiyang (太阳), Sun. The name comes from yin and yang, meaning a lot of yang,
    
    Taiyin (太阴), Moon. The name comes from yin and yang, meaning a lot of Yin,
    
    Chen Star (辰星), Mercury. Chen is an angle unit, which refers to about 30 degrees. Mercury is always within 30 degrees of the sun.
    
    Taibai (太白), Venus. Taibai means big and white.
    
    Yinghuo (荧惑), Mars. The colours of Mars are like fire, and movement is confusing.
    
    Sui Star (岁星), Jupiter. It means the old star. Jupiter travels around the celestial sphere for a week every 12 years. The ancients took Jupiter's position as the standard of the chronology.
    
    Zhen Star (填星), Saturn. Zhen, means passing Lunar Mansions. Saturn travels around the celestial sphere about every 28 years. Saturn will pass through a Lunar Mansion every year.

note: Egyptian sky culture description section in markdown format
en: However there were differences in names. For example, Cancer the Crab is represented by the Scarab Beetle. The figure of the Lion near the Scales (which is not the zodiacal Lion) is the constellation Centaurus [#1].
    
    Earlier constellations are more problematic, but some indications exist that some modern zodiac signs are very ancient indeed [#2], although the constellations did change significantly over time [#3].
    
    The Egyptians recognized five planets and called them the "stars that knew no rest". Their movement across the heavens reminded the Egyptians of the five gods sailing across the sky in their solar barque (boat). The planet now known as Jupiter was called "Horus Who Limits the Two Lands"; Mars was "Horus of the Horizon"; Mercury was "Sebegu", associated with Set; Saturn was "Horus the Bull of the Sky"; and Venus was "the God of the Morning" [#7].
en_AU: However there were differences in names. For example, Cancer the Crab is represented by the Scarab Beetle. The figure of the Lion near the Scales (which is not the zodiacal Lion) is the constellation Centaurus [#1].
    
    Earlier constellations are more problematic, but some indications exist that some modern zodiac signs are very ancient indeed [#2], although the constellations did change significantly over time [#3].
    
    The Egyptians recognised five planets and called them the "stars that knew no rest". Their movement across the heavens reminded the Egyptians of the five gods sailing across the sky in their solar barque (boat). The planet now known as Jupiter was called "Horus Who Limits the Two Lands"; Mars was "Horus of the Horizon"; Mercury was "Sebegu", associated with Set; Saturn was "Horus the Bull of the Sky"; and Venus was "the God of the Morning" [#7].

note: Egyptian (Dendera) sky culture constellations section in markdown format
en: ### Zodiac
    
    The zodiac came to Greece from Babylonian sources. It is unknown whether or not the Egyptians had similar figures: The origin of the zodiac is the path of the Moon and was, thus, important for the Egyptian calendar, too. However, the zodiac depicted in Dendera is definitely the Greek (partially misunderstood) interpretation of the Babylonian one.
    
    The Zodiac is the Babylonian one with the semi-exception of Pisces: Pisces are depicted as two fish which is never found in Babylon and only an analogon is known in Late Babylonian epoch in the city of Uruk. In Uruk, the constellation  was changed to the constellation of the Swallow-Fish connecting a swallow and a fish. In contrast, in Babylon it has always been "The Tails of the Giant Swallow" (Steele 2018).
    
     The other constellations of the zodiac are the Babylonian versions, partially egyptized. Virgo is depicted as the Babylonian Goddess Shala with the Ear of Grain, Capricornus as a Goat-Fish accompanying the Babylonian god of witchcraft (Aquarius), Sagittarius as the Babylonian god Pabilsang. Scorpion, Aries and Cancer leave rather no room for interpretation. Leo is depicted as a usual lion but carries the Egyptian queen Berenice (whose name was given to the constellation Coma Berenices) at his tail. Gemini are not depicted as Twins but as a couple, the Bull is not halved.
    
    ### Outside the Zodiac
    
    The rest of the sky  also shows a mixture of several cultures: The hippo goddess who guards the Ox Thigh is a clearly Egyptian constellation. Interestingly, there is a desert fox and a sheep next to the ox thigh which refers to same positions in the sky as the Babylonian constellations of the Fox and the Ewe.
    
    In contrast to these native Egyptian constellations, there are also native Sumerian ones that are depicted in an Egyptized way: This is marked in the "Translation" of the Stellarium labels.
    
    Interestingly, this depiction explains several Greek names of single stars: e.g. at the position of Capella, there is a whitish Goat in the Dendera ceiling, and at the position of the star Canopus whose name is already attested in Ptolemy's Almagest, there is a Horus-falcon on a canopy jar. It suggests that these were originally Egyptian images that have been transformed to star names in a later epoch in order to commemorate the outdated constellations.
    
    ### Source(s)
    
    <p>This <em>sky culture</em> is a mapping of historical figures onto the stars. The figures are directly copied by hand from the digital photographs that are provided by the Louvre and the <a href="https://en.wikipedia.org/wiki/File:Zodiaque_de_Denderah_aux_couleurs_d'origine.jpg">colours follow roughly the reconstruction by Alexandre N.Isis  (wikicommons, 2013)</a>.</p>
    
    ### Fair Use
    
    This sky culture originates from research. We provide this for free but the authors of contributions certainly deserve to be cited according to the common rules. Thank you!
en_AU: ### Zodiac
    
    The zodiac came to Greece from Babylonian sources. It is unknown whether or not the Egyptians had similar figures: The origin of the zodiac is the path of the Moon and was, thus, important for the Egyptian calendar, too. However, the zodiac depicted in Dendera is definitely the Greek (partially misunderstood) interpretation of the Babylonian one.
    
    The Zodiac is the Babylonian one with the semi-exception of Pisces: Pisces are depicted as two fish which is never found in Babylon and only an analogon is known in Late Babylonian epoch in the city of Uruk. In Uruk, the constellation  was changed to the constellation of the Swallow-Fish connecting a swallow and a fish. In contrast, in Babylon it has always been "The Tails of the Giant Swallow" (Steele 2018).
    
     The other constellations of the zodiac are the Babylonian versions, partially egyptised. Virgo is depicted as the Babylonian Goddess Shala with the Ear of Grain, Capricornus as a Goat-Fish accompanying the Babylonian god of witchcraft (Aquarius), Sagittarius as the Babylonian god Pabilsang. Scorpion, Aries and Cancer leave rather no room for interpretation. Leo is depicted as a usual lion but carries the Egyptian queen Berenice (whose name was given to the constellation Coma Berenices) at his tail. Gemini are not depicted as Twins but as a couple, the Bull is not halved.
    
    ### Outside the Zodiac
    
    The rest of the sky  also shows a mixture of several cultures: The hippo goddess who guards the Ox Thigh is a clearly Egyptian constellation. Interestingly, there is a desert fox and a sheep next to the ox thigh which refers to same positions in the sky as the Babylonian constellations of the Fox and the Ewe.
    
    In contrast to these native Egyptian constellations, there are also native Sumerian ones that are depicted in an Egyptised way: This is marked in the "Translation" of the Stellarium labels.
    
    Interestingly, this depiction explains several Greek names of single stars: e.g. at the position of Capella, there is a whitish Goat in the Dendera ceiling, and at the position of the star Canopus whose name is already attested in Ptolemy's Almagest, there is a Horus-falcon on a canopy jar. It suggests that these were originally Egyptian images that have been transformed to star names in a later epoch in order to commemorate the outdated constellations.
    
    ### Source(s)
    
    <p>This <em>sky culture</em> is a mapping of historical figures onto the stars. The figures are directly copied by hand from the digital photographs that are provided by the Louvre and the <a href="https://en.wikipedia.org/wiki/File:Zodiaque_de_Denderah_aux_couleurs_d'origine.jpg">colours follow roughly the reconstruction by Alexandre N.Isis  (wikicommons, 2013)</a>.</p>
    
    ### Fair Use
    
    This sky culture originates from research. We provide this for free but the authors of contributions certainly deserve to be cited according to the common rules. Thank you!

note: Greek (Almagest) sky culture description section in markdown format
en: The Almagest consists of 13 sections, called books. In the seventh
    and eighth book, Ptolemy listed a total of 1022 stars in 48 constellations
    (among which are about 5 star-like objects like globular star clusters).
    It is a table of coordinates of the stars with a description of their
    position in the constellation (such as "star at the elbow of X, longitude,
    latitude, magnitude"). With regard to precession, Ptolemy used ecliptic
    coordinates. As one of the first of his time, Ptolemy included the
    magnitude, a quantitative scale of stellar brightness, probably adopted
    from Hipparchus (which is not certain because Hipparchus&rsquo; catalog
    is not preserved). The scale starts with the brightest star with the
    magnitude of 1, going down to magnitude of 6, for the faintest stars
    visible.
    
    <p>For the computation of planet positions Ptolemy used a geocentric model
    (which is allowed because the observer always stands on Earth) and, thus,
    contributed to the scientific belief that the heliocentric model by
    Aristarch was not needed. However, for the star catalogue of the
    <i>Almagest</i> this does not matter at all because a star catalogue
    always represents a sort of inventory of the fixed dots in the sky and
    Ptolemy's proclaimed aim of the catalogue is to provide a list for making
    a celestial globe (see Alm., VIII, 3). Being aware of precession he wants
    to ease the business of future globemakers by using ecliptical coordinates:
    Precession as known to Ptolemy shifts all stars parallel to the ecliptic,
    therefore updates to the epoch of the respective globemaker could be
    applied by a simple subtraction of the value for ecliptic longitude.</p>
    
    ### How this sky culture was made
    
    ### Star names
    
    Out of more than 1,000 stars, Ptolemy mentions a proper name for only 15.
    The rest are identified by fairly long descriptions such as "The star on
    the end of the tail" for the Polaris. In order to avoid displaying such long
    strings across the screen in Stellarium, we invented short labels for all
    Almagest stars based on the constellation and the order in which they appear in
    the catalogue.  For example, Polaris is given a designation "UMi 1" because
    it is the first star in the constellation of Small Bear (UMi).  See the table
    below for the correspondence between Ptolemy constellations and IAU abbreviations.
    In addition, where Ptolemy describes a star as lying outside of the figure,
    we use lowercase letters in the corresponding label. To see the long description
    for a given star, users should enable "Use additional names of stars" in the
    "View [F4]/Sky" settings and click on the star. The long description will then
    be displayed at the top of the screen.
    
    ### Constellation lines
    
    The process can be described as sketched here with the example of
    Corvus:
    
    In the constellation of Corvus (Raven), &alpha; Crv is the star in
    the &quot;head of the raven&quot;. It is connected with the &quot;star
    in the neck&quot;, &epsilon; Crv.  This one is connected with &quot;the
    star in the breast&quot; &zeta; Crv.  From there two lines go to the
    tips of the wings. &gamma; Crv is the star in the advanced wing and
    &delta; Crv the star in the rear wing. From the star in the breast
    another line goes to the &quot;foot of the raven&quot;, the star &beta;
    Crv.
    
    <p><img width="800" src="illustrations/corvus_s.png" /></p>
    <p>After identifying the stars based on their coordinates and names, we
    reconnected the stars according to the descriptions in the table
    presented in the <i>Almagest</i>.</p>
    <p>The names of stars and names of deep sky objects rely on the Almagest
    only, e.g. Ptolemy uses the name &quot;&lambda;&alpha;&mu;&pi;&alpha;&delta;&#943;&alpha;&sigmaf;
    (The Torch-like)&quot; for Aldebaran in his other work, the
    <i>Tetrabiblos</i>, but this is not implemented in this sky culture because
    it doesn't show up in the Almagest.</p>
    
    The following table displays the original constellation name in Greek and its
    English translation (column 2 and 3) and denotes our uncertainties in
    the reconstruction (column 6).
    
    <table>
    <tr valign="top">
    	<td><b>Abbreviation</b></td>
    	<td><b>Original name</b></td>
    	<td><b>Translation</b> (direct)</td>
    	<td><b>IAU (Latin) name</b></td>
    	<td><b>hints to constellation</b></td>
    	<td><b>freedom of art</b></td>
    </tr>
    <tr valign="top">
    	<td><notr>UMi</notr></td>
    	<td><notr>&Mu;&iota;&kappa;&rho;&#942; &#702;&#714;&Alpha;&rho;&kappa;&tau;&omicron;&sigmaf;</notr></td>
    	<td>Small She-Bear</td>
    	<td><notr>Ursa Minor</notr></td>
    	<td>like IAU constellation</td>
    	<td></td>
    </tr>
    <tr valign="top">
    	<td><notr>UMa</notr></td>
    	<td><notr>&Mu;&epsilon;&gamma;&alpha;&lambda;&#942; &#702;&#714;&Alpha;&rho;&kappa;&tau;&omicron;&sigmaf;</notr></td>
    	<td>Great She-Bear</td>
    	<td><notr>Ursa Major</notr></td>
    	<td>like IAU constellation</td>
    	<td></td>
    </tr>
    <tr valign="top">
    	<td><notr>Dra</notr></td>
    	<td><notr>&Delta;&rho;&#940;&kappa;&omega;&nu;</notr></td>
    	<td>Dragon</td>
    	<td><notr>Draco</notr></td>
    	<td>all triangles or squares are vertebra or parts of the body; line at the head is the tongue</td>
    	<td></td>
    </tr>
    	<tr valign="top">
    	<td><notr>Cep</notr></td>
    	<td><notr>&Kappa;&eta;&phi;&epsilon;&#973;&sigmaf;</notr></td>
    	<td>Kepheus</td>
    	<td><notr>Cepheus</notr></td>
    	<td>king, upside down </td>
    	<td>three head stars are tiara; &beta; seen as part of the belt, although Almagest says beneath belt</td>
    </tr>
    <tr valign="top">
    	<td><notr>Boo</notr></td>
    	<td><notr>&Beta;&omicron;&#974;&tau;&eta;&sigmaf;</notr></td>
    	<td>Ploughman</td>
    	<td><notr>Bo&ouml;tes</notr></td>
    	<td>has a shepherd's staff in his hand (&omega;)</td>
    	<td>star HIP 72582 added as neck star</td>
    </tr>
    <tr valign="top">
    	<td><notr>CrB</notr></td>
    	<td><notr>&Sigma;&tau;&#941;&phi;&alpha;&nu;&omicron;&sigmaf;</notr></td>
    	<td>Crown</td>
    	<td><notr>Corona Borealis</notr></td>
    	<td>like IAU constellation; no details for lines in the text</td>
    	<td></td>
    </tr>
    <tr valign="top">
    	<td><notr>Her</notr></td>
    	<td><notr>&#703;&Epsilon;&nu;&gamma;&#972;&nu;&alpha;&sigma;&iota;&nu;</notr></td>
    	<td>Kneeler</td>
    	<td><notr>Hercules</notr></td>
    	<td>one of the foot stars is top of staff of Bootes</td>
    	<td>star HIP 82764 added as neck star</td>
    </tr>
    <tr valign="top">
    	<td><notr>Lyr</notr></td>
    	<td><notr>&Lambda;&#973;&rho;&alpha;</notr></td>
    	<td>Lyre</td>
    	<td><notr>Lyra</notr></td>
    	<td></td>
    	<td></td>
    </tr>
    <tr valign="top">
    	<td><notr>Cyg</notr></td>
    	<td><notr>&#702;&#714;&Omicron;&rho;&nu;&iota;&sigmaf;</notr></td>
    	<td>Bird</td>
    	<td><notr>Cygnus</notr></td>
    	<td>swan with legs</td>
    	<td>Tips of wings connected with tail</td>
    </tr>
    <tr valign="top">
    	<td><notr>Cas</notr></td>
    	<td><notr>&Kappa;&alpha;&sigma;&sigma;&iota;&#941;&pi;&epsilon;&iota;&alpha;</notr></td>
    	<td>Kassiepeia</td>
    	<td><notr>Cassiopeia</notr></td>
    	<td>Queen sitting on a throne</td>
    	<td>to avoid confusion we did not draw the throne</td>
    </tr>
    <tr valign="top">
    	<td><notr>Per</notr></td>
    	<td><notr>&Pi;&epsilon;&rho;&sigma;&epsilon;&#973;&sigmaf;</notr></td>
    	<td>Perseus</td>
    	<td><notr>Perseus</notr></td>
    	<td>Double star cluster NGC 869 and NGC 884 as Deep Sky Object - &gt;one of the stars in the cluster was used for drawing</td>
    	<td>one of the stars in Gorgon-head is added to make the head look more spherical</td>
    </tr>
    <tr valign="top">
    	<td><notr>Aur</notr></td>
    	<td><notr>&#703;&Eta;&nu;&#943;&omicron;&chi;&omicron;&sigmaf;</notr></td>
    	<td>Charioteer</td>
    	<td><notr>Auriga</notr></td>
    	<td>wears long garment; garment limited through shoulders and hem</td>
    	<td>&omicron; Aur added as neck star; 1 Aur added as hem star</td>
    </tr>
    <tr valign="top">
    	<td><notr>Oph</notr></td>
    	<td><notr>&#702;&Omicron;&phi;&iota;&omicron;&#973;&chi;&omicron;&sigmaf;</notr></td>
    	<td>Serpent Bearer</td>
    	<td><notr>Ophiuchus</notr></td>
    	<td>has serpent in his hand</td>
    	<td>a star added as neck star</td>
    </tr>
    <tr valign="top">
    	<td><notr>Ser</notr></td>
    	<td><notr>&#702;&#714;&Omicron;&phi;&iota;&sigmaf;</notr></td>
    	<td>Snake</td>
    	<td><notr>Serpens</notr></td>
    	<td>two separate parts of the snake (head and tail); square is head</td>
    	<td></td>
    </tr>
    <tr valign="top">
    	<td><notr>Sge</notr></td>
    	<td><notr>&#702;&Omicron;&iota;&sigma;&tau;&#972;&sigmaf;</notr></td>
    	<td>Arrow</td>
    	<td><notr>Sagitta</notr></td>
    	<td>Like IAU constellation, &eta; Sge is missing </td>
    	<td></td>
    </tr>
    <tr valign="top">
    	<td><notr>Aql</notr></td>
    	<td><notr>&#702;&Alpha;&epsilon;&tau;&#972;&sigmaf;</notr></td>
    	<td>Eagle</td>
    	<td><notr>Aquila</notr></td>
    	<td>&tau; Aql as head star, &beta; as neck, Altair is between shoulders, &gamma; and &mu; are shoulders</td>
    	<td></td>
    </tr>
    <tr valign="top">
    	<td><notr>Del</notr></td>
    	<td><notr>&Delta;&epsilon;&lambda;&phi;&#943;&sigmaf;</notr></td>
    	<td>Dolphin</td>
    	<td><notr>Delphinus</notr></td>
    	<td></td>
    	<td>refined shape</td>
    </tr>
    <tr valign="top">
    	<td><notr>Equ</notr></td>
    	<td><notr>&Pi;&rho;&omicron;&tau;&omicron;&mu;&#942;</notr></td>
    	<td>Bust [of a horse]</td>
    	<td><notr>Equuleus</notr></td>
    	<td></td>
    	<td></td>
    </tr>
    <tr valign="top">
    	<td><notr>Peg</notr></td>
    	<td><notr>&#703;&#714;&Iota;&pi;&pi;&omicron;&sigmaf;</notr></td>
    	<td>Horse</td>
    	<td><notr>Pegasus</notr></td>
    	<td>with mane and one wing</td>
    	<td></td>
    </tr>
    <tr valign="top">
    	<td><notr>And</notr></td>
    	<td><notr>&#702;&Alpha;&nu;&delta;&rho;&omicron;&mu;&#941;&delta;&alpha;</notr></td>
    	<td>Andromeda</td>
    	<td class='latin'><notr>Andromeda</notr></td>
    	<td>dress and belt</td>
    	<td></td>
    </tr>
    <tr valign="top">
    	<td><notr>Tri</notr></td>
    	<td><notr>&Tau;&rho;&#943;&gamma;&omega;&nu;&omicron;&sigmaf;</notr></td>
    	<td>Triangle</td>
    	<td><notr>Triangulum</notr></td>
    	<td>four given stars &#61664; middle star of one side</td>
    	<td></td>
    </tr>
    <tr valign="top">
    	<td><notr>Ari</notr></td>
    	<td><notr>&Kappa;&rho;&iota;&#972;&sigmaf;</notr></td>
    	<td>Ram</td>
    	<td><notr>Aries</notr></td>
    	<td>turned head; only one horn</td>
    	<td></td>
    </tr>
    <tr valign="top">
    	<td><notr>Tau</notr></td>
    	<td><notr>&Tau;&alpha;&upsilon;&#771;&rho;&omicron;&sigmaf;</notr></td>
    	<td>Bull</td>
    	<td><notr>Taurus</notr></td>
    	<td>half body, only two legs visible; direction of view to observer</td>
    	<td></td>
    </tr>
    <tr valign="top">
    	<td><notr>Gem</notr></td>
    	<td><notr>&Delta;&#943;&delta;&upsilon;&mu;&omicron;&iota;</notr></td>
    	<td>Twins</td>
    	<td><notr>Gemini</notr></td>
    	<td>one star in common; touching each other with hands</td>
    	<td></td>
    </tr>
    <tr valign="top">
    	<td><notr>Cnc</notr></td>
    	<td><notr>&Kappa;&alpha;&rho;&kappa;&#943;&nu;&omicron;&sigmaf;</notr></td>
    	<td>Crab</td>
    	<td><notr>Cancer</notr></td>
    	<td>square body</td>
    	<td></td>
    </tr>
    <tr valign="top">
    	<td><notr>Leo</notr></td>
    	<td><notr>&Lambda;&#941;&omega;&nu;</notr></td>
    	<td>Lion</td>
    	<td><notr>Leo</notr></td>
    	<td>opens jaw</td>
    	<td></td>
    </tr>
    <tr valign="top">
    	<td><notr>Vir</notr></td>
    	<td><notr>&Pi;&alpha;&rho;&theta;&#941;&nu;&omicron;&sigmaf;</notr></td>
    	<td>Maiden</td>
    	<td><notr>Virgo</notr></td>
    	<td>no separate head</td>
    	<td>fainter stars added to draw the wings</td>
    </tr>
    <tr valign="top">
    	<td><notr>Lib</notr></td>
    	<td><notr>&Chi;&eta;&lambda;&alpha;&#943;</notr></td>
    	<td>Claws [of the Scorpion]</td>
    	<td><notr>Libra</notr></td>
    	<td>Ptolemy always uses the term &quot;claws&quot;, never &quot;the balance&quot;.</td>
    	<td></td>
    </tr>
    <tr valign="top">
    	<td><notr>Sco</notr></td>
    	<td><notr>&Sigma;&kappa;&omicron;&rho;&pi;&#943;&omicron;&sigmaf;</notr></td>
    	<td>Scorpion</td>
    	<td><notr>Scorpius</notr></td>
    	<td></td>
    	<td>arms added around the head: &nu; and &rho;</td>
    </tr>
    <tr valign="top">
    	<td><notr>Sgr</notr></td>
    	<td><notr>&Tau;&omicron;&xi;&#972;&tau;&eta;&sigmaf;</notr></td>
    	<td>Archer</td>
    	<td><notr>Sagittarius</notr></td>
    	<td>a centaur with  bow ahead; &bdquo;cloak&ldquo; behind</td>
    	<td>we included many faint stars in our stick figure in order to make the picture clear.</td>
    </tr>
    <tr valign="top">
    	<td><notr>Cap</notr></td>
    	<td><notr>&Alpha;&#943;&gamma;&#972;&kappa;&epsilon;&rho;&omicron;&sigmaf;</notr></td>
    	<td>The One with the Goat's Horn</td>
    	<td><notr>Capricornus</notr></td>
    	<td>fish tail; two legs visible</td>
    	<td></td>
    </tr>
    <tr valign="top">
    	<td><notr>Aqr</notr></td>
    	<td><notr>&#703;&Upsilon;&delta;&rho;&omicron;&chi;&#972;&omicron;&sigmaf;</notr></td>
    	<td>Water-Carrier</td>
    	<td><notr>Aquarius</notr></td>
    	<td>water out of jug</td>
    	<td></td>
    </tr>
    <tr valign="top">
    	<td><notr>Psc</notr></td>
    	<td><notr>&#702;&Iota;&chi;&theta;&#973;&epsilon;&sigmaf;</notr></td>
    	<td>[2] Fish</td>
    	<td><notr>Pisces</notr></td>
    	<td></td>
    	<td>northern fish: 68(h), 67(k), and 65(i) described as head in Almagest but we took them as fin because mouth should be at g and &tau; Psc. Additional change on tail fin: extended to &rho;</td>
    </tr>
    <tr valign="top">
    	<td><notr>Cet</notr></td>
    	<td><notr>&Kappa;&eta;&#771;&tau;&omicron;&sigmaf;</notr></td>
    	<td>Sea Monster</td>
    	<td><notr>Cetus</notr></td>
    	<td></td>
    	<td>Body does not go through star &tau;, but through star &upsilon;</td>
    </tr>
    <tr valign="top">
    	<td><notr>Ori</notr></td>
    	<td><notr>&#702;&Omega;&rho;&#943;&omega;&nu;</notr></td>
    	<td>Orion</td>
    	<td class='latin'><notr>Orion</notr></td>
    	<td></td>
    	<td>The &quot;head&quot; is labeled as &quot;nebulous&quot; which means Ptolemy interpreted &phi;<sub>1</sub>, &phi;<sub>2</sub>, and  &lambda;, together with fainter stars between them as a &quot;cluster&quot; (or association which is more extended than the modern &quot;&lambda; Ori Assoc.&quot;). Head does not have direct connection to the shoulder stars anymore, but a connection to a star between the stars in the shoulders.</td>
    </tr>
    <tr valign="top">
    	<td><notr>Eri</notr></td>
    	<td><notr>&Pi;&omicron;&tau;&alpha;&mu;&omicron;&#972;&sigmaf;</notr></td>
    	<td>River [nameless]</td>
    	<td><notr>Eridanus</notr></td>
    	<td>Like IAU constellation, but shorter</td>
    	<td></td>
    </tr>
    <tr valign="top">
    	<td><notr>Lep</notr></td>
    	<td><notr>&Lambda;&alpha;&gamma;&omega;&#771;&sigmaf;</notr></td>
    	<td>Hare</td>
    	<td><notr>Lepus</notr></td>
    	<td></td>
    	<td>took the "4 stars over the ear" as ear</td>
    </tr>
    <tr valign="top">
    	<td><notr>CMa</notr></td>
    	<td><notr>&Kappa;&#973;&omega;&nu;</notr></td>
    	<td>Dog</td>
    	<td><notr>Canis Major</notr></td>
    	<td></td>
    	<td></td>
    </tr>
    <tr valign="top">
    	<td><notr>CMi</notr></td>
    	<td><notr>&Pi;&rho;&omicron;&kappa;&#973;&omega;&nu;</notr></td>
    	<td>The One before the Dog</td>
    	<td><notr>Canis Minor</notr></td>
    	<td></td>
    	<td>In Almagest, the name of the constellation is &quot;The One before the Dog&quot; or &quot;Harbinger of Sirius&quot; as Toomer puts it. However, &beta; CMi is called &quot;the neck&quot; (of whom is unknown).</td>
    </tr>
    <tr valign="top">
    	<td><notr>Arg</notr></td>
    	<td><notr>&#702;&Alpha;&rho;&gamma;&omega;</notr></td>
    	<td>Ship &quot;Argo&quot;</td>
    	<td><notr>Argo</notr></td>
    	<td>smaller than the sum of the IAU-constellations Pup+Pyx+Car+Vel</td>
    	<td>Many stars not integrated in the constellation, to create a boat-like shape; in many depictions (including the ancient Farnese globe), only a half of a ship is painted.</td>
    </tr>
    <tr valign="top">
    	<td><notr>Hya</notr></td>
    	<td><notr>&#703;&#714;&Upsilon;&delta;&rho;&omicron;&sigmaf;</notr></td>
    	<td>Water Snake</td>
    	<td><notr>Hydra</notr></td>
    	<td>like IAU constellation</td>
    	<td></td>
    </tr>
    <tr valign="top">
    	<td><notr>Crt</notr></td>
    	<td><notr>&Kappa;&rho;&alpha;&tau;&#768;&eta;&rho;</notr></td>
    	<td>Krater (vessel)</td>
    	<td><notr>Crater</notr></td>
    	<td></td>
    	<td>a Krater is special Greek wine mixing vessel which looks like an amphora or vase: <a href="https://en.wikipedia.org/wiki/Krater">https://en.wikipedia.org/wiki/Krater</a> Ptolemy describes only one star in the foot (&alpha; Crt) and two handles (&eta;, &theta; Crt)</td>
    </tr>
    <tr valign="top">
    	<td><notr>Crv</notr></td>
    	<td><notr>&Kappa;&oacute;&rho;&alpha;&xi;</notr></td>
    	<td>Raven</td>
    	<td><notr>Corvus</notr></td>
    	<td>like IAU constellation</td>
    	<td></td>
    </tr>
    <tr valign="top">
    	<td><notr>Cen</notr></td>
    	<td><notr>&Kappa;&#941;&nu;&tau;&alpha;&upsilon;&rho;&omicron;&sigmaf;</notr></td>
    	<td>Kentauros</td>
    	<td><notr>Centaurus</notr></td>
    	<td></td>
    	<td>deviation from description: HIP 65373 instead of &omega; Cen (cluster) taken as star on the back. &lsquo;Thyrsus&lsquo; not drawn (to avoid confusion), backward arm added.</td>
    </tr>
    <tr valign="top">
    	<td><notr>Lup</notr></td>
    	<td><notr>&Theta;&eta;&rho;&#943;&omicron;&nu;</notr></td>
    	<td>Beast</td>
    	<td><notr>Lupus</notr></td>
    	<td></td>
    	<td>&beta; described as &lsquo;End of hind leg&lsquo; -> taken as star in the belly; &tau;<sub>1</sub> as hindleg; &chi; in head, because otherwise shapelessness arises; HIP 73493 taken as foreleg</td>
    </tr>
    <tr valign="top">
    	<td><notr>Ara</notr></td>
    	<td><notr>&Theta;&upsilon;&mu;&iota;&alpha;&tau;&#942;&rho;&iota;&omicron;&nu;</notr></td>
    	<td>Altar</td>
    	<td><notr>Ara</notr></td>
    	<td>like IAU constellation</td>
    	<td></td>
    </tr>
    <tr valign="top">
    	<td><notr>CrA</notr></td>
    	<td><notr>&Sigma;&tau;&#941;&phi;&alpha;&nu;&omicron;&sigmaf; &Nu;&#972;&tau;&iota;&omicron;&sigmaf;</notr></td>
    	<td>Southern Crown</td>
    	<td><notr>Corona Australis</notr></td>
    	<td>like IAU constellation; only uncertainty with stars that only got a BSC number in the Almagest, because these are not clearly to identify in Stellarium</td>
    	<td></td>
    </tr>
    <tr valign="top">
    	<td><notr>PsA</notr></td>
    	<td><notr>&Nu;&#972;&tau;&iota;&omicron;&sigmaf; &#702;&Iota;&chi;&theta;&#973;&sigmaf;</notr></td>
    	<td>Southern Fish</td>
    	<td><notr>Piscis Austrinus</notr></td>
    	<td>the fish is laying on his back</td>
    	<td>the fish is apparently dead: the belly up, or an eelwith twisted spine; we added a few stars to mark the tail fin whose tip is given as &beta; PsA.</td>
    </tr>
    </table>
    
    ### Fair Use
    
    This sky culture originates from a student's year of research. We provide this for free but
    authors of contributions certainly deserve to be cited according to the common rules. Thank you!
    
    ### Thanks
    
    The authors thank Patrick Gleason and Georg Zotti for English proofreading and interesting discussions.
en_AU: The Almagest consists of 13 sections, called books. In the seventh
    and eighth book, Ptolemy listed a total of 1022 stars in 48 constellations
    (among which are about 5 star-like objects like globular star clusters).
    It is a table of coordinates of the stars with a description of their
    position in the constellation (such as "star at the elbow of X, longitude,
    latitude, magnitude"). With regard to precession, Ptolemy used ecliptic
    coordinates. As one of the first of his time, Ptolemy included the
    magnitude, a quantitative scale of stellar brightness, probably adopted
    from Hipparchus (which is not certain because Hipparchus&rsquo; catalogue
    is not preserved). The scale starts with the brightest star with the
    magnitude of 1, going down to magnitude of 6, for the faintest stars
    visible.
    
    <p>For the computation of planet positions Ptolemy used a geocentric model
    (which is allowed because the observer always stands on Earth) and, thus,
    contributed to the scientific belief that the heliocentric model by
    Aristarch was not needed. However, for the star catalogue of the
    <i>Almagest</i> this does not matter at all because a star catalogue
    always represents a sort of inventory of the fixed dots in the sky and
    Ptolemy's proclaimed aim of the catalogue is to provide a list for making
    a celestial globe (see Alm., VIII, 3). Being aware of precession he wants
    to ease the business of future globemakers by using ecliptical coordinates:
    Precession as known to Ptolemy shifts all stars parallel to the ecliptic,
    therefore updates to the epoch of the respective globemaker could be
    applied by a simple subtraction of the value for ecliptic longitude.</p>
    
    ### How this sky culture was made
    
    ### Star names
    
    Out of more than 1,000 stars, Ptolemy mentions a proper name for only 15.
    The rest are identified by fairly long descriptions such as "The star on
    the end of the tail" for the Polaris. In order to avoid displaying such long
    strings across the screen in Stellarium, we invented short labels for all
    Almagest stars based on the constellation and the order in which they appear in
    the catalogue.  For example, Polaris is given a designation "UMi 1" because
    it is the first star in the constellation of Small Bear (UMi).  See the table
    below for the correspondence between Ptolemy constellations and IAU abbreviations.
    In addition, where Ptolemy describes a star as lying outside of the figure,
    we use lowercase letters in the corresponding label. To see the long description
    for a given star, users should enable "Use additional names of stars" in the
    "View [F4]/Sky" settings and click on the star. The long description will then
    be displayed at the top of the screen.
    
    ### Constellation lines
    
    The process can be described as sketched here with the example of
    Corvus:
    
    In the constellation of Corvus (Raven), &alpha; Crv is the star in
    the &quot;head of the raven&quot;. It is connected with the &quot;star
    in the neck&quot;, &epsilon; Crv.  This one is connected with &quot;the
    star in the breast&quot; &zeta; Crv.  From there two lines go to the
    tips of the wings. &gamma; Crv is the star in the advanced wing and
    &delta; Crv the star in the rear wing. From the star in the breast
    another line goes to the &quot;foot of the raven&quot;, the star &beta;
    Crv.
    
    <p><img width="800" src="illustrations/corvus_s.png" /></p>
    <p>After identifying the stars based on their coordinates and names, we
    reconnected the stars according to the descriptions in the table
    presented in the <i>Almagest</i>.</p>
    <p>The names of stars and names of deep sky objects rely on the Almagest
    only, e.g. Ptolemy uses the name &quot;&lambda;&alpha;&mu;&pi;&alpha;&delta;&#943;&alpha;&sigmaf;
    (The Torch-like)&quot; for Aldebaran in his other work, the
    <i>Tetrabiblos</i>, but this is not implemented in this sky culture because
    it doesn't show up in the Almagest.</p>
    
    The following table displays the original constellation name in Greek and its
    English translation (column 2 and 3) and denotes our uncertainties in
    the reconstruction (column 6).
    
    <table>
    <tr valign="top">
    	<td><b>Abbreviation</b></td>
    	<td><b>Original name</b></td>
    	<td><b>Translation</b> (direct)</td>
    	<td><b>IAU (Latin) name</b></td>
    	<td><b>hints to constellation</b></td>
    	<td><b>freedom of art</b></td>
    </tr>
    <tr valign="top">
    	<td><notr>UMi</notr></td>
    	<td><notr>&Mu;&iota;&kappa;&rho;&#942; &#702;&#714;&Alpha;&rho;&kappa;&tau;&omicron;&sigmaf;</notr></td>
    	<td>Small She-Bear</td>
    	<td><notr>Ursa Minor</notr></td>
    	<td>like IAU constellation</td>
    	<td></td>
    </tr>
    <tr valign="top">
    	<td><notr>UMa</notr></td>
    	<td><notr>&Mu;&epsilon;&gamma;&alpha;&lambda;&#942; &#702;&#714;&Alpha;&rho;&kappa;&tau;&omicron;&sigmaf;</notr></td>
    	<td>Great She-Bear</td>
    	<td><notr>Ursa Major</notr></td>
    	<td>like IAU constellation</td>
    	<td></td>
    </tr>
    <tr valign="top">
    	<td><notr>Dra</notr></td>
    	<td><notr>&Delta;&rho;&#940;&kappa;&omega;&nu;</notr></td>
    	<td>Dragon</td>
    	<td><notr>Draco</notr></td>
    	<td>all triangles or squares are vertebra or parts of the body; line at the head is the tongue</td>
    	<td></td>
    </tr>
    	<tr valign="top">
    	<td><notr>Cep</notr></td>
    	<td><notr>&Kappa;&eta;&phi;&epsilon;&#973;&sigmaf;</notr></td>
    	<td>Kepheus</td>
    	<td><notr>Cepheus</notr></td>
    	<td>king, upside down </td>
    	<td>three head stars are tiara; &beta; seen as part of the belt, although Almagest says beneath belt</td>
    </tr>
    <tr valign="top">
    	<td><notr>Boo</notr></td>
    	<td><notr>&Beta;&omicron;&#974;&tau;&eta;&sigmaf;</notr></td>
    	<td>Ploughman</td>
    	<td><notr>Bo&ouml;tes</notr></td>
    	<td>has a shepherd's staff in his hand (&omega;)</td>
    	<td>star HIP 72582 added as neck star</td>
    </tr>
    <tr valign="top">
    	<td><notr>CrB</notr></td>
    	<td><notr>&Sigma;&tau;&#941;&phi;&alpha;&nu;&omicron;&sigmaf;</notr></td>
    	<td>Crown</td>
    	<td><notr>Corona Borealis</notr></td>
    	<td>like IAU constellation; no details for lines in the text</td>
    	<td></td>
    </tr>
    <tr valign="top">
    	<td><notr>Her</notr></td>
    	<td><notr>&#703;&Epsilon;&nu;&gamma;&#972;&nu;&alpha;&sigma;&iota;&nu;</notr></td>
    	<td>Kneeler</td>
    	<td><notr>Hercules</notr></td>
    	<td>one of the foot stars is top of staff of Bootes</td>
    	<td>star HIP 82764 added as neck star</td>
    </tr>
    <tr valign="top">
    	<td><notr>Lyr</notr></td>
    	<td><notr>&Lambda;&#973;&rho;&alpha;</notr></td>
    	<td>Lyre</td>
    	<td><notr>Lyra</notr></td>
    	<td></td>
    	<td></td>
    </tr>
    <tr valign="top">
    	<td><notr>Cyg</notr></td>
    	<td><notr>&#702;&#714;&Omicron;&rho;&nu;&iota;&sigmaf;</notr></td>
    	<td>Bird</td>
    	<td><notr>Cygnus</notr></td>
    	<td>swan with legs</td>
    	<td>Tips of wings connected with tail</td>
    </tr>
    <tr valign="top">
    	<td><notr>Cas</notr></td>
    	<td><notr>&Kappa;&alpha;&sigma;&sigma;&iota;&#941;&pi;&epsilon;&iota;&alpha;</notr></td>
    	<td>Kassiepeia</td>
    	<td><notr>Cassiopeia</notr></td>
    	<td>Queen sitting on a throne</td>
    	<td>to avoid confusion we did not draw the throne</td>
    </tr>
    <tr valign="top">
    	<td><notr>Per</notr></td>
    	<td><notr>&Pi;&epsilon;&rho;&sigma;&epsilon;&#973;&sigmaf;</notr></td>
    	<td>Perseus</td>
    	<td><notr>Perseus</notr></td>
    	<td>Double star cluster NGC 869 and NGC 884 as Deep Sky Object - &gt;one of the stars in the cluster was used for drawing</td>
    	<td>one of the stars in Gorgon-head is added to make the head look more spherical</td>
    </tr>
    <tr valign="top">
    	<td><notr>Aur</notr></td>
    	<td><notr>&#703;&Eta;&nu;&#943;&omicron;&chi;&omicron;&sigmaf;</notr></td>
    	<td>Charioteer</td>
    	<td><notr>Auriga</notr></td>
    	<td>wears long garment; garment limited through shoulders and hem</td>
    	<td>&omicron; Aur added as neck star; 1 Aur added as hem star</td>
    </tr>
    <tr valign="top">
    	<td><notr>Oph</notr></td>
    	<td><notr>&#702;&Omicron;&phi;&iota;&omicron;&#973;&chi;&omicron;&sigmaf;</notr></td>
    	<td>Serpent Bearer</td>
    	<td><notr>Ophiuchus</notr></td>
    	<td>has serpent in his hand</td>
    	<td>a star added as neck star</td>
    </tr>
    <tr valign="top">
    	<td><notr>Ser</notr></td>
    	<td><notr>&#702;&#714;&Omicron;&phi;&iota;&sigmaf;</notr></td>
    	<td>Snake</td>
    	<td><notr>Serpens</notr></td>
    	<td>two separate parts of the snake (head and tail); square is head</td>
    	<td></td>
    </tr>
    <tr valign="top">
    	<td><notr>Sge</notr></td>
    	<td><notr>&#702;&Omicron;&iota;&sigma;&tau;&#972;&sigmaf;</notr></td>
    	<td>Arrow</td>
    	<td><notr>Sagitta</notr></td>
    	<td>Like IAU constellation, &eta; Sge is missing </td>
    	<td></td>
    </tr>
    <tr valign="top">
    	<td><notr>Aql</notr></td>
    	<td><notr>&#702;&Alpha;&epsilon;&tau;&#972;&sigmaf;</notr></td>
    	<td>Eagle</td>
    	<td><notr>Aquila</notr></td>
    	<td>&tau; Aql as head star, &beta; as neck, Altair is between shoulders, &gamma; and &mu; are shoulders</td>
    	<td></td>
    </tr>
    <tr valign="top">
    	<td><notr>Del</notr></td>
    	<td><notr>&Delta;&epsilon;&lambda;&phi;&#943;&sigmaf;</notr></td>
    	<td>Dolphin</td>
    	<td><notr>Delphinus</notr></td>
    	<td></td>
    	<td>refined shape</td>
    </tr>
    <tr valign="top">
    	<td><notr>Equ</notr></td>
    	<td><notr>&Pi;&rho;&omicron;&tau;&omicron;&mu;&#942;</notr></td>
    	<td>Bust [of a horse]</td>
    	<td><notr>Equuleus</notr></td>
    	<td></td>
    	<td></td>
    </tr>
    <tr valign="top">
    	<td><notr>Peg</notr></td>
    	<td><notr>&#703;&#714;&Iota;&pi;&pi;&omicron;&sigmaf;</notr></td>
    	<td>Horse</td>
    	<td><notr>Pegasus</notr></td>
    	<td>with mane and one wing</td>
    	<td></td>
    </tr>
    <tr valign="top">
    	<td><notr>And</notr></td>
    	<td><notr>&#702;&Alpha;&nu;&delta;&rho;&omicron;&mu;&#941;&delta;&alpha;</notr></td>
    	<td>Andromeda</td>
    	<td class='latin'><notr>Andromeda</notr></td>
    	<td>dress and belt</td>
    	<td></td>
    </tr>
    <tr valign="top">
    	<td><notr>Tri</notr></td>
    	<td><notr>&Tau;&rho;&#943;&gamma;&omega;&nu;&omicron;&sigmaf;</notr></td>
    	<td>Triangle</td>
    	<td><notr>Triangulum</notr></td>
    	<td>four given stars &#61664; middle star of one side</td>
    	<td></td>
    </tr>
    <tr valign="top">
    	<td><notr>Ari</notr></td>
    	<td><notr>&Kappa;&rho;&iota;&#972;&sigmaf;</notr></td>
    	<td>Ram</td>
    	<td><notr>Aries</notr></td>
    	<td>turned head; only one horn</td>
    	<td></td>
    </tr>
    <tr valign="top">
    	<td><notr>Tau</notr></td>
    	<td><notr>&Tau;&alpha;&upsilon;&#771;&rho;&omicron;&sigmaf;</notr></td>
    	<td>Bull</td>
    	<td><notr>Taurus</notr></td>
    	<td>half body, only two legs visible; direction of view to observer</td>
    	<td></td>
    </tr>
    <tr valign="top">
    	<td><notr>Gem</notr></td>
    	<td><notr>&Delta;&#943;&delta;&upsilon;&mu;&omicron;&iota;</notr></td>
    	<td>Twins</td>
    	<td><notr>Gemini</notr></td>
    	<td>one star in common; touching each other with hands</td>
    	<td></td>
    </tr>
    <tr valign="top">
    	<td><notr>Cnc</notr></td>
    	<td><notr>&Kappa;&alpha;&rho;&kappa;&#943;&nu;&omicron;&sigmaf;</notr></td>
    	<td>Crab</td>
    	<td><notr>Cancer</notr></td>
    	<td>square body</td>
    	<td></td>
    </tr>
    <tr valign="top">
    	<td><notr>Leo</notr></td>
    	<td><notr>&Lambda;&#941;&omega;&nu;</notr></td>
    	<td>Lion</td>
    	<td><notr>Leo</notr></td>
    	<td>opens jaw</td>
    	<td></td>
    </tr>
    <tr valign="top">
    	<td><notr>Vir</notr></td>
    	<td><notr>&Pi;&alpha;&rho;&theta;&#941;&nu;&omicron;&sigmaf;</notr></td>
    	<td>Maiden</td>
    	<td><notr>Virgo</notr></td>
    	<td>no separate head</td>
    	<td>fainter stars added to draw the wings</td>
    </tr>
    <tr valign="top">
    	<td><notr>Lib</notr></td>
    	<td><notr>&Chi;&eta;&lambda;&alpha;&#943;</notr></td>
    	<td>Claws [of the Scorpion]</td>
    	<td><notr>Libra</notr></td>
    	<td>Ptolemy always uses the term &quot;claws&quot;, never &quot;the balance&quot;.</td>
    	<td></td>
    </tr>
    <tr valign="top">
    	<td><notr>Sco</notr></td>
    	<td><notr>&Sigma;&kappa;&omicron;&rho;&pi;&#943;&omicron;&sigmaf;</notr></td>
    	<td>Scorpion</td>
    	<td><notr>Scorpius</notr></td>
    	<td></td>
    	<td>arms added around the head: &nu; and &rho;</td>
    </tr>
    <tr valign="top">
    	<td><notr>Sgr</notr></td>
    	<td><notr>&Tau;&omicron;&xi;&#972;&tau;&eta;&sigmaf;</notr></td>
    	<td>Archer</td>
    	<td><notr>Sagittarius</notr></td>
    	<td>a centaur with  bow ahead; &bdquo;cloak&ldquo; behind</td>
    	<td>we included many faint stars in our stick figure in order to make the picture clear.</td>
    </tr>
    <tr valign="top">
    	<td><notr>Cap</notr></td>
    	<td><notr>&Alpha;&#943;&gamma;&#972;&kappa;&epsilon;&rho;&omicron;&sigmaf;</notr></td>
    	<td>The One with the Goat's Horn</td>
    	<td><notr>Capricornus</notr></td>
    	<td>fish tail; two legs visible</td>
    	<td></td>
    </tr>
    <tr valign="top">
    	<td><notr>Aqr</notr></td>
    	<td><notr>&#703;&Upsilon;&delta;&rho;&omicron;&chi;&#972;&omicron;&sigmaf;</notr></td>
    	<td>Water-Carrier</td>
    	<td><notr>Aquarius</notr></td>
    	<td>water out of jug</td>
    	<td></td>
    </tr>
    <tr valign="top">
    	<td><notr>Psc</notr></td>
    	<td><notr>&#702;&Iota;&chi;&theta;&#973;&epsilon;&sigmaf;</notr></td>
    	<td>[2] Fish</td>
    	<td><notr>Pisces</notr></td>
    	<td></td>
    	<td>northern fish: 68(h), 67(k), and 65(i) described as head in Almagest but we took them as fin because mouth should be at g and &tau; Psc. Additional change on tail fin: extended to &rho;</td>
    </tr>
    <tr valign="top">
    	<td><notr>Cet</notr></td>
    	<td><notr>&Kappa;&eta;&#771;&tau;&omicron;&sigmaf;</notr></td>
    	<td>Sea Monster</td>
    	<td><notr>Cetus</notr></td>
    	<td></td>
    	<td>Body does not go through star &tau;, but through star &upsilon;</td>
    </tr>
    <tr valign="top">
    	<td><notr>Ori</notr></td>
    	<td><notr>&#702;&Omega;&rho;&#943;&omega;&nu;</notr></td>
    	<td>Orion</td>
    	<td class='latin'><notr>Orion</notr></td>
    	<td></td>
    	<td>The &quot;head&quot; is labeled as &quot;nebulous&quot; which means Ptolemy interpreted &phi;<sub>1</sub>, &phi;<sub>2</sub>, and  &lambda;, together with fainter stars between them as a &quot;cluster&quot; (or association which is more extended than the modern &quot;&lambda; Ori Assoc.&quot;). Head does not have direct connection to the shoulder stars anymore, but a connection to a star between the stars in the shoulders.</td>
    </tr>
    <tr valign="top">
    	<td><notr>Eri</notr></td>
    	<td><notr>&Pi;&omicron;&tau;&alpha;&mu;&omicron;&#972;&sigmaf;</notr></td>
    	<td>River [nameless]</td>
    	<td><notr>Eridanus</notr></td>
    	<td>Like IAU constellation, but shorter</td>
    	<td></td>
    </tr>
    <tr valign="top">
    	<td><notr>Lep</notr></td>
    	<td><notr>&Lambda;&alpha;&gamma;&omega;&#771;&sigmaf;</notr></td>
    	<td>Hare</td>
    	<td><notr>Lepus</notr></td>
    	<td></td>
    	<td>took the "4 stars over the ear" as ear</td>
    </tr>
    <tr valign="top">
    	<td><notr>CMa</notr></td>
    	<td><notr>&Kappa;&#973;&omega;&nu;</notr></td>
    	<td>Dog</td>
    	<td><notr>Canis Major</notr></td>
    	<td></td>
    	<td></td>
    </tr>
    <tr valign="top">
    	<td><notr>CMi</notr></td>
    	<td><notr>&Pi;&rho;&omicron;&kappa;&#973;&omega;&nu;</notr></td>
    	<td>The One before the Dog</td>
    	<td><notr>Canis Minor</notr></td>
    	<td></td>
    	<td>In Almagest, the name of the constellation is &quot;The One before the Dog&quot; or &quot;Harbinger of Sirius&quot; as Toomer puts it. However, &beta; CMi is called &quot;the neck&quot; (of whom is unknown).</td>
    </tr>
    <tr valign="top">
    	<td><notr>Arg</notr></td>
    	<td><notr>&#702;&Alpha;&rho;&gamma;&omega;</notr></td>
    	<td>Ship &quot;Argo&quot;</td>
    	<td><notr>Argo</notr></td>
    	<td>smaller than the sum of the IAU-constellations Pup+Pyx+Car+Vel</td>
    	<td>Many stars not integrated in the constellation, to create a boat-like shape; in many depictions (including the ancient Farnese globe), only a half of a ship is painted.</td>
    </tr>
    <tr valign="top">
    	<td><notr>Hya</notr></td>
    	<td><notr>&#703;&#714;&Upsilon;&delta;&rho;&omicron;&sigmaf;</notr></td>
    	<td>Water Snake</td>
    	<td><notr>Hydra</notr></td>
    	<td>like IAU constellation</td>
    	<td></td>
    </tr>
    <tr valign="top">
    	<td><notr>Crt</notr></td>
    	<td><notr>&Kappa;&rho;&alpha;&tau;&#768;&eta;&rho;</notr></td>
    	<td>Krater (vessel)</td>
    	<td><notr>Crater</notr></td>
    	<td></td>
    	<td>a Krater is special Greek wine mixing vessel which looks like an amphora or vase: <a href="https://en.wikipedia.org/wiki/Krater">https://en.wikipedia.org/wiki/Krater</a> Ptolemy describes only one star in the foot (&alpha; Crt) and two handles (&eta;, &theta; Crt)</td>
    </tr>
    <tr valign="top">
    	<td><notr>Crv</notr></td>
    	<td><notr>&Kappa;&oacute;&rho;&alpha;&xi;</notr></td>
    	<td>Raven</td>
    	<td><notr>Corvus</notr></td>
    	<td>like IAU constellation</td>
    	<td></td>
    </tr>
    <tr valign="top">
    	<td><notr>Cen</notr></td>
    	<td><notr>&Kappa;&#941;&nu;&tau;&alpha;&upsilon;&rho;&omicron;&sigmaf;</notr></td>
    	<td>Kentauros</td>
    	<td><notr>Centaurus</notr></td>
    	<td></td>
    	<td>deviation from description: HIP 65373 instead of &omega; Cen (cluster) taken as star on the back. &lsquo;Thyrsus&lsquo; not drawn (to avoid confusion), backward arm added.</td>
    </tr>
    <tr valign="top">
    	<td><notr>Lup</notr></td>
    	<td><notr>&Theta;&eta;&rho;&#943;&omicron;&nu;</notr></td>
    	<td>Beast</td>
    	<td><notr>Lupus</notr></td>
    	<td></td>
    	<td>&beta; described as &lsquo;End of hind leg&lsquo; -> taken as star in the belly; &tau;<sub>1</sub> as hindleg; &chi; in head, because otherwise shapelessness arises; HIP 73493 taken as foreleg</td>
    </tr>
    <tr valign="top">
    	<td><notr>Ara</notr></td>
    	<td><notr>&Theta;&upsilon;&mu;&iota;&alpha;&tau;&#942;&rho;&iota;&omicron;&nu;</notr></td>
    	<td>Altar</td>
    	<td><notr>Ara</notr></td>
    	<td>like IAU constellation</td>
    	<td></td>
    </tr>
    <tr valign="top">
    	<td><notr>CrA</notr></td>
    	<td><notr>&Sigma;&tau;&#941;&phi;&alpha;&nu;&omicron;&sigmaf; &Nu;&#972;&tau;&iota;&omicron;&sigmaf;</notr></td>
    	<td>Southern Crown</td>
    	<td><notr>Corona Australis</notr></td>
    	<td>like IAU constellation; only uncertainty with stars that only got a BSC number in the Almagest, because these are not clearly to identify in Stellarium</td>
    	<td></td>
    </tr>
    <tr valign="top">
    	<td><notr>PsA</notr></td>
    	<td><notr>&Nu;&#972;&tau;&iota;&omicron;&sigmaf; &#702;&Iota;&chi;&theta;&#973;&sigmaf;</notr></td>
    	<td>Southern Fish</td>
    	<td><notr>Piscis Austrinus</notr></td>
    	<td>the fish is laying on his back</td>
    	<td>the fish is apparently dead: the belly up, or an eelwith twisted spine; we added a few stars to mark the tail fin whose tip is given as &beta; PsA.</td>
    </tr>
    </table>
    
    ### Fair Use
    
    This sky culture originates from a student's year of research. We provide this for free but
    authors of contributions certainly deserve to be cited according to the common rules. Thank you!
    
    ### Thanks
    
    The authors thank Patrick Gleason and Georg Zotti for English proofreading and interesting discussions.

note: Greek (Almagest) sky culture references section in markdown format
en:  - [#1]: Grasshoff, G.: The History of Ptolemy's Star Catalog, Springer, New York, 1990
     - [#2]: Heiberg, J. L. (Ed.): Claudii Ptolemaei: Syntaxis Mathematica, Teubner, Leipzig, 1898
     - [#3]: Hoffmann, S. M.: Hipparchs Himmelsglobus, Springer, Wiesbaden / New York, 2017
     - [#4]: Toomer, G. J.: Ptolemy's Almagest, Duckworth, London, 1984
     - [#5]: [Ernie Wright: Seeing Ancient Stars, Visualization of the Almagest Catalog, 2006](http://www.etwright.org/astro/almagest.html#cat)
en_AU:  - [#1]: Grasshoff, G.: The History of Ptolemy's Star Catalog, Springer, New York, 1990
     - [#2]: Heiberg, J. L. (Ed.): Claudii Ptolemaei: Syntaxis Mathematica, Teubner, Leipzig, 1898
     - [#3]: Hoffmann, S. M.: Hipparchs Himmelsglobus, Springer, Wiesbaden / New York, 2017
     - [#4]: Toomer, G. J.: Ptolemy's Almagest, Duckworth, London, 1984
     - [#5]: [Ernie Wright: Seeing Ancient Stars, Visualisation of the Almagest Catalog, 2006](http://www.etwright.org/astro/almagest.html#cat)

note: Greek (Leiden Aratea + Almagest) sky culture description section in markdown format
en: The figures are drawn from a non-preserved Roman model, but not from a globe, so that there is no fit to the stars. The stars themselves are only symbolically distributed on the figures, i.e. the number of stars per figure is marked in the manuscript in the form of applied gold leaves. The gold leaves, however, are not located at the true places of the stars in view of the figure in the sky, but are only indicated summarily. Elly Decker's essay discusses her proposed identifications in detail.
    
    <p><img width="800" src="illustrations/descr_pics/Aratea fol. 3v und 4r.jpg"/></p>
    <p><i>A sample page from the medieval manuscript shows the three cushion images Draco, Ursa Maior and Ursa Minor with the text opposite.</i></p>
    
    ### How this Sky Culture was made
    
    The illustrations of the individual figures were taken directly from the manuscript (provided by Prof. D. Blume, Jena, for planetarium applications). Stellarium works with point coordinates for stars in the catalogue of the astrometry satellite HIPPARCOS, so that the historical drawings have to be locked at three points each. Some of the flat book illustrations had to be distorted slightly on the planetarium dome to fit the stars. Except for the illustration of Scorpius and Ophiuchus, an approximate adjustment was possible.
    
     In a planetarium dome, i.e. against a dark background, the dark blue and black parts of the manuscript are not recognisable. That is why these parts (e.g. the crab as a figure, the horns of the ibex, the goats of the carter...) were colour-inverted. The female bears, which are supposed to be dark, have only been shifted slightly into the red. How the image looks in the original (with its lapis lazuli blue background and the original dark colours) is shown in the table below.
    
    There are some constellations in the Leiden Aratea, in particular Cen + Lup, Vir, Lib are leaving a huge gap in the sky.
    Both, Virgo and Centaur are probably not painted because the painter thought it were variants of the images of Sgr (Cen) and And (Vir).
    The artist of the Leiden Aratea never mapped the images onto the stars.
    In order to make these depictions understandable for us, I mapped them in Stellarium and added the names and stickfigures of the constellations and the names of individual stars from the Almagest.
    The Almagest is a book of mathematical astronomy of the 2nd century (i.e. the reign of the Roman Emperor Hadrian) while Aratos's poem describes a much earlier (~300 BCE) Greek sky culture.
    Both, the Almagest and the poem, are written in Greek originally but the Leiden Aratea presumably refers to a Latin translation of Aratus' poem and Roman artwork.
    
    The following table lists the original names of the constellations in columns 2 and 3. constellations, in column 4 the illustration in the manuscript.
    
    <p>
    <table>
    	<tr valign="top">
    		<td><b>Latin Name, Abbreviation</b></td>
    		<td><b>Original Greek Name</b></td>
    		<td><b>Translation</b> (literally)</td>
    		<td><b>Picture</b></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Ursa Minor, Ursa Maior, Draco<br />UMi, UMa, Dra</notr></td>
    		<td><notr>&Mu;&iota;&kappa;&rho;&#942; &#702;&#714;&Alpha;&rho;&kappa;&tau;&omicron;&sigmaf;, &Mu;&epsilon;&gamma;&alpha;&lambda;&#942; &#702;&#714;&Alpha;&rho;&kappa;&tau;&omicron;&sigmaf;, &Delta;&rho;&#940;&kappa;&omega;&nu;</notr></td>
    		<td>Little She-Bear, Great She-Bear, Dragon (Latin) / Snake (Greek)</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_dra.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>King Cepheus, Cep</notr></td>
    		<td><notr>&Kappa;&eta;&phi;&epsilon;&#973;&sigmaf;</notr></td>
    		<td>Kepheus</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_cep.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Bootes, Boo</notr></td>
    		<td><notr>&Beta;&omicron;&#974;&tau;&eta;&sigmaf;</notr></td>
    		<td>Ox driver (Latin), Ploughing Man (Greek)</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_boo.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Northern Crown, CrB</notr></td>
    		<td><notr>&Sigma;&tau;&#941;&phi;&alpha;&nu;&omicron;&sigmaf;</notr></td>
    		<td>Crown (Latin), Wreath (Greek)</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_crB.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Hercules, Her</notr></td>
    		<td><notr>&#702;&Epsilon;&nu;&gamma;&#972;&nu;&alpha;&sigma;&iota;&nu;</notr></td>
    		<td>Hercules (Latin), Kneeler (Greek)<br />The star between the legs is a well-known mistake in the picture: for this figure the draughtsman obviously took Bootes as a model; leg position, shepherd's crook (instead of club for Hercules) and star between the knees are the same.</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_her.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Lyra, Lyr</notr></td>
    		<td><notr>&Lambda;&#973;&rho;&alpha;</notr></td>
    		<td>Lyre</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_lyr.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Cygnus, Cyg</notr></td>
    		<td><notr>&#702;&#714;&Omicron;&rho;&nu;&iota;&sigmaf;</notr></td>
    		<td>Bird [not specified]</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_cyg.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Cassiopeia, Cas</notr></td>
    		<td><notr>&Kappa;&alpha;&sigma;&sigma;&iota;&#941;&pi;&epsilon;&iota;&alpha;</notr></td>
    		<td>Queen Kassiepeia </td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_cas.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Perseus, Per</notr></td>
    		<td><notr>&Pi;&epsilon;&rho;&sigma;&epsilon;&#973;&sigmaf;</notr></td>
    		<td>Perseus<br />mirrored depiction</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_per.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Auriga, Aur</notr></td>
    		<td><notr>&#703;&Eta;&nu;&#943;&omicron;&chi;&omicron;&sigmaf;</notr></td>
    		<td>Charioteer</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_aur.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Aquila et Sagitta,<br />Aql </notr>and<notr> Sge</notr></td>
    		<td><notr>&#702;&Alpha;&epsilon;&tau;&#972;&sigmaf; </notr>and<notr> &#702;&Omicron;&iota;&sigma;&tau;&#972;&sigmaf;</notr></td>
    		<td>Eagle with Arrow</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_aql.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Delphinus, Del</notr></td>
    		<td><notr>&Delta;&epsilon;&lambda;&phi;&#943;&sigmaf;</notr></td>
    		<td>Dolphin <br /> In the Greek original (Aratos, ~300 BCE), there was no constellation Equuleus. The Farnese Globe (as well as the Mainz Globe and the Kugel Globe) depicts the Dolphin rather largely, covering the space of Equ. That is why I chose to follow this Aratean tradition also for the Leiden Aratea.</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_del.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Pegasus, Peg</notr></td>
    		<td><notr>&#703;&#714;&Iota;&pi;&pi;&omicron;&sigmaf;</notr></td>
    		<td>Pegasus (name of a winged horse; Latin), a Horse (Greek)</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_peg.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Andromeda, And</notr></td>
    		<td><notr>&#702;&Alpha;&nu;&delta;&rho;&omicron;&mu;&#941;&delta;&alpha;</notr></td>
    		<td>Princess Andromeda</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_and.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Triangulum, Tri</notr></td>
    		<td><notr>&Tau;&rho;&#943;&gamma;&omega;&nu;&omicron;&sigmaf;</notr></td>
    		<td>Triangle</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_tri.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Aries, Ari</notr></td>
    		<td><notr>&Kappa;&rho;&iota;&#972;&sigmaf;</notr></td>
    		<td>Ram<br />(jumping through a ring which is a symbol for the year; Roman new year was in spring).</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_ari.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Taurus, Tau</notr></td>
    		<td><notr>&Tau;&alpha;&upsilon;&#771;&rho;&omicron;&sigmaf;</notr></td>
    		<td>Bull</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_tau.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>M45, </notr>Pleiades</td>
    		<td></td>
    		<td>The Pleiades<br />or Seven Sisters</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_plei.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Gemini, Gem</notr></td>
    		<td><notr>&Delta;&#943;&delta;&upsilon;&mu;&omicron;&iota;</notr></td>
    		<td>Twins</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_gem.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Cancer, Cnc</notr></td>
    		<td><notr>&Kappa;&alpha;&rho;&kappa;&#943;&nu;&omicron;&sigmaf;</notr></td>
    		<td>Cancer<br /><i>The cancer was lightened.</i></td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_cnc.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Leo, Leo</notr></td>
    		<td><notr>&Lambda;&#941;&omega;&nu;</notr></td>
    		<td>Lion<br />mirrored depiction</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_leo.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Virgo, Vir</notr></td>
    		<td><notr>&Pi;&alpha;&rho;&theta;&#941;&nu;&omicron;&sigmaf;</notr></td>
    		<td>Young Lady<br />Apparently, the manuscript only contains one drawing for figures that are depicted twice: like Sagittarius is depicted as centaur and the constellation Centaur is missing, Andromeda is painted as young lady but the second young lady for the constellation of Virgo is missing.</td>
    		<td>missing</td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Libra, Lib</notr></td>
    		<td><notr>&Chi;&eta;&lambda;&alpha;&#943;</notr></td>
    		<td>Balance (Latin, since 1st century CE in Geminos and Manilius; transferred in a style epoch of Babylonian revival),
    		<br />Claws [of the Scorpion] (Greek)<br />The claws of the Scorpion indeed to cover this area.</td>
    		<td>missing</td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Ophiuchus et Serpens, Scorpius,<br />Oph + Ser </notr>and<notr> Sco</notr></td>
    		<td><notr>&#702;&Omicron;&phi;&iota;&omicron;&#973;&chi;&omicron;&sigmaf;, &#702;&#714;&Omicron;&phi;&iota;&sigmaf; </notr>and<notr> &Sigma;&kappa;&omicron;&rho;&pi;&#943;&omicron;&sigmaf;</notr></td>
    		<td>Snake Carrier and Scorpion (both in the zodiac ever since)<br />mirrored depiction</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_oph.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Sagittarius, Sgr</notr></td>
    		<td><notr>&Tau;&omicron;&xi;&#972;&tau;&eta;&sigmaf;</notr></td>
    		<td>Archer</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_sgr.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Capricornus, Cap</notr></td>
    		<td><notr>&Alpha;&#943;&gamma;&#972;&kappa;&epsilon;&rho;&omicron;&sigmaf;</notr></td>
    		<td>The Goat-Horned One</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_cap.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Aquarius, Aqr</notr></td>
    		<td><notr>&#703;&Upsilon;&delta;&rho;&omicron;&chi;&#972;&omicron;&sigmaf;</notr></td>
    		<td>Water Pourer<br />mirrored depiction (although front view)</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_aqr.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Pisces, Psc</notr></td>
    		<td><notr>&#702;&Iota;&chi;&theta;&#973;&epsilon;&sigmaf;</notr></td>
    		<td>Fishes</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_psc.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Cetus, Cet</notr></td>
    		<td><notr>&Kappa;&eta;&#771;&tau;&omicron;&sigmaf;</notr></td>
    		<td>a Sea Monster named Cetus</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_cet.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Orion, Ori</notr></td>
    		<td><notr>&#702;&Omega;&rho;&#943;&omega;&nu;</notr></td>
    		<td>Orion<br /><i>mirrored depiction</i><br />The Hare in this depiction had been deleted and replaced by the Hare from his own single-page painting.</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_ori.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Eridanus, Eri</notr></td>
    		<td><notr>&Pi;&omicron;&tau;&alpha;&mu;&#972;&sigmaf;</notr></td>
    		<td>the river Eridanus (Latin), an unnamed River (Greek);<br />here a river god is depicted</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_eri.jpg"/></td>
    	</tr>
    	<tr>
    		<td><notr>Lepus, Lep</notr></td>
    		<td><notr>&Lambda;&alpha;&gamma;&omega;&#771;&sigmaf;</notr></td>
    		<td>Hare<br /><i>shown twice: once between Orion's legs, once separately; for the visualisation we have removed the hare between Orion's legs. The separately illustrated hare runs in the direction of writing, but the hare between Orion's legs runs in the direction of the true course of the sun. The constellation figure should therefore be thought of as mirrored in relation to the illustration in the book: this can be seen in the sketch of the hare between Orion's legs.</i></td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_lep.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Canis Maior, CMa</notr></td>
    		<td><notr>&Kappa;&#973;&omega;&nu;</notr></td>
    		<td>Dog<br />mirrored depiction of a little dog</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_cma.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Canis Minor (Procyon), CMi</notr></td>
    		<td><notr>&Pi;&rho;&omicron;&kappa;&#973;&omega;&nu;</notr></td>
    		<td>The star in front of the dog <br /> mirrored depiction<br />(an asterism of three stars forming a small dog is already mentioned by Eratosthenes, but the name of the figure was always "Prokyon"). Procyon is a Greek term (with "k") latinized.</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_cmi.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Argo, Arg</notr></td>
    		<td><notr>&#702;&Alpha;&rho;&gamma;&omega;</notr></td>
    		<td>Ship &quot;Argo&quot;<br />mirrored depiction</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_arg.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Hydra, Crater, Corvus<br />Hya, Crt, Crv</notr></td>
    		<td><notr>&#703;&#714;&Upsilon;&delta;&rho;&omicron;&sigmaf;, &Kappa;&rho;&alpha;&tau;&#942;&rho;, &Kappa;&oacute;&rho;&alpha;&xi;</notr></td>
    		<td>Water Snake, a particular vessel (crater), Raven</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_hya.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Centaurus, Cen</notr></td>
    		<td><notr>&Kappa;&#941;&nu;&tau;&alpha;&upsilon;&rho;&omicron;&sigmaf;</notr></td>
    		<td>Kentauros<br />apparently the constellations that are double have been painted only once: Sagittarius is depicted as centaur in the manuscript, the constellation Centaurus (a centaur with a sacrificial animal) is not depicted<br />(likewise, Andromeda is depicted but not Virgo)</td>
    		<td>missing</td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Lupus, Lup</notr></td>
    		<td><notr>&Theta;&eta;&rho;&#943;&omicron;&nu;</notr></td>
    		<td>monster<br />(in the Greek original (Aratos, ~300 BCE), Lupus is not a standalone constellation but a composite of the constellation of Centaurus that is missing here).</td>
    		<td>missing</td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Ara, Ara</notr></td>
    		<td><notr>&Theta;&upsilon;&mu;&iota;&alpha;&tau;&#942;&rho;&iota;&omicron;&nu;</notr></td>
    		<td>Altar</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_ara.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Corona Australis, CrA</notr></td>
    		<td><notr>&Sigma;&tau;&#941;&phi;&alpha;&nu;&omicron;&sigmaf; &Nu;&#972;&tau;&iota;&omicron;&sigmaf;</notr></td>
    		<td>Southern Crown (Latin), Southern Wreath (Greek)</td>
    		<td>missing</td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Piscis Austrinus, PsA</notr></td>
    		<td><notr>&Nu;&#972;&tau;&iota;&omicron;&sigmaf; &#702;&Iota;&chi;&theta;&#973;&sigmaf;</notr></td>
    		<td>Southern Fish<br />(had been "Great Fish" for Eratosthenes and Aratus in Greek)<br />It is so darkly drawn here that you would not recognise it in the stars. That is why the colours have been dipped into a blue-green scheme instead of the original red-purple one.</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_psA.jpg"/></td>
    	</tr>
    </table>
    </p>
en_AU: The figures are drawn from a non-preserved Roman model, but not from a globe, so that there is no fit to the stars. The stars themselves are only symbolically distributed on the figures, i.e. the number of stars per figure is marked in the manuscript in the form of applied gold leaves. The gold leaves, however, are not located at the true places of the stars in view of the figure in the sky, but are only indicated summarily. Elly Decker's essay discusses her proposed identifications in detail.
    
    <p><img width="800" src="illustrations/descr_pics/Aratea fol. 3v und 4r.jpg"/></p>
    <p><i>A sample page from the medieval manuscript shows the three cushion images Draco, Ursa Maior and Ursa Minor with the text opposite.</i></p>
    
    ### How this Sky Culture was made
    
    The illustrations of the individual figures were taken directly from the manuscript (provided by Prof. D. Blume, Jena, for planetarium applications). Stellarium works with point coordinates for stars in the catalogue of the astrometry satellite HIPPARCOS, so that the historical drawings have to be locked at three points each. Some of the flat book illustrations had to be distorted slightly on the planetarium dome to fit the stars. Except for the illustration of Scorpius and Ophiuchus, an approximate adjustment was possible.
    
     In a planetarium dome, i.e. against a dark background, the dark blue and black parts of the manuscript are not recognisable. That is why these parts (e.g. the crab as a figure, the horns of the ibex, the goats of the carter...) were colour-inverted. The female bears, which are supposed to be dark, have only been shifted slightly into the red. How the image looks in the original (with its lapis lazuli blue background and the original dark colours) is shown in the table below.
    
    There are some constellations in the Leiden Aratea, in particular Cen + Lup, Vir, Lib are leaving a huge gap in the sky.
    Both, Virgo and Centaur are probably not painted because the painter thought it were variants of the images of Sgr (Cen) and And (Vir).
    The artist of the Leiden Aratea never mapped the images onto the stars.
    In order to make these depictions understandable for us, I mapped them in Stellarium and added the names and stickfigures of the constellations and the names of individual stars from the Almagest.
    The Almagest is a book of mathematical astronomy of the 2nd century (i.e. the reign of the Roman Emperor Hadrian) while Aratos's poem describes a much earlier (~300 BCE) Greek sky culture.
    Both, the Almagest and the poem, are written in Greek originally but the Leiden Aratea presumably refers to a Latin translation of Aratus' poem and Roman artwork.
    
    The following table lists the original names of the constellations in columns 2 and 3. constellations, in column 4 the illustration in the manuscript.
    
    <p>
    <table>
    	<tr valign="top">
    		<td><b>Latin Name, Abbreviation</b></td>
    		<td><b>Original Greek Name</b></td>
    		<td><b>Translation</b> (literally)</td>
    		<td><b>Picture</b></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Ursa Minor, Ursa Maior, Draco<br />UMi, UMa, Dra</notr></td>
    		<td><notr>&Mu;&iota;&kappa;&rho;&#942; &#702;&#714;&Alpha;&rho;&kappa;&tau;&omicron;&sigmaf;, &Mu;&epsilon;&gamma;&alpha;&lambda;&#942; &#702;&#714;&Alpha;&rho;&kappa;&tau;&omicron;&sigmaf;, &Delta;&rho;&#940;&kappa;&omega;&nu;</notr></td>
    		<td>Little She-Bear, Great She-Bear, Dragon (Latin) / Snake (Greek)</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_dra.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>King Cepheus, Cep</notr></td>
    		<td><notr>&Kappa;&eta;&phi;&epsilon;&#973;&sigmaf;</notr></td>
    		<td>Kepheus</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_cep.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Bootes, Boo</notr></td>
    		<td><notr>&Beta;&omicron;&#974;&tau;&eta;&sigmaf;</notr></td>
    		<td>Ox driver (Latin), Ploughing Man (Greek)</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_boo.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Northern Crown, CrB</notr></td>
    		<td><notr>&Sigma;&tau;&#941;&phi;&alpha;&nu;&omicron;&sigmaf;</notr></td>
    		<td>Crown (Latin), Wreath (Greek)</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_crB.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Hercules, Her</notr></td>
    		<td><notr>&#702;&Epsilon;&nu;&gamma;&#972;&nu;&alpha;&sigma;&iota;&nu;</notr></td>
    		<td>Hercules (Latin), Kneeler (Greek)<br />The star between the legs is a well-known mistake in the picture: for this figure the draughtsman obviously took Bootes as a model; leg position, shepherd's crook (instead of club for Hercules) and star between the knees are the same.</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_her.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Lyra, Lyr</notr></td>
    		<td><notr>&Lambda;&#973;&rho;&alpha;</notr></td>
    		<td>Lyre</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_lyr.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Cygnus, Cyg</notr></td>
    		<td><notr>&#702;&#714;&Omicron;&rho;&nu;&iota;&sigmaf;</notr></td>
    		<td>Bird [not specified]</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_cyg.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Cassiopeia, Cas</notr></td>
    		<td><notr>&Kappa;&alpha;&sigma;&sigma;&iota;&#941;&pi;&epsilon;&iota;&alpha;</notr></td>
    		<td>Queen Kassiepeia </td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_cas.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Perseus, Per</notr></td>
    		<td><notr>&Pi;&epsilon;&rho;&sigma;&epsilon;&#973;&sigmaf;</notr></td>
    		<td>Perseus<br />mirrored depiction</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_per.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Auriga, Aur</notr></td>
    		<td><notr>&#703;&Eta;&nu;&#943;&omicron;&chi;&omicron;&sigmaf;</notr></td>
    		<td>Charioteer</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_aur.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Aquila et Sagitta,<br />Aql </notr>and<notr> Sge</notr></td>
    		<td><notr>&#702;&Alpha;&epsilon;&tau;&#972;&sigmaf; </notr>and<notr> &#702;&Omicron;&iota;&sigma;&tau;&#972;&sigmaf;</notr></td>
    		<td>Eagle with Arrow</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_aql.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Delphinus, Del</notr></td>
    		<td><notr>&Delta;&epsilon;&lambda;&phi;&#943;&sigmaf;</notr></td>
    		<td>Dolphin <br /> In the Greek original (Aratos, ~300 BCE), there was no constellation Equuleus. The Farnese Globe (as well as the Mainz Globe and the Kugel Globe) depicts the Dolphin rather largely, covering the space of Equ. That is why I chose to follow this Aratean tradition also for the Leiden Aratea.</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_del.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Pegasus, Peg</notr></td>
    		<td><notr>&#703;&#714;&Iota;&pi;&pi;&omicron;&sigmaf;</notr></td>
    		<td>Pegasus (name of a winged horse; Latin), a Horse (Greek)</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_peg.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Andromeda, And</notr></td>
    		<td><notr>&#702;&Alpha;&nu;&delta;&rho;&omicron;&mu;&#941;&delta;&alpha;</notr></td>
    		<td>Princess Andromeda</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_and.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Triangulum, Tri</notr></td>
    		<td><notr>&Tau;&rho;&#943;&gamma;&omega;&nu;&omicron;&sigmaf;</notr></td>
    		<td>Triangle</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_tri.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Aries, Ari</notr></td>
    		<td><notr>&Kappa;&rho;&iota;&#972;&sigmaf;</notr></td>
    		<td>Ram<br />(jumping through a ring which is a symbol for the year; Roman new year was in spring).</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_ari.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Taurus, Tau</notr></td>
    		<td><notr>&Tau;&alpha;&upsilon;&#771;&rho;&omicron;&sigmaf;</notr></td>
    		<td>Bull</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_tau.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>M45, </notr>Pleiades</td>
    		<td></td>
    		<td>The Pleiades<br />or Seven Sisters</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_plei.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Gemini, Gem</notr></td>
    		<td><notr>&Delta;&#943;&delta;&upsilon;&mu;&omicron;&iota;</notr></td>
    		<td>Twins</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_gem.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Cancer, Cnc</notr></td>
    		<td><notr>&Kappa;&alpha;&rho;&kappa;&#943;&nu;&omicron;&sigmaf;</notr></td>
    		<td>Cancer<br /><i>The cancer was lightened.</i></td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_cnc.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Leo, Leo</notr></td>
    		<td><notr>&Lambda;&#941;&omega;&nu;</notr></td>
    		<td>Lion<br />mirrored depiction</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_leo.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Virgo, Vir</notr></td>
    		<td><notr>&Pi;&alpha;&rho;&theta;&#941;&nu;&omicron;&sigmaf;</notr></td>
    		<td>Young Lady<br />Apparently, the manuscript only contains one drawing for figures that are depicted twice: like Sagittarius is depicted as centaur and the constellation Centaur is missing, Andromeda is painted as young lady but the second young lady for the constellation of Virgo is missing.</td>
    		<td>missing</td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Libra, Lib</notr></td>
    		<td><notr>&Chi;&eta;&lambda;&alpha;&#943;</notr></td>
    		<td>Balance (Latin, since 1st century CE in Geminos and Manilius; transferred in a style epoch of Babylonian revival),
    		<br />Claws [of the Scorpion] (Greek)<br />The claws of the Scorpion indeed to cover this area.</td>
    		<td>missing</td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Ophiuchus et Serpens, Scorpius,<br />Oph + Ser </notr>and<notr> Sco</notr></td>
    		<td><notr>&#702;&Omicron;&phi;&iota;&omicron;&#973;&chi;&omicron;&sigmaf;, &#702;&#714;&Omicron;&phi;&iota;&sigmaf; </notr>and<notr> &Sigma;&kappa;&omicron;&rho;&pi;&#943;&omicron;&sigmaf;</notr></td>
    		<td>Snake Carrier and Scorpion (both in the zodiac ever since)<br />mirrored depiction</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_oph.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Sagittarius, Sgr</notr></td>
    		<td><notr>&Tau;&omicron;&xi;&#972;&tau;&eta;&sigmaf;</notr></td>
    		<td>Archer</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_sgr.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Capricornus, Cap</notr></td>
    		<td><notr>&Alpha;&#943;&gamma;&#972;&kappa;&epsilon;&rho;&omicron;&sigmaf;</notr></td>
    		<td>The Goat-Horned One</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_cap.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Aquarius, Aqr</notr></td>
    		<td><notr>&#703;&Upsilon;&delta;&rho;&omicron;&chi;&#972;&omicron;&sigmaf;</notr></td>
    		<td>Water Pourer<br />mirrored depiction (although front view)</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_aqr.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Pisces, Psc</notr></td>
    		<td><notr>&#702;&Iota;&chi;&theta;&#973;&epsilon;&sigmaf;</notr></td>
    		<td>Fishes</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_psc.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Cetus, Cet</notr></td>
    		<td><notr>&Kappa;&eta;&#771;&tau;&omicron;&sigmaf;</notr></td>
    		<td>a Sea Monster named Cetus</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_cet.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Orion, Ori</notr></td>
    		<td><notr>&#702;&Omega;&rho;&#943;&omega;&nu;</notr></td>
    		<td>Orion<br /><i>mirrored depiction</i><br />The Hare in this depiction had been deleted and replaced by the Hare from his own single-page painting.</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_ori.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Eridanus, Eri</notr></td>
    		<td><notr>&Pi;&omicron;&tau;&alpha;&mu;&#972;&sigmaf;</notr></td>
    		<td>the river Eridanus (Latin), an unnamed River (Greek);<br />here a river god is depicted</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_eri.jpg"/></td>
    	</tr>
    	<tr>
    		<td><notr>Lepus, Lep</notr></td>
    		<td><notr>&Lambda;&alpha;&gamma;&omega;&#771;&sigmaf;</notr></td>
    		<td>Hare<br /><i>shown twice: once between Orion's legs, once separately; for the visualisation we have removed the hare between Orion's legs. The separately illustrated hare runs in the direction of writing, but the hare between Orion's legs runs in the direction of the true course of the sun. The constellation figure should therefore be thought of as mirrored in relation to the illustration in the book: this can be seen in the sketch of the hare between Orion's legs.</i></td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_lep.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Canis Maior, CMa</notr></td>
    		<td><notr>&Kappa;&#973;&omega;&nu;</notr></td>
    		<td>Dog<br />mirrored depiction of a little dog</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_cma.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Canis Minor (Procyon), CMi</notr></td>
    		<td><notr>&Pi;&rho;&omicron;&kappa;&#973;&omega;&nu;</notr></td>
    		<td>The star in front of the dog <br /> mirrored depiction<br />(an asterism of three stars forming a small dog is already mentioned by Eratosthenes, but the name of the figure was always "Prokyon"). Procyon is a Greek term (with "k") latinised.</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_cmi.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Argo, Arg</notr></td>
    		<td><notr>&#702;&Alpha;&rho;&gamma;&omega;</notr></td>
    		<td>Ship &quot;Argo&quot;<br />mirrored depiction</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_arg.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Hydra, Crater, Corvus<br />Hya, Crt, Crv</notr></td>
    		<td><notr>&#703;&#714;&Upsilon;&delta;&rho;&omicron;&sigmaf;, &Kappa;&rho;&alpha;&tau;&#942;&rho;, &Kappa;&oacute;&rho;&alpha;&xi;</notr></td>
    		<td>Water Snake, a particular vessel (crater), Raven</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_hya.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Centaurus, Cen</notr></td>
    		<td><notr>&Kappa;&#941;&nu;&tau;&alpha;&upsilon;&rho;&omicron;&sigmaf;</notr></td>
    		<td>Kentauros<br />apparently the constellations that are double have been painted only once: Sagittarius is depicted as centaur in the manuscript, the constellation Centaurus (a centaur with a sacrificial animal) is not depicted<br />(likewise, Andromeda is depicted but not Virgo)</td>
    		<td>missing</td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Lupus, Lup</notr></td>
    		<td><notr>&Theta;&eta;&rho;&#943;&omicron;&nu;</notr></td>
    		<td>monster<br />(in the Greek original (Aratos, ~300 BCE), Lupus is not a standalone constellation but a composite of the constellation of Centaurus that is missing here).</td>
    		<td>missing</td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Ara, Ara</notr></td>
    		<td><notr>&Theta;&upsilon;&mu;&iota;&alpha;&tau;&#942;&rho;&iota;&omicron;&nu;</notr></td>
    		<td>Altar</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_ara.jpg"/></td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Corona Australis, CrA</notr></td>
    		<td><notr>&Sigma;&tau;&#941;&phi;&alpha;&nu;&omicron;&sigmaf; &Nu;&#972;&tau;&iota;&omicron;&sigmaf;</notr></td>
    		<td>Southern Crown (Latin), Southern Wreath (Greek)</td>
    		<td>missing</td>
    	</tr>
    	<tr valign="top">
    		<td><notr>Piscis Austrinus, PsA</notr></td>
    		<td><notr>&Nu;&#972;&tau;&iota;&omicron;&sigmaf; &#702;&Iota;&chi;&theta;&#973;&sigmaf;</notr></td>
    		<td>Southern Fish<br />(had been "Great Fish" for Eratosthenes and Aratus in Greek)<br />It is so darkly drawn here that you would not recognise it in the stars. That is why the colours have been dipped into a blue-green scheme instead of the original red-purple one.</td>
    		<td><img width="255" src="illustrations/descr_pics/aratea_small_psA.jpg"/></td>
    	</tr>
    </table>
    </p>

note: Hawaiian Starlines sky culture introduction section in markdown format
en: These are the star lines developed by Nainoa Thompson and used by the Polynesian Voyaging Society to navigate Polynesian sailing canoes using traditional techniques of non instrument navigation across thousands of miles of open ocean. For years, Hawaiian navigators have memorized the position of stars as they rise and set in order to know oneʻs bearing.   Wayfinder Nainoa Thompson developed a system of organization to help memorize the position of stars throughout the celestial sphere by dividing the sky into four evenly sized star lines.
en_AU: These are the star lines developed by Nainoa Thompson and used by the Polynesian Voyaging Society to navigate Polynesian sailing canoes using traditional techniques of non instrument navigation across thousands of miles of open ocean. For years, Hawaiian navigators have memorised the position of stars as they rise and set in order to know oneʻs bearing.   Wayfinder Nainoa Thompson developed a system of organisation to help memorise the position of stars throughout the celestial sphere by dividing the sky into four evenly sized star lines.

note: Lokono sky culture introduction section in markdown format
en: <img src="illustrations/lokono_map_1.png" width="277" height="375" align="left"/>The *Lokono*, also known as *Arawak*, are an indigenous people of the Guianas, whose territory stretches along the coast of the Atlantic Ocean, from northwestern Guyana, through Suriname, to northwestern French Guiana (see map).[#1] The Lokono speak a language that belongs to the Arawakan language family&mdash;one of the largest linguistic groupings on the continent. Like many of their linguistic relatives, the Lokono are agriculturalists specializing in the farming of manioc (*Manihot esculenta*), who also practice fishing, hunting, and gathering of wild plant. However, as one of the first indigenous groups that was encountered by the Europeans at the time of conquest, the Lokono have been in contact with non-indigenous populations for over 500 years.[#2] This contact has intensified in the last century, leading to a substantial loss of the Lokono language, traditional material and immaterial culture, changes in subsistence practices, and in particular to the disappearance of *medicine-men*&mdash;the traditional carriers of spiritual knowledge, most likely including ethnoastronomical knowledge. As a consequence, the modern knowledge about celestial bodies appears to be but a fraction of what the Lokono knew about stars in the past. Several constellations mentioned in older sources are forgotten or are only known from their names, while the combinations of stars they represent and the oral traditions explaining their origin and significance have been forgotten. The Skyculture presented here includes only identified constellations but the following description provides a more comprehensive account of Lokono astronomical knowledge including information extracted from historical sources about all the celestial objects named in the table below.
en_AU: <img src="illustrations/lokono_map_1.png" width="277" height="375" align="left"/>The *Lokono*, also known as *Arawak*, are an indigenous people of the Guianas, whose territory stretches along the coast of the Atlantic Ocean, from northwestern Guyana, through Suriname, to northwestern French Guiana (see map).[#1] The Lokono speak a language that belongs to the Arawakan language family&mdash;one of the largest linguistic groupings on the continent. Like many of their linguistic relatives, the Lokono are agriculturalists specialising in the farming of manioc (*Manihot esculenta*), who also practice fishing, hunting, and gathering of wild plant. However, as one of the first indigenous groups that was encountered by the Europeans at the time of conquest, the Lokono have been in contact with non-indigenous populations for over 500 years.[#2] This contact has intensified in the last century, leading to a substantial loss of the Lokono language, traditional material and immaterial culture, changes in subsistence practices, and in particular to the disappearance of *medicine-men*&mdash;the traditional carriers of spiritual knowledge, most likely including ethnoastronomical knowledge. As a consequence, the modern knowledge about celestial bodies appears to be but a fraction of what the Lokono knew about stars in the past. Several constellations mentioned in older sources are forgotten or are only known from their names, while the combinations of stars they represent and the oral traditions explaining their origin and significance have been forgotten. The Skyculture presented here includes only identified constellations but the following description provides a more comprehensive account of Lokono astronomical knowledge including information extracted from historical sources about all the celestial objects named in the table below.

note: Lokono sky culture authors section in markdown format
en: This sky culture was contributed by [Konrad Rybka](https://uva.academia.edu/KonradRybka) and produced with the help of Lokono speakers in Suriname (Cassipora) and Guyana (Wakapoa). The research was carried out as part of the project supported by a Rubicon postdoctoral grant from the Netherlands Organization for Scientific Research (project number 446-15-012). Quote as: Rybka, Konrad 2018. *Lokono sky culture: a description of Lokono ethnoastronomical knowledge for Stellarium software.*  Version 1.0
en_AU: This sky culture was contributed by [Konrad Rybka](https://uva.academia.edu/KonradRybka) and produced with the help of Lokono speakers in Suriname (Cassipora) and Guyana (Wakapoa). The research was carried out as part of the project supported by a Rubicon postdoctoral grant from the Netherlands Organisation for Scientific Research (project number 446-15-012). Quote as: Rybka, Konrad 2018. *Lokono sky culture: a description of Lokono ethnoastronomical knowledge for Stellarium software.*  Version 1.0

note: Lokono sky culture references section in markdown format
en:  - [#1]: Rybka, Konrad. 2015. [“State-of-the-Art in the Development of the Lokono Language.”](https://scholarspace.manoa.hawaii.edu/handle/10125/24635) Language Documentation and Conservation 9: 110–13.
     - [#2]: Rybka, Konrad. 2017. [“Contact-Induced Phenomena in Lokono (Arawakan).”](https://www.degruyter.com/view/books/9781614514886/9781614514886-010/9781614514886-010.xml) In Boundaries and Bridges, edited by Kofi Yakpo and Pieter C. Muysken. Berlin, Boston: De Gruyter, pp 257-281.
     - [#3]: Navarette, Rodrigo Pérez de. 1964. “Relación de Las Provicias y Naciones Que Los Indios Llamados Aruacas [Tienen] [...].” In Relaciones Geográficas de Venezuela, edited by Antonio Arellano Moreno, 83–87. Caracas: Academia Nacional de la Historia.
     - [#4]: Roth, Walter Edmund. 1924. An Introductory Study of the Arts, Crafts, and Customs of the Guiana Indians. Washington, DC: U.S. Government Printing Office.
     - [#5]: Goeje, Claudius Henricus de. 1943. Philosophy, Initiation and Myths of the Indians of Guiana and Adjacent Countries. Archives Internationales d’ethnographie. 44.
     - [#6]: Abbenhuis, M.F. 1939. Arawakken in Suriname: Enquête-Materiaal Voor Een Volkenkundige Studie. Paramaribo: Leo Victor.
     - [#7]: Coll, Cornelius van. 1903. “Gegevens over Land En Volk van Suriname I - Suriname’s Oorspronkelijke Bevolking.” Bijdragen Tot de Taal-, Land- En Volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 55 (1): 453–529.
     - [#8]: Goeje, Claudius Henricus de. 1928. The Arawak Language of Guiana. Amsterdam: Uitgave van der Koninklijke Akademie von Wetenschappen te Amsterdam.
     - [#9]: Brett, William Henry. 1880. Legends and Myths of the Aboriginal Indians of British Guiana. London: Williams Wells Gardner.
     - [#10]: Roth, Walter Edmund. 1915. An Inquiry into the Animism and Folk-Lore of the Guiana Indians. Annual Report, Smithsonian Institution Bureau of American Ethnology 30. Washington: U.S. Government Printing Office.
     - [#11]: Goeje, Claudius Henricus de. 1942. “De Inwijding Tot Medicijnman Bij de Arawakken (Guyana) in Tekst En Mythe.” Bijdragen Tot de Taal-, Land- En Volkenkunde van Nederlandsch-Indië 101: 211–76.
     - [#12]: Im Thurn, Everard Ferdinand. 1883. Among the Indians of Guiana: Being Sketches Chiefly Anthropologic from the Interior of British Guiana. London: K. Paul, Trench & Company.
     - [#13]: Laet, Joannes de. 1633. Novus Orbis, Seu Descriptionis Indiae Occidentalis Libri XVIII. Leiden: Apud Elzevirios.
     - [#14]: Brett, William Henry. 1868. The Indian Tribes of Guiana: Their Condition and Habits. London: Bell and Daldy.
     - [#15]: Baarle, Peter van, Mauricius Alberto Sabajo, van der Stap Gerdy, Sabajo Andreas L., and Sabajo Lucia L. 1989. Arhwaka lokonong djang: Arowakse taalkursus en woordenboek. Haarlem; Amsterdam: Sociaal-culturele Vereniging Ikyoshie ; Instituut voor Algemene Taalwetenschap, Universiteit van Amsterdam.
     - [#16]: Dance, Charles D. 1881. Chapters from a Guianese Log Book. Georgetown, Guyana.
     - [#17]: Penard, Frederik Paul, and Arthur Philip Penard. 1907. De Menschetende Aanbidders Der Zonneslang. Paramaribo: H.B. Heyde.
     - [#18]: Magaña, Edmundo, and Fabiola Jara. 1982. “The Carib sky.” Journal de la Société des Américanistes 68 (1): 105–32.
     - [#19]: Bennett, John P. 1995. Twenty-Eight Lessons in Loko (Arawak): A Teaching Guide. Georgetown, Guyana: Walter Roth Museum of Anthropology.
     - [#20]: Ahlbrinck, Willem. 1931. Encyclopaedie Der Karaïben. Amsterdam: Koninklijke Akademie van Wetenschappen.
     - [#21]: Schumann, Christian Ludwig. 1882. “Arawakish-Deutsches Wörterbuch.” In Grammaires Et Vocabulaires Roucouyenne, Arrouague, Piapoco Et D’autres Langues De La Région Des Guyanes, Par J. Crevaux, P . Sagot, L. Adam..., edited by Jules Nicolas Crevaux, Paul Antoine Sagot, and Lucien Adam, 7–165. Paris: Maisonneuve.
     - [#22]: Courtz, H. 2008. A Carib Grammar and Dictionary. Toronto, ON, Canada: Magoria Books.
     - [#23]: Arawak manuscripts, American Philosophical Society, manuscript number:[ Mss.498.3.Sch8. ](https://search.amphilsoc.org/collections/view?docId=ead/Mss.498.3.Sch8-ead.xml)Page 562 in the original manuscript, which corresponds to page 576 in the digitalized document. The image was reduced in size, cropped, and reproduced here with the kind permission of the American Philosophical Society.
en_AU:  - [#1]: Rybka, Konrad. 2015. [“State-of-the-Art in the Development of the Lokono Language.”](https://scholarspace.manoa.hawaii.edu/handle/10125/24635) Language Documentation and Conservation 9: 110–13.
     - [#2]: Rybka, Konrad. 2017. [“Contact-Induced Phenomena in Lokono (Arawakan).”](https://www.degruyter.com/view/books/9781614514886/9781614514886-010/9781614514886-010.xml) In Boundaries and Bridges, edited by Kofi Yakpo and Pieter C. Muysken. Berlin, Boston: De Gruyter, pp 257-281.
     - [#3]: Navarette, Rodrigo Pérez de. 1964. “Relación de Las Provicias y Naciones Que Los Indios Llamados Aruacas [Tienen] [...].” In Relaciones Geográficas de Venezuela, edited by Antonio Arellano Moreno, 83–87. Caracas: Academia Nacional de la Historia.
     - [#4]: Roth, Walter Edmund. 1924. An Introductory Study of the Arts, Crafts, and Customs of the Guiana Indians. Washington, DC: U.S. Government Printing Office.
     - [#5]: Goeje, Claudius Henricus de. 1943. Philosophy, Initiation and Myths of the Indians of Guiana and Adjacent Countries. Archives Internationales d’ethnographie. 44.
     - [#6]: Abbenhuis, M.F. 1939. Arawakken in Suriname: Enquête-Materiaal Voor Een Volkenkundige Studie. Paramaribo: Leo Victor.
     - [#7]: Coll, Cornelius van. 1903. “Gegevens over Land En Volk van Suriname I - Suriname’s Oorspronkelijke Bevolking.” Bijdragen Tot de Taal-, Land- En Volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 55 (1): 453–529.
     - [#8]: Goeje, Claudius Henricus de. 1928. The Arawak Language of Guiana. Amsterdam: Uitgave van der Koninklijke Akademie von Wetenschappen te Amsterdam.
     - [#9]: Brett, William Henry. 1880. Legends and Myths of the Aboriginal Indians of British Guiana. London: Williams Wells Gardner.
     - [#10]: Roth, Walter Edmund. 1915. An Inquiry into the Animism and Folk-Lore of the Guiana Indians. Annual Report, Smithsonian Institution Bureau of American Ethnology 30. Washington: U.S. Government Printing Office.
     - [#11]: Goeje, Claudius Henricus de. 1942. “De Inwijding Tot Medicijnman Bij de Arawakken (Guyana) in Tekst En Mythe.” Bijdragen Tot de Taal-, Land- En Volkenkunde van Nederlandsch-Indië 101: 211–76.
     - [#12]: Im Thurn, Everard Ferdinand. 1883. Among the Indians of Guiana: Being Sketches Chiefly Anthropologic from the Interior of British Guiana. London: K. Paul, Trench & Company.
     - [#13]: Laet, Joannes de. 1633. Novus Orbis, Seu Descriptionis Indiae Occidentalis Libri XVIII. Leiden: Apud Elzevirios.
     - [#14]: Brett, William Henry. 1868. The Indian Tribes of Guiana: Their Condition and Habits. London: Bell and Daldy.
     - [#15]: Baarle, Peter van, Mauricius Alberto Sabajo, van der Stap Gerdy, Sabajo Andreas L., and Sabajo Lucia L. 1989. Arhwaka lokonong djang: Arowakse taalkursus en woordenboek. Haarlem; Amsterdam: Sociaal-culturele Vereniging Ikyoshie ; Instituut voor Algemene Taalwetenschap, Universiteit van Amsterdam.
     - [#16]: Dance, Charles D. 1881. Chapters from a Guianese Log Book. Georgetown, Guyana.
     - [#17]: Penard, Frederik Paul, and Arthur Philip Penard. 1907. De Menschetende Aanbidders Der Zonneslang. Paramaribo: H.B. Heyde.
     - [#18]: Magaña, Edmundo, and Fabiola Jara. 1982. “The Carib sky.” Journal de la Société des Américanistes 68 (1): 105–32.
     - [#19]: Bennett, John P. 1995. Twenty-Eight Lessons in Loko (Arawak): A Teaching Guide. Georgetown, Guyana: Walter Roth Museum of Anthropology.
     - [#20]: Ahlbrinck, Willem. 1931. Encyclopaedie Der Karaïben. Amsterdam: Koninklijke Akademie van Wetenschappen.
     - [#21]: Schumann, Christian Ludwig. 1882. “Arawakish-Deutsches Wörterbuch.” In Grammaires Et Vocabulaires Roucouyenne, Arrouague, Piapoco Et D’autres Langues De La Région Des Guyanes, Par J. Crevaux, P . Sagot, L. Adam..., edited by Jules Nicolas Crevaux, Paul Antoine Sagot, and Lucien Adam, 7–165. Paris: Maisonneuve.
     - [#22]: Courtz, H. 2008. A Carib Grammar and Dictionary. Toronto, ON, Canada: Magoria Books.
     - [#23]: Arawak manuscripts, American Philosophical Society, manuscript number:[ Mss.498.3.Sch8. ](https://search.amphilsoc.org/collections/view?docId=ead/Mss.498.3.Sch8-ead.xml)Page 562 in the original manuscript, which corresponds to page 576 in the digitalised document. The image was reduced in size, cropped, and reproduced here with the kind permission of the American Philosophical Society.

note: Macedonian sky culture introduction section in markdown format
en: Ethnoastronomical research among Macedonian people began in 1982, organized by the Planetarium at Youth Cultural Centre. In the past years, around 140 villages in Republic of Macedonia have been visited and over 1500 inhabitants have been interviewed and surveyed. All collected information from the population have been published in the book “Sky over Macedonia” (Cenev G, 2004). An integral part of this book is the Sky map of Macedonian people which has been reconstructed based on the descriptions of constellations known to elderly inhabitants of Macedonian villages (Cenev G., 2000).
en_AU: Ethnoastronomical research among Macedonian people began in 1982, organised by the Planetarium at Youth Cultural Centre. In the past years, around 140 villages in Republic of Macedonia have been visited and over 1500 inhabitants have been interviewed and surveyed. All collected information from the population have been published in the book “Sky over Macedonia” (Cenev G, 2004). An integral part of this book is the Sky map of Macedonian people which has been reconstructed based on the descriptions of constellations known to elderly inhabitants of Macedonian villages (Cenev G., 2000).

note: Macedonian sky culture constellations section in markdown format
en: ##### Mother Hen (Kvachka) *[Quatʃka]*
    
    is the best-known constellation, which is recognized by all elderly people in Macedonian villages, without any exception. This name people use for the star cluster Pleiades
    
    ##### Rooster (Petal) *[Petel]*
    
    This is the name of the star Alnath (or Elnath) from the constellation Taurus.
    
    ##### Hawk (Јastreb) *[Yastreb]*
    
    Hawk, as one of the most famous enemies of the Mother Hen and the Rooster, is right above them in an attacking position. Bright star Capella (Kapela) from the constellation Auriga is actually known among people as Hawk.
    
    ##### Fox (Lisica) *[Lysitsa]*
    
     Fox is the second by importance natural enemy of the Mother Hen and the Rooster so it is obvious why people also “see” it on the sky. The red color of the bright star Aldebaran from the constellation of the Bull is the reason why people perceive it as a Fox ready to attack the Mother Hen and the Rooster.
    
    ##### Pigs (Svinji) *[Sviƞi]*
    
    Near to the Mother Hen, people on the sky noticed the star cluster Hyades. Scattered appearance of the stars of this cluster associated people to the image of pigs in a village yard, and so it’s called Pigs.
    
    ##### Yoke (Jarem) *[Yarem]*
    
    People under this name recognize group of stars in the constellation Perseus. Yokes for the oxen usually is found in village yards so that is why, like the previous constellation, is evidence of the general image of people and purpose given to this part of the sky.
    
    ##### Ploughman (Orach) *[Oratʃ]*
    
    The Ploughman is one of the three main characters in the sky. It is the name people gave to the bright star Betelgeuse in the constellation of Orion. Besides Betelgeuse, in building the image of this folk constellation, some weaker and less bright stars from the surrounding are also taken into account, because people say that the Ploughman is an image of a person with a goad as he returns home.
    
    ##### Plough with Oxen (Ralo so Volovi) *[Ralɔ sɔ Vɔlɔvi]*
    
    The constellation Orion with its numerous bright stars and distinctive pattern dominates the winter sky and can be easily found. People from Macedonian villages usually point at the region around Orion’s belt saying that three bright stars and surrounding less bright stars create an image of a wooden Plough with two yoked oxen.
    
    ##### Wolves (Volci) *[Voltsi]*
    
     Near to the plough with oxen, which is left on a field, people see two wolves as well. They are the bright stars Sirius in the constellation Canis Major and Procyon in Canis Minor.
    
    ##### Priest’s Straw (Popova Slama) *[Popovᴧ Slᴧmᴧ]*
    
     Our galaxy (Milky Way) by its appearance is dominant on the summer sky
    
    ##### Threshing floor (Gumno) *[Goumno]*
    
     Circular and foggy appearance of the Andromeda galaxy (М31) evoked people to see the threshing floor with straw from where the Priest was stealing from his Godson.
    
    ##### Cross (Krst) *[Krst]*
    
    Complement with the people’s belief, when the Priest-thief saw God’s might he started running in panic and lost his cross on the way. So next to the Priest’s Straw there is the Cross.
    
    ##### Ears (Ushi) *[Uʃi]*
    
    By this common word used as a jargon, Macedonian villagers mark the part of the wooden plough that goes into the soil, used for plowing.
    
    ##### Trivet (Pirustija) *[Pirustiya]*
    
    The trivet is a metal device with three legs (tripod) which fits over the fireplace to support pans and kettles while preparing food.
    
    ##### Tongs (Mashi) *[Maʃy]*
    
    The Tongs were used for the fire where the trivet is. Thus, the people’s constellation Tongs is very close to the constellation Trivet.
    
    ##### Low round wooden dining table (Sofra) *[Sofra]*
    
    The typical semi-circular shape of the constellation Corona Borealis evoked the image of a wooden round table called sofra.
    
    ##### Auger (Svrdel) *[Svrdǝl]*
    
    People say that this is a very big drill used for construction of houses and is found inside the Priest’s Straw
    
    ##### Thieves (Aramii) *[Arami:]*
    
    The famous constellation Ursa Major among the people is described as a group of thieves. The seven bright stars of Ursa Major are said to be thieves „because during the entire night they circle on the sky same as thieves that circle around houses“
en_AU: ##### Mother Hen (Kvachka) *[Quatʃka]*
    
    is the best-known constellation, which is recognised by all elderly people in Macedonian villages, without any exception. This name people use for the star cluster Pleiades
    
    ##### Rooster (Petal) *[Petel]*
    
    This is the name of the star Alnath (or Elnath) from the constellation Taurus.
    
    ##### Hawk (Јastreb) *[Yastreb]*
    
    Hawk, as one of the most famous enemies of the Mother Hen and the Rooster, is right above them in an attacking position. Bright star Capella (Kapela) from the constellation Auriga is actually known among people as Hawk.
    
    ##### Fox (Lisica) *[Lysitsa]*
    
     Fox is the second by importance natural enemy of the Mother Hen and the Rooster so it is obvious why people also “see” it on the sky. The red colour of the bright star Aldebaran from the constellation of the Bull is the reason why people perceive it as a Fox ready to attack the Mother Hen and the Rooster.
    
    ##### Pigs (Svinji) *[Sviƞi]*
    
    Near to the Mother Hen, people on the sky noticed the star cluster Hyades. Scattered appearance of the stars of this cluster associated people to the image of pigs in a village yard, and so it’s called Pigs.
    
    ##### Yoke (Jarem) *[Yarem]*
    
    People under this name recognise group of stars in the constellation Perseus. Yokes for the oxen usually is found in village yards so that is why, like the previous constellation, is evidence of the general image of people and purpose given to this part of the sky.
    
    ##### Ploughman (Orach) *[Oratʃ]*
    
    The Ploughman is one of the three main characters in the sky. It is the name people gave to the bright star Betelgeuse in the constellation of Orion. Besides Betelgeuse, in building the image of this folk constellation, some weaker and less bright stars from the surrounding are also taken into account, because people say that the Ploughman is an image of a person with a goad as he returns home.
    
    ##### Plough with Oxen (Ralo so Volovi) *[Ralɔ sɔ Vɔlɔvi]*
    
    The constellation Orion with its numerous bright stars and distinctive pattern dominates the winter sky and can be easily found. People from Macedonian villages usually point at the region around Orion’s belt saying that three bright stars and surrounding less bright stars create an image of a wooden Plough with two yoked oxen.
    
    ##### Wolves (Volci) *[Voltsi]*
    
     Near to the plough with oxen, which is left on a field, people see two wolves as well. They are the bright stars Sirius in the constellation Canis Major and Procyon in Canis Minor.
    
    ##### Priest’s Straw (Popova Slama) *[Popovᴧ Slᴧmᴧ]*
    
     Our galaxy (Milky Way) by its appearance is dominant on the summer sky
    
    ##### Threshing floor (Gumno) *[Goumno]*
    
     Circular and foggy appearance of the Andromeda galaxy (М31) evoked people to see the threshing floor with straw from where the Priest was stealing from his Godson.
    
    ##### Cross (Krst) *[Krst]*
    
    Complement with the people’s belief, when the Priest-thief saw God’s might he started running in panic and lost his cross on the way. So next to the Priest’s Straw there is the Cross.
    
    ##### Ears (Ushi) *[Uʃi]*
    
    By this common word used as a jargon, Macedonian villagers mark the part of the wooden plough that goes into the soil, used for plowing.
    
    ##### Trivet (Pirustija) *[Pirustiya]*
    
    The trivet is a metal device with three legs (tripod) which fits over the fireplace to support pans and kettles while preparing food.
    
    ##### Tongs (Mashi) *[Maʃy]*
    
    The Tongs were used for the fire where the trivet is. Thus, the people’s constellation Tongs is very close to the constellation Trivet.
    
    ##### Low round wooden dining table (Sofra) *[Sofra]*
    
    The typical semi-circular shape of the constellation Corona Borealis evoked the image of a wooden round table called sofra.
    
    ##### Auger (Svrdel) *[Svrdǝl]*
    
    People say that this is a very big drill used for construction of houses and is found inside the Priest’s Straw
    
    ##### Thieves (Aramii) *[Arami:]*
    
    The famous constellation Ursa Major among the people is described as a group of thieves. The seven bright stars of Ursa Major are said to be thieves „because during the entire night they circle on the sky same as thieves that circle around houses“

note: Maya sky culture constellations section in markdown format
en: Some of the identified constellations from the Paris Codex are:
    
    ##### Bird *[Ch’oom]*
    
    <table class="layout">
    <tr><td><img src="illustrations/Vulture_PC.png" width="59" height="63"/></td><td>Not clearly identified, but some researchers describe it as a vulture, since it is not decorated and relates better to some ethnographic descriptions (Špoták, 2015).</td></tr>
    </table>
    
    ##### Shark *[Xoc]*
    
    <table class="layout">
    <tr><td><img src="illustrations/Shark_PC.png" width="59" height="63"/></td><td>The picture used for this constellation is in fact a combination of the elements of two animals: head of a snake and tail of a fish, so some scholars conclude this is a representation of a shark.</td></tr>
    </table>
    
    ##### Owl *[Kulte']*
    
    <table class="layout">
    <tr><td><img src="illustrations/Owl_PC.png" width="59" height="63"/></td><td>Identified as such by some scholars, specially because of the small body and feathers on the head that it exhibits.</td></tr>
    </table>
    
    ##### Jaguar *[Balaam]*
    
    <table class="layout">
    <tr><td><img src="illustrations/Jaguar_PC.png" width="59" height="63"/></td><td>Identified as such because of the typical marks exhibited which are related to the skin of this animal.</td></tr>
    </table>
    
    ##### Death *[Kimi]*
    
    <table class="layout">
    <tr><td><img src="illustrations/Death_PC.png" width="59" height="63"/></td><td>This constellation appears in the Paris Codex as a skeleton, not yet clear whether it's an animal or not.</td></tr>
    </table>
    
    ##### Scorpion *[Sina'an]*
    
    <table class="layout">
    <tr><td><img src="illustrations/Scorpion_PC.png" width="59" height="63"/></td><td>Scholars agree that this maya constellation is in accordance to our Western culture Scorpion constellation, because of the "twisted" body that is suggested by this pattern of stars, however, for the mayas the sting is closer to the star Antares, because it should be next to the path of the Sun, as suggested by its position in the Paris Codex.</td></tr>
    </table>
    
    ##### Rattlesnake *[Chaan]*
    
    <table class="layout">
    <tr><td><img src="illustrations/Rattlesnake_PC.png" width="59" height="63"/></td><td>This animal is present through many species in the central america environment, but the one represented in the Paris codex is thought to be the Rattlesnake, because of the ending of the tail which shows the typical rattling ending of this reptile.</td></tr>
    </table>
    
    ##### Bat *[Zool]*
    
    <table class="layout">
    <tr><td><img src="illustrations/Bat_PC.png" width="59" height="63"/></td><td>Identified as such by its wings, as well as by the characteristic nose that this animal displays in the upper lip, typical in maya iconography.</td></tr>
    </table>
    
    ##### Toad *[Uo]*
    
    <table class="layout">
    <tr><td><img src="illustrations/Frog_PC.png" width="59" height="63"/></td><td>This animal is identified as such because of its necklace and the lack of teeth in its mouth (Špoták, 2015).  Freidel et al. (1993) place this animal in the Western culture constellation of Virgo.</td></tr>
    </table>
    
    ##### Turtle *[Aak]*
    
    <table class="layout">
    <tr><td><img src="illustrations/Turtle_BM.png" width="59" height="50"/></td><td>The turtle was present during the creation of the world, located on the Western culture Orion's Belt asterism. This position in the sky is not really deduced from the Paris codex, but from the analysis made on the Bonampak murals, where the picture of the turtle is decorated with three points, very similar in position and orientation to Orion’s Belt, so this turtle representation has been used to place it in the Stellarium sky, instead of the one depicted in the Paris Codex.</td></tr>
    </table>
    <p>Asterisms and constellations obtained through other archaeological and ethnographic sources (such as murals and manuscripts like the <i>Popol Vuh</i>) are described below:</p>
    
    ##### Hole-backed Caiman: *[Way Paat Ahiin]*
    
    The Milky Way in a vertical position relative to the horizon. This half-crocodile half-deer creature was sacrificed in a mythical time before the present one, an event which caused a storm of blood marking the end of the primordial chaos. On its back, the four trees -that lifted and hold the sky were placed- along with another supernatural being stepping on top of the decapitated body, thus fertilizing, founding or establishing the current order of things.
    
    <img src="illustrations/sdc.png" width="200" height="90"/>
    
    ##### Paddler Gods:
    
    This picture shows the Maize God being carried by a couple of paddler gods in a canoe to the place of creation: the Three Hearthstones (defined by the stars Alnitak, Saiph and Rigel, in the Western culture constellation Orion, and in Stellarium shown encircling the Oxib' Xk'ub', or Primordial Fire asterism), where he would be self-sacrificed for the creation of the cosmos to take place.
    
    <img src="illustrations/Stellarium_13.png" width="400" height="110"/>
    
    ##### Primordial Fire: *[Oxib'Xk'ub]*
    
    <table class="layout">
    <tr><td><img src="illustrations/Stellarium_11.png" width="70" height="60"/></td><td>This fire was lighted at the moment of creation, and mayas saw its smoke represented as the Orion's nebula (M42), between three bright stars representing the three hearthstones.</td></tr>
    </table>
    
    ##### Peccaries:
    
    <table class="layout">
    <tr><td><img src="illustrations/11.png" width="80" height="60"/></td><td>These pig-like animals are represented together just like the stars Castor and Pollux. The picture included in Stellarium was taken from the Bonampak mural.</td></tr>
    </table>
    
    ### Stars and Planets Names
    
     Maya people, just as other ancient cultures, used stars to keep track of time. The stars included in this version of Stellarium are:
    
    <ul>
    <li> <b>Two brilliant ones: </b><i>[kib' chuplinik]</i>, <b>Castor and Pollux</b>, used at the beginning of the dry season to track the time at night.</li>
    <li> <b>Single Star: </b><i>[jun ch'umil]</i>, <b>Regulus</b>, used in February to track the time at night.</li>
    <li> <b>Corner Star: </b><i>[xukut ch'umil]</i>, <b>Alpha Centauri</b>, called like this because it marked the southern corner of the night sky at the end of the dry season, in April.</li>
    <li> <b>Bright Star: </b><i>[Chac 'Ek]</i>, <b>Venus</b>, this planet was the God of War for the maya. In the Dresden Codex there is an almanac that was used to predict this planet's appearances and disappearances during its synodic period.</li>
    </ul>
en_AU: Some of the identified constellations from the Paris Codex are:
    
    ##### Bird *[Ch’oom]*
    
    <table class="layout">
    <tr><td><img src="illustrations/Vulture_PC.png" width="59" height="63"/></td><td>Not clearly identified, but some researchers describe it as a vulture, since it is not decorated and relates better to some ethnographic descriptions (Špoták, 2015).</td></tr>
    </table>
    
    ##### Shark *[Xoc]*
    
    <table class="layout">
    <tr><td><img src="illustrations/Shark_PC.png" width="59" height="63"/></td><td>The picture used for this constellation is in fact a combination of the elements of two animals: head of a snake and tail of a fish, so some scholars conclude this is a representation of a shark.</td></tr>
    </table>
    
    ##### Owl *[Kulte']*
    
    <table class="layout">
    <tr><td><img src="illustrations/Owl_PC.png" width="59" height="63"/></td><td>Identified as such by some scholars, specially because of the small body and feathers on the head that it exhibits.</td></tr>
    </table>
    
    ##### Jaguar *[Balaam]*
    
    <table class="layout">
    <tr><td><img src="illustrations/Jaguar_PC.png" width="59" height="63"/></td><td>Identified as such because of the typical marks exhibited which are related to the skin of this animal.</td></tr>
    </table>
    
    ##### Death *[Kimi]*
    
    <table class="layout">
    <tr><td><img src="illustrations/Death_PC.png" width="59" height="63"/></td><td>This constellation appears in the Paris Codex as a skeleton, not yet clear whether it's an animal or not.</td></tr>
    </table>
    
    ##### Scorpion *[Sina'an]*
    
    <table class="layout">
    <tr><td><img src="illustrations/Scorpion_PC.png" width="59" height="63"/></td><td>Scholars agree that this maya constellation is in accordance to our Western culture Scorpion constellation, because of the "twisted" body that is suggested by this pattern of stars, however, for the mayas the sting is closer to the star Antares, because it should be next to the path of the Sun, as suggested by its position in the Paris Codex.</td></tr>
    </table>
    
    ##### Rattlesnake *[Chaan]*
    
    <table class="layout">
    <tr><td><img src="illustrations/Rattlesnake_PC.png" width="59" height="63"/></td><td>This animal is present through many species in the central america environment, but the one represented in the Paris codex is thought to be the Rattlesnake, because of the ending of the tail which shows the typical rattling ending of this reptile.</td></tr>
    </table>
    
    ##### Bat *[Zool]*
    
    <table class="layout">
    <tr><td><img src="illustrations/Bat_PC.png" width="59" height="63"/></td><td>Identified as such by its wings, as well as by the characteristic nose that this animal displays in the upper lip, typical in maya iconography.</td></tr>
    </table>
    
    ##### Toad *[Uo]*
    
    <table class="layout">
    <tr><td><img src="illustrations/Frog_PC.png" width="59" height="63"/></td><td>This animal is identified as such because of its necklace and the lack of teeth in its mouth (Špoták, 2015).  Freidel et al. (1993) place this animal in the Western culture constellation of Virgo.</td></tr>
    </table>
    
    ##### Turtle *[Aak]*
    
    <table class="layout">
    <tr><td><img src="illustrations/Turtle_BM.png" width="59" height="50"/></td><td>The turtle was present during the creation of the world, located on the Western culture Orion's Belt asterism. This position in the sky is not really deduced from the Paris codex, but from the analysis made on the Bonampak murals, where the picture of the turtle is decorated with three points, very similar in position and orientation to Orion’s Belt, so this turtle representation has been used to place it in the Stellarium sky, instead of the one depicted in the Paris Codex.</td></tr>
    </table>
    <p>Asterisms and constellations obtained through other archaeological and ethnographic sources (such as murals and manuscripts like the <i>Popol Vuh</i>) are described below:</p>
    
    ##### Hole-backed Caiman: *[Way Paat Ahiin]*
    
    The Milky Way in a vertical position relative to the horizon. This half-crocodile half-deer creature was sacrificed in a mythical time before the present one, an event which caused a storm of blood marking the end of the primordial chaos. On its back, the four trees -that lifted and hold the sky were placed- along with another supernatural being stepping on top of the decapitated body, thus fertilising, founding or establishing the current order of things.
    
    <img src="illustrations/sdc.png" width="200" height="90"/>
    
    ##### Paddler Gods:
    
    This picture shows the Maize God being carried by a couple of paddler gods in a canoe to the place of creation: the Three Hearthstones (defined by the stars Alnitak, Saiph and Rigel, in the Western culture constellation Orion, and in Stellarium shown encircling the Oxib' Xk'ub', or Primordial Fire asterism), where he would be self-sacrificed for the creation of the cosmos to take place.
    
    <img src="illustrations/Stellarium_13.png" width="400" height="110"/>
    
    ##### Primordial Fire: *[Oxib'Xk'ub]*
    
    <table class="layout">
    <tr><td><img src="illustrations/Stellarium_11.png" width="70" height="60"/></td><td>This fire was lighted at the moment of creation, and mayas saw its smoke represented as the Orion's nebula (M42), between three bright stars representing the three hearthstones.</td></tr>
    </table>
    
    ##### Peccaries:
    
    <table class="layout">
    <tr><td><img src="illustrations/11.png" width="80" height="60"/></td><td>These pig-like animals are represented together just like the stars Castor and Pollux. The picture included in Stellarium was taken from the Bonampak mural.</td></tr>
    </table>
    
    ### Stars and Planets Names
    
     Maya people, just as other ancient cultures, used stars to keep track of time. The stars included in this version of Stellarium are:
    
    <ul>
    <li> <b>Two brilliant ones: </b><i>[kib' chuplinik]</i>, <b>Castor and Pollux</b>, used at the beginning of the dry season to track the time at night.</li>
    <li> <b>Single Star: </b><i>[jun ch'umil]</i>, <b>Regulus</b>, used in February to track the time at night.</li>
    <li> <b>Corner Star: </b><i>[xukut ch'umil]</i>, <b>Alpha Centauri</b>, called like this because it marked the southern corner of the night sky at the end of the dry season, in April.</li>
    <li> <b>Bright Star: </b><i>[Chac 'Ek]</i>, <b>Venus</b>, this planet was the God of War for the maya. In the Dresden Codex there is an almanac that was used to predict this planet's appearances and disappearances during its synodic period.</li>
    </ul>

note: Modern sky culture description section in markdown format
en: The modern sky culture divides the celestial sphere into 88 areas of various sizes called constellations, each with precise boundary, issued by the International Astronomical Union in 1922. These constellations have become the standard way to describe the sky, replacing similar sets in other sky cultures exhaustively in daily usage.
    
    The constellations in use today are based mainly on ancient Greek constellations depicted by Ptolemy in his book the Almagest during the 2nd century CE. In the subsequent centuries, this book has been translated from Greek into Arabic (6th to 9th century) and later to medieval Latin. In the Arabic more than in the Latin tradition, the Ptolemaic figures were enriched and transformed by native Arabic constellations and star names.
    
    In the 16-18th centuries, European astronomers suggested new constellations to fill the gaps between northern constellations (e.g. the constellation of "the lynx" for an area close to the Great Bear but with stars so faint that you would need the eyes of a lynx to see them) and also created new constellations in the southern part of the sky which had not been visible to Ptolemy. These new constellations were usually named after new technical inventions of the early modern period (e.g. a chemical furnace, a balloon, an air pump) or exotic animals (e.g. a chamaeleon, a tucan, a paradise bird). Among them several constellations were also named with political consideration to honor certain kings or patrons.
    
    In the beginning of the 20th century, the IAU (International Astronomical Union) aimed for a large clean-up: in 1922, it officially accepted the list of 88 constellation names. In 1928 it also defined precise constellation boundaries [#40] still in use today.
    
    ### Extras
    
    In the 2nd century CE, Ptolemy in Alexandria published a multi-volume book which summarised the astronomical knowledge of the time, rooted in a tradition of mathematical astronomy since Hipparchus (at least 265 years earlier). In the subsequent centuries, this book has been translated from Greek into Arabic (6th to 9th century), from Arabic into Latin, and later, from the original ancient Greek into medieval Latin. Due to this transformation, it is now known under the artificial name Almagest, derived from the Arabic title [#46].
    
    The Almagest star catalogue (books VII and VIII) has been depicted many times in the Islamic as well as in the Christian astronomical traditions. Often, the figures were re-drawn in order to adapt them to the taste of art of the epoch. In the Arabic more than in the Latin tradition, the Ptolemaic figures were enriched and transformed by native Arabic constellations and star names. Therefore, this sky culture displays a modern descendant of the Ptolemaic one with traces of translations, misunderstandings, transformations, and deliberate additions.
    
    In 1603 the lawyer and hobby astronomer Johann Bayer from Augsburg, Germany, made a new celestial atlas, called Uranometria [#41]. In this atlas, he introduced a systematic naming of stars starting with alpha, the brightest, beta, the second brightest, gamma, the third ... within a constellation. Subsequently, it was established to name a star with a Greek letter and the Latin constellation name in casus genitive.
    
    In the 18th century, the century of great atlases (Flamsteed, Fortin, Bode: [#42][#43]), new constellations were added to fill the gaps between northern constellations. Additionally, there were suggestions to create new constellations in the southern part of the sky which had not been visible to Ptolemy. European astronomers visited the European colonies and instead of asking the native people for their constellations, the Europeans were creative. This way, many new technical inventions of the early modern period were depicted in constellations (e.g. a chemical furnace, a balloon, an air pump) as well as exotic animals (e.g. a chamaeleon, a tucan, a paradise bird).
    
    The problem was that sometimes astronomers did not agree with each other and, thus, atlases showed deviations from each other.
    
    After many centuries of astronomers taking liberties in interpretation of the Ptolemaic original, there were many variants of constellations. As constellations are a positioning system, i.e. astronomers describe positions in the sky relative to stars and stars relative to constellations (like "Betelgeuse", Orion's right shoulder), it is necessary to use constellation names and star names uniformly all over the world.
    
    In the "Fin de siècle", there were upcoming suggestions in the astronomical community to unify the system of constellations and star names [#44].
    
    The IAU, only founded in 1919, in 1928 defined the boundaries of these areas [#43] and not the way of drawing artwork or connecting lines within them. Consequently several sub-cultures of painting figures and drawing simplified stickfigures were developed during the 20th and 21st century. We provide some of them as further sky cultures.
    
    ### Constellations
    
    These constellations are based mainly on the Ptolemaic tradition which had been used in all three Abrahamitic religions and, thus, was common in the Near East, in Europe and its colonies on all continents. However, between the ancient Greek constellations there were gaps of areas with only faint stars belonging to no constellation.[#47] In the Modern Epoch, several astronomers suggested constellation figures for these gaps, among them several political constellations to the honor of certain kings or patrons. In the late 19th century, the astronomical research community aimed for a huge clean-up to avoid ambiguities in assigning stars to constellations.
    
    In 1922, the IAU officially approved the list of 88 constellation names and their official abbreviations with three letters. The only remaining political constellation is Scutum, the shield of a Polish king but without mentioning the political reference anymore. The Belgian priest E. Delporte got the task to define constellation boundaries according to coordinates. In 1928, he finished the work, based on an atlas from Argentina [#51], and the IAU accepted his delimitations [#40].
    
    These "constellations" are naked areas in the sky without any stick figures or depictions [#44]. The borders simply follow the lines of right ascension and declination from the epoch 1875.0. Precession causes a slowly increasing deviation from the originally rectilinear grid. These constellations became the standard way to describe the sky, replacing similar sets in other sky cultures exhaustively in daily usage.
    
    Stellarium by default displays the precise RA-DEC-boundaries and a set of artwork constellations on the basis of Ptolemaic figures but following our contemporary taste of art.
    
    ### Asterisms
    
    The term "asterism" (assembly of stars) can sometimes be used synonymously to "constellation". In the modern use it describes a figure which is not part of the official canon. Sometimes an asterism is a part of a constellation, e.g. the Big Dipper as part of Ursa Major, or Great Square as part of Pegasus. Other asterisms span over several constellations, e.g. the Summer Triangle or Winter Hexagon. Yet others are only visible in binoculars or telescopes and are aptly named "telescopic asterism", e.g. the Coathanger. They are often discussed in the observing columns of popular astronomy magazines.
    
    ### Ray Helpers
    
    Seasoned observers can find their way around the sky easily. One mnemonic tool are associative chains of stars that span large distances. We show them as "ray helpers". These are not standardized.
    
    ### Proper names of stars
    
    Ptolemy's star catalogue had the layout of a table listing the description of the star's position in the constellation's figure, the ecliptical coordinates, and the magnitude e.g.: "The star at the tip of the tail of Ursa Minor", "Gem 0 1/6, +66", "Mag 3".
    
    In most cases, the star names evolved by astronomer's systematical abbreviations of these descriptions, e.g., a first astronomer abbreviated in a text "tip of the tail", a next astronomer drew a map with less space and wrote only "tail" next to the star and this name remained. Over centuries, these descriptions were translated into Arabic and Latin, and in some cases the translators or scribes made mistakes because of misreading or misspelling of the Arabic words (e.g. the Arabic "yad al gauza", the hand of the giant woman, was mangled to the common term "Betelgeuse").
    
    However, there are also a few original Greek words like the red star "Antares", the counterpart of Ares (Mars), and even a few original Babylonian terms like "Shargaz", the Sting, in Scorpius. Our modern, most recent IAU star names [#45] are a renewed mixture, also with influences or even politically wanted additions of star names from the non-Ptolemaic sky cultures, e.g. the traditional Pingsing, a Chinese star name for a star in Hydra (its meaning is only "star", a reminescence to his lonely position), or newly adopted star names from Polynesian, Hawaiian, or Aboriginal cultures for names of stars with exoplanets.
    
    The IAU is the only scientifically accepted authority to assign new names to stars. Commercial exploits like "star name registries", who sell stars for commemorative purposes or as gifts, only sell printed pieces of paper. These names are not approved and never used by scientists.
en_AU: The modern sky culture divides the celestial sphere into 88 areas of various sizes called constellations, each with precise boundary, issued by the International Astronomical Union in 1922. These constellations have become the standard way to describe the sky, replacing similar sets in other sky cultures exhaustively in daily usage.
    
    The constellations in use today are based mainly on ancient Greek constellations depicted by Ptolemy in his book the Almagest during the 2nd century CE. In the subsequent centuries, this book has been translated from Greek into Arabic (6th to 9th century) and later to medieval Latin. In the Arabic more than in the Latin tradition, the Ptolemaic figures were enriched and transformed by native Arabic constellations and star names.
    
    In the 16-18th centuries, European astronomers suggested new constellations to fill the gaps between northern constellations (e.g. the constellation of "the lynx" for an area close to the Great Bear but with stars so faint that you would need the eyes of a lynx to see them) and also created new constellations in the southern part of the sky which had not been visible to Ptolemy. These new constellations were usually named after new technical inventions of the early modern period (e.g. a chemical furnace, a balloon, an air pump) or exotic animals (e.g. a chamaeleon, a tucan, a paradise bird). Among them several constellations were also named with political consideration to honour certain kings or patrons.
    
    In the beginning of the 20th century, the IAU (International Astronomical Union) aimed for a large clean-up: in 1922, it officially accepted the list of 88 constellation names. In 1928 it also defined precise constellation boundaries [#40] still in use today.
    
    ### Extras
    
    In the 2nd century CE, Ptolemy in Alexandria published a multi-volume book which summarised the astronomical knowledge of the time, rooted in a tradition of mathematical astronomy since Hipparchus (at least 265 years earlier). In the subsequent centuries, this book has been translated from Greek into Arabic (6th to 9th century), from Arabic into Latin, and later, from the original ancient Greek into medieval Latin. Due to this transformation, it is now known under the artificial name Almagest, derived from the Arabic title [#46].
    
    The Almagest star catalogue (books VII and VIII) has been depicted many times in the Islamic as well as in the Christian astronomical traditions. Often, the figures were re-drawn in order to adapt them to the taste of art of the epoch. In the Arabic more than in the Latin tradition, the Ptolemaic figures were enriched and transformed by native Arabic constellations and star names. Therefore, this sky culture displays a modern descendant of the Ptolemaic one with traces of translations, misunderstandings, transformations, and deliberate additions.
    
    In 1603 the lawyer and hobby astronomer Johann Bayer from Augsburg, Germany, made a new celestial atlas, called Uranometria [#41]. In this atlas, he introduced a systematic naming of stars starting with alpha, the brightest, beta, the second brightest, gamma, the third ... within a constellation. Subsequently, it was established to name a star with a Greek letter and the Latin constellation name in casus genitive.
    
    In the 18th century, the century of great atlases (Flamsteed, Fortin, Bode: [#42][#43]), new constellations were added to fill the gaps between northern constellations. Additionally, there were suggestions to create new constellations in the southern part of the sky which had not been visible to Ptolemy. European astronomers visited the European colonies and instead of asking the native people for their constellations, the Europeans were creative. This way, many new technical inventions of the early modern period were depicted in constellations (e.g. a chemical furnace, a balloon, an air pump) as well as exotic animals (e.g. a chamaeleon, a tucan, a paradise bird).
    
    The problem was that sometimes astronomers did not agree with each other and, thus, atlases showed deviations from each other.
    
    After many centuries of astronomers taking liberties in interpretation of the Ptolemaic original, there were many variants of constellations. As constellations are a positioning system, i.e. astronomers describe positions in the sky relative to stars and stars relative to constellations (like "Betelgeuse", Orion's right shoulder), it is necessary to use constellation names and star names uniformly all over the world.
    
    In the "Fin de siècle", there were upcoming suggestions in the astronomical community to unify the system of constellations and star names [#44].
    
    The IAU, only founded in 1919, in 1928 defined the boundaries of these areas [#43] and not the way of drawing artwork or connecting lines within them. Consequently several sub-cultures of painting figures and drawing simplified stickfigures were developed during the 20th and 21st century. We provide some of them as further sky cultures.
    
    ### Constellations
    
    These constellations are based mainly on the Ptolemaic tradition which had been used in all three Abrahamitic religions and, thus, was common in the Near East, in Europe and its colonies on all continents. However, between the ancient Greek constellations there were gaps of areas with only faint stars belonging to no constellation.[#47] In the Modern Epoch, several astronomers suggested constellation figures for these gaps, among them several political constellations to the honour of certain kings or patrons. In the late 19th century, the astronomical research community aimed for a huge clean-up to avoid ambiguities in assigning stars to constellations.
    
    In 1922, the IAU officially approved the list of 88 constellation names and their official abbreviations with three letters. The only remaining political constellation is Scutum, the shield of a Polish king but without mentioning the political reference anymore. The Belgian priest E. Delporte got the task to define constellation boundaries according to coordinates. In 1928, he finished the work, based on an atlas from Argentina [#51], and the IAU accepted his delimitations [#40].
    
    These "constellations" are naked areas in the sky without any stick figures or depictions [#44]. The borders simply follow the lines of right ascension and declination from the epoch 1875.0. Precession causes a slowly increasing deviation from the originally rectilinear grid. These constellations became the standard way to describe the sky, replacing similar sets in other sky cultures exhaustively in daily usage.
    
    Stellarium by default displays the precise RA-DEC-boundaries and a set of artwork constellations on the basis of Ptolemaic figures but following our contemporary taste of art.
    
    ### Asterisms
    
    The term "asterism" (assembly of stars) can sometimes be used synonymously to "constellation". In the modern use it describes a figure which is not part of the official canon. Sometimes an asterism is a part of a constellation, e.g. the Big Dipper as part of Ursa Major, or Great Square as part of Pegasus. Other asterisms span over several constellations, e.g. the Summer Triangle or Winter Hexagon. Yet others are only visible in binoculars or telescopes and are aptly named "telescopic asterism", e.g. the Coathanger. They are often discussed in the observing columns of popular astronomy magazines.
    
    ### Ray Helpers
    
    Seasoned observers can find their way around the sky easily. One mnemonic tool are associative chains of stars that span large distances. We show them as "ray helpers". These are not standardised.
    
    ### Proper names of stars
    
    Ptolemy's star catalogue had the layout of a table listing the description of the star's position in the constellation's figure, the ecliptical coordinates, and the magnitude e.g.: "The star at the tip of the tail of Ursa Minor", "Gem 0 1/6, +66", "Mag 3".
    
    In most cases, the star names evolved by astronomer's systematical abbreviations of these descriptions, e.g., a first astronomer abbreviated in a text "tip of the tail", a next astronomer drew a map with less space and wrote only "tail" next to the star and this name remained. Over centuries, these descriptions were translated into Arabic and Latin, and in some cases the translators or scribes made mistakes because of misreading or misspelling of the Arabic words (e.g. the Arabic "yad al gauza", the hand of the giant woman, was mangled to the common term "Betelgeuse").
    
    However, there are also a few original Greek words like the red star "Antares", the counterpart of Ares (Mars), and even a few original Babylonian terms like "Shargaz", the Sting, in Scorpius. Our modern, most recent IAU star names [#45] are a renewed mixture, also with influences or even politically wanted additions of star names from the non-Ptolemaic sky cultures, e.g. the traditional Pingsing, a Chinese star name for a star in Hydra (its meaning is only "star", a reminescence to his lonely position), or newly adopted star names from Polynesian, Hawaiian, or Aboriginal cultures for names of stars with exoplanets.
    
    The IAU is the only scientifically accepted authority to assign new names to stars. Commercial exploits like "star name registries", who sell stars for commemorative purposes or as gifts, only sell printed pieces of paper. These names are not approved and never used by scientists.

note: Modern (IAU) sky culture description section in markdown format
en: The modern sky culture divides the celestial sphere into 88 areas of various sizes called constellations, each with precise boundary, issued by the International Astronomical Union in 1922. These constellations have become the standard way to describe the sky, replacing similar sets in other sky cultures exhaustively in daily usage.
    
    The constellations in use today are based mainly on ancient Greek constellations depicted by Ptolemy in his book the Almagest during the 2nd century CE. In the subsequent centuries, this book has been translated from Greek into Arabic (6th to 9th century) and later to medieval Latin. In the Arabic more than in the Latin tradition, the Ptolemaic figures were enriched and transformed by native Arabic constellations and star names.
    
    In the 16-18th centuries, European astronomers suggested new constellations to fill the gaps between northern constellations (e.g. the constellation of "the lynx" for an area close to the Great Bear but with stars so faint that you would need the eyes of a lynx to see them) and also created new constellations in the southern part of the sky which had not been visible to Ptolemy. These new constellations were usually named after new technical inventions of the early modern period (e.g. a chemical furnace, a balloon, an air pump) or exotic animals (e.g. a chamaeleon, a tucan, a paradise bird). Among them several constellations were also named with political consideration to honor certain kings or patrons.
    
    In the beginning of the 20th century, the IAU (International Astronomical Union) aimed for a large clean-up: in 1922, it officially accepted the list of 88 constellation names. In 1928 it also defined precise constellation boundaries [#4] still in use today.
    
    ### Constellations
    
    These constellations are based mainly on the Ptolemaic tradition which had been used in all three Abrahamitic religions and, thus, was common in the Near East, in Europe and its colonies on all continents. However, between the ancient Greek constellations there were gaps of areas with only faint stars belonging to no constellation.[#5] In the Modern Epoch, several astronomers suggested constellation figures for these gaps, among them several political constellations to the honor of certain kings or patrons. In the late 19th century, the astronomical research community aimed for a huge clean-up to avoid ambiguities in assigning stars to constellations.
    
    In 1922, the IAU officially approved the list of 88 constellation names and their official abbreviations with three letters. The only remaining political constellation is Scutum, the shield of a Polish king but without mentioning the political reference anymore. The Belgian priest E. Delporte got the task to define constellation boundaries according to coordinates. In 1928, he finished the work, based on an atlas from Argentina [#6], and the IAU accepted his delimitations [#4].
    
    These "constellations" are naked areas in the sky without any stick figures or depictions [#1]. The borders simply follow the lines of right ascension and declination from the epoch 1875.0. Precession causes a slowly increasing deviation from the originally rectilinear grid. These constellations became the standard way to describe the sky, replacing similar sets in other sky cultures exhaustively in daily usage.
    
    #### Constellation Figures
    
    In star maps it is common to mark line "patterns" that represent the shapes that give the name to the constellations. However, the IAU defines a constellation by its boundary (indicated by sky coordinates) and not by its pattern and the same constellation may have several variants in its representation.
    
    This sky culture uses constellation figures were produced in collaboration with "Sky and Telescope" magazine (Roger Sinnott and Rick Fienberg) and published at IAU official website [#1]. Alan MacRobert's constellation patterns, were influenced by those of H. A. Rey but in many cases were adjusted to preserve earlier traditions.
    
    ### Proper names of stars
    
    Ptolemy's star catalogue had the layout of a table listing the description of the star's position in the constellation's figure, the ecliptical coordinates, and the magnitude e.g.: "The star at the tip of the tail of Ursa Minor", "Gem 0 1/6, +66", "Mag 3".
    
    In most cases, the star names evolved by astronomer's systematical abbreviations of these descriptions, e.g., a first astronomer abbreviated in a text "tip of the tail", a next astronomer drew a map with less space and wrote only "tail" next to the star and this name remained. Over centuries, these descriptions were translated into Arabic and Latin, and in some cases the translators or scribes made mistakes because of misreading or misspelling of the Arabic words (e.g. the Arabic "yad al gauza", the hand of the giant woman, was mangled to the common term "Betelgeuse").
    
    However, there are also a few original Greek words like the red star "Antares", the counterpart of Ares (Mars), and even a few original Babylonian terms like "Shargaz", the Sting, in Scorpius. Our modern, most recent IAU star names [#7] are a renewed mixture, also with influences or even politically wanted additions of star names from the non-Ptolemaic sky cultures, e.g. the traditional Pingsing, a Chinese star name for a star in Hydra (its meaning is only "star", a reminescence to his lonely position), or newly adopted star names from Polynesian, Hawaiian, or Aboriginal cultures for names of stars with exoplanets.
    
    The IAU is the only scientifically accepted authority to assign new names to stars. Commercial exploits like "star name registries", who sell stars for commemorative purposes or as gifts, only sell printed pieces of paper. These names are not approved and never used by scientists.
    
    ### Proper names of deep-sky objects
    
    Uranometria 2000.0 is an atlas of the 2000.0 era starry sky prepared by the Dutch artist Wil Tirion and published in 1987 by the American publishing house Willmann-Bell, specializing in astronomical literature.
    
    The Atlas of Tirion, respected by astronomers for its accuracy and beauty, is provided with detailed tables and various indexes. The second volume contains three transparent overlays designed for precise measurements. Uranometria 2000.0 contains more than 280,000 stars and more than 30,000 deep-sky objects - in particular, all the objects of the Messier and NGC catalogs.
    
    The second (corrected and most complete) three-volume edition of "Uranometria 2000.0", was published in 2001 under the name "Uranometria 2000.0 Deep Sky Atlas" and contains 280035 stars of both hemispheres up to 9.75<sup>m</sup> in size on a scale of 1.85 cm per declination degree on 220 spreads of A3 format. Particular attention in the atlas is paid to deep-sky objects, there are more than 30 thousand of them in the second edition - many times more than in any other paper atlas.
    
    The third volume of "Uranometria 2000.0" is a guide to deep-sky objects - Deep Sky Field Guide, consisting of tables with scientific data and proper names on objects depicted in the first two volumes [#3].
en_AU: The modern sky culture divides the celestial sphere into 88 areas of various sizes called constellations, each with precise boundary, issued by the International Astronomical Union in 1922. These constellations have become the standard way to describe the sky, replacing similar sets in other sky cultures exhaustively in daily usage.
    
    The constellations in use today are based mainly on ancient Greek constellations depicted by Ptolemy in his book the Almagest during the 2nd century CE. In the subsequent centuries, this book has been translated from Greek into Arabic (6th to 9th century) and later to medieval Latin. In the Arabic more than in the Latin tradition, the Ptolemaic figures were enriched and transformed by native Arabic constellations and star names.
    
    In the 16-18th centuries, European astronomers suggested new constellations to fill the gaps between northern constellations (e.g. the constellation of "the lynx" for an area close to the Great Bear but with stars so faint that you would need the eyes of a lynx to see them) and also created new constellations in the southern part of the sky which had not been visible to Ptolemy. These new constellations were usually named after new technical inventions of the early modern period (e.g. a chemical furnace, a balloon, an air pump) or exotic animals (e.g. a chamaeleon, a tucan, a paradise bird). Among them several constellations were also named with political consideration to honour certain kings or patrons.
    
    In the beginning of the 20th century, the IAU (International Astronomical Union) aimed for a large clean-up: in 1922, it officially accepted the list of 88 constellation names. In 1928 it also defined precise constellation boundaries [#4] still in use today.
    
    ### Constellations
    
    These constellations are based mainly on the Ptolemaic tradition which had been used in all three Abrahamitic religions and, thus, was common in the Near East, in Europe and its colonies on all continents. However, between the ancient Greek constellations there were gaps of areas with only faint stars belonging to no constellation.[#5] In the Modern Epoch, several astronomers suggested constellation figures for these gaps, among them several political constellations to the honour of certain kings or patrons. In the late 19th century, the astronomical research community aimed for a huge clean-up to avoid ambiguities in assigning stars to constellations.
    
    In 1922, the IAU officially approved the list of 88 constellation names and their official abbreviations with three letters. The only remaining political constellation is Scutum, the shield of a Polish king but without mentioning the political reference anymore. The Belgian priest E. Delporte got the task to define constellation boundaries according to coordinates. In 1928, he finished the work, based on an atlas from Argentina [#6], and the IAU accepted his delimitations [#4].
    
    These "constellations" are naked areas in the sky without any stick figures or depictions [#1]. The borders simply follow the lines of right ascension and declination from the epoch 1875.0. Precession causes a slowly increasing deviation from the originally rectilinear grid. These constellations became the standard way to describe the sky, replacing similar sets in other sky cultures exhaustively in daily usage.
    
    #### Constellation Figures
    
    In star maps it is common to mark line "patterns" that represent the shapes that give the name to the constellations. However, the IAU defines a constellation by its boundary (indicated by sky coordinates) and not by its pattern and the same constellation may have several variants in its representation.
    
    This sky culture uses constellation figures were produced in collaboration with "Sky and Telescope" magazine (Roger Sinnott and Rick Fienberg) and published at IAU official website [#1]. Alan MacRobert's constellation patterns, were influenced by those of H. A. Rey but in many cases were adjusted to preserve earlier traditions.
    
    ### Proper names of stars
    
    Ptolemy's star catalogue had the layout of a table listing the description of the star's position in the constellation's figure, the ecliptical coordinates, and the magnitude e.g.: "The star at the tip of the tail of Ursa Minor", "Gem 0 1/6, +66", "Mag 3".
    
    In most cases, the star names evolved by astronomer's systematical abbreviations of these descriptions, e.g., a first astronomer abbreviated in a text "tip of the tail", a next astronomer drew a map with less space and wrote only "tail" next to the star and this name remained. Over centuries, these descriptions were translated into Arabic and Latin, and in some cases the translators or scribes made mistakes because of misreading or misspelling of the Arabic words (e.g. the Arabic "yad al gauza", the hand of the giant woman, was mangled to the common term "Betelgeuse").
    
    However, there are also a few original Greek words like the red star "Antares", the counterpart of Ares (Mars), and even a few original Babylonian terms like "Shargaz", the Sting, in Scorpius. Our modern, most recent IAU star names [#7] are a renewed mixture, also with influences or even politically wanted additions of star names from the non-Ptolemaic sky cultures, e.g. the traditional Pingsing, a Chinese star name for a star in Hydra (its meaning is only "star", a reminescence to his lonely position), or newly adopted star names from Polynesian, Hawaiian, or Aboriginal cultures for names of stars with exoplanets.
    
    The IAU is the only scientifically accepted authority to assign new names to stars. Commercial exploits like "star name registries", who sell stars for commemorative purposes or as gifts, only sell printed pieces of paper. These names are not approved and never used by scientists.
    
    ### Proper names of deep-sky objects
    
    Uranometria 2000.0 is an atlas of the 2000.0 era starry sky prepared by the Dutch artist Wil Tirion and published in 1987 by the American publishing house Willmann-Bell, specialising in astronomical literature.
    
    The Atlas of Tirion, respected by astronomers for its accuracy and beauty, is provided with detailed tables and various indexes. The second volume contains three transparent overlays designed for precise measurements. Uranometria 2000.0 contains more than 280,000 stars and more than 30,000 deep-sky objects - in particular, all the objects of the Messier and NGC catalogues.
    
    The second (corrected and most complete) three-volume edition of "Uranometria 2000.0", was published in 2001 under the name "Uranometria 2000.0 Deep Sky Atlas" and contains 280035 stars of both hemispheres up to 9.75<sup>m</sup> in size on a scale of 1.85 cm per declination degree on 220 spreads of A3 format. Particular attention in the atlas is paid to deep-sky objects, there are more than 30 thousand of them in the second edition - many times more than in any other paper atlas.
    
    The third volume of "Uranometria 2000.0" is a guide to deep-sky objects - Deep Sky Field Guide, consisting of tables with scientific data and proper names on objects depicted in the first two volumes [#3].

note: Modern (H.A. Rey) sky culture description section in markdown format
en: <img src="illustrations/Rey_cover.png" width="150" align="right"/> H. A. Rey (Hans Augusto Reyersbach) (1898-1977), an artist and author of children's books of German descent but emigrated to the USA, published his answer to this problem in 1952 with the book *The Stars - A New Way To See Them*[#1][#2].
    
    ### The Constellations
    
    In this book, which has become very popular especially in the US, Rey connected the stars of every constellation "in such a way that the resulting shape makes sense." What surprised him was "that nobody has done it before. The basic idea is so simple."
    
    Rey's new stick figures make it indeed very simple to recognize the depicted constellation figures. Rey's work does not include figurative artwork, therefore this sky culture deliberately only comes with Rey's original stick figures. The constellation names were also always given in English by Rey. If you switch to "Native" name display mode, you may see exactly the spelling used in his book. Also the stars named here are limited to those included in the book.
    
    ### Rey's Figures and the Classic Constellations
    
    Rey's constellations adhere to the tradition of the Western sky culture and describes the 88 officially acknowledged constellations, with addition of asterisms of the two Dippers and the "Great Square" (of Pegasus). However, at several points Rey's figures deviate from the canonical figures described since Ptolemy's Almagest (2nd century AD), where also positions of the stars in their constellations had been described in their names. For example,
    
     - Rey inverted the figure of the Great Bear (*Ursa Major*) to look like a polar bear scenting prey. This on one hand does not have the usual problem to explain its long tail. On the other hand, the bear is not shown to walk around the pole in this orientation.
     - The Bull (*Taurus*), only the front of which is shown with long upright horns in usual depictions, is shown with a complete body including its tail, with horns stretched wide like those of a buffalo. Its bright eye *Aldebaran* now lies in its neck.
     - The head of *Hercules* is usually next to the head of *Ophiuchus*, the serpent holder, and the four stars known as "keystone" form his body. Rey makes his head out of the keystone, and the star that usually marks the hero's head is now one of his feet.
     - The Whale (*Cetus*) has been turned around, its former mouth now forming a tail fin.
     - *Pegasus* exchanged feet and head.
     - *Bootes*, the herdsman, is shown sitting and smoking a pipe (no trace of political correctness in a children's book of the 1950s... :-)
    
    ### External links
    
     - [H.A.Rey (Wikipedia)](http://en.wikipedia.org/wiki/H._A._Rey)
en_AU: <img src="illustrations/Rey_cover.png" width="150" align="right"/> H. A. Rey (Hans Augusto Reyersbach) (1898-1977), an artist and author of children's books of German descent but emigrated to the USA, published his answer to this problem in 1952 with the book *The Stars - A New Way To See Them*[#1][#2].
    
    ### The Constellations
    
    In this book, which has become very popular especially in the US, Rey connected the stars of every constellation "in such a way that the resulting shape makes sense." What surprised him was "that nobody has done it before. The basic idea is so simple."
    
    Rey's new stick figures make it indeed very simple to recognise the depicted constellation figures. Rey's work does not include figurative artwork, therefore this sky culture deliberately only comes with Rey's original stick figures. The constellation names were also always given in English by Rey. If you switch to "Native" name display mode, you may see exactly the spelling used in his book. Also the stars named here are limited to those included in the book.
    
    ### Rey's Figures and the Classic Constellations
    
    Rey's constellations adhere to the tradition of the Western sky culture and describes the 88 officially acknowledged constellations, with addition of asterisms of the two Dippers and the "Great Square" (of Pegasus). However, at several points Rey's figures deviate from the canonical figures described since Ptolemy's Almagest (2nd century AD), where also positions of the stars in their constellations had been described in their names. For example,
    
     - Rey inverted the figure of the Great Bear (*Ursa Major*) to look like a polar bear scenting prey. This on one hand does not have the usual problem to explain its long tail. On the other hand, the bear is not shown to walk around the pole in this orientation.
     - The Bull (*Taurus*), only the front of which is shown with long upright horns in usual depictions, is shown with a complete body including its tail, with horns stretched wide like those of a buffalo. Its bright eye *Aldebaran* now lies in its neck.
     - The head of *Hercules* is usually next to the head of *Ophiuchus*, the serpent holder, and the four stars known as "keystone" form his body. Rey makes his head out of the keystone, and the star that usually marks the hero's head is now one of his feet.
     - The Whale (*Cetus*) has been turned around, its former mouth now forming a tail fin.
     - *Pegasus* exchanged feet and head.
     - *Bootes*, the herdsman, is shown sitting and smoking a pipe (no trace of political correctness in a children's book of the 1950s... :-)
    
    ### External links
    
     - [H.A.Rey (Wikipedia)](http://en.wikipedia.org/wiki/H._A._Rey)

note: Modern (Sternenkarten) sky culture description section in markdown format
en: ### Division of the sky
    
    In 1922 the International Astronomical Union began to define this standard more precisely. 88 constellations were selected that covered the entire sky. The names and the boundaries of the 88 constellations were made binding, but not the historically created shapes of the constellations themselves.
    
    ### From image to constellation
    
    Greek mythology is rich in stories about gods and heroes. These stories have not been forgotten until today, among other things through the works of Hesiod and Homer. Atlases were created that showed the starry sky, illustrated with figures from Greek mythology. The stars in these figures were connected by lines, creating constellations. It was clear what these constellations were supposed to represent. But if you looked at the lines alone without the corresponding figures, the connection to the constellation was often no longer immediately understandable
    
    ### The stars, a new way to see them
    
    The children's book author H. A. Rey recognized this dilemma. He wondered why it had never occurred to anyone to draw the constellations so, that their shape made sense. He connected stars with lines and thus painted his own constellations. These constellations were intuitively recognizable, because the constellation lines themselves painted the images. H. A. Rey published his work under the title "The Stars. A New Way To See Them".
    
    ### The sky culture sternenkarten.com
    
    The sky culture sternenkarten.com is based on the idea of H. A. Rey to paint constellations in such a way, that they can be recognized intuitively. Some of the constellations, it contains, are more or less similar to those of H. A. Rey, others are based on the western standard sky culture. And still others have been completely redesigned.
    
    As far as possible, the following points have been implemented
    
     - Clear simple shapes
     - Intuitive recognizability
     - Recognizing is more important than the inclusion of many stars
     - Fainter stars are not considered because of the light pollution in the modern world
     - Triangles are easy to spot. That is why the characters wear triangular hats
    
    The following special features were built into the constellation culture:
    
     - The constellation Lynx uses a star from the constellation Great Bear
     - The constellation Snake is not divided into two parts. A complete snake is drawn
     - The star Alpheratz belongs to both the constellation Pegasus and the constellation Andromeda
    
    ### History of the sky culture sternenkarten.com
    
     - 2015: Photographing the night sky that can be seen from Germany.
     - 2015: Development of the sky culture sternenkarten.com
     - 2015: Drawing the constellations in the photos
     - 2016: Publication of the sky culture on the Internet
     - 2020: Adding to Kstars
     - 2021: Expanding with the constellations of the southern hemisphere
    
    Documentation: [Meine kleinen Sternenkarten](https://sternenkarten.com/die-sternbilder/)
en_AU: ### Division of the sky
    
    In 1922 the International Astronomical Union began to define this standard more precisely. 88 constellations were selected that covered the entire sky. The names and the boundaries of the 88 constellations were made binding, but not the historically created shapes of the constellations themselves.
    
    ### From image to constellation
    
    Greek mythology is rich in stories about gods and heroes. These stories have not been forgotten until today, among other things through the works of Hesiod and Homer. Atlases were created that showed the starry sky, illustrated with figures from Greek mythology. The stars in these figures were connected by lines, creating constellations. It was clear what these constellations were supposed to represent. But if you looked at the lines alone without the corresponding figures, the connection to the constellation was often no longer immediately understandable
    
    ### The stars, a new way to see them
    
    The children's book author H. A. Rey recognised this dilemma. He wondered why it had never occurred to anyone to draw the constellations so, that their shape made sense. He connected stars with lines and thus painted his own constellations. These constellations were intuitively recognisable, because the constellation lines themselves painted the images. H. A. Rey published his work under the title "The Stars. A New Way To See Them".
    
    ### The sky culture sternenkarten.com
    
    The sky culture sternenkarten.com is based on the idea of H. A. Rey to paint constellations in such a way, that they can be recognised intuitively. Some of the constellations, it contains, are more or less similar to those of H. A. Rey, others are based on the western standard sky culture. And still others have been completely redesigned.
    
    As far as possible, the following points have been implemented
    
     - Clear simple shapes
     - Intuitive recognisability
     - Recognising is more important than the inclusion of many stars
     - Fainter stars are not considered because of the light pollution in the modern world
     - Triangles are easy to spot. That is why the characters wear triangular hats
    
    The following special features were built into the constellation culture:
    
     - The constellation Lynx uses a star from the constellation Great Bear
     - The constellation Snake is not divided into two parts. A complete snake is drawn
     - The star Alpheratz belongs to both the constellation Pegasus and the constellation Andromeda
    
    ### History of the sky culture sternenkarten.com
    
     - 2015: Photographing the night sky that can be seen from Germany.
     - 2015: Development of the sky culture sternenkarten.com
     - 2015: Drawing the constellations in the photos
     - 2016: Publication of the sky culture on the Internet
     - 2020: Adding to Kstars
     - 2021: Expanding with the constellations of the southern hemisphere
    
    Documentation: [Meine kleinen Sternenkarten](https://sternenkarten.com/die-sternbilder/)

note: Modern (Sternenkarten) sky culture references section in markdown format
en:  - [#1]: Kunitzsch, P.; Smart T. (2006). "A Dictionary of Modern star Names: A Short Guide to 254 Star Names and Their Derivations" (2nd rev. ed.). Cambridge, MA: Sky Pub. ISBN 978-1-931559-44-7.
     - [#2]: Allen, R. H. (1963). "Star Names: Their Lore and Meaning" (rep. ed.). New York, NY: Dover Publications Inc. ISBN 0-486-21079-0.
     - [#3]: [2000, A&AS, 143, 9, "The SIMBAD astronomical database", Wenger et al.](http://adsabs.harvard.edu/abs/2000A%26AS..143....9W)
     - [#4]: [Final Results of NameExoWorlds Public Vote Released](http://www.iau.org/news/pressreleases/detail/iau1514/)
     - [#5]: [STARS by Jim Kaler, Prof. Emeritus of Astronomy, University of Illinois](http://stars.astro.illinois.edu/sow/sowlist.html)
     - [#6]: [IAU Catalog of Star Names (IAU-CSN)](http://www.pas.rochester.edu/~emamajek/WGSN/IAU-CSN.txt)
     - [#7]: [Covington, Michael (2002). "Celestial Objects for Modern Telescopes: Practical Amateur Astronomy". Cambridge University Press.](https://books.google.com/books?id=ql7wLq1fP5QC&pg=PA209)
     - [#8]: ["61 Cyg (Piazzi's Flying Star)". Science&Space News. Retrieved June 1, 2015.](http://news.sky-map.org/starview?object_type=1&object_id=2282&object_name=HD+201091&locale=EN)
     - [#9]: [Kruger 60](https://en.wikipedia.org/wiki/Kruger_60)
     - [#10]: [List of Named Stars in Alphabetical Order](http://www.astro.wisc.edu/~dolan/constellations/starname_list.html)
     - [#11]: [Jack W. Rhoads (1971). "Reduced Star Catalog Containing 537 Named Stars", Jet Propulsion Laboratory, California Institute of Technology; November 15, 1971](https://ntrs.nasa.gov/citations/19720005197)
     - [#12]: [IAU Naming Stars](https://www.iau.org/public/themes/naming_stars/)
     - [#13]: [Bright Star Catalogue, 5th Revised Ed. (Hoffleit+, 1991)](http://vizier.u-strasbg.fr/viz-bin/VizieR?-source=V/50)
     - [#14]: Piazzi, G, ed. (1814). "Praecipuarum Stellarum Inerrantium Positiones Mediae Ineunte Saeculo XIX: ex Observationibus Habitis in Specula Panormitana ab anno 1792 ad annum 1813". Palermo. p. 21.
     - [#15]: Kunitzsch, P. (1959). "Arabische Sternnamen in Europa". Wiesbaden: Otto Harrassowitz. p. 155.
     - [#16]: Laffitte, R. (2005). "Héritages arabes: Des noms arabes pour les étoiles" (2éme revue et corrigée ed.). Paris: Librairie Orientaliste Paul Geunthner / Les Cahiers de l'Orient. p. 229.
     - [#17]: Burritt, E. H. (1835). "Atlas, Designed to Illustrate the Geography of the Heavens" (new ed.). New York: F. J. Huntington. plate III.
     - [#18]: Burnham, Robert Jr. (1978, 1979). "Burnham's Celestial Handbook: An Observer's Guide to the Universe Beyond the Solar System", Vol. 1, 2, 3. NY: Dover Publications. ISBN 978-0486235677, 978-0486235684, 978-0486236735
     - [#19]: [Iota Ursae Majoris](https://en.wikipedia.org/wiki/Iota_Ursae_Majoris)
     - [#20]: [Falkner, David E. (2011). "The Mythology of the Night Sky: An Amateur Astronomer's Guide to the Ancient Greek and Roman Legends", Patrick Moore's Practical Astronomy, Springer. ISBN 1-4614-0136-4](https://books.google.com/books?id=tyj8UUE968wC)
     - [#21]: Peters, C. A. F. (1853). "On the Parallax of Argelander's Star". Monthly Notices of the Royal Astronomical Society, Vol. 14, p.49. DOI: 10.1093/mnras/14.2.49
     - [#22]: Maddocks, Hugh C. (1991). "Deep-Sky Name Index 2000.0". Foxon-Maddocks Associates. ISBN 0-9628305-0-X.
     - [#23]: Josef Klepesta, Antonin Rukl (1977). "Constellations: A concise guide in colour". ISBN 0600008932.
     - [#24]: Oswald Thomas (1945). "Atlas der Sternbilder". Salzburg.
     - [#25]: Fred Schaaf (2019). "An Assortment of Asterisms". Sky & Telescope, p.45 (Nov 2019)
     - [#26]: Gary Seronik (2017). "Binocular Highlights Revised & Expanded: 109 Celestial Sights for Binocular Users". F W Publications Inc. ISBN 9781940038445
     - [#27]: Tony Flanders (2019). "Constellation Close-up: Centaurus and Crux". Sky & Telescope, pp.22-27 (Apr 2019).
     - [#28]: Sue French (2019). "Deep-Sky Wonders: Heavenly Hero". Sky & Telescope, pp.54-56 (Jul 2019).
     - [#29]: [Software Bisque: A Complete List of Asterisms](https://www.bisque.com/tom/asterisms/list.asp)
     - [#30]: [University of Northern Iowa, EARTHSCI 1100 - Astronomy, Asterisms.](https://sites.uni.edu/morgans/astro/asterisms.html)
     - [#31]: [Horvatin - Obsolete Constellations, Department of Physics and Astronomy, Michigan State University.](https://web.pa.msu.edu/people/horvatin/Astronomy_Facts/obsolete_pages/triangulum_minor.htm)
     - [#32]: [Donald H. Menzel (1964). A Field Guide to the Stars and Planets by Donald H. Menzel, Collins books - St. James's Place, London. ISBN: 0395934311, ISBN13: 9780395934319](http://www.arvindguptatoys.com/arvindgupta/menzel-fieldguide.pdf)
     - [#33]: [James B. (Jim) Kaler. Professor Emeritus of Astronomy, University of Illinois.](http://stars.astro.illinois.edu/sow/6tri.html)
     - [#34]: [Astronomy Club of Tulsa - Observer, December 2008.](http://www.astrotulsa.com/cms_files/200812.pdf)
     - [#35]: [Baylor University, School of Engineering and Computer Science, Astronomy observing log.](http://cs.baylor.edu/~hamerly/personal/astro/log.html)
     - [#36]: [IAU100 NameExoWorlds](http://nameexoworlds.iau.org/)
     - [#37]: [The Washington Double Star Catalog (Mason+ 2001-2020)](https://vizier.u-strasbg.fr/viz-bin/VizieR?-source=B/wds)
     - [#38]: [Patrick Moore, Paul Doherty, H. J. P. Arnold, The Photographic Atlas of the Stars, CRC Press LLC, 1999. ISBN 0750306548](https://books.google.com/books?id=YjcvJUfnWBAC&pg=PA97#v=onepage&q&f=false)
en_AU:  - [#1]: Kunitzsch, P.; Smart T. (2006). "A Dictionary of Modern star Names: A Short Guide to 254 Star Names and Their Derivations" (2nd rev. ed.). Cambridge, MA: Sky Pub. ISBN 978-1-931559-44-7.
     - [#2]: Allen, R. H. (1963). "Star Names: Their Lore and Meaning" (rep. ed.). New York, NY: Dover Publications Inc. ISBN 0-486-21079-0.
     - [#3]: [2000, A&AS, 143, 9, "The SIMBAD astronomical database", Wenger et al.](http://adsabs.harvard.edu/abs/2000A%26AS..143....9W)
     - [#4]: [Final Results of NameExoWorlds Public Vote Released](http://www.iau.org/news/pressreleases/detail/iau1514/)
     - [#5]: [STARS by Jim Kaler, Prof. Emeritus of Astronomy, University of Illinois](http://stars.astro.illinois.edu/sow/sowlist.html)
     - [#6]: [IAU Catalogue of Star Names (IAU-CSN)](http://www.pas.rochester.edu/~emamajek/WGSN/IAU-CSN.txt)
     - [#7]: [Covington, Michael (2002). "Celestial Objects for Modern Telescopes: Practical Amateur Astronomy". Cambridge University Press.](https://books.google.com/books?id=ql7wLq1fP5QC&pg=PA209)
     - [#8]: ["61 Cyg (Piazzi's Flying Star)". Science&Space News. Retrieved June 1, 2015.](http://news.sky-map.org/starview?object_type=1&object_id=2282&object_name=HD+201091&locale=EN)
     - [#9]: [Kruger 60](https://en.wikipedia.org/wiki/Kruger_60)
     - [#10]: [List of Named Stars in Alphabetical Order](http://www.astro.wisc.edu/~dolan/constellations/starname_list.html)
     - [#11]: [Jack W. Rhoads (1971). "Reduced Star Catalog Containing 537 Named Stars", Jet Propulsion Laboratory, California Institute of Technology; November 15, 1971](https://ntrs.nasa.gov/citations/19720005197)
     - [#12]: [IAU Naming Stars](https://www.iau.org/public/themes/naming_stars/)
     - [#13]: [Bright Star Catalogue, 5th Revised Ed. (Hoffleit+, 1991)](http://vizier.u-strasbg.fr/viz-bin/VizieR?-source=V/50)
     - [#14]: Piazzi, G, ed. (1814). "Praecipuarum Stellarum Inerrantium Positiones Mediae Ineunte Saeculo XIX: ex Observationibus Habitis in Specula Panormitana ab anno 1792 ad annum 1813". Palermo. p. 21.
     - [#15]: Kunitzsch, P. (1959). "Arabische Sternnamen in Europa". Wiesbaden: Otto Harrassowitz. p. 155.
     - [#16]: Laffitte, R. (2005). "Héritages arabes: Des noms arabes pour les étoiles" (2éme revue et corrigée ed.). Paris: Librairie Orientaliste Paul Geunthner / Les Cahiers de l'Orient. p. 229.
     - [#17]: Burritt, E. H. (1835). "Atlas, Designed to Illustrate the Geography of the Heavens" (new ed.). New York: F. J. Huntington. plate III.
     - [#18]: Burnham, Robert Jr. (1978, 1979). "Burnham's Celestial Handbook: An Observer's Guide to the Universe Beyond the Solar System", Vol. 1, 2, 3. NY: Dover Publications. ISBN 978-0486235677, 978-0486235684, 978-0486236735
     - [#19]: [Iota Ursae Majoris](https://en.wikipedia.org/wiki/Iota_Ursae_Majoris)
     - [#20]: [Falkner, David E. (2011). "The Mythology of the Night Sky: An Amateur Astronomer's Guide to the Ancient Greek and Roman Legends", Patrick Moore's Practical Astronomy, Springer. ISBN 1-4614-0136-4](https://books.google.com/books?id=tyj8UUE968wC)
     - [#21]: Peters, C. A. F. (1853). "On the Parallax of Argelander's Star". Monthly Notices of the Royal Astronomical Society, Vol. 14, p.49. DOI: 10.1093/mnras/14.2.49
     - [#22]: Maddocks, Hugh C. (1991). "Deep-Sky Name Index 2000.0". Foxon-Maddocks Associates. ISBN 0-9628305-0-X.
     - [#23]: Josef Klepesta, Antonin Rukl (1977). "Constellations: A concise guide in colour". ISBN 0600008932.
     - [#24]: Oswald Thomas (1945). "Atlas der Sternbilder". Salzburg.
     - [#25]: Fred Schaaf (2019). "An Assortment of Asterisms". Sky & Telescope, p.45 (Nov 2019)
     - [#26]: Gary Seronik (2017). "Binocular Highlights Revised & Expanded: 109 Celestial Sights for Binocular Users". F W Publications Inc. ISBN 9781940038445
     - [#27]: Tony Flanders (2019). "Constellation Close-up: Centaurus and Crux". Sky & Telescope, pp.22-27 (Apr 2019).
     - [#28]: Sue French (2019). "Deep-Sky Wonders: Heavenly Hero". Sky & Telescope, pp.54-56 (Jul 2019).
     - [#29]: [Software Bisque: A Complete List of Asterisms](https://www.bisque.com/tom/asterisms/list.asp)
     - [#30]: [University of Northern Iowa, EARTHSCI 1100 - Astronomy, Asterisms.](https://sites.uni.edu/morgans/astro/asterisms.html)
     - [#31]: [Horvatin - Obsolete Constellations, Department of Physics and Astronomy, Michigan State University.](https://web.pa.msu.edu/people/horvatin/Astronomy_Facts/obsolete_pages/triangulum_minor.htm)
     - [#32]: [Donald H. Menzel (1964). A Field Guide to the Stars and Planets by Donald H. Menzel, Collins books - St. James's Place, London. ISBN: 0395934311, ISBN13: 9780395934319](http://www.arvindguptatoys.com/arvindgupta/menzel-fieldguide.pdf)
     - [#33]: [James B. (Jim) Kaler. Professor Emeritus of Astronomy, University of Illinois.](http://stars.astro.illinois.edu/sow/6tri.html)
     - [#34]: [Astronomy Club of Tulsa - Observer, December 2008.](http://www.astrotulsa.com/cms_files/200812.pdf)
     - [#35]: [Baylor University, School of Engineering and Computer Science, Astronomy observing log.](http://cs.baylor.edu/~hamerly/personal/astro/log.html)
     - [#36]: [IAU100 NameExoWorlds](http://nameexoworlds.iau.org/)
     - [#37]: [The Washington Double Star Catalog (Mason+ 2001-2020)](https://vizier.u-strasbg.fr/viz-bin/VizieR?-source=B/wds)
     - [#38]: [Patrick Moore, Paul Doherty, H. J. P. Arnold, The Photographic Atlas of the Stars, CRC Press LLC, 1999. ISBN 0750306548](https://books.google.com/books?id=YjcvJUfnWBAC&pg=PA97#v=onepage&q&f=false)

note: Northern Andes sky culture authors section in markdown format
en: These constellations, asterisms and measurements are part of **the legacy of Ancestral Knowledge** protected and compiled by the **Clan Quinatoa, guardians of the millenary knowledge of the Lundauco Valley in Imbabura - Ecuador**
    .
    The astral information is based on the study of Andrés Alejandro Ayala Quinatoa in "Millenary Astronomy, what my teachers and ancestors taught me"; Servio Jr. Paladines collaborates for the computer integration.
    
    The present illustrations are inspired by the pre-Hispanic designs of the Pasto nation investigated by Estelina Quinatoa for the book "Ancestral Representations and Colors of the Cosmos" (Ministry of Culture and Heritage of Ecuador).
en_AU: These constellations, asterisms and measurements are part of **the legacy of Ancestral Knowledge** protected and compiled by the **Clan Quinatoa, guardians of the millenary knowledge of the Lundauco Valley in Imbabura - Ecuador**
    .
    The astral information is based on the study of Andrés Alejandro Ayala Quinatoa in "Millenary Astronomy, what my teachers and ancestors taught me"; Servio Jr. Paladines collaborates for the computer integration.
    
    The present illustrations are inspired by the pre-Hispanic designs of the Pasto nation investigated by Estelina Quinatoa for the book "Ancestral Representations and Colours of the Cosmos" (Ministry of Culture and Heritage of Ecuador).

note: Romanian sky culture introduction section in markdown format
en: Considered as a whole, Romanian popular stellar mythology has three essential components.
    
    The FIRST one - the ancestral pastoral-agricultural is pre-Christian, in which the sky seen both as an agrarian clock for specific activities and as an "exhibition" of agricultural tools used by peasants.
    
    The SECOND component - more recent - corresponding to the Christianization of Romanian geographical space and repositioning in the sky the Christian and pre-Christian elements where constellations are associated with cosmogonical and theogonical myths, so that the sky is seen more like a church.
    
    And the THIRD component - the origin of the Romanian people, projecting on the sky the synthesis of formation of this people (the conquest of Dacia by the Romans) through projection of dramatic scenes from this history of Dacians mixing with the Romans.
    
    **Note**: in Western Constellation Orion there are four Traditional Romanian Constellations that are overlapping.
en_AU: Considered as a whole, Romanian popular stellar mythology has three essential components.
    
    The FIRST one - the ancestral pastoral-agricultural is pre-Christian, in which the sky seen both as an agrarian clock for specific activities and as an "exhibition" of agricultural tools used by peasants.
    
    The SECOND component - more recent - corresponding to the Christianisation of Romanian geographical space and repositioning in the sky the Christian and pre-Christian elements where constellations are associated with cosmogonical and theogonical myths, so that the sky is seen more like a church.
    
    And the THIRD component - the origin of the Romanian people, projecting on the sky the synthesis of formation of this people (the conquest of Dacia by the Romans) through projection of dramatic scenes from this history of Dacians mixing with the Romans.
    
    **Note**: in Western Constellation Orion there are four Traditional Romanian Constellations that are overlapping.

note: Seri sky culture constellations section in markdown format
en: ##### <notr>Zaamth</notr>
    
    <table class="layout">
    <tr>
    	<td><img src="illustrations/zaamth.png" height="100" /></td>
    	<td>When the stars of Orion's Belt, Rigel and Betelgeuse appear above the western horizon, in the month of March, Comca'ac people see how in shallow waters of the marsh, the crabs are found forming groups of about 300 or 400 items which can be collected easily; that is the reason to call Zaamth to constellation. After six months, when the sea is cold, the crabs do not appear any more going from one place to another; instead the sea wheat, xnois, comes and their seed has been used to make flour and different food plates for centuries. The legend says that in the days corresponding to the crab "harvesting", it must be avoided to break a leg or a claw because, if this happens, the day after there will not be any more crabs at the site.</td>
    </tr>
    </table>
    
    ##### <notr>Cohamc</notr>
    
    <table class="layout">
    <tr>
    	<td><img src="illustrations/cohamc.png" height="100" /></td>
    	<td>About October 18th, an alignment of stars takes place in the morning sky and it is called, since ancient times, as Cohamc constellation, women. Then four or five days after the rains begin to fall with intensity and the wind runs by the desert. The star that is at the north of the alignment, the Comca'ac's name is Hacamta, the husband, and is the one appearing behind the other six named women, (the star Psi of Ursa Major); the six stars appear in sequence, two by two. The forecast of this bad weather motivated their ancestors to go to the caves in the mountain and to go far from the beach. After the difficult days, around two months later, Comca'ac people returned to the beach carrying with them all the food and materials kept along: dried meat, fish, 'caguama' turtle, honey, and flour from 'péchita de mezquite' (seeds from Mesquite tree), between them.</td>
    </tr>
    </table>
    
    ##### <notr>Hazoj canoj Hantificaü</notr>
    
    <table class="layout">
    <tr>
    	<td><img src="illustrations/hazoj_canoj.png" height="100" /></td>
    	<td>This star that appears alone in the sky with its multicolour shine can be seen along the year. However, in the first days of September (after the heliacal rising), one has to get up at 4 or 5 in the morning to see it. This star corresponds to Sirius and it announces the new day. The legend says that when someone gets up when the Sun is already in the sky, all his tents to become the skin of the dead. Hazoj means constellation and Hantificaö is "Who comes at the dawn".</td>
    </tr>
    </table>
    
    ##### <notr>Haapjc</notr>
    
    <table class="layout">
    <tr>
    	<td><img src="illustrations/haapjc_desc.jpg" height="100" /></td>
    	<td>This constellation is, perhaps, the most complex of Comca'ac ones, due to the fact that it covers a wide area in the sky and in it, one can find stars from Taurus, Twins, and the Capella star. It can be said that Haapjc (Deer hunter) has the following sections: the whitetail deer, the bura deer and bighorn deer (Hépem, Háap and Möjit, respectively), which are the stars known as Hassaleh, Elnath and 123 Tau; the spear with its flint at Aldebaran and the stars forming a 'V' of Taurus, while the feathers are Castor and Pollux of Gemini; and, finally, the hunter, properly said, is Cozaactim ("Who crosses"), with his head at Capella.<br> The legend says that Cozaactim threw his spear and hit the Bura deer. Háap was wounded and flew through the sky bleeding; then, a little drop of blood fell in the Tiburón Island, and that is the reason why bura deer are native of the island. This constellation can be observed in September morning skies.</td>
    </tr>
    </table>
    
    ##### <notr>Hácosa</notr>
    
    <table class="layout">
    <tr>
    	<td><img src="illustrations/hacosa.png" height="100" /></td>
    	<td>It is said that when this constellation is pointing to the top of the sky, at September 7th, it appears similar to the instrument Hácosa (Pitahaya-cutter), and it is time to collect the wild fruits: 'péchitas de mezquite' (Mesquite seeds) and pitahayas (cactus fruit), for example. When there is no sign of it, the season will be bad.</td>
    </tr>
    </table>
    
    ##### <notr>Hazoj Cöiquih</notr>
    
    <table class="layout">
    <tr>
    	<td><img src="illustrations/hazoj_koii.png" height="100" /></td>
    	<td>Between the twelve stars of Cöiquih (Person) is the star Antares. In this constellation, the person seems to be fishing; that is why the corresponding legend affirms that Zix hantpatj (cochito fish) has at the roof of its mouth a kind of jelly substance, coming from the pulp of a cactus that the ancestors used as bait. This constellation goes, month after month, revolving in the sky and it is seen in a recumbent position when it is over Tiburón Island on midnight at September 8th.</td>
    </tr>
    </table>
    
    ##### <notr>Caamooilcoj</notr>
    
    <table class="layout">
    <tr>
    	<td><img src="illustrations/caamoilcoj.png" height="100" /></td>
    	<td>This constellation named Caamooilcoj (Wheel Game), is one of the most important arrays of stars between Comca'ac people; it can be observed at plenitude at winter; with around fifteen stars in a wheeled shape, and stars as reed tablets (tablillas de carrizo) which play the role of dice. It is said that in ancient times, this game was played by men, exclusively, who put as bet their own life; now, the game is played at festivals and special occasions by women representing events of life and protection; in particular, it is played during puberty ceremonies for example; or at the feast of zaaptim (great basket). <br>For this game, several round pieces of Pitahayas (cactus fruits) or of 'cinita' (four lines cactus) made the circle (today, they are decorated stones with different motives); and, three reed pieces (tablillas de carrizo), painted in colours. The meaning of these three colours are: Red - the blood and death; Blue - the sky and the sea; and, White - purity, good health and protection.</td>
    </tr>
    </table>
    
    ##### <notr>Quetoh</notr>
    
    <table class="layout">
    <tr>
    	<td><img src="illustrations/quetoh0.png" height="100" /></td>
    	<td>This lonely star is known as Quetoh (little dove), it is modern Arcturus. It appears around October 8th announcing an epoch of good fishing. The ancestors did not have nets or other fishing arts, they used harpoons to capture their preys and a "flint" harpoon or double point tool. The legend says that many years ago, with the appearance of this star in the sky, the floriation of cactus begun and at the end of the week, there were Pitahayas on them; however, the next day, all the pitahayas disappeared: it was Quetoh yacaso or 'spell of the dove' responsible of eating that fruit.</td>
    </tr>
    </table>
    
    ##### <notr>Himatax</notr>
    
    <table class="layout">
    <tr>
    	<td><img src="illustrations/himatax.png" height="100" /></td>
    	<td>This lonely star is known as Hazoj canoj Himatax because its meaning is a star which does not move and around which all turns. It is present all night long, all the days of the year.</td>
    </tr>
    </table>
    
    ##### <notr>Yay Xapi Hanopas</notr>
    
    <table class="layout">
    <tr>
    	<td><img src="illustrations/yay_xapi.png" height="100" /></td>
    	<td>The young hunter, says the legend, was a boy who went hunting, and several weeks after his departure he was still absent, and the members of his camp considered him dead. But several months later, at daybreak, he has shown himself to his parents who were surprised telling him: "We thought you were dead, we have spent many days looking for you, until we were tired; we cried for you a lot". The young man told his parents: "I live near the beach, I found a good place and stayed there". "But what kind of water you drink?" They asked. "I found any water and that is I drink, Haxhaxaha tahomisi", he said to them while talking about the Tecomate Bay.<br> According to this legend, the young hunter became the Constellation with Canopus at its centre caused by a conflict with his elder brother. It appears directly towards the south.</td>
    </tr>
    </table>
    
    ### Conclusion
    
    All this knowledge of Comca'ac people comes from prehispanic epoch, and it has prevailed through centuries, thanks to oral tradition and the strength of the community to colonization, at first, and his opposition to evangelization, later on. Still today, it is possible to hear the stories and legends behind the naming of constellations and the events on the sea and on the desert. With the recovery of these legends, by exercise of memory and lively events with his ancestors, Arturo Morales Blanco gave us a legacy that must be conserved for future generations: children, young people who will keep in their own language how and what to look for in the sky.
en_AU: ##### <notr>Zaamth</notr>
    
    <table class="layout">
    <tr>
    	<td><img src="illustrations/zaamth.png" height="100" /></td>
    	<td>When the stars of Orion's Belt, Rigel and Betelgeuse appear above the western horizon, in the month of March, Comca'ac people see how in shallow waters of the marsh, the crabs are found forming groups of about 300 or 400 items which can be collected easily; that is the reason to call Zaamth to constellation. After six months, when the sea is cold, the crabs do not appear any more going from one place to another; instead the sea wheat, xnois, comes and their seed has been used to make flour and different food plates for centuries. The legend says that in the days corresponding to the crab "harvesting", it must be avoided to break a leg or a claw because, if this happens, the day after there will not be any more crabs at the site.</td>
    </tr>
    </table>
    
    ##### <notr>Cohamc</notr>
    
    <table class="layout">
    <tr>
    	<td><img src="illustrations/cohamc.png" height="100" /></td>
    	<td>About October 18th, an alignment of stars takes place in the morning sky and it is called, since ancient times, as Cohamc constellation, women. Then four or five days after the rains begin to fall with intensity and the wind runs by the desert. The star that is at the north of the alignment, the Comca'ac's name is Hacamta, the husband, and is the one appearing behind the other six named women, (the star Psi of Ursa Major); the six stars appear in sequence, two by two. The forecast of this bad weather motivated their ancestors to go to the caves in the mountain and to go far from the beach. After the difficult days, around two months later, Comca'ac people returned to the beach carrying with them all the food and materials kept along: dried meat, fish, 'caguama' turtle, honey, and flour from 'péchita de mezquite' (seeds from Mesquite tree), between them.</td>
    </tr>
    </table>
    
    ##### <notr>Hazoj canoj Hantificaü</notr>
    
    <table class="layout">
    <tr>
    	<td><img src="illustrations/hazoj_canoj.png" height="100" /></td>
    	<td>This star that appears alone in the sky with its multicolour shine can be seen along the year. However, in the first days of September (after the heliacal rising), one has to get up at 4 or 5 in the morning to see it. This star corresponds to Sirius and it announces the new day. The legend says that when someone gets up when the Sun is already in the sky, all his tents to become the skin of the dead. Hazoj means constellation and Hantificaö is "Who comes at the dawn".</td>
    </tr>
    </table>
    
    ##### <notr>Haapjc</notr>
    
    <table class="layout">
    <tr>
    	<td><img src="illustrations/haapjc_desc.jpg" height="100" /></td>
    	<td>This constellation is, perhaps, the most complex of Comca'ac ones, due to the fact that it covers a wide area in the sky and in it, one can find stars from Taurus, Twins, and the Capella star. It can be said that Haapjc (Deer hunter) has the following sections: the whitetail deer, the bura deer and bighorn deer (Hépem, Háap and Möjit, respectively), which are the stars known as Hassaleh, Elnath and 123 Tau; the spear with its flint at Aldebaran and the stars forming a 'V' of Taurus, while the feathers are Castor and Pollux of Gemini; and, finally, the hunter, properly said, is Cozaactim ("Who crosses"), with his head at Capella.<br> The legend says that Cozaactim threw his spear and hit the Bura deer. Háap was wounded and flew through the sky bleeding; then, a little drop of blood fell in the Tiburón Island, and that is the reason why bura deer are native of the island. This constellation can be observed in September morning skies.</td>
    </tr>
    </table>
    
    ##### <notr>Hácosa</notr>
    
    <table class="layout">
    <tr>
    	<td><img src="illustrations/hacosa.png" height="100" /></td>
    	<td>It is said that when this constellation is pointing to the top of the sky, at September 7th, it appears similar to the instrument Hácosa (Pitahaya-cutter), and it is time to collect the wild fruits: 'péchitas de mezquite' (Mesquite seeds) and pitahayas (cactus fruit), for example. When there is no sign of it, the season will be bad.</td>
    </tr>
    </table>
    
    ##### <notr>Hazoj Cöiquih</notr>
    
    <table class="layout">
    <tr>
    	<td><img src="illustrations/hazoj_koii.png" height="100" /></td>
    	<td>Between the twelve stars of Cöiquih (Person) is the star Antares. In this constellation, the person seems to be fishing; that is why the corresponding legend affirms that Zix hantpatj (cochito fish) has at the roof of its mouth a kind of jelly substance, coming from the pulp of a cactus that the ancestors used as bait. This constellation goes, month after month, revolving in the sky and it is seen in a recumbent position when it is over Tiburón Island on midnight at September 8th.</td>
    </tr>
    </table>
    
    ##### <notr>Caamooilcoj</notr>
    
    <table class="layout">
    <tr>
    	<td><img src="illustrations/caamoilcoj.png" height="100" /></td>
    	<td>This constellation named Caamooilcoj (Wheel Game), is one of the most important arrays of stars between Comca'ac people; it can be observed at plenitude at winter; with around fifteen stars in a wheeled shape, and stars as reed tablets (tablillas de carrizo) which play the role of dice. It is said that in ancient times, this game was played by men, exclusively, who put as bet their own life; now, the game is played at festivals and special occasions by women representing events of life and protection; in particular, it is played during puberty ceremonies for example; or at the feast of zaaptim (great basket). <br>For this game, several round pieces of Pitahayas (cactus fruits) or of 'cinita' (four lines cactus) made the circle (today, they are decorated stones with different motives); and, three reed pieces (tablillas de carrizo), painted in colours. The meaning of these three colours are: Red - the blood and death; Blue - the sky and the sea; and, White - purity, good health and protection.</td>
    </tr>
    </table>
    
    ##### <notr>Quetoh</notr>
    
    <table class="layout">
    <tr>
    	<td><img src="illustrations/quetoh0.png" height="100" /></td>
    	<td>This lonely star is known as Quetoh (little dove), it is modern Arcturus. It appears around October 8th announcing an epoch of good fishing. The ancestors did not have nets or other fishing arts, they used harpoons to capture their preys and a "flint" harpoon or double point tool. The legend says that many years ago, with the appearance of this star in the sky, the floriation of cactus begun and at the end of the week, there were Pitahayas on them; however, the next day, all the pitahayas disappeared: it was Quetoh yacaso or 'spell of the dove' responsible of eating that fruit.</td>
    </tr>
    </table>
    
    ##### <notr>Himatax</notr>
    
    <table class="layout">
    <tr>
    	<td><img src="illustrations/himatax.png" height="100" /></td>
    	<td>This lonely star is known as Hazoj canoj Himatax because its meaning is a star which does not move and around which all turns. It is present all night long, all the days of the year.</td>
    </tr>
    </table>
    
    ##### <notr>Yay Xapi Hanopas</notr>
    
    <table class="layout">
    <tr>
    	<td><img src="illustrations/yay_xapi.png" height="100" /></td>
    	<td>The young hunter, says the legend, was a boy who went hunting, and several weeks after his departure he was still absent, and the members of his camp considered him dead. But several months later, at daybreak, he has shown himself to his parents who were surprised telling him: "We thought you were dead, we have spent many days looking for you, until we were tired; we cried for you a lot". The young man told his parents: "I live near the beach, I found a good place and stayed there". "But what kind of water you drink?" They asked. "I found any water and that is I drink, Haxhaxaha tahomisi", he said to them while talking about the Tecomate Bay.<br> According to this legend, the young hunter became the Constellation with Canopus at its centre caused by a conflict with his elder brother. It appears directly towards the south.</td>
    </tr>
    </table>
    
    ### Conclusion
    
    All this knowledge of Comca'ac people comes from prehispanic epoch, and it has prevailed through centuries, thanks to oral tradition and the strength of the community to colonisation, at first, and his opposition to evangelisation, later on. Still today, it is possible to hear the stories and legends behind the naming of constellations and the events on the sea and on the desert. With the recovery of these legends, by exercise of memory and lively events with his ancestors, Arturo Morales Blanco gave us a legacy that must be conserved for future generations: children, young people who will keep in their own language how and what to look for in the sky.

note: Tikuna sky culture introduction section in markdown format
en: The Tikuna indigenous people have inhabited the region of the Upper Solimões river for the past 2,000 years. They currently occupy a territory where the political borders of three countries converge: Brazil, Colombia, and Peru. This is the reason why the Tikuna recognize themselves as a differentiated indigenous group, while also identifying with the national identities related to these three countries.
en_AU: The Tikuna indigenous people have inhabited the region of the Upper Solimões river for the past 2,000 years. They currently occupy a territory where the political borders of three countries converge: Brazil, Colombia, and Peru. This is the reason why the Tikuna recognise themselves as a differentiated indigenous group, while also identifying with the national identities related to these three countries.

note: Tikuna sky culture description section in markdown format
en: Tikuna territory encompasses a region 600 kilometers long, running west to east from the Chimbote region in Peru—along the emptiness of the Amazonas-Solimões valley, in the so-called Trapézio Amazônico (Colombian Amazonian Trapezoid)—to the Barreira da Missão region, in the municipality of Tefé, in the Brazilian state of Amazonas (See The Ticuna Atlas, Figure I).
    
     <img src="illustrations/Atlas_das_terras_Tikuna.png" width="753" height="453" />
    
     <em>Figure 1: The Tikuna Atlas<cite id="cit1a">[**<sup>1</sup>**](#cit1)</cite> </em>
    
    The agencies and researchers that deal with them estimate that more than 53,544 (Siasi/Sesai, 2014) Tikunas live in Brazil (FUNASA, 2009), 8.000 in Colombia (Goulard, 2010), and 6.982 in Peru (INEL, 2007)<cite id="cit2a">[**<sup>2</sup>**](#cit2)</cite>. Together, they constitute the largest Amazonian indigenous population. Aside from their own Tikuna language, they also speak Spanish and Portuguese, depending on whether they live in Colombia and Peru or in Brazil.
    
    The Tikuna live in riverside villages along the Amazonas-Solimões and its tributaries, called igarapés. Their daily life revolve around the cultivation cycles of different agricultural goods; specially, manioc, used to produce the flour the Tikuna sell in the markets of the region’s main cities. They are also fishers, hunters, and gatherers of the forest products. The women make hammocks, bags, and other objects with plant fibers; and the men paint on tururi fiber and fabricate arrows, paddles, and canoes.
    
    It should be noted that, in Brazil, the Tikuna Indians live in indigenous lands recognized by Brazil’s indigenous policy. They are located in “terrestrial islands” among non-indigenous territories occupied by the Brazilian Population, from Tabatinga to Manaus (as illustrated in the Brazilian Tikuna Atlas).
    
    ### The Astronomical Correlations
    
    The movements of the Tikuna constellations correspond to an interpretation of the seasonality of rainfall, as the Tikuna narratives suggest. These constellations are related to myths referencing the ascension and fall of Wücütcha (a heavenly beast related to the Jaguar Clan), Coyatchicüra (Caiman’s Jaw) and Baweta (Tracajá, the Aquatic Turtle Collective), the Anteater’s fight with the Jaguar, and the Way of the Tapir.
    
    According to the testimony of the Tikuna indigenous people, Baweta (the Pleiades Star Cluster) appears in the eastern sky towards the end of November, at nightfall. After Baweta rises, Caiman’s Jaw rises. Wücütcha’s leg corresponds to a portion of The Orion Constellation; and it begins to disappear from the western sky around the 20th of May, at nightfall. About one month earlier, the Caiman’s Jaw, corresponding to The Hyades Star Cluster in Taurus, also disappears to the West.
    
    According to Vieira’s interpretation, the form of Baweta (the Turtle Collective) is associated with the stars within the asterisms of the Pleiades and of Perseus. Baweta’s eyes are the feet of Perseus (Omicron Persei - Atik and ζ (Zeta) Persei). The “V” shape that Western astronomy relates to the head of Taurus is called Coyatchicüra (Caiman’s Jaw). Wücütcha’s Leg corresponds to the stars that groups as Orion. Its toes are Orion’s Belt and the bend of the legs are ι (iota) Orionis; κ (kappa) Orionis; η (eta) Leporis and δ (delta) Leporis.
    
    During the summer, the fight between the Anteater (Tchatü) and the Jaguar (Ai) occurs. The end of the battle coincides with the death and ascension of Wücütcha. The eyes of the Anteater are located in β (beta) of Triangulum Australe; his claw and body is in the constellations Norma and Ara. The right foot of the Jaguar is in Scorpio’s α (Antares), σ (Sigma), and τ (tau); its eyes are in ε (epsilon) and μ (mu) Scorpii; and its left paw is in λ (Shaula), υ (upsilon Sco – Lesath) and κ (kappa) of the same constellation. Wücütcha (the Jaguar’s leg) represents the beginning of the rains in late September; and its reappearance to the east follows the setting of Tchatü in the west, at nightfall, in the end of November. Those correlations are illuminated by indigenous testimony reproduced below:
    
    > “The stars fit into their respective constellations. First is Wücütcha. After winter, summer begins to walk. It is the Jaguar. After him, comes Coyathicüra in the month of May, at nightfall, when the Caiman’s Jaw appears on the beach. Baweta appears in September, the month of the turtle. In May, Wücütcha and Coyatchicüra fall. They all fall together at the end of May. In July, they come again. Baweta already begins to appear in July. When Wücütcha falls, beginning in May, caimans and turtles begin to appear. The apex is in September.”
    >
    > “In May, all the constellations fall, together with their planets. It is summertime. Later, in July, they appear again for the New Year. Coya and Wücütcha leave the sky from May to September. Later, in July, they appear again.”
    >
    > Fernando Marques or Ütchancu – translated by Lucho
    
    The Tikuna interpret processes affected by a succession of meteorological changes that, in turn, determine the rainy and the dry seasons. In this region of Western Amazon, the rainy season runs from December to March and the dry season from June to September. During April, May, October, and November the rainfall is intermediate. In November, the water level starts to rise and in late December the tides occur. During the month of May, the water level drops until September, the peak of the drought. The periods of El Niño imply a rain deficit, causing the extreme drought of the great river; during La Niña, the cooling of the Pacific increases the amount of water, causing dramatic tides and floods.
    
    Although dependent on weather variability, at the September Equinox the Tikuna observe how fog affects how they see in early morning; the Pleiades star cluster disappears on the morning horizon in early June and reappears in the evening, in late November. The goal of the Tikuna is to predict the intensity of the coming rains in order to negotiate with the entity Mawü, the “Master of Rain,” the effects of the floods on their subsistence activities.
    
    According to the explanations found in Enepü (a Tikuna community in the indigenous Land Eware II, in the Brazilian State of Amazon, in Western Amazonia), the influence of seasonality upon Tikuna subsistence activities is more prevalent along the Solimões. In the headwaters of the igarapés, where Enepü is situated, plenty of food exists all year long. In Enepü, trees and palms, such as the ingá and açaí, are fertile all year long due to the “virginity” and the enrichment of the soil by natural compost. The same thing occurs with the fishing in Lake Preto, within the limits of Enepü, where they can supply themselves abundantly with fish all year long. On the Solimões, however, one finds fish only from April to July, when the water level drops. Abundance in the hunt is also from April to July (or September, at most), along the Solimões. Fishing becomes more difficult when the river is high. The fruit of the native açaí palm is collected in summer, and customarily saved for preparation during winter—time of poor hunting and fishing. Through planning and regular gardening, harvests are available all year long. The harvest of cultivated plants also occurs during the drought months. There is a certain degree of flexibility in adapting the agricultural calendar to the rainy season (when fishing and hunting are not productive) and the dry season, (when fishing is more abundant); however, difficulties involving navigation and transport grow as the water level drops along the igarapés linking the river. Traditional culture, however, is not prepared for unforeseen alterations in the rainy season, such as it occurred in 2002. In that year, July saw the beginning of the repiquete (the rise on water levels), which normally occurs in September. This destroyed the short-range agricultural cycle and made the fish scarcer, changing alimentary habits.
     <p id="cit1"><notr><a href="#cit1a"><B>1</B></a></notr><cite>This work adopts linguistic convention when writing Tikuna, even though several Anthropologists and Indigenous experts use the vernacular form (Ticuna).</cite></p>
    
     <p id="cit2"><notr><a href="#cit2a"><B>2</B></a></notr><cite> According to socioambiental.org, consulted on 08/05/2019.</cite></p>
en_AU: Tikuna territory encompasses a region 600 kilometres long, running west to east from the Chimbote region in Peru—along the emptiness of the Amazonas-Solimões valley, in the so-called Trapézio Amazônico (Colombian Amazonian Trapezoid)—to the Barreira da Missão region, in the municipality of Tefé, in the Brazilian state of Amazonas (See The Ticuna Atlas, Figure I).
    
     <img src="illustrations/Atlas_das_terras_Tikuna.png" width="753" height="453" />
    
     <em>Figure 1: The Tikuna Atlas<cite id="cit1a">[**<sup>1</sup>**](#cit1)</cite> </em>
    
    The agencies and researchers that deal with them estimate that more than 53,544 (Siasi/Sesai, 2014) Tikunas live in Brazil (FUNASA, 2009), 8.000 in Colombia (Goulard, 2010), and 6.982 in Peru (INEL, 2007)<cite id="cit2a">[**<sup>2</sup>**](#cit2)</cite>. Together, they constitute the largest Amazonian indigenous population. Aside from their own Tikuna language, they also speak Spanish and Portuguese, depending on whether they live in Colombia and Peru or in Brazil.
    
    The Tikuna live in riverside villages along the Amazonas-Solimões and its tributaries, called igarapés. Their daily life revolve around the cultivation cycles of different agricultural goods; specially, manioc, used to produce the flour the Tikuna sell in the markets of the region’s main cities. They are also fishers, hunters, and gatherers of the forest products. The women make hammocks, bags, and other objects with plant fibers; and the men paint on tururi fiber and fabricate arrows, paddles, and canoes.
    
    It should be noted that, in Brazil, the Tikuna Indians live in indigenous lands recognised by Brazil’s indigenous policy. They are located in “terrestrial islands” among non-indigenous territories occupied by the Brazilian Population, from Tabatinga to Manaus (as illustrated in the Brazilian Tikuna Atlas).
    
    ### The Astronomical Correlations
    
    The movements of the Tikuna constellations correspond to an interpretation of the seasonality of rainfall, as the Tikuna narratives suggest. These constellations are related to myths referencing the ascension and fall of Wücütcha (a heavenly beast related to the Jaguar Clan), Coyatchicüra (Caiman’s Jaw) and Baweta (Tracajá, the Aquatic Turtle Collective), the Anteater’s fight with the Jaguar, and the Way of the Tapir.
    
    According to the testimony of the Tikuna indigenous people, Baweta (the Pleiades Star Cluster) appears in the eastern sky towards the end of November, at nightfall. After Baweta rises, Caiman’s Jaw rises. Wücütcha’s leg corresponds to a portion of The Orion Constellation; and it begins to disappear from the western sky around the 20th of May, at nightfall. About one month earlier, the Caiman’s Jaw, corresponding to The Hyades Star Cluster in Taurus, also disappears to the West.
    
    According to Vieira’s interpretation, the form of Baweta (the Turtle Collective) is associated with the stars within the asterisms of the Pleiades and of Perseus. Baweta’s eyes are the feet of Perseus (Omicron Persei - Atik and ζ (Zeta) Persei). The “V” shape that Western astronomy relates to the head of Taurus is called Coyatchicüra (Caiman’s Jaw). Wücütcha’s Leg corresponds to the stars that groups as Orion. Its toes are Orion’s Belt and the bend of the legs are ι (iota) Orionis; κ (kappa) Orionis; η (eta) Leporis and δ (delta) Leporis.
    
    During the summer, the fight between the Anteater (Tchatü) and the Jaguar (Ai) occurs. The end of the battle coincides with the death and ascension of Wücütcha. The eyes of the Anteater are located in β (beta) of Triangulum Australe; his claw and body is in the constellations Norma and Ara. The right foot of the Jaguar is in Scorpio’s α (Antares), σ (Sigma), and τ (tau); its eyes are in ε (epsilon) and μ (mu) Scorpii; and its left paw is in λ (Shaula), υ (upsilon Sco – Lesath) and κ (kappa) of the same constellation. Wücütcha (the Jaguar’s leg) represents the beginning of the rains in late September; and its reappearance to the east follows the setting of Tchatü in the west, at nightfall, in the end of November. Those correlations are illuminated by indigenous testimony reproduced below:
    
    > “The stars fit into their respective constellations. First is Wücütcha. After winter, summer begins to walk. It is the Jaguar. After him, comes Coyathicüra in the month of May, at nightfall, when the Caiman’s Jaw appears on the beach. Baweta appears in September, the month of the turtle. In May, Wücütcha and Coyatchicüra fall. They all fall together at the end of May. In July, they come again. Baweta already begins to appear in July. When Wücütcha falls, beginning in May, caimans and turtles begin to appear. The apex is in September.”
    >
    > “In May, all the constellations fall, together with their planets. It is summertime. Later, in July, they appear again for the New Year. Coya and Wücütcha leave the sky from May to September. Later, in July, they appear again.”
    >
    > Fernando Marques or Ütchancu – translated by Lucho
    
    The Tikuna interpret processes affected by a succession of meteorological changes that, in turn, determine the rainy and the dry seasons. In this region of Western Amazon, the rainy season runs from December to March and the dry season from June to September. During April, May, October, and November the rainfall is intermediate. In November, the water level starts to rise and in late December the tides occur. During the month of May, the water level drops until September, the peak of the drought. The periods of El Niño imply a rain deficit, causing the extreme drought of the great river; during La Niña, the cooling of the Pacific increases the amount of water, causing dramatic tides and floods.
    
    Although dependent on weather variability, at the September Equinox the Tikuna observe how fog affects how they see in early morning; the Pleiades star cluster disappears on the morning horizon in early June and reappears in the evening, in late November. The goal of the Tikuna is to predict the intensity of the coming rains in order to negotiate with the entity Mawü, the “Master of Rain,” the effects of the floods on their subsistence activities.
    
    According to the explanations found in Enepü (a Tikuna community in the indigenous Land Eware II, in the Brazilian State of Amazon, in Western Amazonia), the influence of seasonality upon Tikuna subsistence activities is more prevalent along the Solimões. In the headwaters of the igarapés, where Enepü is situated, plenty of food exists all year long. In Enepü, trees and palms, such as the ingá and açaí, are fertile all year long due to the “virginity” and the enrichment of the soil by natural compost. The same thing occurs with the fishing in Lake Preto, within the limits of Enepü, where they can supply themselves abundantly with fish all year long. On the Solimões, however, one finds fish only from April to July, when the water level drops. Abundance in the hunt is also from April to July (or September, at most), along the Solimões. Fishing becomes more difficult when the river is high. The fruit of the native açaí palm is collected in summer, and customarily saved for preparation during winter—time of poor hunting and fishing. Through planning and regular gardening, harvests are available all year long. The harvest of cultivated plants also occurs during the drought months. There is a certain degree of flexibility in adapting the agricultural calendar to the rainy season (when fishing and hunting are not productive) and the dry season, (when fishing is more abundant); however, difficulties involving navigation and transport grow as the water level drops along the igarapés linking the river. Traditional culture, however, is not prepared for unforeseen alterations in the rainy season, such as it occurred in 2002. In that year, July saw the beginning of the repiquete (the rise on water levels), which normally occurs in September. This destroyed the short-range agricultural cycle and made the fish scarcer, changing alimentary habits.
     <p id="cit1"><notr><a href="#cit1a"><B>1</B></a></notr><cite>This work adopts linguistic convention when writing Tikuna, even though several Anthropologists and Indigenous experts use the vernacular form (Ticuna).</cite></p>
    
     <p id="cit2"><notr><a href="#cit2a"><B>2</B></a></notr><cite> According to socioambiental.org, consulted on 08/05/2019.</cite></p>

note: Vanuatu (Netwar) sky culture description section in markdown format
en: ### Solar system
    
    <ul> <li>Sun: Met</li> <li>Moon: Mawuk</li>
    
     - Waxing crescent: Mawuk wi - 'new Moon'
     - First quarter: Nail ratuatu - 'it stays straight', meaning that in the sky the Moon appears straight in the zenith in the evening
     - Full Moon: Mawuk ramépép malwia - 'the Moon is like the fish épép malwia' (Platax orbicularis); also Nati tawar - means that when the sun is setting, the Moon just appears above the mountains
     - Last quarter: Numanmel
     - Waning crescent: Numanmel
     - Lunar eclipse: Mawuk ramemes - 'dead Moon'
    
     <li>Venus:</li>
    
     - Morning star: Fétukai
     - Evening star: Kéwita
    
     <li>Jupiter: Karatéi</li> <li>Mahau ramiwuk: 'jumping star', bad omen foretelling someone's death</li> </ul>
    
    ### Stars
    
     - In general: Mahau
     - Aldebaran: Kapaumeta
    
    ### Constellations and deep-sky objects
    
    Note: the English names preceding the local names are here only to help the reader locate the particular constellation in the frame of the Western sky. The actual translations of the local names follow them.
    
     - LMC and SMC: Nowanuman - 'earth oven'
     - Milky Way: Nemrau - 'ash'; also Nuafuganan - less common term of unknown meaning
     - Orion's Belt: Kasulia apam - 'long yoke'
     - Orion's Sword: Kasulia rerparep - 'short yoke'
     - Taurus' Head: Kou - 'pincers used for taking hot stones out of the fire'
     - Scorpion's Dart: Kahaur rul - 'rat', seen in the evening in zenith when it is time to prepare gardens
     - Orion's Body: Kilil - 'traditional fan' made from palm leaves
     - Southern Cross: Suatu kywer - 'four customary ways' connecting four villages with a nakamal; it rises in the evening in March and symbolizes the time when in the nakamal people do temahwa for good harvest
     - Pleiades: Nowaswas Lapnuman - 'young boys of Lapnuman'; also Neperawen Lapnuman - 'young girls of Lapnuman'
    
    ### Names of objects with unknown position
    
     - Mowaimawuk - name of an unidentified star, said to be close to the Moon or to rise close to it
     - Iaiapom - name of an unidentified star (possibly Altair), which sets in the morning in time of preparation of gardens (July)
     - Koraiapom - name of an unidentified star (possibly Rigel), found in September in the morning near zenith
     - Kwankaio - name of an unidentified star (possibly Procyon), rising in February in the morning
en_AU: ### Solar system
    
    <ul> <li>Sun: Met</li> <li>Moon: Mawuk</li>
    
     - Waxing crescent: Mawuk wi - 'new Moon'
     - First quarter: Nail ratuatu - 'it stays straight', meaning that in the sky the Moon appears straight in the zenith in the evening
     - Full Moon: Mawuk ramépép malwia - 'the Moon is like the fish épép malwia' (Platax orbicularis); also Nati tawar - means that when the sun is setting, the Moon just appears above the mountains
     - Last quarter: Numanmel
     - Waning crescent: Numanmel
     - Lunar eclipse: Mawuk ramemes - 'dead Moon'
    
     <li>Venus:</li>
    
     - Morning star: Fétukai
     - Evening star: Kéwita
    
     <li>Jupiter: Karatéi</li> <li>Mahau ramiwuk: 'jumping star', bad omen foretelling someone's death</li> </ul>
    
    ### Stars
    
     - In general: Mahau
     - Aldebaran: Kapaumeta
    
    ### Constellations and deep-sky objects
    
    Note: the English names preceding the local names are here only to help the reader locate the particular constellation in the frame of the Western sky. The actual translations of the local names follow them.
    
     - LMC and SMC: Nowanuman - 'earth oven'
     - Milky Way: Nemrau - 'ash'; also Nuafuganan - less common term of unknown meaning
     - Orion's Belt: Kasulia apam - 'long yoke'
     - Orion's Sword: Kasulia rerparep - 'short yoke'
     - Taurus' Head: Kou - 'pincers used for taking hot stones out of the fire'
     - Scorpion's Dart: Kahaur rul - 'rat', seen in the evening in zenith when it is time to prepare gardens
     - Orion's Body: Kilil - 'traditional fan' made from palm leaves
     - Southern Cross: Suatu kywer - 'four customary ways' connecting four villages with a nakamal; it rises in the evening in March and symbolises the time when in the nakamal people do temahwa for good harvest
     - Pleiades: Nowaswas Lapnuman - 'young boys of Lapnuman'; also Neperawen Lapnuman - 'young girls of Lapnuman'
    
    ### Names of objects with unknown position
    
     - Mowaimawuk - name of an unidentified star, said to be close to the Moon or to rise close to it
     - Iaiapom - name of an unidentified star (possibly Altair), which sets in the morning in time of preparation of gardens (July)
     - Koraiapom - name of an unidentified star (possibly Rigel), found in September in the morning near zenith
     - Kwankaio - name of an unidentified star (possibly Procyon), rising in February in the morning

note: Egyptian (Dendera) constellation, native: Corpse (Sum.), english: Sum. Corpse Egyptized
en: Sum. Corpse Egyptized
en_AU: Sum. Corpse Egyptised

note: Greek (Dante) name for HIP 32349
en: The star in the mouth, the brightest, which is called 'the Dog' and is sparkeling
en_AU: The star in the mouth, the brightest, which is called 'the Dog' and is sparkling

note: #-#-#-#-#  238 (PACKAGE VERSION)  #-#-#-#-# Korean constellation, native: Gyu, english: Armory
en: Armory
en_AU: Armoury

note: Macedonian constellation, native: арамии, english: 'Aramii' (organized group of thieves)
en: 'Aramii' (organized group of thieves)
en_AU: 'Aramii' (organised group of thieves)

note: TRANSLATORS: Name of script
en: Best objects in the New General Catalog
en_AU: Best objects in the New General Catalogue

en: Digitized Sky Survey
en_AU: Digitised Sky Survey

note: TRANSLATORS: Description for landform 'regio'
en: A large area marked by reflectivity or color distinctions from adjacent areas, or a broad geographic region.
en_AU: A large area marked by reflectivity or colour distinctions from adjacent areas, or a broad geographic region.

note: TRANSLATORS: Description for landform 'virga'
en: A streak or stripe of color.
en_AU: A streak or stripe of colour.

en: Additional catalog numbers:
en_AU: Additional catalogue numbers:

en: Color Index (B-V)
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en: This solution by S. Islam, M. Sadiq and M. S. Qureshi, based on Meeus & Simons (2000), was published in article <em>Error Minimization of Polynomial Approximation of DeltaT</em> (%1) and revisited by Sana Islam in 2013.
en_AU: This solution by S. Islam, M. Sadiq and M. S. Qureshi, based on Meeus & Simons (2000), was published in article <em>Error Minimisation of Polynomial Approximation of DeltaT</em> (%1) and revisited by Sana Islam in 2013.

en: Another name of this variant of the Cylindrical projection mode is <i>plate carr&eacute;e</i> (French, for 'flat square'). With this projection all parallels are equally spaced. The view is stretched to always show a 360x180° field of view in a fixed view direction. It is provided for specialized setups.
en_AU: Another name of this variant of the Cylindrical projection mode is <i>plate carr&eacute;e</i> (French, for 'flat square'). With this projection all parallels are equally spaced. The view is stretched to always show a 360x180° field of view in a fixed view direction. It is provided for specialised setups.

en: All 'modern' sky cultures are based on the IAU-approved 88 constellations with standardized boundaries and are used worldwide. The origins of these constellations are pan-European.
en_AU: All 'modern' sky cultures are based on the IAU-approved 88 constellations with standardised boundaries and are used worldwide. The origins of these constellations are pan-European.

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note: TRANSLATORS: Catalogue of objects (for "Lists" in the search tool)
en: Cederblad Catalog
en_AU: Cederblad Catalogue

note: TRANSLATORS: Catalogue of objects (for "Lists" in the search tool)
en: A Catalog of Rich Clusters of Galaxies
en_AU: A Catalogue of Rich Clusters of Galaxies

en: Earth Greatest Elongations and Transits from Callisto 2000-3000. Why Callisto? Well of the 4 Galilean Moons, Callisto is the only one outside of Jupiter's radiation belt. Therefore, if humans ever colonize Jupiter's moons, Callisto will be the one.
en_AU: Earth Greatest Elongations and Transits from Callisto 2000-3000. Why Callisto? Well of the 4 Galilean Moons, Callisto is the only one outside of Jupiter's radiation belt. Therefore, if humans ever colonise Jupiter's moons, Callisto will be the one.

en: The Jack Bennett Catalog of Southern Deep-Sky Objects (152 objects in all). The Bennett catalog was contributed by Auke Slotegraaf.
en_AU: The Jack Bennett Catalogue of Southern Deep-Sky Objects (152 objects in all). The Bennett catalogue was contributed by Auke Slotegraaf.

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en: A Catalog of Rich Clusters of Galaxies (Abell+, 1989)
en_AU: A Catalogue of Rich Clusters of Galaxies (Abell+, 1989)

en: Catalog of Open Galactic Clusters (Collinder, 1931)
en_AU: Catalogue of Open Galactic Clusters (Collinder, 1931)

en: Principal Galaxy Catalog
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en: Color of ephemeris marker for first celestial body
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en: Color of planet moon orbits
en_AU: Colour of planet moon orbits

en: Color of comet orbits
en_AU: Colour of comet orbits

en: Color of cubewano orbits
en_AU: Colour of cubewano orbits

en: Color of sednoid orbits
en_AU: Colour of sednoid orbits

en: Color of Oort cloud object orbits
en_AU: Colour of Oort cloud object orbits

en: Color of Mercury orbit
en_AU: Colour of Mercury orbit

en: Color of Earth orbit
en_AU: Colour of Earth orbit

en: Color of Jupiter orbit
en_AU: Colour of Jupiter orbit

en: Color of Venus orbit
en_AU: Colour of Venus orbit

en: Color of Mars orbit
en_AU: Colour of Mars orbit

en: Color of Saturn orbit
en_AU: Colour of Saturn orbit

en: Color of Uranus orbit
en_AU: Colour of Uranus orbit

en: Color of Neptune orbit
en_AU: Colour of Neptune orbit

en: Use an XYZ->sRGB color transform matrix, not XYZ->Adobe RGB (1998).
en_AU: Use an XYZ->sRGB colour transform matrix, not XYZ->Adobe RGB (1998).

en: *goes misty eyed* I recall measuring the size of the Cassini Division when I was a student. It was not the high academic glamor one might expect... It was cloudy... It was rainy... The observatory lab had some old scopes set up at one end, pointing at a <em>photograph</em> of Saturn at the other end of the lab. We measured. We calculated. We wished we were in Hawaii.
en_AU: *goes misty eyed* I recall measuring the size of the Cassini Division when I was a student. It was not the high academic glamour one might expect... It was cloudy... It was rainy... The observatory lab had some old scopes set up at one end, pointing at a <em>photograph</em> of Saturn at the other end of the lab. We measured. We calculated. We wished we were in Hawaii.

en: Show settings dialog
en_AU: Show settings dialogue

en: This plugin is intended to simulate what you would see through an eyepiece.  This configuration dialog can be used to add, modify, or delete eyepieces and telescopes, as well as CCD Sensors.  Your first time running the app will populate some samples to get you started.
en_AU: This plugin is intended to simulate what you would see through an eyepiece.  This configuration dialogue can be used to add, modify, or delete eyepieces and telescopes, as well as CCD Sensors.  Your first time running the app will populate some samples to get you started.

en: Color for ocular circles and sensor frames
en_AU: Colour for ocular circles and sensor frames

en: Line Color
en_AU: Line Colour

en: Color for text which is shown only when GUI is switched off.
en_AU: Colour for text which is shown only when GUI is switched off.

en: Color for focuser overlay line
en_AU: Colour for focuser overlay line

note: TRANSLATORS: The translated names of the button and the tab are filled in automatically. You can check the original names in Stellarium. File names are not translated.
en: Clicking the "%1" button in the "%2" tab of this dialog will revert to the default %3 file.  The old file will be backed up as %4.  This can be found in the user data directory, under "modules/Satellites/".
en_AU: Clicking the "%1" button in the "%2" tab of this dialogue will revert to the default %3 file.  The old file will be backed up as %4.  This can be found in the user data directory, under "modules/Satellites/".

en: Make sure the satellite(s) you wish to add are included in one of the URLs listed in the Sources tab of the satellites configuration dialog.
en_AU: Make sure the satellite(s) you wish to add are included in one of the URLs listed in the Sources tab of the satellites configuration dialogue.

en: Catalog Number: %1
en_AU: Catalogue Number: %1

en: The color of Earth's umbra circle
en_AU: The colour of Earth's umbra circle

en: The color of Earth's penumbra circle
en_AU: The colour of Earth's penumbra circle

en: Color of satellite markers in transit through the Sun or the Moon
en_AU: Colour of satellite markers in transit through the Sun or the Moon

en: Use special color for all invisible satellites
en_AU: Use special colour for all invisible satellites

en: Set color for invisible satellites
en_AU: Set colour for invisible satellites

en: Color of markers, labels and orbits for invisible satellites
en_AU: Colour of markers, labels and orbits for invisible satellites

en: Change markers color for selected satellites
en_AU: Change markers colour for selected satellites

en: Change orbits color for selected satellites
en_AU: Change orbits colour for selected satellites

en: Change info color for selected satellites
en_AU: Change info colour for selected satellites

en: The Satellite Catalog Number (also known as NORAD (North American Aerospace Defense) Catalog Number, NORAD ID)
en_AU: The Satellite Catalogue Number (also known as NORAD (North American Aerospace Defense) Catalogue Number, NORAD ID)

en: Catalog number:
en_AU: Catalogue number:

en: Perigee altitude in kilometers
en_AU: Perigee altitude in kilometres

en: Apogee altitude in kilometers
en_AU: Apogee altitude in kilometres

en: This plug-in allows Stellarium to send "slew" commands to a telescope on a computerized mount (a "GoTo telescope").
en_AU: This plug-in allows Stellarium to send "slew" commands to a telescope on a computerised mount (a "GoTo telescope").

en: A computerized telescope mount made by Losmandy (Meade LX-200/Autostar interface).
en_AU: A computerised telescope mount made by Losmandy (Meade LX-200/Autostar interface).

en: error, unknown color part "%1"
en_AU: error, unknown colour part "%1"

en: Update catalog from Internet
en_AU: Update catalogue from Internet

en: Alignment stars from the Gemini Astronomical Positioning System, a professional level computerized device for controlling small to medium German equatorial telescope mounts.
en_AU: Alignment stars from the Gemini Astronomical Positioning System, a professional level computerised device for controlling small to medium German equatorial telescope mounts.

en: The Meade LX200 utilizes 33 bright and well known stars to calibrate the telescope’s Object Library in the ALTAZ and POLAR alignments. These stars were selected to allow observers from anywhere in the world on any given night, to be able to easily and quickly make precision alignments.
en_AU: The Meade LX200 utilises 33 bright and well known stars to calibrate the telescope’s Object Library in the ALTAZ and POLAR alignments. These stars were selected to allow observers from anywhere in the world on any given night, to be able to easily and quickly make precision alignments.

en: If a nova has no values for decay of magnitude then this plugin will use generalized values for it.
en_AU: If a nova has no values for decay of magnitude then this plugin will use generalised values for it.

en: The current catalog contains info about %1 quasars.
en_AU: The current catalogue contains info about %1 quasars.

en: Quasars marker color
en_AU: Quasars marker colour

en: Use separate color for pulsars with glitches
en_AU: Use separate colour for pulsars with glitches

en: Current catalog contains info about %1 pulsars.
en_AU: Current catalogue contains info about %1 pulsars.

en: Pulsars marker color
en_AU: Pulsars marker colour

en: Marker Color for pulsars
en_AU: Marker Colour for pulsars

en: Marker Color for pulsars with glitches
en_AU: Marker Colour for pulsars with glitches

en: Provides state synchronization for multiple Stellarium instances running in a network. See manual for detailed description.
en_AU: Provides state synchronisation for multiple Stellarium instances running in a network. See manual for detailed description.

en: The Remote Sync plugin provides state synchronization for multiple Stellarium instances running in a network.
en_AU: The Remote Sync plugin provides state synchronisation for multiple Stellarium instances running in a network.

en: Partial synchronization allows parallel setups of e.g. overview and detail views.
en_AU: Partial synchronisation allows parallel setups of e.g. overview and detail views.

en: Synchronized Properties
en_AU: Synchronised Properties

en: The current catalog contains info about %1 planetary systems, which altogether have %2 exoplanets (including %3 potentially habitable exoplanets).
en_AU: The current catalogue contains info about %1 planetary systems, which altogether have %2 exoplanets (including %3 potentially habitable exoplanets).

en: Titawin (also known as Medina of Tetouan) is a settlement in northern Morocco and UNESCO World Heritage Site. Historically it was an important point of contact between two civilizations (Spanish and Arab) and two continents (Europe and Africa) after the 8th century.
en_AU: Titawin (also known as Medina of Tetouan) is a settlement in northern Morocco and UNESCO World Heritage Site. Historically it was an important point of contact between two civilisations (Spanish and Arab) and two continents (Europe and Africa) after the 8th century.

en: Carlos Juan Finlay (1833–1915) was an epidemiologist recognized as a pioneer in the research of yellow fever, determining that it was transmitted through mosquitoes.
en_AU: Carlos Juan Finlay (1833–1915) was an epidemiologist recognised as a pioneer in the research of yellow fever, determining that it was transmitted through mosquitoes.

en: Boinayel the god of rain that fertilizes the soil is engraved on the stalagmite at a lower position than Márohu in the El Puente cave.
en_AU: Boinayel the god of rain that fertilises the soil is engraved on the stalagmite at a lower position than Márohu in the El Puente cave.

en: Uruk was an ancient city of the Sumer and Babylonian civilizations in Mesopotamia situated along an ancient channel of the Euphrates river in modern-day Iraq.
en_AU: Uruk was an ancient city of the Sumer and Babylonian civilisations in Mesopotamia situated along an ancient channel of the Euphrates river in modern-day Iraq.

en: The Habitable Exoplanets Catalog
en_AU: The Habitable Exoplanets Catalogue

en: Exoplanets marker color
en_AU: Exoplanets marker colour

en: Marker color for potential habitable exoplanets
en_AU: Marker colour for potential habitable exoplanets

en: Font color and size
en_AU: Font colour and size

en: Color of text
en_AU: Colour of text

en: The current catalog of Meteor Showers is invalid!
en_AU: The current catalogue of Meteor Showers is invalid!

en: Show meteor showers search dialog
en_AU: Show meteor showers search dialogue

en: Using the default Meteor Showers catalog.
en_AU: Using the default Meteor Showers catalogue.

en: <p>This plugin enables you to simulate periodic meteor showers and to display a marker for each active and inactive radiant.</p><p>By a single click on the radiant's marker, you can see all the details about its position and activity. Most data used on this plugin comes from the official <a href="http://imo.net">International Meteor Organization</a> catalog and <a href="https://www.ta3.sk/IAUC22DB/MDC2007/">IAU Meteor Data Center</a>.</p>
en_AU: <p>This plugin enables you to simulate periodic meteor showers and to display a marker for each active and inactive radiant.</p><p>By a single click on the radiant's marker, you can see all the details about its position and activity. Most data used on this plugin comes from the official <a href="http://imo.net">International Meteor Organisation</a> catalogue and <a href="https://www.ta3.sk/IAUC22DB/MDC2007/">IAU Meteor Data Center</a>.</p>

en: By a single click on the radiant's marker, you can see all the details about its position and activity. Most data used on this plugin comes from the official <a href="https://imo.net">International Meteor Organization</a> catalog and <a href="https://www.ta3.sk/IAUC22DB/MDC2007/">IAU Meteor Data Center</a>.
en_AU: By a single click on the radiant's marker, you can see all the details about its position and activity. Most data used on this plugin comes from the official <a href="https://imo.net">International Meteor Organisation</a> catalogue and <a href="https://www.ta3.sk/IAUC22DB/MDC2007/">IAU Meteor Data Center</a>.

note: TRANSLATORS: The numbers contain the opening and closing tag of an HTML link
en: %1International Meteor Organization%2
en_AU: %1International Meteor Organisation%2

en: Set radiant color
en_AU: Set radiant colour

en: The color of the screen text
en_AU: The colour of the screen text

en: Show viewpoint dialog
en_AU: Show viewpoint dialogue

en: Finalizing load...
en_AU: Finalising load...

en: Change color
en_AU: Change colour

[ctx: Bahai day/month name]
en: Sharaf (Honor)
en_AU: Sharaf (Honour)

en: Override automatic text color
en_AU: Override automatic text colour

en: We can request data for stars, planets and deep-sky objects. A valid name for this object could not be found. Please enable a few DSO catalogs to form at least a numerical name.
en_AU: We can request data for stars, planets and deep-sky objects. A valid name for this object could not be found. Please enable a few DSO catalogues to form at least a numerical name.

en: Show lens distortion estimator dialog
en_AU: Show lens distortion estimator dialogue

en: Finally, when enough points have been picked to fill the different distances from image center, click <i>Optimize</i> button. After a few moments the image should appear aligned with the stars. If it's not, try picking more points from the ones which don't match, and retry optimization.
en_AU: Finally, when enough points have been picked to fill the different distances from image center, click <i>Optimise</i> button. After a few moments the image should appear aligned with the stars. If it's not, try picking more points from the ones which don't match, and retry optimisation.

en: Are you sure you want to send image '%s' to trash?
en_AU: Are you sure you want to send image '%s' to rubbish?

en: Override background color:
en_AU: Override background colour:

en: Show an analog clock that displays the current time when the window is fullscreen
en_AU: Show an analogue clock that displays the current time when the window is fullscreen

en: Maximize window on startup when opening an image
en_AU: Maximise window on startup when opening an image

en: Display the playback controls in the toolbar in visually compact style instead of the standard rhythmbox style.
    Always enabled for modern toolbar mode.
en_AU: Display the playback controls in the toolbar in visually compact style instead of the standard Rhythmbox style.
    Always enabled for modern toolbar mode.

en: Add to favorites
en_AU: Add to favourites

en: local country person
en_AU: aussie

en: Humanize
en_AU: Humanise

en: Authentication and Authorization
en_AU: Authentication and Authorisation

en: You are authenticated as %(username)s, but are not authorized to access this page. Would you like to login to a different account?
en_AU: You are authenticated as %(username)s, but are not authorised to access this page. Would you like to login to a different account?

en: Allows to use Python extensions
en_AU: Allows you to use Python extensions

note: Description
en: Cdrom with Ubuntu 6.10 'Edgy Eft'
en_AU: CD-ROM with Ubuntu 6.10 'Edgy Eft'

note: Description
en: Cdrom with Ubuntu 6.06 LTS 'Dapper Drake'
en_AU: CD-ROM with Ubuntu 6.06 LTS 'Dapper Drake'

note: Description
en: Cdrom with Ubuntu 5.10 'Breezy Badger'
en_AU: CD-ROM with Ubuntu 5.10 'Breezy Badger'

note: Description
en: Cdrom with Ubuntu 5.04 'Hoary Hedgehog'
en_AU: CD-ROM with Ubuntu 5.04 'Hoary Hedgehog'

note: Description
en: Cdrom with Ubuntu 4.10 'Warty Warthog'
en_AU: CD-ROM with Ubuntu 4.10 'Warty Warthog'

en: Default color of text in the terminal
en_AU: Default colour of text in the terminal

en: Default color of terminal background
en_AU: Default colour of terminal background

en: Terminals have a 16-color palette that applications inside the terminal can use. This is that palette, in the form of a colon-separated list of color names. Color names should be in hex format e.g. "#FF00FF"
en_AU: Terminals have a 16-colour palette that applications inside the terminal can use. This is that palette, in the form of a colon-separated list of colour names. Colour names should be in hex format e.g. "#FF00FF"

en: Whether to use the colors from the theme for the terminal widget
en_AU: Whether to use the colours from the theme for the terminal widget

en: If true, the theme color scheme used for text entry boxes will be used for the terminal, instead of colors provided by the user.
en_AU: If true, the theme colour scheme used for text entry boxes will be used for the terminal, instead of colours provided by the user.

en: Whether to use the system's default fixed width font for editing text instead of a font specific to pluma. If this option is turned off, then the font named in the "Editor Font" option will be used instead of the system font.
en_AU: Whether to use the system's default fixed width font for editing text instead of a font specific to Pluma. If this option is turned off, then the font named in the "Editor Font" option will be used instead of the system font.

en: The ID of a GtkSourceView Style Scheme used to color the text.
en_AU: The ID of a GtkSourceView Style Scheme used to colour the text.

en: Whether pluma should create backup copies for the files it saves. You can set the backup file extension with the "Backup Copy Extension" option.
en_AU: Whether Pluma should create backup copies for the files it saves. You can set the backup file extension with the "Backup Copy Extension" option.

en: Whether pluma should automatically save modified files after a time interval. You can set the time interval with the "Autosave Interval" option.
en_AU: Whether Pluma should automatically save modified files after a time interval. You can set the time interval with the "Autosave Interval" option.

en: Number of minutes after which pluma will automatically save modified files. This will only take effect if the "Autosave" option is turned on.
en_AU: Number of minutes after which Pluma will automatically save modified files. This will only take effect if the "Autosave" option is turned on.

en: List of VFS schemes pluma supports in write mode. The 'file' scheme is writable by default.
en_AU: List of VFS schemes Pluma supports in write mode. The 'file' scheme is writable by default.

en: Maximum number of actions that pluma will be able to undo or redo. Use "-1" for unlimited number of actions.
en_AU: Maximum number of actions that Pluma will be able to undo or redo. Use "-1" for unlimited number of actions.

en: Whether pluma should insert spaces instead of tabs.
en_AU: Whether Pluma should insert spaces instead of tabs.

en: Whether pluma should enable automatic indentation.
en_AU: Whether Pluma should enable automatic indentation.

en: Whether pluma should display line numbers in the editing area.
en_AU: Whether Pluma should display line numbers in the editing area.

en: Whether pluma should highlight the current line.
en_AU: Whether Pluma should highlight the current line.

en: Whether pluma should highlight the bracket matching the selected one.
en_AU: Whether Pluma should highlight the bracket matching the selected one.

en: Whether pluma should display the right margin in the editing area.
en_AU: Whether Pluma should display the right margin in the editing area.

en: Whether pluma should restore the previous cursor position when a file is loaded.
en_AU: Whether Pluma should restore the previous cursor position when a file is loaded.

en: Whether pluma should highlight all the occurrences of the searched text.
en_AU: Whether Pluma should highlight all the occurrences of the searched text.

en: Whether pluma should enable syntax highlighting.
en_AU: Whether Pluma should enable syntax highlighting.

en: Style for the toolbar buttons. Possible values are "PLUMA_TOOLBAR_SYSTEM" to use the system's default style, "PLUMA_TOOLBAR_ICONS" to display icons only, "PLUMA_TOOLBAR_ICONS_AND_TEXT" to display both icons and text, and "PLUMA_TOOLBAR_ICONS_BOTH_HORIZ" to display prioritized text beside icons. Note that the values are case-sensitive, so make sure they appear exactly as mentioned here.
en_AU: Style for the toolbar buttons. Possible values are "PLUMA_TOOLBAR_SYSTEM" to use the system's default style, "PLUMA_TOOLBAR_ICONS" to display icons only, "PLUMA_TOOLBAR_ICONS_AND_TEXT" to display both icons and text, and "PLUMA_TOOLBAR_ICONS_BOTH_HORIZ" to display prioritised text beside icons. Note that the values are case-sensitive, so make sure they appear exactly as mentioned here.

en: Whether pluma should print syntax highlighting when printing documents.
en_AU: Whether Pluma should print syntax highlighting when printing documents.

en: Whether pluma should include a document header when printing documents.
en_AU: Whether Pluma should include a document header when printing documents.

en: If this value is 0, then no line numbers will be inserted when printing a document. Otherwise, pluma will print line numbers every such number of lines.
en_AU: If this value is 0, then no line numbers will be inserted when printing a document. Otherwise, Pluma will print line numbers every such number of lines.

en: Sorted list of encodings used by pluma for automatically detecting the encoding of a file. "CURRENT" represents the current locale encoding. Only recognized encodings are used.
en_AU: Sorted list of encodings used by Pluma for automatically detecting the encoding of a file. "CURRENT" represents the current locale encoding. Only recognised encodings are used.

en: List of encodings shown in the Character Encoding menu in open/save file selector. Only recognized encodings are used.
en_AU: List of encodings shown in the Character Encoding menu in open/save file selector. Only recognised encodings are used.

en: Color Scheme
en_AU: Colour Scheme

en: Font & Colors
en_AU: Font & Colours

en: Create a new top-level window in an existing instance of pluma
en_AU: Create a new top-level window in an existing instance of Pluma

en: Create a new document in an existing instance of pluma
en_AU: Create a new document in an existing instance of Pluma

note: Translators: %s is a URI scheme (like for example http:, ftp:, etc.)
en: pluma cannot handle %s locations.
en_AU: Pluma cannot handle %s locations.

en: pluma cannot handle this location.
en_AU: Pluma cannot handle this location.

en: pluma cannot find the file. Perhaps it has recently been deleted.
en_AU: Pluma cannot find the file. Perhaps it has recently been deleted.

en: pluma has not been able to detect the character encoding.
en_AU: Pluma has not been able to detect the character encoding.

en: This file (%s) is already open in another pluma window.
en_AU: This file (%s) is already open in another Pluma window.

en: pluma opened this instance of the file in a non-editable way. Do you want to edit it anyway?
en_AU: Pluma opened this instance of the file in a non-editable way. Do you want to edit it anyway?

en: pluma could not back up the old copy of the file before saving the new one. You can ignore this warning and save the file anyway, but if an error occurs while saving, you could lose the old copy of the file. Save anyway?
en_AU: Pluma could not back up the old copy of the file before saving the new one. You can ignore this warning and save the file anyway, but if an error occurs while saving, you could lose the old copy of the file. Save anyway?

note: Translators: %s is a URI scheme (like for example http:, ftp:, etc.)
en: pluma cannot handle %s locations in write mode. Please check that you typed the location correctly and try again.
en_AU: Pluma cannot handle %s locations in write mode. Please check that you typed the location correctly and try again.

en: pluma cannot handle this location in write mode. Please check that you typed the location correctly and try again.
en_AU: Pluma cannot handle this location in write mode. Please check that you typed the location correctly and try again.

en: Open the pluma manual
en_AU: Open the Pluma manual

en: Emacs, Kate and Vim-style modelines support for pluma.
en_AU: Emacs, Kate and Vim-style modelines support for Pluma.

en: _Error color:
en_AU: _Error colour:

en: C_ommand color:
en_AU: C_ommand colour:

en: No misspelled words
en_AU: No misspelt words

en: Misspelled word:
en_AU: Misspelt word:

en: Pinta is a image editing, drawing and painting application with a simple yet powerful interface. Pinta has a wide range of drawing tools, including: freehand, rectangles, circles and lines. It also has over 35 effects to apply to your images, and also has the ability to create unlimited layers to help organize your creativity.
en_AU: Pinta is a image editing, drawing and painting application with a simple yet powerful interface. Pinta has a wide range of drawing tools, including: freehand, rectangles, circles and lines. It also has over 35 effects to apply to your images, and also has the ability to create unlimited layers to help organise your creativity.

en: Set Number of Colors
en_AU: Set Number of Colours

en: Color Burn
en_AU: Colour Burn

en: Color Dodge
en_AU: Colour Dodge

en: Invert Colors
en_AU: Invert Colours

en: Posterize
en_AU: Posterise

en: Color Saturation
en_AU: Colour Saturation

en: Coloring
en_AU: Colouring

en: Color Range
en_AU: Colour Range

en: Choose Primary Color
en_AU: Choose Primary Colour

en: Choose Secondary Color
en_AU: Choose Secondary Colour

en: Choose Palette Color
en_AU: Choose Palette Colour

en: Click to reset primary and secondary color.
en_AU: Click to reset primary and secondary colour.

en: Click to select primary color.
en_AU: Click to select primary colour.

en: Click to select secondary color.
en_AU: Click to select secondary colour.

en: Left click to set primary color. Right click to set secondary color. Middle click to choose palette color.
en_AU: Left click to set primary colour. Right click to set secondary colour. Middle click to choose palette colour.

en: Finalized
en_AU: Finalised

en: Color Picker
en_AU: Colour Picker

en: Left click to set primary color. Right click to set secondary color.
en_AU: Left click to set primary colour. Right click to set secondary colour.

en: Left click to draw a shape with the primary color.
    Left click on a shape to add a control point.
    Left click on a control point and drag to move it.
    Right click on a control point and drag to change its tension.
    Hold Shift to snap to angles.
    Use arrow keys to move the selected control point.
    Press Ctrl + left/right arrows to select control points by order.
    Press Delete to delete the selected control point.
    Press Space to add a new control point at the mouse position.
    Hold Ctrl while pressing Space to create the control point at the exact same position.
    Hold Ctrl while left clicking on a control point to create a new shape at the exact same position.
    Hold Ctrl while clicking outside of the image bounds to create a new shape starting at the edge.
    Press Enter to finalize the shape.
en_AU: Left click to draw a shape with the primary colour.
    Left click on a shape to add a control point.
    Left click on a control point and drag to move it.
    Right click on a control point and drag to change its tension.
    Hold Shift to snap to angles.
    Use arrow keys to move the selected control point.
    Press Ctrl + left/right arrows to select control points by order.
    Press Delete to delete the selected control point.
    Press Space to add a new control point at the mouse position.
    Hold Ctrl while pressing Space to create the control point at the exact same position.
    Hold Ctrl while left clicking on a control point to create a new shape at the exact same position.
    Hold Ctrl while clicking outside of the image bounds to create a new shape starting at the edge.
    Press Enter to finalise the shape.

en: Left click to erase to transparent, right click to erase to secondary color.
en_AU: Left click to erase to transparent; right click to erase to secondary colour.

en: Left click to draw with primary color, right click to draw with secondary color.
en_AU: Left click to draw with primary colour, right click to draw with secondary colour.

en: Click and drag to draw gradient from primary to secondary color.  Right click to reverse.
en_AU: Click and drag to draw gradient from primary to secondary colour. Right click to reverse.

en: Click to select region of similar color.
en_AU: Click to select region of similar colour.

en: Left click to fill a region with the primary color, right click to fill with the secondary color.
en_AU: Left click to fill a region with the primary colour; right click to fill with the secondary colour.

en: Left click to draw freeform one-pixel wide lines with the primary color. Right click to use the secondary color.
en_AU: Left click to draw freeform, one-pixel wide lines with the primary colour. Right click to use the secondary colour.

en: Left click to replace the secondary color with the primary color. Right click to reverse.
en_AU: Left click to replace the secondary colour with the primary colour. Right click to reverse.

en: Text - Finalize
en_AU: Text - Finalise

en: Left click to place cursor, then type desired text. Text color is primary color.
en_AU: Left click to place cursor, then type desired text. Text color is primary colour.

en: Register an on-line repository
en_AU: Register an online repository

en: Url:
en_AU: URL:

en: Authorize buddy?
en_AU: Authorise buddy?

en: %s is not a valid color. See '/help msgcolor' for valid colors.
en_AU: %s is not a valid colour. See '/help msgcolor' for valid colours.

en: msgcolor &lt;class&gt; &lt;foreground&gt; &lt;background&gt;: Set the color for different classes of messages in the conversation window.<br>    &lt;class&gt;: receive, send, highlight, action, timestamp<br>    &lt;foreground/background&gt;: black, red, green, blue, white, gray, darkgray, magenta, cyan, default<br><br>EXAMPLE:<br>    msgcolor send cyan default
en_AU: msgcolor &lt;class&gt; &lt;foreground&gt; &lt;background&gt;: Set the colour for different classes of messages in the conversation window.<br>    &lt;class&gt;: receive, send, highlight, action, timestamp<br>    &lt;foreground/background&gt;: black, red, green, blue, white, gray, darkgray, magenta, cyan, default<br><br>EXAMPLE:<br>    msgcolor send cyan default

en: GStreamer failed to initialize.
en_AU: GStreamer failed to initialise.

en: Directory is not writable.
en_AU: Directory is not writeable.

en: Error initializing the call. This probably denotes problem in installation of GStreamer or Farsight.
en_AU: Error initialising the call. This probably denotes problem in installation of GStreamer or Farsight.

en: The rest of the messages will be saved as pounces. You can edit/delete the pounce from the `Buddy Pounce' dialog.
en_AU: The rest of the messages will be saved as pounces. You can edit/delete the pounce from the `Buddy Pounce' dialogue.

en: You can edit/delete the pounce from the `Buddy Pounces' dialog
en_AU: You can edit/delete the pounce from the `Buddy Pounces' dialogue

en: Failed to initialize SASL authentication: %s
en_AU: Failed to initialise SASL authentication: %s

en: SASL authentication failed: Initializing SASL failed.
en_AU: SASL authentication failed: Initialising SASL failed.

en: Unable to canonicalize username
en_AU: Unable to canonicalise username

en: Unable to canonicalize password
en_AU: Unable to canonicalise password

en: Organization Name
en_AU: Organisation Name

en: Organization Unit
en_AU: Organisation Unit

en: (Re-)Request authorization
en_AU: (Re-)Request authorisation

en: Initializing Stream
en_AU: Initialising Stream

en: Initializing SSL/TLS
en_AU: Initialising SSL/TLS

en: Re-initializing Stream
en_AU: Re-initialising Stream

en: Not Authorized
en_AU: Not Authorised

en: Authorization Aborted
en_AU: Authorisation Aborted

en: Incorrect encoding in authorization
en_AU: Incorrect encoding in authorisation

en: Invalid Authorization Mechanism
en_AU: Invalid Authorisation Mechanism

en: Authorization mechanism too weak
en_AU: Authorisation mechanism too weak

en: Could not recognize the host of the username you entered
en_AU: Could not recognise the host of the username you entered

en: Synchronize List with Server
en_AU: Synchronise List with Server

en: Channel authentication is used to secure the channel from unauthorized access. The authentication may be based on passphrase and digital signatures. If passphrase is set, it is required to be able to join. If channel public keys are set then only users whose public keys are listed are able to join.
en_AU: Channel authentication is used to secure the channel from unauthorised access. The authentication may be based on passphrase and digital signatures. If passphrase is set, it is required to be able to join. If channel public keys are set then only users whose public keys are listed are able to join.

note: #-#-#-#-#  105 (evolution 0.6)  #-#-#-#-# Organizational fields
en: Organization
en_AU: Organisation

en: Unable to initialize SILC protocol
en_AU: Unable to initialise SILC protocol

en: Organization: 	%s
en_AU: Organisation: 	%s

en: Unable to initialize SILC Client connection
en_AU: Unable to initialise SILC Client connection

en: Access denied: HTTP proxy server forbids port %d tunneling
en_AU: Access denied: HTTP proxy server forbids port %d tunnelling

en: The background color for the buddy list
en_AU: The background colour for the buddy list

note: Group Note to translators: These two strings refer to the background color of a buddy list group when in its expanded state
en: Expanded Background Color
en_AU: Expanded Background Colour

en: The background color of an expanded group
en_AU: The background colour of an expanded group

note: Note to translators: These two strings refer to the background color of a buddy list group when in its collapsed state
en: Collapsed Background Color
en_AU: Collapsed Background Colour

en: The background color of a collapsed group
en_AU: The background colour of a collapsed group

note: Buddy Note to translators: These two strings refer to the background color of a buddy list contact or chat room
en: Contact/Chat Background Color
en_AU: Contact/Chat Background Colour

en: The background color of a contact or chat
en_AU: The background colour of a contact or chat

en: Hyperlink color
en_AU: Hyperlink colour

en: Color to draw hyperlinks.
en_AU: Colour to draw hyperlinks.

en: Hyperlink visited color
en_AU: Hyperlink visited colour

en: Color to draw hyperlink after it has been visited (or activated).
en_AU: Colour to draw hyperlink after it has been visited (or activated).

en: Hyperlink prelight color
en_AU: Hyperlink prelight colour

en: Color to draw hyperlinks when mouse is over them.
en_AU: Colour to draw hyperlinks when mouse is over them.

en: Sent Message Name Color
en_AU: Sent Message Name Colour

en: Color to draw the name of a message you sent.
en_AU: Colour to draw the name of a message you sent.

en: Received Message Name Color
en_AU: Received Message Name Colour

en: Color to draw the name of a message you received.
en_AU: Colour to draw the name of a message you received.

en: "Attention" Name Color
en_AU: "Attention" Name Colour

en: Color to draw the name of a message you received containing your name.
en_AU: Colour to draw the name of a message you received containing your name.

en: Action Message Name Color
en_AU: Action Message Name Colour

en: Color to draw the name of an action message.
en_AU: Colour to draw the name of an action message.

en: Action Message Name Color for Whispered Message
en_AU: Action Message Name Colour for Whispered Message

en: Color to draw the name of a whispered action message.
en_AU: Colour to draw the name of a whispered action message.

en: Whisper Message Name Color
en_AU: Whisper Message Name Colour

en: Color to draw the name of a whispered message.
en_AU: Colour to draw the name of a whispered message.

en: Typing notification color
en_AU: Typing notification colour

en: The color to use for the typing notification
en_AU: The colour to use for the typing notification

en: <span size='larger' weight='bold'>Unrecognized file type</span>
    
    Defaulting to PNG.
en_AU: <span size='larger' weight='bold'>Unrecognised file type</span>
    
    Defaulting to PNG.

en: Select Text Color
en_AU: Select Text Colour

en: Select Background Color
en_AU: Select Background Colour

en: Foreground Color
en_AU: Foreground Colour

en: Foreground _color
en_AU: Foreground _colour

en: Bac_kground color
en_AU: Bac_kground colour

en: Minimi_ze new conversation windows
en_AU: Minimi_se new conversation windows

en: Highlight _misspelled words
en_AU: Highlight _misspelt words

en: Select color
en_AU: Select colour

en: Conversation Colors
en_AU: Conversation Colours

en: Customize colors in the conversation window
en_AU: Customise colours in the conversation window

en: Select Color for %s
en_AU: Select Colour for %s

en: Hyperlink Color
en_AU: Hyperlink Colour

en: Visited Hyperlink Color
en_AU: Visited Hyperlink Colour

en: Highlighted Message Name Color
en_AU: Highlighted Message Name Colour

en: Typing Notification Color
en_AU: Typing Notification Colour

en: Request Dialog
en_AU: Request Dialogue

en: Notify Dialog
en_AU: Notify Dialogue

en: Authorization dialog
en_AU: Authorisation dialogue

en: Error dialog
en_AU: Error dialogue

en: Information dialog
en_AU: Information dialogue

en: Mail dialog
en_AU: Mail dialogue

en: Question dialog
en_AU: Question dialogue

en: Warning dialog
en_AU: Warning dialogue

en: What kind of dialog is this?
en_AU: What kind of dialogue is this?

en: Dialog Icons
en_AU: Dialogue Icons

note: *< name *< version *  summary
en: Customizes the message timestamp formats.
en_AU: Customises the message timestamp formats.

note: *  description
en: This plugin allows the user to customize conversation and logging message timestamp formats.
en_AU: This plugin allows the user to customise conversation and logging message timestamp formats.

note: $(^Name) is the current Version name (e.g. Pidgin 2.7.0).  $_CLICK will become a translated version of "Click Next to continue."  DO NOT translate the CLICK in $_CLICK.  It will break the installer.
en: $(^Name) is released under the GNU General Public License (GPL). The license is provided here for information purposes only. $_CLICK
en_AU: $(^Name) is released under the GNU General Public Licence (GPL). The licence is provided here for information purposes only. $_CLICK

note: #-#-#-#-#  193 (Pidgin)  #-#-#-#-# Installer Subsection Text #-#-#-#-#  7 (bleachbit)  #-#-#-#-# TRANSLATORS: Localizations are files supporting specific languages, so applications appear in Spanish, etc.
en: Localizations
en_AU: Localisations

[ctx: work_type]
en: An audio drama is a dramatized, purely acoustic performance, broadcast on radio or published on an audio medium (tape, CD, etc.).
en_AU: An audio drama is a dramatised, purely acoustic performance, broadcast on radio or published on an audio medium (tape, CD, etc.).

[ctx: artist_type]
en: This indicates a choir/chorus (an organized, usually large group of singers). Smaller vocal ensembles and groupings that do not generally call themselves choirs are better entered as “Group”.
en_AU: This indicates a choir/chorus (an organised, usually large group of singers). Smaller vocal ensembles and groupings that do not generally call themselves choirs are better entered as “Group”.

[ctx: artist_type]
en: This indicates an orchestra (an organized, usually large group of instrumentalists). Smaller ensembles (such as trios and quartets) and groupings that do not generally call themselves orchestras are better entered as “Group”.
en_AU: This indicates an orchestra (an organised, usually large group of instrumentalists). Smaller ensembles (such as trios and quartets) and groupings that do not generally call themselves orchestras are better entered as “Group”.

en: Use standardized artist names
en_AU: Use standardised artist names

en: Use standardized instrument and vocal credits
en_AU: Use standardised instrument and vocal credits

en: Use builtin search rather than looking in browser
en_AU: Use built-in search rather than looking in browser

en: Authorization code:
en_AU: Authorisation code:

en: `$title(text)`
    
    Returns `text` in title case (first character in every word capitalized).
    
    Example:
    
        $set(album,$title(%album%))
    _Since Picard 2.1_
en_AU: `$title(text)`
    
    Returns `text` in title case (first character in every word capitalised).
    
    Example:
    
        $set(album,$title(%album%))
    _Since Picard 2.1_

en: <br/>Translated to LANG by %s
en_AU: <br/>Translated to Australian English by %s

en: Catalog #s
en_AU: Catalogue #s

en: Catalog No.
en_AU: Catalogue No.

en: Ok match
en_AU: OK match

en: &Builtin search
en_AU: &Built-in search

en: Picard needs authorization to access your personal data on the MusicBrainz server. Would you like to log in now?
en_AU: Picard needs authorisation to access your personal data on the MusicBrainz server. Would you like to log in now?

en: User interface color theme:
en_AU: User interface colour theme:

en: Customize Action Toolbar
en_AU: Customise Action Toolbar

en: License under which the file naming script is available.
en_AU: Licence under which the file naming script is available.

en: &Ok
en_AU: &OK

en: &Restore all Defaults
en_AU: &Restore All Defaults

en: The default color scheme based on the operating system display settings
en_AU: The default colour scheme based on the operating system display settings

en: Choose a color
en_AU: Choose a colour

en: Colors changed
en_AU: Colours changed

en: You have changed the interface colors. You may have to restart Picard in order for the changes to take effect.
en_AU: You have changed the interface colours. You may have to restart Picard in order for the changes to take effect.

en: Catalog Number
en_AU: Catalogue Number

en: Visualization type:
en_AU: Visualisation type:

en: <b>Audio Visualization</b>
en_AU: <b>Audio Visualisation</b>

en: <b>Color Balance</b>
en_AU: <b>Colour Balance</b>

en: <big><span color='#BBBBBB'><i>on</i></span> <span color='#F4F4F4'>Unknown Album</span></big>
en_AU: <big><span color='#F4F4F4><i>on</i></span> <span colour='#F4F4F4'>Unknown Album</span></big>

en: <big><span color='#BBBBBB'><i>by</i></span> <span color='#F4F4F4'>Unknown Artist</span></big>
en_AU: <big><span color='#BBBBBB'><i>by</i></span> <span colour='#F4F4F4'>Unknown Artist</span></big>

en: Always minimize to tray when window is closed
en_AU: Always minimise to tray when window is closed

en: Parole can be minimized to the system tray instead.
en_AU: Parole can be minimised to the system tray instead.

en: Minimize to tray
en_AU: Minimise to tray

en: 	Released under the terms of the GNU General Public License.
en_AU: 	Released under the terms of the GNU General Public Licence.

en: Add new category with color
en_AU: Add new category with colour

en: Colors of categories - Orage
en_AU: Colours of categories - Orage

en: This is special category, which can be used to color this appointment in list views.
en_AU: This is special category, which can be used to colour this appointment in list views.

en: update colors for categories.
en_AU: update colours for categories.

en: Minimized
en_AU: Minimised

en: Show the preferences dialog
en_AU: Show the preferences dialogue

en: _Color Scheme
en_AU: _Colour Scheme

note: #-#-#-#-#  5 (_avogadro-en_GB)  #-#-#-#-# i18n: file: molequeue/inputgeneratordialog.ui:14 i18n: ectx: property (windowTitle), widget (QDialog, Avogadro::MoleQueue::InputGeneratorDialog) i18n: file: molequeue/molequeuedialog.ui:14 i18n: ectx: property (windowTitle), widget (QDialog, Avogadro::MoleQu
en: Dialog
en_AU: Dialogue

en: MATE Disk Usage Analyzer
en_AU: MATE Disk Usage Analyser

en: Disk Usage Analyzer Preferences
en_AU: Disk Usage Analyser Preferences

en: _Analyzer
en_AU: _Analyser

en: Disk Usage Analyzer
en_AU: Disk Usage Analyser

en: A disk usage analyzing tool for MATE Desktop
en_AU: A disk usage analysing tool for MATE Desktop

en: Could not initialize monitoring
en_AU: Could not initialise monitoring

en: Without mount points disk usage cannot be analyzed.
en_AU: Without mount points disk usage cannot be analysed.

en: Could not analyze disk usage.
en_AU: Could not analyse disk usage.

en: Could not move "%s" to the Trash
en_AU: Could not move "%s" to the Rubbish

en: Could not move file to the Trash
en_AU: Could not move file to the Rubbish

en: Default Window Maximized
en_AU: Default Window Maximised

en: This key determines if the search tool window starts in a maximized state.
en_AU: This key determines if the search tool window starts in a maximised state.

en: This key determines if the "Owner is unrecognized" search option is selected when the search tool is started.
en_AU: This key determines if the "Owner is unrecognised" search option is selected when the search tool is started.

note: #-#-#-#-#  180 (PACKAGE VERSION)  #-#-#-#-# (itstool) path: entry/para
en: Owner is unrecognized
en_AU: Owner is unrecognised

en: Could not move "%s" to trash.
en_AU: Could not move "%s" to rubbish.

en: Trash is unavailable.  Could not move "%s" to the trash.
en_AU: Rubbish is unavailable.  Could not move "%s" to the rubbish.

en: Please specify either foreground or background color!
en_AU: Please specify either foreground or background colour!

note: (itstool) path: varlistentry/term
en: Minimize the window
en_AU: Minimise the window

note: (itstool) path: varlistentry/term
en: Unmaximize the window
en_AU: Unmaximise the window

en: Normally you can access the menubar with F10. This can also be customized via gtkrc (gtk-menu-bar-accel = "whatever"). This option allows the standard menubar accelerator to be disabled.
en_AU: Normally you can access the menubar with F10. This can also be customised via gtkrc (gtk-menu-bar-accel = "whatever"). This option allows the standard menubar accelerator to be disabled.

en: Default color of text in the terminal, as a color specification (can be HTML-style hex digits, or a color name such as "red").
en_AU: Default colour of text in the terminal, as a colour specification (can be HTML-style hex digits, or a colour name such as "red").

en: Default color of terminal background, as a color specification (can be HTML-style hex digits, or a color name such as "red").
en_AU: Default colour of terminal background, as a colour specification (can be HTML-style hex digits, or a colour name such as "red").

en: Default color of bold text in the terminal
en_AU: Default colour of bold text in the terminal

en: Default color of bold text in the terminal, as a color specification (can be HTML-style hex digits, or a color name such as "red"). This is ignored if bold_color_same_as_fg is true.
en_AU: Default colour of bold text in the terminal, as a colour specification (can be HTML-style hex digits, or a colour name such as "red"). This is ignored if bold_colour_same_as_fg is true.

en: Whether bold text should use the same color as normal text
en_AU: Whether bold text should use the same colour as normal text

en: If true, boldface text will be rendered using the same color as normal text.
en_AU: If true, boldface text will be rendered using the same colour as normal text.

en: Type of terminal background. May be "solid" for a solid color, "image" for an image, or "transparent" for either real transparency if a compositing window manager is running, or pseudo-transparency otherwise.
en_AU: Type of terminal background. May be "solid" for a solid colour, "image" for an image, or "transparent" for either real transparency if a compositing window manager is running, or pseudo-transparency otherwise.

en: Popup a dialog when an S/Key challenge response query is detected and clicked on. Typing a password into the dialog will send it to the terminal.
en_AU: Popup a dialogue when an S/Key challenge response query is detected and clicked on. Typing a password into the dialogue will send it to the terminal.

en: Keyboard shortcut key for bringing up the dialog for profile creation. Expressed as a string in the same format used for GTK+ resource files. If you set the option to the special string "disabled", then there will be no keyboard shortcut for this action.
en_AU: Keyboard shortcut key for bringing up the dialogue for profile creation. Expressed as a string in the same format used for GTK+ resource files. If you set the option to the special string "disabled", then there will be no keyboard shortcut for this action.

en: Choose Palette Color %d
en_AU: Choose Palette Colour %d

en: _Text color:
en_AU: _Text colour:

en: Choose Terminal Background Color
en_AU: Choose Terminal Background Colour

en: Choose Terminal Text Color
en_AU: Choose Terminal Text Colour

en: _Background color:
en_AU: _Background colour:

en: Bol_d color:
en_AU: Bol_d colour:

en: _Underline color:
en_AU: _Underline colour:

en: _Same as text color
en_AU: _Same as text colour

en: <small><i><b>Note:</b> Terminal applications have these colors available to them.</i></small>
en_AU: <small><i><b>Note:</b> Terminal applications have these colours available to them.</i></small>

note: TRANSLATORS: description of the pie color picker's (mem, swap) filled percentage property
en: Percentage full for pie color pickers
en_AU: Percentage full for pie colour pickers

en: The title of the color selection dialog
en_AU: The title of the colour selection dialogue

en: Pick a Color
en_AU: Pick a Colour

en: Current Color
en_AU: Current Colour

en: The selected color
en_AU: The selected colour

en: Type of color picker
en_AU: Type of colour picker

en: Received invalid color data
en_AU: Received invalid colour data

en: Click to set graph colors
en_AU: Click to set graph colours

note: Translators: color picker title, %s is CPU, Memory, Swap, Receiving, Sending
en: Pick a Color for '%s'
en_AU: Pick a Colour for '%s'

en: If TRUE, main window will open maximized, and saved size and position values are ignored.
en_AU: If TRUE, main window will open maximised, and saved size and position values are ignored.

en: Show warning dialog when killing processes
en_AU: Show warning dialogue when killing processes

en: Default graph CPU color
en_AU: Default graph CPU colour

en: Default graph cpu color
en_AU: Default graph cpu colour

en: Default graph memory color
en_AU: Default graph memory colour

en: Default graph swap color
en_AU: Default graph swap colour

en: Default graph incoming network traffic color
en_AU: Default graph incoming network traffic colour

en: Default graph outgoing network traffic color
en_AU: Default graph outgoing network traffic colour

en: The type of antialiasing to use when rendering fonts. Possible values are: "none" for no antialiasing, "grayscale" for standard grayscale antialiasing, and "rgba" for subpixel antialiasing (LCD screens only).
en_AU: The type of antialiasing to use when rendering fonts. Possible values are: "none" for no antialiasing, "greyscale" for standard greyscale antialiasing, and "rgba" for subpixel antialiasing (LCD screens only).

en: 0 thru 3, 0 is inactive, 1-3 is button to emulate
en_AU: 0 through 3, 0 is inactive, 1-3 is button to emulate

en: Enhance _contrast in colors
en_AU: Enhance _contrast in colours

en: You can free up disk space by emptying the Trash, removing unused programs or files, or moving files to another disk or partition.
en_AU: You can free up disk space by emptying the Rubbish, removing unused programs or files, or moving files to another disk or partition.

en: You can free up disk space by emptying the Trash, removing unused programs or files, or moving files to an external disk.
en_AU: You can free up disk space by emptying the Rubbish, removing unused programs or files, or moving files to an external disk.

en: Preparing to empty trash…
en_AU: Preparing to empty rubbish…

en: Empty all of the items from the trash?
en_AU: Empty all of the items from the rubbish?

en: If you choose to empty the trash, all items in it will be permanently lost. Please note that you can also delete them separately.
en_AU: If you choose to empty the rubbish, all items in it will be permanently lost. Please note that you can also delete them separately.

en: NSS security system could not be initialized
en_AU: NSS security system could not be initialised

en: Waiting for programs to finish.  Interrupting these programs may cause you to lose work.
en_AU: Waiting for programs to finish. Interrupting these programs may cause you to lose work.

en: Show logout dialog
en_AU: Show logout dialogue

en: Show shutdown dialog
en_AU: Show shutdown dialogue

en: Use dialog boxes for errors
en_AU: Use dialogue boxes for errors

en: Color of the graph for the sensor
en_AU: Colour of the graph for the sensor

en: Graph Color
en_AU: Graph Colour

en: Graph _color
en_AU: Graph _colour

en: Set this to TRUE to offer an option in the unlock dialog to allow logging out after a delay. The delay is specified in the "logout_delay" key.
en_AU: Set this to TRUE to offer an option in the unlock dialogue to allow logging out after a delay. The delay is specified in the "logout_delay" key.

en: The number of minutes after the screensaver activation before a logout option will appear in the unlock dialog. This key has effect only if the "logout_enable" key is set to TRUE.
en_AU: The number of minutes after the screensaver activation before a logout option will appear in the unlock dialogue. This key has effect only if the "logout_enable" key is set to TRUE.

en: Set this to TRUE to offer an option in the unlock dialog to switch to a different user account.
en_AU: Set this to TRUE to offer an option in the unlock dialogue to switch to a different user account.

en: Theme for lock dialog
en_AU: Theme for lock dialogue

en: Theme to use for the lock dialog
en_AU: Theme to use for the lock dialogue

en: Can not get username
en_AU: Cannot get username

en: Cell phone battery low
en_AU: Mobile phone battery low

en: Cell phone is low in power (%.0f%%)
en_AU: Mobile phone is low in power (%.0f%%)

en: Cell phone is very low in power (%.0f%%). This device will soon stop functioning if not charged.
en_AU: Mobile phone is very low in power (%.0f%%). This device will soon stop functioning if not charged.

en: Cell charge
en_AU: Mobile charge

en: AC adapter | AC adapters
en_AU[0]: AC adaptor

en: Cell phone | Cell phones
en_AU[0]: Mobile phone

en: Authentication dialog was dismissed by the user
en_AU: Authentication dialogue was dismissed by the user

en: Move windows to current workspace when unminimized
en_AU: Move windows to current workspace when unminimised

en: If true, then when unminimizing a window, move it to the current workspace. Otherwise, switch to the workspace of the window.
en_AU: If true, then when unminimising a window, move it to the current workspace. Otherwise, switch to the workspace of the window.

en: Restoring Minimized Windows
en_AU: Restoring Minimised Windows

en: The default panels layout to use when panels are created or resetted.
en_AU: The default panels layout to use when panels are created or reset.

en: Enable program list in "Run Application" dialog
en_AU: Enable program list in "Run Application" dialogue

en: If true, the "Known Applications" listing in the "Run Application" dialog is made available. Whether or not the listing is expanded when the dialog is shown is controlled by the show_program_list key.
en_AU: If true, the "Known Applications" listing in the "Run Application" dialogue is made available. Whether or not the listing is expanded when the dialogue is shown is controlled by the show_program_list key.

en: Expand program list in "Run Application" dialog
en_AU: Expand program list in "Run Application" dialogue

en: If true, the "Known Applications" listing in the "Run Application" dialog is expanded when the dialog is opened. This key is only relevant if the enable_program_list key is true.
en_AU: If true, the "Known Applications" listing in the "Run Application" dialogue is expanded when the dialogue is opened. This key is only relevant if the enable_program_list key is true.

en: Enable autocompletion in "Run Application" dialog
en_AU: Enable autocompletion in "Run Application" dialogue

en: If true, autocompletion in the "Run Application" dialog is made available.
en_AU: If true, autocompletion in the "Run Application" dialogue is made available.

en: If true, a dialog is shown asking for confirmation if the user wants to remove a panel.
en_AU: If true, a dialogue is shown asking for confirmation if the user wants to remove a panel.

en: Center panel on x-axis
en_AU: Centre panel on x-axis

en: If true, the x and x_right keys are ignored and the panel is placed at the center of the x-axis of the screen. If the panel is resized it will remain at that position - i.e. the panel will grow on both sides. If false, the x and x_right keys specify the location of the panel.
en_AU: If true, the x and x_right keys are ignored and the panel is placed at the centre of the x-axis of the screen. If the panel is resized it will remain at that position - i.e. the panel will grow on both sides. If false, the x and x_right keys specify the location of the panel.

en: Center panel on y-axis
en_AU: Centre panel on y-axis

en: If true, the y and y_bottom keys are ignored and the panel is placed at the center of the y-axis of the screen. If the panel is resized it will remain at that position - i.e. the panel will grow on both sides. If false, the y and y_bottom keys specify the location of the panel.
en_AU: If true, the y and y_bottom keys are ignored and the panel is placed at the centre of the y-axis of the screen. If the panel is resized it will remain at that position - i.e. the panel will grow on both sides. If false, the y and y_bottom keys specify the location of the panel.

en: Which type of background should be used for this panel. Possible values are "none" - the default GTK+ widget background will be used, "color" - the color key will be used as background color or "image" - the image specified by the image key will be used as background.
en_AU: Which type of background should be used for this panel. Possible values are "none" - the default GTK+ widget background will be used, "colour" - the colour key will be used as background colour or "image" - the image specified by the image key will be used as background.

en: Specifies the background color for the panel in #RGB format.
en_AU: Specifies the background colour for the panel in #RGB format.

en: Background color opacity
en_AU: Background colour opacity

en: Specifies the opacity of the background color format. If the color is not completely opaque (a value of less than 65535), the color will be composited onto the desktop background image.
en_AU: Specifies the opacity of the background colour format. If the colour is not completely opaque (a value of less than 65535), the colour will be composited onto the desktop background image.

en: Execute the run dialog
en_AU: Execute the run dialogue

en: Protect your computer from unauthorized use
en_AU: Protect your computer from unauthorised use

en: A separator to organize the panel items
en_AU: A separator to organise the panel items

en: Change desktop appearance and behavior, get help, or log out
en_AU: Change desktop appearance and behaviour, get help, or log out

en: Solid c_olor
en_AU: Solid c_olour

en: Pick a color
en_AU: Pick a colour

en: Co_lor:
en_AU: Co_lour:

en: URI list dropped on run dialog had wrong format (%d) or length (%d)
en_AU: URI list dropped on run dialogue had wrong format (%d) or length (%d)

en: Error initializing libmatenotify
en_AU: Error initialising libmatenotify

en: Settings controlling the desktop appearance and behavior
en_AU: Settings controlling the desktop appearance and behaviour

en: Couldn't save favorites. Check if you have write access to ~/.config/mate-menu
en_AU: Couldn't save favourites. Check if you have write access to ~/.config/mate-menu

en: Front Center
en_AU: Front Centre

en: Rear Center
en_AU: Rear Centre

en: Front Left of Center
en_AU: Front Left of Centre

en: Front Right of Center
en_AU: Front Right of Centre

en: Top Front Center
en_AU: Top Front Centre

en: Top Center
en_AU: Top Centre

en: Top Rear Center
en_AU: Top Rear Centre

en: Whether the color selector should allow setting opacity
en_AU: Whether the colour selector should allow setting opacity

en: The hexadecimal string of current color
en_AU: The hexadecimal string of current colour

en: Select the color you want from the outer ring. Select the darkness or lightness of that color using the inner triangle.
en_AU: Select the colour you want from the outer ring. Select the darkness or lightness of that colour using the inner triangle.

en: Click the eyedropper, then click a color anywhere on your screen to select that color.
en_AU: Click the eyedropper, then click a colour anywhere on your screen to select that colour.

en: Position on the color wheel.
en_AU: Position on the colour wheel.

en: "Deepness" of the color.
en_AU: "Deepness" of the colour.

en: Brightness of the color.
en_AU: Brightness of the colour.

en: Amount of red light in the color.
en_AU: Amount of red light in the colour.

en: Amount of green light in the color.
en_AU: Amount of green light in the colour.

en: Amount of blue light in the color.
en_AU: Amount of blue light in the colour.

en: Transparency of the color.
en_AU: Transparency of the colour.

en: Color _name:
en_AU: Colour _name:

en: You can enter an HTML-style hexadecimal color value, or simply a color name such as 'orange' in this entry.
en_AU: You can enter an HTML-style hexadecimal colour value, or simply a colour name such as 'orange' in this entry.

en: Color Wheel
en_AU: Colour Wheel

en: The previously-selected color, for comparison to the color you're selecting now. You can drag this color to a palette entry, or select this color as current by dragging it to the other color swatch alongside.
en_AU: The previously-selected colour, for comparison to the colour you're selecting now. You can drag this colour to a palette entry, or select this colour as current by dragging it to the other colour swatch alongside.

en: The color you've chosen. You can drag this color to a palette entry to save it for use in the future.
en_AU: The colour you've chosen. You can drag this colour to a palette entry to save it for use in the future.

en: The previously-selected color, for comparison to the color you're selecting now.
en_AU: The previously-selected colour, for comparison to the colour you're selecting now.

en: The color you've chosen.
en_AU: The colour you've chosen.

en: gtk-color-sel
en_AU: gtk-colour-sel

en: _Save color here
en_AU: _Save colour here

en: Click this palette entry to make it the current color. To change this entry, drag a color swatch here or right-click it and select "Save color here."
en_AU: Click this palette entry to make it the current colour. To change this entry, drag a colour swatch here or right-click it and select "Save colour here."

en: Color Selection
en_AU: Colour Selection

en: The color selection embedded in the dialog.
en_AU: The colour selection embedded in the dialogue.

en: The OK button of the dialog.
en_AU: The OK button of the dialogue.

en: The cancel button of the dialog.
en_AU: The cancel button of the dialogue.

en: The help button of the dialog.
en_AU: The help button of the dialogue.

en: Determines how the image set by wallpaper_filename is rendered. Possible values are "wallpaper", "centered", "scaled", "stretched", "zoom", "spanned".
en_AU: Determines how the image set by wallpaper_filename is rendered. Possible values are "wallpaper", "centred", "scaled", "stretched", "zoom", "spanned".

en: Primary Color
en_AU: Primary Colour

en: Left or Top color when drawing gradients, or the solid color.
en_AU: Left or Top colour when drawing gradients, or the solid colour.

en: Secondary Color
en_AU: Secondary Colour

en: Right or Bottom color when drawing gradients, not used for solid color.
en_AU: Right or Bottom colour when drawing gradients, not used for solid colour.

en: Color Shading Type
en_AU: Colour Shading Type

en: How to shade the background color. Possible values are "horizontal-gradient", "vertical-gradient", and "solid".
en_AU: How to shade the background colour. Possible values are "horizontal-gradient", "vertical-gradient", and "solid".

en: List of symbolic names and color equivalents
en_AU: List of symbolic names and colour equivalents

en: A '\n' separated list of "name:color" as defined by the 'gtk-color-scheme' setting
en_AU: A '\n' separated list of "name:colour" as defined by the 'gtk-colour-scheme' setting

en: Whether builtin GTK+ dialogs such as the file chooser, the color chooser or the font chooser will use a header bar at the top to show action widgets, or an action area at the bottom. This setting does not affect custom dialogs using GtkDialog directly, or message dialogs.
en_AU: Whether builtin GTK+ dialogues such as the file chooser, the colour chooser or the font chooser will use a header bar at the top to show action widgets, or an action area at the bottom. This setting does not affect custom dialogues using GtkDialog directly, or message dialogues.

en: Prevent the user from accessing the terminal or specifying a command line to be executed. For example, this would disable access to the panel's "Run Application" dialog.
en_AU: Prevent the user from accessing the terminal or specifying a command line to be executed. For example, this would disable access to the panel's "Run Application" dialogue.

en: Prevent the user from saving files to disk. For example, this would disable access to all applications' "Save as" dialogs.
en_AU: Prevent the user from saving files to disk. For example, this would disable access to all applications' "Save as" dialogues.

en: Prevent the user from printing. For example, this would disable access to all applications' "Print" dialogs.
en_AU: Prevent the user from printing. For example, this would disable access to all applications' "Print" dialogues.

en: Prevent the user from modifying print settings. For example, this would disable access to all applications' "Print Setup" dialogs.
en_AU: Prevent the user from modifying print settings. For example, this would disable access to all applications' "Print Setup" dialogues.

en: MATE Color Selection
en_AU: MATE Colour Selection

en: Color selection dialog
en_AU: Colour selection dialogue

en: Choose colors from the palette or the screen
en_AU: Choose colours from the palette or the screen

en: The task name to be displayed in the control-center followed by a ";" separator then the filename of an associated .desktop file to launch for that task.
en_AU: The task name to be displayed in the control-centre followed by a ";" separator then the filename of an associated .desktop file to launch for that task.

en: Close the control-center when a task is activated
en_AU: Close the control-centre when a task is activated

en: if true, the control-center will close when a "Common Task" is activated.
en_AU: if true, the control-centre will close when a "Common Task" is activated.

en: Jump to Preferred Applications dialog
en_AU: Jump to Preferred Applications dialogue

en: Jump to the Keyboard Accessibility dialog
en_AU: Jump to the Keyboard Accessibility dialogue

en: Jump to the Mouse Accessibility dialog
en_AU: Jump to the Mouse Accessibility dialogue

en: Jump to the Accessible Login dialog
en_AU: Jump to the Accessible Login dialogue

en: Gra_yscale
en_AU: Gre_yscale

en: Customize Theme
en_AU: Customise Theme

en: The current controls theme does not support color schemes.
en_AU: The current controls theme does not support colour schemes.

en: C_ustomize...
en_AU: C_ustomise...

en: C_olors:
en_AU: C_olours:

en: Open a dialog to specify the color
en_AU: Open a dialogue to specify the colour

en: Customize the look of the desktop
en_AU: Customise the look of the desktop

en: Parent window of the dialog
en_AU: Parent window of the dialogue

en: Specify the name of the page to show (internet|multimedia|system|a11y)
en_AU: Specify the name of the page to show (internet|multimedia|system|a11y)""a11y)

en: Maximize Horizontally
en_AU: Maximise Horizontally

en: Maximize Vertically
en_AU: Maximise Vertically

en: Unable to bring up the typing break properties dialog with the following error: %s
en_AU: Unable to bring up the typing break properties dialogue with the following error: %s

en: Remove from Favorites
en_AU: Remove from Favourites

en: Add to Favorites
en_AU: Add to Favourites

note: Accessible name for the factorize button
en: Factorize
en_AU: Factorise

note: Tooltip for the absolute value button
en: Absolute value [|]
en_AU: ]

en: Kilometers
en_AU: Kilometres

[ctx: unit-symbols]
en: kilometer,kilometers,km,kms
en_AU: kilometre,kilometres,km,kms

en: Meters
en_AU: Metres

[ctx: unit-symbols]
en: meter,meters,m
en_AU: metre,metres,m

[ctx: unit-symbols]
en: centimeter,centimeters,cm,cms
en_AU: centimetre,centimetres,cm,cms

[ctx: unit-symbols]
en: millimeter,millimeters,mm
en_AU: millimetre,millimetres,mm

en: Nanometers
en_AU: Nanometres

[ctx: unit-symbols]
en: nanometer,nanometers,nm
en_AU: nanometre,nanometres,nm

en: Square Meters
en_AU: Square Metres

en: Square Centimeters
en_AU: Square Centimetres

en: Square Millimeters
en_AU: Square Millimetres

en: Cubic Meters
en_AU: Cubic Metres

[ctx: unit-symbols]
en: litre,litres,liter,liters,L
en_AU: litre,litres,litre,litres,L

[ctx: unit-symbols]
en: millilitre,millilitres,milliliter,milliliters,mL,cm³
en_AU: millilitre,millilitres,millilitre,millilitres,mL,cm³

en: Open the keyboard preferences dialog
en_AU: Open the keyboard preferences dialogue

en: There was an error launching the keyboard preferences dialog: %s
en_AU: There was an error launching the keyboard preferences dialogue: %s

en: Use the value defined in red_value as a time remaining to show the warning dialog rather than a percentage.
en_AU: Use the value defined in red_value as a time remaining to show the warning dialogue rather than a percentage.

en: Graph color for user-related CPU activity
en_AU: Graph colour for user-related CPU activity

en: Graph color for system-related CPU activity
en_AU: Graph colour for system-related CPU activity

en: Graph color for nice-related CPU activity
en_AU: Graph colour for nice-related CPU activity

en: Graph color for iowait related CPU activity
en_AU: Graph colour for iowait related CPU activity

en: CPU graph background color
en_AU: CPU graph background colour

en: Graph color for user-related memory usage
en_AU: Graph colour for user-related memory usage

en: Graph color for shared memory
en_AU: Graph colour for shared memory

en: Graph color for buffer memory
en_AU: Graph colour for buffer memory

en: Graph color for cached memory
en_AU: Graph colour for cached memory

en: Memory graph background color
en_AU: Memory graph background colour

en: Graph color for input network activity
en_AU: Graph colour for input network activity

en: Graph color for output network activity
en_AU: Graph colour for output network activity

en: Graph color for loopback network usage
en_AU: Graph colour for loopback network usage

en: Network graph background color
en_AU: Network graph background colour

en: Graph color for user-related swap usage
en_AU: Graph colour for user-related swap usage

en: Swap graph background color
en_AU: Swap graph background colour

en: Graph color for load average
en_AU: Graph colour for load average

en: Load graph background color
en_AU: Load graph background colour

en: Graph color for disk read
en_AU: Graph colour for disk read

en: Graph color for disk write
en_AU: Graph colour for disk write

en: Background color for disk load graph
en_AU: Background colour for disk load graph

en: _In graph color
en_AU: _In graph colour

en: _Out graph color
en_AU: _Out graph colour

en: In color
en_AU: In colour

en: The color of the graph of the inbound traffic
en_AU: The colour of the graph of the inbound traffic

en: Out color
en_AU: Out colour

en: The color of the graph of the outbound traffic
en_AU: The colour of the graph of the outbound traffic

en: Use co_lor from the system theme
en_AU: Use co_lour from the system theme

en: Font Co_lor:
en_AU: Font Co_lour:

en: Note C_olor:
en_AU: Note C_olour:

en: Choose a base color to use for all sticky notes
en_AU: Choose a base colour to use for all sticky notes

en: Pick a default sticky note color
en_AU: Pick a default sticky note colour

en: Force _default color and font on notes
en_AU: Force _default colour and font on notes

en: Use default co_lor
en_AU: Use default co_lour

en: Font C_olor:
en_AU: Font C_olour:

en: Note _Color:
en_AU: Note _Colour:

en: Choose a color for the note
en_AU: Choose a colour for the note

en: Pick a color for the sticky note
en_AU: Pick a colour for the sticky note

en: Default color for new notes
en_AU: Default colour for new notes

en: Default color for new sticky notes. This should be in html hex specification, for example "#30FF50".
en_AU: Default colour for new sticky notes. This should be in html hex specification, for example "#30FF50".

en: Default color for font
en_AU: Default colour for font

en: Default font color for new sticky notes. This should be in html hex specification, for example "#000000".
en_AU: Default font colour for new sticky notes. This should be in html hex specification, for example "#000000".

en: Sticky notes' workspace stickyness
en_AU: Sticky notes' workspace stickiness

en: Whether to use the default system color
en_AU: Whether to use the default system colour

en: If this option is disabled, a custom color can be used as the default color for all sticky notes.
en_AU: If this option is disabled, a custom colour can be used as the default colour for all sticky notes.

en: Whether to force the default color and font on all notes
en_AU: Whether to force the default colour and font on all notes

en: If this option is enabled, the custom colors and fonts that have been assigned to individual notes will be ignored.
en_AU: If this option is enabled, the custom colours and fonts that have been assigned to individual notes will be ignored.

en: Show dialog window when timer finish
en_AU: Show dialogue window when timer finish

en: Go to Trash
en_AU: Go to Rubbish

en: Emptying the Trash
en_AU: Emptying the Rubbish

en: _Open Trash
en_AU: _Open Rubbish

en: No Items in Trash
en_AU: No Items in Rubbish

en: A MATE trash bin that lives in your panel. You can use it to view the trash or drag and drop items into the trash.
en_AU: A MATE rubbish bin that lives in your panel. You can use it to view the rubbish or drag and drop items into the rubbish.

en: Cannot move items to trash, do you want to delete them immediately?
en_AU: Cannot move items to rubbish, do you want to delete them immediately?

en: Cannot move some items to trash, do you want to delete these immediately?
en_AU: Cannot move some items to rubbish, do you want to delete these immediately?

en: Trash Applet
en_AU: Rubbish Applet

en: Toggle maximization state
en_AU: Toggle maximisation state

en: Maximize window vertically
en_AU: Maximise window vertically

en: Maximize window horizontally
en_AU: Maximise window horizontally

en: Move window to center of screen
en_AU: Move window to centre of screen

en: Arrangement of buttons on the titlebar. The value should be a string, such as "menu:minimize,maximize,spacer,close"; the colon separates the left corner of the window from the right corner, and the button names are comma-separated. Duplicate buttons are not allowed. Unknown button names are silently ignored so that buttons can be added in future marco versions without breaking older versions. A special spacer tag can be used to insert some space between two adjacent buttons.
en_AU: Arrangement of buttons on the titlebar. The value should be a string, such as "menu:minimise,maximise,spacer,close"; the colon separates the left corner of the window from the right corner, and the button names are comma-separated. Duplicate buttons are not allowed. Unknown button names are silently ignored so that buttons can be added in future marco versions without breaking older versions. A special spacer tag can be used to insert some space between two adjacent buttons.

en: This option determines the effects of double-clicking on the title bar. Current valid options are 'toggle_shade', which will shade/unshade the window, 'toggle_maximize' which will maximize/unmaximize the window, 'toggle_maximize_horizontally' and 'toggle_maximize_vertically' which will maximize/unmaximize the window in that direction only, 'minimize' which will minimize the window, 'shade' which will roll the window up, 'menu' which will display the window menu, 'lower' which will put the window behind all the others, and 'none' which will not do anything.
en_AU: This option determines the effects of double-clicking on the title bar. Current valid options are 'toggle_shade', which will shade/unshade the window, 'toggle_maximise' which will _maximise/unmaximise the window, 'toggle_maximise_horizontally' and 'toggle_maximise_vertically' which will _maximise/unmaximise the window in that direction only, 'minimise' which will minimise the window, 'shade' which will roll the window up, 'menu' which will display the window menu, 'lower' which will put the window behind all the others, and 'none' which will not do anything.

en: This option determines the effects of middle-clicking on the title bar. Current valid options are 'toggle_shade', which will shade/unshade the window, 'toggle_maximize' which will maximize/unmaximize the window, 'toggle_maximize_horizontally' and 'toggle_maximize_vertically' which will maximize/unmaximize the window in that direction only, 'minimize' which will minimize the window, 'shade' which will roll the window up, 'menu' which will display the window menu, 'lower' which will put the window behind all the others, and 'none' which will not do anything.
en_AU: This option determines the effects of middle-clicking on the title bar. Current valid options are 'toggle_shade', which will shade/unshade the window, 'toggle_maximise' which will _maximise/unmaximise the window, 'toggle_maximise_horizontally' and 'toggle_maximise_vertically' which will _maximise/unmaximise the window in that direction only, 'minimise' which will minimise the window, 'shade' which will roll the window up, 'menu' which will display the window menu, 'lower' which will put the window behind all the others, and 'none' which will not do anything.

en: This option determines the effects of right-clicking on the title bar. Current valid options are 'toggle_shade', which will shade/unshade the window, 'toggle_maximize' which will maximize/unmaximize the window, 'toggle_maximize_horizontally' and 'toggle_maximize_vertically' which will maximize/unmaximize the window in that direction only, 'minimize' which will minimize the window, 'shade' which will roll the window up, 'menu' which will display the window menu, 'lower' which will put the window behind all the others, and 'none' which will not do anything.
en_AU: This option determines the effects of right-clicking on the title bar. Current valid options are 'toggle_shade', which will shade/unshade the window, 'toggle_maximise' which will _maximise/unmaximise the window, 'toggle_maximise_horizontally' and 'toggle_maximise_vertically' which will _maximise/unmaximise the window in that direction only, 'minimise' which will minimise the window, 'shade' which will roll the window up, 'menu' which will display the window menu, 'lower' which will put the window behind all the others, and 'none' which will not do anything.

en: The wrap style is used to determine how to switch from one workspace to another at the border of the workspace switcher. When set to "no wrap", nothing will happen if you try to switch to a workspace past the border of the workspace switcher. If set to "classic", the old marco behavior is used: the end of one row leads to the beginning of the next and the end of a column leads to the beginning of the next. If set to "toroidal", workspaces are connected like a doughnut: the end of each row leads to its own beginning and the end of each column leads to its own beginning.
en_AU: The wrap style is used to determine how to switch from one workspace to another at the border of the workspace switcher. When set to "no wrap", nothing will happen if you try to switch to a workspace past the border of the workspace switcher. If set to "classic", the old marco behaviour is used: the end of one row leads to the beginning of the next and the end of a column leads to the beginning of the next. If set to "toroidal", workspaces are connected like a doughnut: the end of each row leads to its own beginning and the end of each column leads to its own beginning.

en: Determines if new windows are created on the center of the screen
en_AU: Determines if new windows are created on the centre of the screen

en: If set to true, new windows are opened in the center of the screen. Otherwise, they are opened at the top left of the screen.
en_AU: If set to true, new windows are opened in the centre of the screen. Otherwise, they are opened at the top left of the screen.

en: Show the panel's "Run Application" dialog box
en_AU: Show the panel's "Run Application" dialogue box

en: Initialize session from savefile
en_AU: Initialise session from savefile

en: Don't make fullscreen windows that are maximized and have no decorations
en_AU: Don't make fullscreen windows that are maximised and have no decorations

en: Maximize Window
en_AU: Maximise Window

en: Gradients should have at least two colors
en_AU: Gradients should have at least two colours

en: GTK color specification must have the state in brackets, e.g. gtk:fg[NORMAL] where NORMAL is the state; could not parse "%s"
en_AU: GTK colour specification must have the state in brackets, e.g. gtk:fg[NORMAL] where NORMAL is the state; could not parse "%s"

en: GTK color specification must have a close bracket after the state, e.g. gtk:fg[NORMAL] where NORMAL is the state; could not parse "%s"
en_AU: GTK colour specification must have a close bracket after the state, e.g. gtk:fg[NORMAL] where NORMAL is the state; could not parse "%s"

en: Did not understand state "%s" in color specification
en_AU: Did not understand state "%s" in colour specification

en: Did not understand color component "%s" in color specification
en_AU: Did not understand colour component "%s" in colour specification

en: Blend format is "blend/bg_color/fg_color/alpha", "%s" does not fit the format
en_AU: Blend format is "blend/bg_colour/fg_colour/alpha", "%s" does not fit the format

en: Could not parse alpha value "%s" in blended color
en_AU: Could not parse alpha value "%s" in blended colour

en: Alpha value "%s" in blended color is not between 0.0 and 1.0
en_AU: Alpha value "%s" in blended colour is not between 0.0 and 1.0

en: Shade format is "shade/base_color/factor", "%s" does not fit the format
en_AU: Shade format is "shade/base_colour/factor", "%s" does not fit the format

en: Could not parse shade factor "%s" in shaded color
en_AU: Could not parse shade factor "%s" in shaded colour

en: Shade factor "%s" in shaded color is negative
en_AU: Shade factor "%s" in shaded colour is negative

en: Could not parse color "%s"
en_AU: Could not parse colour "%s"

en: Should not have "resize" attribute on <%s> element for maximized/shaded states
en_AU: Should not have "resize" attribute on <%s> element for maximised/shaded states

en: Should not have "resize" attribute on <%s> element for maximized states
en_AU: Should not have "resize" attribute on <%s> element for maximised states

en: This is a sample message in a sample dialog
en_AU: This is a sample message in a sample dialogue

en: Dialog Box
en_AU: Dialogue Box

en: Modal Dialog Box
en_AU: Modal Dialogue Box

en: Are you sure you want to close all programs and shutdown the computer?
en_AU: Are you sure you want to close all programs and shut down the computer?

en: This program is free software; you can redistribute it and/or modify it
    under the terms of the GNU General Public License as published by the Free
    Software Foundation; either version 2 of the License, or (at your option)
    any later version.
    
    This program is distributed in the hope that it will be useful, but WITHOUT
    ANY WARRANTY; without even the implied warranty of MERCHANTABILITY or
    FITNESS FOR A PARTICULAR PURPOSE.  See the GNU General Public License for
    more details.
    
    You should have received a copy of the GNU General Public License along with
    this program; if not, write to the Free Software Foundation, Inc., 51 Franklin
    Street, Fifth Floor, Boston, MA 02110-1301, USA.
en_AU: This program is free software; you can redistribute it and/or modify it
    under the terms of the GNU General Public Licence as published by the Free
    Software Foundation; either version 2 of the Licence, or (at your option)
    any later version.
    
    This program is distributed in the hope that it will be useful, but WITHOUT
    ANY WARRANTY; without even the implied warranty of MERCHANTABILITY or
    FITNESS FOR A PARTICULAR PURPOSE.  See the GNU General Public Licence for
    more details.
    
    You should have received a copy of the GNU General Public Licence along with
    this program; if not, write to the Free Software Foundation, Inc., 51 Franklin
    Street, Fifth Floor, Boston, MA 02110-1301, USA.

en: This library is free software; you can redistribute it and/or
    modify it under the terms of the GNU Library General Public
    License as published by the Free Software Foundation; either
    version 2 of the License, or (at your option) any later version.
    
    This library is distributed in the hope that it will be useful,
    but WITHOUT ANY WARRANTY; without even the implied warranty of
    MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE.  See the GNU
    Library General Public License for more details.
    
    You should have received a copy of the GNU Library General Public
    License along with this library; if not, write to the 
    Free Software Foundation, Inc., 51 Franklin Street, Fifth Floor, 
    Boston, MA 02110-1301  USA.
en_AU: This library is free software; you can redistribute it and/or
    modify it under the terms of the GNU Library General Public
    Licence as published by the Free Software Foundation; either
    version 2 of the Licence, or (at your option) any later version.
    
    This library is distributed in the hope that it will be useful,
    but WITHOUT ANY WARRANTY; without even the implied warranty of
    MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE.  See the GNU
    Library General Public Licence for more details.
    
    You should have received a copy of the GNU Library General Public
    Licence along with this library; if not, write to the 
    Free Software Foundation, Inc., 51 Franklin Street, Fifth Floor, 
    Boston, MA 02110-1301  USA.

en: Customize settings stored by Xfconf
en_AU: Customise settings stored by Xfconf

en: Use metric units instead of english units.
en_AU: Use metric units instead of English units.

en: The unit to use for visibility. Values: 'meters', 'km' ,'miles'.
en_AU: The unit to use for visibility. Values: 'metres', 'km' ,'miles'.

en: The unit to use for temperature. Values: 'Kelvin', 'Centigrade', 'Fahrenheit'.
en_AU: The unit to use for temperature. Values: 'Kelvin', 'Celsius', 'Fahrenheit'.

en: North - NorthEast
en_AU: North - Northeast

en: East - NorthEast
en_AU: East - Northeast

en: Duststorm
en_AU: Dust storm

en: Duststorm in the vicinity
en_AU: Dust storm in the vicinity

en: Heavy duststorm
en_AU: Heavy dust storm

en: Center Speaker
en_AU: Centre Speaker

en: Analog Output
en_AU: Analogue Output

en: Analog Source
en_AU: Analogue Source

en: Analog In
en_AU: Analogue In

en: Analog Inputs
en_AU: Analogue Inputs

en: The foreground color
en_AU: The foreground colour

en: The foreground color for the layout indicator. This should be in "R G B" format, for example "255 0 0".
en_AU: The foreground colour for the layout indicator. This should be in "R G B" format, for example "255 0 0".

en: The background color
en_AU: The background colour

en: The background color for the layout indicator. This should be in "R G B" format, for example "255 0 0".
en_AU: The background colour for the layout indicator. This should be in "R G B" format, for example "255 0 0".

en: Movie
en_AU: Film

note: #-#-#-#-#  1 (Abiword 2.3.0)  #-#-#-#-# DLG_UP_Grayscale
en: Grayscale
en_AU: Greyscale

en: My colors
en_AU: My colours

en: Color accent
en_AU: Colour accent

en: Color swap
en_AU: Colour swap

en: Center-weighted average
en_AU: Centre-weighted average

en: My color data
en_AU: My colour data

en: Center-right
en_AU: Centre-right

en: Left-center
en_AU: Left-centre

en: Color Information
en_AU: Colour Information

en: Color Space
en_AU: Colour Space

en: Image Stabilization
en_AU: Image Stabilisation

en: Color Tone
en_AU: Colour Tone

en: When loading and resaving Exif data, save the maker note unmodified. Be aware that the maker note can get corrupted.
en_AU: When loading and resaving Exif data, save the maker note unmodified. Be aware that the maker note can be corrupted.

en: One-chip color area sensor
en_AU: One-chip colour area sensor

en: Two-chip color area sensor
en_AU: Two-chip colour area sensor

en: Three-chip color area sensor
en_AU: Three-chip colour area sensor

en: Color sequential area sensor
en_AU: Colour sequential area sensor

en: Color sequential linear sensor
en_AU: Colour sequential linear sensor

en: Center-weight
en_AU: Centre-weight

en: Centimeter
en_AU: Centimetre

en: Normal program
en_AU: Normal programme

en: Creative program (biased toward depth of field)
en_AU: Creative programme (biased towards depth of field)

en: Creative program (biased toward fast shutter speed)
en_AU: Creative programme (biased towards fast shutter speed)

en: Indicates the altitude used as the reference altitude. If the reference is sea level and the altitude is above sea level, 0 is given. If the altitude is below sea level, a value of 1 is given and the altitude is indicated as an absolute value in the GPSAltitude tag. The reference unit is meters. Note that this tag is BYTE type, unlike other reference tags.
en_AU: Indicates the altitude used as the reference altitude. If the reference is sea level and the altitude is above sea level, 0 is given. If the altitude is below sea level, a value of 1 is given and the altitude is indicated as an absolute value in the GPSAltitude tag. The reference unit is metres. Note that this tag is BYTE type, unlike other reference tags.

en: Indicates the altitude based on the reference in GPSAltitudeRef. Altitude is expressed as one RATIONAL value. The reference unit is meters.
en_AU: Indicates the altitude based on the reference in GPSAltitudeRef. Altitude is expressed as one RATIONAL value. The reference unit is metres.

en: Indicates the unit used to express the distance to the destination point. 'K', 'M' and 'N' represent kilometers, miles and nautical miles.
en_AU: Indicates the unit used to express the distance to the destination point. 'K', 'M' and 'N' represent kilometres, miles and nautical miles.

en: The manufacturer of the recording equipment. This is the manufacturer of the DSC, scanner, video digitizer or other equipment that generated the image. When the field is left blank, it is treated as unknown.
en_AU: The manufacturer of the recording equipment. This is the manufacturer of the DSC, scanner, video digitiser or other equipment that generated the image. When the field is left blank, it is treated as unknown.

en: The model name or model number of the equipment. This is the model name or number of the DSC, scanner, video digitizer or other equipment that generated the image. When the field is left blank, it is treated as unknown.
en_AU: The model name or model number of the equipment. This is the model name or number of the DSC, scanner, video digitiser or other equipment that generated the image. When the field is left blank, it is treated as unknown.

en: A transfer function for the image, described in tabular style. Normally this tag is not necessary, since color space is specified in the color space information tag (<ColorSpace>).
en_AU: A transfer function for the image, described in tabular style. Normally this tag is not necessary, since colour space is specified in the colour space information tag (<ColorSpace>).

en: The chromaticity of the white point of the image. Normally this tag is not necessary, since color space is specified in the color space information tag (<ColorSpace>).
en_AU: The chromaticity of the white point of the image. Normally this tag is not necessary, since colour space is specified in the colour space information tag (<ColorSpace>).

en: The chromaticity of the three primary colors of the image. Normally this tag is not necessary, since color space is specified in the color space information tag (<ColorSpace>).
en_AU: The chromaticity of the three primary colours of the image. Normally this tag is not necessary, since colour space is specified in the colour space information tag (<ColorSpace>).

en: The matrix coefficients for transformation from RGB to YCbCr image data. No default is given in TIFF; but here the value given in "Color Space Guidelines", is used as the default. The color space is declared in a color space information tag, with the default being the value that gives the optimal image characteristics Interoperability this condition.
en_AU: The matrix coefficients for transformation from RGB to YCbCr image data. No default is given in TIFF; but here the value given in "Colour Space Guidelines", is used as the default. The colour space is declared in a colour space information tag, with the default being the value that gives the optimal image characteristics Interoperability this condition.

en: The position of chrominance components in relation to the luminance component. This field is designated only for JPEG compressed data or uncompressed YCbCr data. The TIFF default is 1 (centered); but when Y:Cb:Cr = 4:2:2 it is recommended in this standard that 2 (co-sited) be used to record data, in order to improve the image quality when viewed on TV systems. When this field does not exist, the reader shall assume the TIFF default. In the case of Y:Cb:Cr = 4:2:0, the TIFF default (centered) is recommended. If the reader does not have the capability of supporting both kinds of <YCbCrPositioning>, it shall follow the TIFF default regardless of the value in this field. It is preferable that readers be able to support both centered and co-sited positioning.
en_AU: The position of chrominance components in relation to the luminance component. This field is designated only for JPEG compressed data or uncompressed YCbCr data. The TIFF default is 1 (centred); but when Y:Cb:Cr = 4:2:2 it is recommended in this standard that 2 (co-sited) be used to record data, in order to improve the image quality when viewed on TV systems. When this field does not exist, the reader shall assume the TIFF default. In the case of Y:Cb:Cr = 4:2:0, the TIFF default (centred) is recommended. If the reader does not have the capability of supporting both kinds of <YCbCrPositioning>, it shall follow the TIFF default regardless of the value in this field. It is preferable that readers be able to support both centred and co-sited positioning.

en: The reference black point value and reference white point value. No defaults are given in TIFF, but the values below are given as defaults here. The color space is declared in a color space information tag, with the default being the value that gives the optimal image characteristics Interoperability these conditions.
en_AU: The reference black point value and reference white point value. No defaults are given in TIFF, but the values below are given as defaults here. The colour space is declared in a colour space information tag, with the default being the value that gives the optimal image characteristics Interoperability these conditions.

en: Indicates the color filter array (CFA) geometric pattern of the image sensor when a one-chip color area sensor is used. It does not apply to all sensing methods.
en_AU: Indicates the colour filter array (CFA) geometric pattern of the image sensor when a one-chip colour area sensor is used. It does not apply to all sensing methods.

en: Copyright information. In this standard the tag is used to indicate both the photographer and editor copyrights. It is the copyright notice of the person or organization claiming rights to the image. The Interoperability copyright statement including date and rights should be written in this field; e.g., "Copyright, John Smith, 19xx. All rights reserved.". In this standard the field records both the photographer and editor copyrights, with each recorded in a separate part of the statement. When there is a clear distinction between the photographer and editor copyrights, these are to be written in the order of photographer followed by editor copyright, separated by NULL (in this case, since the statement also ends with a NULL, there are two NULL codes) (see example 1). When only the photographer is given, it is terminated by one NULL code (see example 2). When only the editor copyright is given, the photographer copyright part consists of one space followed by a terminating NULL code, then the editor copyright is given (see example 3). When the field is left blank, it is treated as unknown.
en_AU: Copyright information. In this standard the tag is used to indicate both the photographer and editor copyrights. It is the copyright notice of the person or organisation claiming rights to the image. The Interoperability copyright statement including date and rights should be written in this field; e.g., "Copyright, John Smith, 19xx. All rights reserved.". In this standard the field records both the photographer and editor copyrights, with each recorded in a separate part of the statement. When there is a clear distinction between the photographer and editor copyrights, these are to be written in the order of photographer followed by editor copyright, separated by NULL (in this case, since the statement also ends with a NULL, there are two NULL codes) (see example 1). When only the photographer is given, it is terminated by one NULL code (see example 2). When only the editor copyright is given, the photographer copyright part consists of one space followed by a terminating NULL code, then the editor copyright is given (see example 3). When the field is left blank, it is treated as unknown.

en: The class of the program used by the camera to set exposure when the picture is taken.
en_AU: The class of the programme used by the camera to set exposure when the picture is taken.

en: Date and Time (Digitized)
en_AU: Date and Time (Digitised)

en: The distance to the subject, given in meters.
en_AU: The distance to the subject, given in metres.

en: Sub-second Time (Digitized)
en_AU: Sub-second Time (Digitised)

en: The color space information tag is always recorded as the color space specifier. Normally sRGB (=1) is used to define the color space based on the PC monitor conditions and environment. If a color space other than sRGB is used, Uncalibrated (=FFFF.H) is set. Image data recorded as Uncalibrated can be treated as sRGB when it is converted to FlashPix.
en_AU: The colour space information tag is always recorded as the colour space specifier. Normally sRGB (=1) is used to define the colour space based on the PC monitor conditions and environment. If a colour space other than sRGB is used, Uncalibrated (=FFFF.H) is set. Image data recorded as Uncalibrated can be treated as sRGB when it is converted to FlashPix.

en: Indicates the location of the main subject in the scene. The value of this tag represents the pixel at the center of the main subject relative to the left edge, prior to rotation processing as per the <Rotation> tag. The first value indicates the X column number and the second indicates the Y row number.
en_AU: Indicates the location of the main subject in the scene. The value of this tag represents the pixel at the centre of the main subject relative to the left edge, prior to rotation processing as per the <Rotation> tag. The first value indicates the X column number and the second indicates the Y row number.

en: This tag indicates the use of special processing on image data, such as rendering geared to output. When special processing is performed, the reader is expected to disable or minimize any further processing.
en_AU: This tag indicates the use of special processing on image data, such as rendering geared to output. When special processing is performed, the reader is expected to disable or minimise any further processing.

en: Program AE
en_AU: Programme AE

en: FinePix Color
en_AU: FinePix Colour

en: %2.2f meters
en_AU: %2.2f metres

en: AF position: center
en_AU: AF position: centre

en: Color Mode (?)
en_AU: Colour Mode (?)

en: Color Mode
en_AU: Colour Mode

en: Optimize Image
en_AU: Optimise Image

en: Color Matrix
en_AU: Colour Matrix

en: Color Matrix Number
en_AU: Colour Matrix Number

en: Color Control
en_AU: Colour Control

en: Light Value Center
en_AU: Light Value Centre

en: Color Adjustment Mode
en_AU: Colour Adjustment Mode

en: Fixed center
en_AU: Fixed centre

en: Top-center
en_AU: Top-centre

en: Bottom-center
en_AU: Bottom-centre

en: Rainbow-colored semitransparent oily splotches
en_AU: Rainbow-coloured semitransparent oily splotches

en: Leopard spots (loses object's own color)
en_AU: Leopard spots (loses object's own colour)

en: Irregular vertical dark stripes (loses object's own color)
en_AU: Irregular vertical dark stripes (loses object's own colour)

en: Detect color edges and retrace them in grayscale
en_AU: Detect colour edges and retrace them in grayscale

en: Detect color edges and retrace them in blue
en_AU: Detect colour edges and retrace them in blue

en: Soft, pastel-colored, blurry bevel
en_AU: Soft, pastel-coloured, blurry bevel

en: Waxy texture which keeps its iridescence through color fill change
en_AU: Waxy texture which keeps its iridescence through colour fill change

en: Bark texture, vertical; use with deep colors
en_AU: Bark texture, vertical; use with deep colours

en: Stylized reptile skin texture
en_AU: Stylised reptile skin texture

en: Stone wall texture to use with not too saturated colors
en_AU: Stone wall texture to use with not too saturated colours

en: Metallized Paint
en_AU: Metallised Paint

en: Metallized effect with a soft lighting, slightly translucent at the edges
en_AU: Metallised effect with a soft lighting, slightly translucent at the edges

en: Metallized Ridge
en_AU: Metallised Ridge

en: Gel Ridge metallized at its top
en_AU: Gel Ridge metallised at its top

en: Enamel Jewelry
en_AU: Crumpled matte plastic, with melted edge

en: Inner colorized shadow, outer black shadow
en_AU: Inner colourised shadow, outer black shadow

en: Blurred colorized contour, filled inside
en_AU: Blurred colourised contour, filled inside

en: Blurred colorized contour, empty inside
en_AU: Blurred colourised contour, empty inside

en: Bevel, crude light, discoloration and glow like in electronic microscopy
en_AU: Bevel, crude light, discolouration and glow like in electronic microscopy

en: Colorizable filling with flow inside like transparency
en_AU: Colourisable filling with flow inside like transparency

en: Colorized blotches, like a crowd of people
en_AU: Colourised blotches, like a crowd of people

en: Scotland
en_AU: SlackScotland

en: Colorized mountain tops out of the fog
en_AU: Colourised mountain tops out of the fog

en: In and out glow with a possible offset and colorizable flood
en_AU: In and out glow with a possible offset and colourisable flood

en: Watercolor
en_AU: Watercolour

en: Cloudy watercolor effect
en_AU: Cloudy watercolour effect

en: Felt like texture with color turbulence and slightly darker at the edges
en_AU: Felt like texture with colour turbulence and slightly darker at the edges

en: Ink paint on paper with some turbulent color shift
en_AU: Ink paint on paper with some turbulent colour shift

en: Smooth rainbow colors melted along the edges and colorizable
en_AU: Smooth rainbow colours melted along the edges and colourisable

en: Smooth rainbow colors slightly melted along the edges
en_AU: Smooth rainbow colours slightly melted along the edges

en: Bright, polished uneven metal casting, colorizable
en_AU: Bright, polished uneven metal casting, colourisable

en: Plaster Color
en_AU: Plaster Colour

en: Colored plaster emboss effect
en_AU: Coloured plaster emboss effect

en: Creates colorizable blotches which smoothly flow over the edges of the lines at their crossings
en_AU: Creates colourisable blotches which smoothly flow over the edges of the lines at their crossings

en: Smooth rainbow colors warped along the edges and colorizable
en_AU: Smooth rainbow colours warped along the edges and colourisable

en: Slightly posterize and draw edges like on old printed postcards
en_AU: Slightly posterise and draw edges like on old printed postcards

en: Paint objects with a transparent turbulence which turns around color edges
en_AU: Paint objects with a transparent turbulence which turns around colour edges

en: Combine a HSL edges detection bump with a leathery or woody and colorizable texture
en_AU: Combine a HSL edges detection bump with a leathery or woody and colourisable texture

en: Partly opaque water color effect with bleed
en_AU: Partly opaque water colour effect with bleed

en: Alpha Engraving B
en_AU: Thick acrylic paint texture with high texture depth

en: Convert to a colorizable transparent positive or negative
en_AU: Convert to a colourisable transparent positive or negative

en: Creates an approximative semi-transparent and colorizable image of the saturation levels
en_AU: Creates an approximative semi-transparent and colourisable image of the saturation levels

en: Bright metallic effect for any color
en_AU: Bright metallic effect for any colour

en: Deep Colors Plastic
en_AU: Deep Colours Plastic

en: Transparent plastic with deep colors
en_AU: Transparent plastic with deep colours

en: Soft Colors
en_AU: Soft Colours

en: Adds a colorizable edges glow inside objects and pictures
en_AU: Adds a colourisable edges glow inside objects and pictures

en: Bumps effect with a bevel, color flood and complex lighting
en_AU: Bumps effect with a bevel, colour flood and complex lighting

en: Oversaturate colors which can be fluorescent in real world
en_AU: Oversaturate colours which can be fluorescent in real world

en: Pixellize
en_AU: Pixellise

en: Paint objects with a transparent turbulence which wraps around color edges
en_AU: Paint objects with a transparent turbulence which wraps around colour edges

en: Adds a colorizable opaque background
en_AU: Adds a colourisable opaque background

en: Enhance and redraw color edges in 1 bit black and white
en_AU: Enhance and redraw colour edges in 1 bit black and white

en: Poster Color Fun
en_AU: Poster Colour Fun

en: Basic noise fill texture; adjust color in Flood
en_AU: Basic noise fill texture; adjust colour in Flood

en: Colorize Turbulent
en_AU: Colourise Turbulent

en: Colorizable filling with liquid transparency
en_AU: Colourisable filling with liquid transparency

en: Cut out, add inner shadow and colorize some parts of an image
en_AU: Cut out, add inner shadow and colourise some parts of an image

en: Create a two colors lithographic effect
en_AU: Create a two colours lithographic effect

en: Colorize separately the three color channels
en_AU: Colourise separately the three colour channels

en: Posterized Light Eraser
en_AU: Posterised Light Eraser

en: Create a semi transparent posterized image
en_AU: Create a semi transparent posterised image

en: Like Duochrome but with three colors
en_AU: Like Duochrome but with three colours

en: Render Cyan, Magenta and Yellow channels with a colorizable background
en_AU: Render Cyan, Magenta and Yellow channels with a colourisable background

en: Posterized Blur
en_AU: Posterised Blur

en: Converts blurred contour to posterized steps
en_AU: Converts blurred contour to posterised steps

en: Stylized triangle arrow
en_AU: Stylised triangle arrow

en: Colored triangle
en_AU: Coloured triangle

en: Colored dot
en_AU: Coloured dot

en: Colored square
en_AU: Coloured square

en: Colored diamond
en_AU: Coloured diamond

[ctx: Palette]
en: 90% Gray
en_AU: 90% Grey

[ctx: Palette]
en: 80% Gray
en_AU: 80% Grey

[ctx: Palette]
en: 70% Gray
en_AU: 70% Grey

[ctx: Palette]
en: 60% Gray
en_AU: 60% Grey

[ctx: Palette]
en: 50% Gray
en_AU: 50% Grey

[ctx: Palette]
en: 40% Gray
en_AU: 40% Grey

[ctx: Palette]
en: 30% Gray
en_AU: 30% Grey

[ctx: Palette]
en: 20% Gray
en_AU: 20% Grey

[ctx: Palette]
en: 10% Gray
en_AU: 10% Grey

[ctx: Palette]
en: 7.5% Gray
en_AU: 7.5% Grey

[ctx: Palette]
en: 5% Gray
en_AU: 5% Grey

[ctx: Palette]
en: 2.5% Gray
en_AU: 2.5% Grey

[ctx: Palette]
en: dimgray (#696969)
en_AU: dimgrey (#696969)

[ctx: Palette]
en: gray (#808080)
en_AU: grey (#808080)

[ctx: Palette]
en: darkgray (#A9A9A9)
en_AU: darkgrey (#A9A9A9)

[ctx: Palette]
en: lightgray (#D3D3D3)
en_AU: lightgrey (#D3D3D3)

[ctx: Palette]
en: darkslategray (#2F4F4F)
en_AU: darkslategrey (#2F4F4F)

[ctx: Palette]
en: slategray (#708090)
en_AU: slategrey (#708090)

[ctx: Palette]
en: lightslategray (#778899)
en_AU: lightslategrey (#778899)

[ctx: Symbol]
en: Elevator
en_AU: Lift

[ctx: Symbol]
en: Jewelry
en_AU: Jewellery

[ctx: Symbol]
en: Leisure center
en_AU: Leisure centre

[ctx: Symbol]
en: Theater
en_AU: Theatre

[ctx: Symbol]
en: Subway
en_AU: Metro/Subway

en: Toggle between normal and grayscale modes
en_AU: Toggle between normal and greyscale modes

en: Color Managed Mode
en_AU: Colour Managed Mode

en: Toggle between normal and color managed modes
en_AU: Toggle between normal and colour managed modes

en: Snap Rotation Center
en_AU: Snap Rotation Centre

en: Zoom Center Page
en_AU: Zoom Centre Page

en: Center page in window
en_AU: Centre page in window

en: Edit objects' colors, gradients, arrowheads, and other fill and stroke properties...
en_AU: Edit objects' colours, gradients, arrowheads, and other fill and stroke properties...

en: Select colors from a swatches palette
en_AU: Select colours from a swatches palette

en: Prototype Dialog
en_AU: Prototype Dialogue

en: Toggle all dialogs
en_AU: Toggle all dialogues

en: Show or hide all dialogs
en_AU: Show or hide all dialogues

en: Apply the style of the copied object to selection
en_AU: Apply style of the copied object to selection

en: Open File Dialog
en_AU: Open File Dialogue

note: TRANSLATORS: 'en' is an ISO 639-1 language code. Replace with language code for your language, i.e. the name of your .po file
en: en
en_AU: en_AU

en: Align to horizontal center
en_AU: Align to horizontal centre

en: Align selection horizontally to the center
en_AU: Align selection horizontally to the centre

en: Align to vertical center
en_AU: Align to vertical centre

en: Align selection vertically to the center
en_AU: Align selection vertically to the centre

en: Align to center
en_AU: Align to centre

en: Align selection to the center
en_AU: Align selection to the centre

en: Even horizontal centers
en_AU: Even horizontal centres

en: Distribute horizontally with even spacing between centers
en_AU: Distribute horizontally with even spacing between centres

en: Even vertical centers
en_AU: Even vertical centres

en: Distribute vertically with even spacing between centers
en_AU: Distribute vertically with even spacing between centres

en: Exchange around center
en_AU: Exchange around centre

en: Exchange positions of selected objects - rotate around center point
en_AU: Exchange positions of selected objects - rotate around centre point

en: Randomize centers in both dimensions
en_AU: Randomise centres in both dimensions

en: Unclump objects: try to equalize edge-to-edge distances
en_AU: Unclump objects: try to equalise edge-to-edge distances

en: Export without filters to avoid rasterization for PDF, PS, EPS
en_AU: Export without filters to avoid rasterisation for PDF, PS, EPS

en: Include background color in exported file
en_AU: Include background colour in exported file

en: Export PNG Color Mode
en_AU: Export PNG Colour Mode

en: Set color mode for PNG export
en_AU: Set colour mode for PNG export

en: Enter string for background color, e.g. #ff007f or rgb(255, 0, 128)
en_AU: Enter string for background colour, e.g. #ff007f or rgb(255, 0, 128)

en: Enter string for PNG Color Mode, one of Gray_1/Gray_2/Gray_4/Gray_8/Gray_16/RGB_8/RGB_16/GrayAlpha_8/GrayAlpha_16/RGBA_8/RGBA_16
en_AU: Enter string for PNG Colour Mode, one of Gray_1/Gray_2/Gray_4/Gray_8/Gray_16/RGB_8/RGB_16/GrayAlpha_8/GrayAlpha_16/RGBA_8/RGBA_16

en: Create a new page and center view on it
en_AU: Create a new page and centre view on it

en: Delete the selected page and center view on next page
en_AU: Delete the selected page and centre view on next page

en: Fill Color
en_AU: Fill Colour

en: Stroke Color
en_AU: Stroke Colour

en: Normalize Path Data
en_AU: Normalise Path Data

en: <b>Click</b> to set fill, <b>Shift+click</b> to set stroke; <b>drag</b> to average color in area; with <b>Alt</b> to pick inverse color; <b>Ctrl+C</b> to copy the color under mouse to clipboard
en_AU: <b>Click</b> to set fill, <b>Shift+click</b> to set stroke; <b>drag</b> to average colour in area; with <b>Alt</b> to pick inverse colour; <b>Ctrl+C</b> to copy the colour under mouse to clipboard

en: Pick colors from image
en_AU: Pick colours from image

en: Using Trace Pixel Art dialog
en_AU: Using Trace Pixel Art dialogue

en: Show or hide the color palette
en_AU: Show or hide the colour palette

en: Unrecognized shape '%1'
en_AU: Unrecognised shape '%1'

en: Unrecognized color '%1'
en_AU: Unrecognised colour '%1'

en: Unrecognized selector '%1'
en_AU: Unrecognised selector '%1'

en: Unrecognized property '%1'
en_AU: Unrecognised property '%1'

en: Object rotation center
en_AU: Object rotation centre

en: Page center
en_AU: Page centre

en: page center
en_AU: page centre

en: page margin center
en_AU: page margin centre

en: object rotation center
en_AU: object rotation centre

en: Apply charcoal stylization to selected bitmap(s)
en_AU: Apply charcoal stylisation to selected bitmap(s)

en: Colorize
en_AU: Colourise

en: Colorize selected bitmap(s) with specified color, using given opacity
en_AU: Colourise selected bitmap(s) with specified colour, using given opacity

en: Cycle Colormap
en_AU: Cycle Colourmap

en: Cycle colormap(s) of selected bitmap(s)
en_AU: Cycle colourmap(s) of selected bitmap(s)

en: Enhance selected bitmap(s); minimize noise
en_AU: Enhance selected bitmap(s); minimise noise

en: Equalize
en_AU: Equalise

en: Equalize selected bitmap(s); histogram equalization
en_AU: Equalize selected bitmap(s); histogram equalisation

en: Level selected bitmap(s) by scaling values falling between the given ranges to the full color range
en_AU: Level selected bitmap(s) by scaling values falling between the given ranges to the full colour range

en: Level the specified channel of selected bitmap(s) by scaling values falling between the given ranges to the full color range
en_AU: Level the specified channel of selected bitmap(s) by scaling values falling between the given ranges to the full colour range

en: Replace each pixel component with the median color in a circular neighborhood
en_AU: Replace each pixel component with the median colour in a circular neighbourhood

en: Normalize
en_AU: Normalise

en: Normalize selected bitmap(s), expanding color range to the full possible range of color
en_AU: Normalise selected bitmap(s), expanding colour range to the full possible range of colour

en: Stylize selected bitmap(s) so that they appear to be painted with oils
en_AU: Stylise selected bitmap(s) so that they appear to be painted with oils

en: Colored Shading
en_AU: Coloured Shading

en: Solarize
en_AU: Solarise

en: Solarize selected bitmap(s), like overexposing photographic film
en_AU: Solarise selected bitmap(s), like overexposing photographic film

en: Swirl selected bitmap(s) around center point
en_AU: Swirl selected bitmap(s) around centre point

en: Rasterize filter effects
en_AU: Rasterise filter effects

en: Resolution for rasterization (dpi):
en_AU: Resolution for rasterisation (dpi):

en: Convert gradients to colored polygon series
en_AU: Convert gradients to coloured polygon series

en: Lighting color
en_AU: Lighting colour

en: Image color
en_AU: Image colour

en: Color bump
en_AU: Colour bump

en: Bump color
en_AU: Bump colour

en: Replace RGB by any color
en_AU: Replace RGB by any colour

en: Color Blindness
en_AU: Colour Blindness

en: Simulate color blindness
en_AU: Simulate colour blindness

en: Blend image or object with a flood color
en_AU: Blend image or object with a flood colour

en: Color and alpha
en_AU: Colour and alpha

en: Color only
en_AU: Colour only

en: Color 1
en_AU: Colour 1

en: Color 2
en_AU: Colour 2

en: Extract color channel as a transparent image
en_AU: Extract colour channel as a transparent image

en: Customize greyscale components
en_AU: Customise greyscale components

en: Replace hue by two colors
en_AU: Replace hue by two colours

en: Moonarize
en_AU: Moonarise

en: Classic photographic solarization effect
en_AU: Classic photographic solarisation effect

en: Colored nights
en_AU: Coloured nights

en: Detect color edges in object
en_AU: Detect colour edges in object

en: Adds a colorizable outline
en_AU: Adds a colourisable outline

en: Noise color
en_AU: Noise colour

en: Chromo effect with customizable edge drawing and graininess
en_AU: Chromo effect with customisable edge drawing and graininess

en: Fill color
en_AU: Fill colour

en: Stroke color
en_AU: Stroke colour

en: Electrize
en_AU: Electrise

en: Electro solarization effects
en_AU: Electro solarisation effects

en: Posterize and draw smooth lines around color shapes
en_AU: Posterise and draw smooth lines around colour shapes

en: Points color
en_AU: Points colour

en: Posterize Basic
en_AU: Posterise Basic

en: Simple posterizing effect
en_AU: Simple posterising effect

en: Blur color
en_AU: Blur colour

en: Use object's color
en_AU: Use object's colour

en: Colorizable Drop shadow
en_AU: Colourisable Drop shadow

en: Smooth (optimizeQuality)
en_AU: Smooth (optimiseQuality)

en: Blocky (optimizeSpeed)
en_AU: Blocky (optimiseSpeed)

en: Hide the dialog next time and always apply the same actions.
en_AU: Hide the dialogue next time and always apply the same actions.

en: GrayAlpha 8
en_AU: GreyAlpha 8

en: GrayAlpha 16
en_AU: GreyAlpha 16

en: Gray 1
en_AU: Grey 1

en: Gray 2
en_AU: Grey 2

en: Gray 4
en_AU: Grey 4

en: Gray 8
en_AU: Grey 8

en: Gray 16
en_AU: Grey 16

en: Change gradient stop color
en_AU: Change gradient stop colour

en: Invert gradient colors
en_AU: Invert gradient colours

en: Radial gradient <b>center</b>
en_AU: Radial gradient <b>centre</b>

en: %s for: %s%s; drag with <b>Ctrl</b> to snap angle, with <b>Ctrl+Alt</b> to preserve angle, with <b>Ctrl+Shift</b> to scale around center
en_AU: %s for: %s%s; drag with <b>Ctrl</b> to snap angle, with <b>Ctrl+Alt</b> to preserve angle, with <b>Ctrl+Shift</b> to scale around centre

en: Radial gradient <b>center</b> and <b>focus</b>; drag with <b>Shift</b> to separate focus
en_AU: Radial gradient <b>centre</b> and <b>focus</b>; drag with <b>Shift</b> to separate focus

en: Render objects without filters instead of rasterizing (PS/EPS/PDF)
en_AU: Render objects without filters instead of rasterising (PS/EPS/PDF)

en: Background color for exported bitmaps (any SVG color string)
en_AU: Background colour for exported bitmaps (any SVG colour string)

en: COLOR
en_AU: COLOUR

en: Color mode (bit depth and color type) for exported bitmaps (Gray_1/Gray_2/Gray_4/Gray_8/Gray_16/RGB_8/RGB_16/GrayAlpha_8/GrayAlpha_16/RGBA_8/RGBA_16)
en_AU: Colour mode (bit depth and colour type) for exported bitmaps (Grey_1/Grey_2/Grey_4/Grey_8/Grey_16/RGB_8/RGB_16/GreyAlpha_8/GreyAlpha_16/RGBA_8/RGBA_16)

en: COLOR-MODE
en_AU: COLOUR-MODE

en: Mirror an object along a movable axis, or around the page center. The mirrored copy can be styled independently.
en_AU: Mirror an object along a movable axis, or around the page centre. The mirrored copy can be styled independently.

en: Create multiple copies of an object following a grid layout. Customize size, rotation, distances, style and tiling symmetry.
en_AU: Create multiple copies of an object following a grid layout. Customise size, rotation, distances, style and tiling symmetry.

en: Draw a circle by center and radius, where the first node of the path is the center, and the last determines its radius
en_AU: Draw a circle by centre and radius, where the first node of the path is the centre, and the last determines its radius

en: Equalize dashes
en_AU: Equalise dashes

en: Color and opacity
en_AU: Colour and opacity

en: Set color and opacity of the dimensions
en_AU: Set colour and opacity of the dimensions

en: Localize number format
en_AU: Localise number format

en: Use localized number formatting, e.g. '1,0' instead of '1.0' with German locale
en_AU: Use localised number formatting, e.g. '1,0' instead of '1.0' with German locale

en: Add object center
en_AU: Add object centre

en: Add the projected object center
en_AU: Add the projected object centre

en: Center point of mirror line
en_AU: Centre point of mirror line

en: Adjust center point of mirror line
en_AU: Adjust centre point of mirror line

en: Vertical center
en_AU: Vertical centre

en: Horizontal center
en_AU: Horizontal centre

en: Center Vertical
en_AU: Centre Vertical

en: Center Horizontal
en_AU: Centre Horizontal

en: Background color and opacity
en_AU: Background colour and opacity

en: Set color and opacity of the background
en_AU: Set colour and opacity of the background

en: Global randomize
en_AU: Global randomise

en: Show center of node
en_AU: Show centre of node

en: Size of the handles in the effect visualization (not editable)
en_AU: Size of the handles in the effect visualisation (not editable)

en: Center point of slice line
en_AU: Centre point of slice line

en: Minimize gaps
en_AU: Minimise gaps

en: Minimize gaps between scaled objects (does not work with rotation/diagonal mode)
en_AU: Minimise gaps between scaled objects (does not work with rotation/diagonal mode)

en: Randomize horizontal gaps
en_AU: Randomise horizontal gaps

en: Randomize vertical gaps
en_AU: Randomise vertical gaps

en: Randomize tile rotation
en_AU: Randomise tile rotation

en: Randomize scale
en_AU: Randomise scale

en: Randomization seed
en_AU: Randomisation seed

en: Randomize
en_AU: Randomise

en: Randomization seed for random mode for scaling, rotation and gaps
en_AU: Randomisation seed for random mode for scaling, rotation and gaps

en: Random scale (hit <b>Randomize</b> button to shuffle)
en_AU: Random scale (hit <b>Randomise</b> button to shuffle)

en: Random rotation (hit <b>Randomize</b> button to shuffle)
en_AU: Random rotation (hit <b>Randomise</b> button to shuffle)

en: Random horizontal gaps (hit <b>Randomize</b> button to shuffle)
en_AU: Random horizontal gaps (hit <b>Randomise</b> button to shuffle)

en: Random vertical gaps (hit <b>Randomize</b> button to shuffle)
en_AU: Random vertical gaps (hit <b>Randomise</b> button to shuffle)

en: Change color button parameter
en_AU: Change colour button parameter

en: <b>Chamfer</b>: <b>Ctrl+Click</b> toggles type, <b>Shift+Click</b> open dialog, <b>Ctrl+Alt+Click</b> reset
en_AU: <b>Chamfer</b>: <b>Ctrl+Click</b> toggles type, <b>Shift+Click</b> open dialogue, <b>Ctrl+Alt+Click</b> reset

en: <b>Inverse Chamfer</b>: <b>Ctrl+Click</b> toggles type, <b>Shift+Click</b> open dialog, <b>Ctrl+Alt+Click</b> reset
en_AU: <b>Inverse Chamfer</b>: <b>Ctrl+Click</b> toggles type, <b>Shift+Click</b> open dialogue, <b>Ctrl+Alt+Click</b> reset

en: <b>Inverse Fillet</b>: <b>Ctrl+Click</b> toggles type, <b>Shift+Click</b> open dialog, <b>Ctrl+Alt+Click</b> reset
en_AU: <b>Inverse Fillet</b>: <b>Ctrl+Click</b> toggles type, <b>Shift+Click</b> open dialogue, <b>Ctrl+Alt+Click</b> reset

en: <b>Fillet</b>: <b>Ctrl+Click</b> toggles type, <b>Shift+Click</b> open dialog, <b>Ctrl+Alt+Click</b> reset
en_AU: <b>Fillet</b>: <b>Ctrl+Click</b> toggles type, <b>Shift+Click</b> open dialogue, <b>Ctrl+Alt+Click</b> reset

en: <b>Chamfer</b>: <b>Ctrl+Click</b> toggles type, <b>Shift+Click</b> open dialog, <b>Ctrl+Alt+Click</b> resets
en_AU: <b>Chamfer</b>: <b>Ctrl+Click</b> toggles type, <b>Shift+Click</b> open dialogue, <b>Ctrl+Alt+Click</b> resets

en: <b>Inverse Chamfer</b>: <b>Ctrl+Click</b> toggles type, <b>Shift+Click</b> open dialog, <b>Ctrl+Alt+Click</b> resets
en_AU: <b>Inverse Chamfer</b>: <b>Ctrl+Click</b> toggles type, <b>Shift+Click</b> open dialogue, <b>Ctrl+Alt+Click</b> resets

en: <b>Inverse Fillet</b>: <b>Ctrl+Click</b> toggles type, <b>Shift+Click</b> open dialog, <b>Ctrl+Alt+Click</b> resets
en_AU: <b>Inverse Fillet</b>: <b>Ctrl+Click</b> toggles type, <b>Shift+Click</b> open dialogue, <b>Ctrl+Alt+Click</b> resets

en: <b>Fillet</b>: <b>Ctrl+Click</b> toggles type, <b>Shift+Click</b> open dialog, <b>Ctrl+Alt+Click</b> resets
en_AU: <b>Fillet</b>: <b>Ctrl+Click</b> toggles type, <b>Shift+Click</b> open dialogue, <b>Ctrl+Alt+Click</b> resets

en: <b>Stroke width control point</b>: drag to alter the stroke width. <b>Ctrl+click</b> adds a control point, <b>Ctrl+Alt+click</b> deletes it, <b>Shift+click</b> launches width dialog.
en_AU: <b>Stroke width control point</b>: drag to alter the stroke width. <b>Ctrl+click</b> adds a control point, <b>Ctrl+Alt+click</b> deletes it, <b>Shift+click</b> launches width dialogue.

en: Select <b>object(s)</b> to raise.
en_AU: Select <b>objects</b> to raise.

en: Set center
en_AU: Set centre

en: <b>Scale</b> selection; with <b>%1</b> to scale uniformly; with <b>%2</b> to scale around rotation center
en_AU: <b>Scale</b> selection; with <b>%1</b> to scale uniformly; with <b>%2</b> to scale around rotation centre

en: <b>Center</b> of transformation: drag to reposition; scaling, rotation and skew with %1 also uses this center
en_AU: <b>Centre</b> of transformation: drag to reposition; scaling, rotation and skew with %1 also uses this centre

en: <b>Align</b> objects to center; <b>Shift</b> click to center vertically instead of horizontally.
en_AU: <b>Align</b> objects to centre; <b>Shift</b> click to centre vertically instead of horizontally.

en: Reset center
en_AU: Reset centre

en: Move <b>center</b> to %s, %s
en_AU: Move <b>centre</b> to %s, %s

en: _Fill Color
en_AU: _Fill Colour

en: _Stroke Color
en_AU: _Stroke Colour

en: Randomize the horizontal shift by this percentage
en_AU: Randomise the horizontal shift by this percentage

en: Randomize the vertical shift by this percentage
en_AU: Randomise the vertical shift by this percentage

en: Randomize the horizontal scale by this percentage
en_AU: Randomise the horizontal scale by this percentage

en: Randomize the vertical scale by this percentage
en_AU: Randomise the vertical scale by this percentage

en: Randomize the rotation angle by this percentage
en_AU: Randomise the rotation angle by this percentage

en: Randomize the tile opacity by this percentage
en_AU: Randomise the tile opacity by this percentage

en: Co_lor
en_AU: Co_lour

en: Initial color:
en_AU: Initial colour:

en: Initial color of tiled clones
en_AU: Initial colour of tiled clones

en: Initial color for clones (works only if the original has unset fill or stroke or on spray tool in copy mode)
en_AU: Initial colour for clones (works only if the original has unset fill or stroke or on spray tool in copy mode)

en: Randomize the tile hue by this percentage
en_AU: Randomise the tile hue by this percentage

en: Change the color saturation by this percentage for each row
en_AU: Change the colour saturation by this percentage for each row

en: Change the color saturation by this percentage for each column
en_AU: Change the colour saturation by this percentage for each column

en: Randomize the color saturation by this percentage
en_AU: Randomise the colour saturation by this percentage

en: Change the color lightness by this percentage for each row
en_AU: Change the colour lightness by this percentage for each row

en: Change the color lightness by this percentage for each column
en_AU: Change the colour lightness by this percentage for each column

en: Randomize the color lightness by this percentage
en_AU: Randomise the colour lightness by this percentage

en: Alternate the sign of color changes for each row
en_AU: Alternate the sign of colour changes for each row

en: Alternate the sign of color changes for each column
en_AU: Alternate the sign of colour changes for each column

en: Pick the visible color and opacity
en_AU: Pick the visible colour and opacity

en: Pick the Red component of the color
en_AU: Pick the Red component of the colour

en: Pick the Green component of the color
en_AU: Pick the Green component of the colour

en: Pick the Blue component of the color
en_AU: Pick the Blue component of the colour

en: Pick the hue of the color
en_AU: Pick the hue of the colour

en: Pick the saturation of the color
en_AU: Pick the saturation of the colour

en: Pick the lightness of the color
en_AU: Pick the lightness of the colour

en: Randomize:
en_AU: Randomise:

en: Randomize the picked value by this percentage
en_AU: Randomise the picked value by this percentage

en: Each clone is painted by the picked color (the original must have unset fill or stroke)
en_AU: Each clone is painted by the picked colour (the original must have unset fill or stroke)

note: TRANSLATORS: "change" is a noun here
en: Reset all shifts, scales, rotates, opacity and color changes in the dialog to zero
en_AU: Reset all shifts, scales, rotates, opacity and colour changes in the dialogue to zero

en: <small>Randomize:</small>
en_AU: <small>Randomise:</small>

en: Color: <b>%1</b>; <b>Click</b> to set fill, <b>Shift+click</b> to set stroke
en_AU: Colour: <b>%1</b>; <b>Click</b> to set fill, <b>Shift+click</b> to set stroke

en: Set stroke color to none
en_AU: Set stroke colour to none

en: Set fill color to none
en_AU: Set fill colour to none

en: Set stroke color from swatch
en_AU: Set stroke colour from swatch

en: Set fill color from swatch
en_AU: Set fill colour from swatch

en: Unpin Color
en_AU: Unpin Colour

en: Pin Color
en_AU: Pin Colour

en: You can drop dockable dialogs here.
en_AU: You can drop dockable dialogues here.

en: Dialog Window
en_AU: Dialogue Window

en: Guide co_lor:
en_AU: Guide co_lour:

en: Guideline color
en_AU: Guideline colour

en: Color of guidelines
en_AU: Colour of guidelines

en: _Highlight color:
en_AU: _Highlight colour:

en: Highlighted guideline color
en_AU: Highlighted guideline colour

en: Color of a guideline when it is under mouse
en_AU: Colour of a guideline when it is under mouse

en: Desk color
en_AU: Desk colour

en: Link Color Profile
en_AU: Link Colour Profile

en: Remove linked color profile
en_AU: Remove linked colour profile

en: <b>Linked Color Profiles:</b>
en_AU: <b>Linked Colour Profiles:</b>

en: <b>Available Color Profiles:</b>
en_AU: <b>Available Colour Profiles:</b>

en: <b>License</b>
en_AU: <b>Licence</b>

en: Minor grid line _color:
en_AU: Minor grid line _colour:

en: Minor grid line color
en_AU: Minor grid line colour

en: Color of the minor grid lines
en_AU: Colour of the minor grid lines

en: Ma_jor grid line color:
en_AU: Ma_jor grid line colour:

en: Major grid line color
en_AU: Major grid line colour

en: Color of the major (highlighted) grid lines
en_AU: Colour of the major (highlighted) grid lines

en: Change grid color
en_AU: Change grid colour

en: Export Color Palette
en_AU: Export Colour Palette

en: Color profiles
en_AU: Colour profiles

en: Color used to fill the image background
en_AU: Colour used to fill the image background

en: Color used to fill background
en_AU: Colour used to fill background

en: Export as SVG 1.1 per settings in Preferences dialog
en_AU: Export as SVG 1.1 per settings in Preferences dialogue

note: TRANSLATORS: this dialog is accessible via menu Filters - Filter editor
en: This matrix determines a linear transform on color space. Each line affects one of the color components. Each column determines how much of each color component from the input is passed to the output. The last column does not depend on input colors, so can be used to adjust a constant component value.
en_AU: This matrix determines a linear transform on colour space. Each line affects one of the colour components. Each column determines how much of each colour component from the input is passed to the output. The last column does not depend on input colours, so can be used to adjust a constant component value.

en: Color editing
en_AU: Colour editing

en: Provides erode and dilate effects. For single-color objects erode makes the object thinner and dilate makes it thicker.
en_AU: Provides erode and dilate effects. For single-colour objects erode makes the object thinner and dilate makes it thicker.

en: Modifies pixel colors based on a transformation matrix. Useful for adjusting color hue and saturation.
en_AU: Modifies pixel colours based on a transformation matrix. Useful for adjusting colour hue and saturation.

en: Manipulates color components according to particular transfer functions. Useful for brightness and contrast adjustment, color balance, and thresholding.
en_AU: Manipulates colour components according to particular transfer functions. Useful for brightness and contrast adjustment, colour balance, and thresholding.

en: Fills the region with a given color and opacity. Often used as input to other filters to apply color to a graphic.
en_AU: Fills the region with a given colour and opacity. Often used as input to other filters to apply colour to a graphic.

en: Indicates the type of matrix operation. The keyword 'matrix' indicates that a full 5x4 matrix of values will be provided. The other keywords represent convenience shortcuts to allow commonly used color operations to be performed without specifying a complete matrix.
en_AU: Indicates the type of matrix operation. The keyword 'matrix' indicates that a full 5x4 matrix of values will be provided. The other keywords represent convenience shortcuts to allow commonly used colour operations to be performed without specifying a complete matrix.

en: This matrix describes the convolve operation that is applied to the input image in order to calculate the pixel colors at the output. Different arrangements of values in this matrix result in various possible visual effects. An identity matrix would lead to a motion blur effect (parallel to the matrix diagonal) while a matrix filled with a constant non-zero value would lead to a common blur effect.
en_AU: This matrix describes the convolve operation that is applied to the input image in order to calculate the pixel colours at the output. Different arrangements of values in this matrix result in various possible visual effects. An identity matrix would lead to a motion blur effect (parallel to the matrix diagonal) while a matrix filled with a constant non-zero value would lead to a common blur effect.

en: Determines how to extend the input image as necessary with color values so that the matrix operations can be applied when the kernel is positioned at or near the edge of the input image.
en_AU: Determines how to extend the input image as necessary with colour values so that the matrix operations can be applied when the kernel is positioned at or near the edge of the input image.

en: Diffuse Color:
en_AU: Diffuse Colour:

en: Defines the color of the light source
en_AU: Defines the colour of the light source

en: Color component that controls the displacement in the X direction
en_AU: Colour component that controls the displacement in the X direction

en: Color component that controls the displacement in the Y direction
en_AU: Colour component that controls the displacement in the Y direction

en: The whole filter region will be filled with this color.
en_AU: The whole filter region will be filled with this colour.

en: Specular Color:
en_AU: Specular Colour:

en: ACB file header not recognized.
en_AU: ACB file header not recognised.

en: ACB file color space not supported.
en_AU: ACB file colour space not supported.

en: Palette color space unexpected.
en_AU: Palette colour space unexpected.

en: ASE file header not recognized.
en_AU: ASE file header not recognised.

en: ASE color mode not recognized:
en_AU: ASE colour mode not recognised:

en: Gimp Color Palette
en_AU: Gimp Colour Palette

en: Adobe Color Book
en_AU: Adobe Colour Book

en: Load color palette
en_AU: Load colour palette

en: Path outline color
en_AU: Path outline colour

en: Selects the color used for showing the path outline
en_AU: Selects the colour used for showing the path outline

en: Visualize the direction of selected paths by drawing small arrows in the middle of each outline segment
en_AU: Visualise the direction of selected paths by drawing small arrows in the middle of each outline segment

en: Move handles next to deleted nodes to resemble original shape; hold Ctrl to get the other behavior
en_AU: Move handles next to deleted nodes to resemble original shape; hold Ctrl to get the other behaviour

en: Show font substitution warning dialog
en_AU: Show font substitution warning dialogue

en: Show font substitution warning dialog when requested fonts are not available on the system
en_AU: Show font substitution warning dialogue when requested fonts are not available on the system

en: Color for symbolic icons:
en_AU: Colour for symbolic icons:

en: Color for symbolic success icons:
en_AU: Colour for symbolic success icons:

en: Color for symbolic warning icons:
en_AU: Colour for symbolic warning icons:

en: Color for symbolic error icons:
en_AU: Colour for symbolic error icons:

en: Use default base color for icons
en_AU: Use default base colour for icons

en: Use default highlight colors for icons
en_AU: Use default highlight colours for icons

en: Icon color base
en_AU: Icon colour base

en: Base color for icons
en_AU: Base colour for icons

en: Icon color highlights
en_AU: Icon colour highlights

en: Highlight colors supported by some symbolic icon themes
en_AU: Highlight colours supported by some symbolic icon themes

en: Reset theme colors for some symbolic icon themes
en_AU: Reset theme colours for some symbolic icon themes

en: Color theme:
en_AU: Colour theme:

en: Syntax coloring for XML Editor
en_AU: Syntax colouring for XML Editor

en: Native open/save dialogs
en_AU: Native open/save dialogues

en: GTK open/save dialogs
en_AU: GTK open/save dialogues

en: Dialogs are hidden in taskbar
en_AU: Dialogues are hidden in taskbar

[ctx: Window size]
en: Maximized
en_AU: Maximised

en: Use Windows like open and save dialogs
en_AU: Use Windows like open and save dialogues

en: Use GTK open and save dialogs
en_AU: Use GTK open and save dialogues

en: Dialogs settings
en_AU: Dialogues settings

en: Allow dialog docking
en_AU: Allow dialogue docking

en: Disable dialog docking
en_AU: Disable dialogue docking

en: Dialog behavior
en_AU: Dialogue behaviour

en: Dialogs are treated as regular windows
en_AU: Dialogues are treated as regular windows

en: Dialogs stay on top of document windows
en_AU: Dialogues stay on top of document windows

en: Dialog on top
en_AU: Dialogue on top

en: Dialog names will be displayed when there is enough space
en_AU: Dialogue names will be displayed when there is enough space

en: Only show dialog icons
en_AU: Only show dialogue icons

en: Labels behavior
en_AU: Labels behaviour

en: Save and restore dialogs' status
en_AU: Save and restore dialogues' status

en: Whether dialog windows are to be hidden in the window manager taskbar
en_AU: Whether dialogue windows are to be hidden in the window manager taskbar

en: Text and Font dialog
en_AU: Text and Font dialogue

en: Use compact color selector mode switch
en_AU: Use compact colour selector mode switch

en: Use compact combo box for selecting color modes
en_AU: Use compact combo box for selecting colour modes

en: Visible color pickers
en_AU: Visible colour pickers

en: Select color pickers
en_AU: Select colour pickers

en: Color Selector
en_AU: Colour Selector

en: Line color when zooming out
en_AU: Line colour when zooming out

en: The gridlines will be shown in minor grid line color
en_AU: The gridlines will be shown in minor grid line colour

en: The gridlines will be shown in major grid line color
en_AU: The gridlines will be shown in major grid line colour

en: Minor grid line color:
en_AU: Minor grid line colour:

en: Color used for normal grid lines
en_AU: Colour used for normal grid lines

en: Major grid line color:
en_AU: Major grid line colour:

en: Color used for major (highlighted) grid lines
en_AU: Colour used for major (highlighted) grid lines

en: Color used for block margins
en_AU: Colour used for block margins

en: Color used for grid blocks
en_AU: Colour used for grid blocks

en: When this option is on, the "Save as..." and "Save a Copy..." dialogs will always open in the directory where the currently open document is; when it's off, each will open in the directory where you last saved a file using it
en_AU: When this option is on, the "Save as..." and "Save a Copy..." dialogues will always open in the directory where the currently open document is; when it's off, each will open in the directory where you last saved a file using it

en: Show all outputs in Export Dialog
en_AU: Show all outputs in Export Dialogue

en: Will list all possible output extensions in the Export Dialog selection.
en_AU: Will list all possible output extensions in the Export Dialogue selection.

en: Use named colors
en_AU: Use named colours

en: If set, write the CSS name of the color when available (e.g. 'red' or 'magenta') instead of the numeric value
en_AU: If set, write the CSS name of the colour when available (e.g. 'red' or 'magenta') instead of the numeric value

en: Optimized
en_AU: Optimised

en: Path data should be written: only with absolute coordinates, only with relative coordinates, or optimized for string length (mixed absolute and relative coordinates)
en_AU: Path data should be written: only with absolute coordinates, only with relative coordinates, or optimised for string length (mixed absolute and relative coordinates)

en: Use correct marker colors in SVG 1.1 renderers
en_AU: Use correct marker colours in SVG 1.1 renderers

en: Relative Colorimetric
en_AU: Relative Colourimetric

en: Absolute Colorimetric
en_AU: Absolute Colourimetric

en: Use a user-specified ICC profile for monitor color correction. Warning: System wide color correction should be disabled.
en_AU: Use a user-specified ICC profile for monitor colour correction. Warning: System wide colour correction should be disabled.

en: Mark out of gamut colors
en_AU: Mark out of gamut colours

en: Highlights colors that are out of gamut for the target device
en_AU: Highlights colours that are out of gamut for the target device

en: Out of gamut warning color:
en_AU: Out of gamut warning colour:

en: Selects the color used for out of gamut warning
en_AU: Selects the colour used for out of gamut warning

en: Color management
en_AU: Colour management

en: Automatically save the current document(s) at a given interval, thus minimizing loss in case of a crash
en_AU: Automatically save the current document(s) at a given interval, thus minimising loss in case of a crash

en: Color stock markers the same color as object
en_AU: Colour stock markers the same colour as object

en: Color custom markers the same color as object
en_AU: Colour custom markers the same colour as object

en: Update marker color when object color changes
en_AU: Update marker colour when object colour changes

en: Stroke color same as object, fill color either object fill color or marker fill color
en_AU: Stroke colour same as object, fill colour either object fill colour or marker fill colour

en: Pop-up linking and scaling dialog when importing bitmap image.
en_AU: Pop-up linking and scaling dialogue when importing bitmap image.

en: Pop-up linking and scaling dialog when importing SVG image.
en_AU: Pop-up linking and scaling dialogue when importing SVG image.

en: Select a file of predefined shortcuts and modifiers to use. Any customizations you create will be added separately to %1
en_AU: Select a file of predefined shortcuts and modifiers to use. Any customisations you create will be added separately to %1

en: Remove all your customized keyboard shortcuts, and revert to the shortcuts in the shortcut file listed above
en_AU: Remove all your customised keyboard shortcuts, and revert to the shortcuts in the shortcut file listed above

en: Highlight Color
en_AU: Highlight Colour

en: <small><i>Enter JavaScript code for interactive behavior in a browser.</i></small>
en_AU: <small><i>Enter JavaScript code for interactive behaviour in a browser.</i></small>

en: Set item highlight color
en_AU: Set item highlight colour

en: Highlight color
en_AU: Highlight colour

[ctx: Polar arrange tab]
en: Y coordinate of the center
en_AU: Y coordinate of the centre

[ctx: Polar arrange tab]
en: X coordinate of the center
en_AU: X coordinate of the centre

[ctx: Polar arrange tab]
en: Objects' rotational centers
en_AU: Objects' rotational centres

[ctx: Polar arrange tab]
en: Parameterized:
en_AU: Parameterised:

[ctx: Polar arrange tab]
en: Center X/Y:
en_AU: Centre X/Y:

en: No glyph selected in the SVGFonts dialog.
en_AU: No glyph selected in the SVGFonts dialogue.

en: Automatic panel layout:
    changes with dialog size
en_AU: Automatic panel layout:
    changes with dialogue size

en: Drop color on gradient
en_AU: Drop colour on gradient

en: Drop color
en_AU: Drop colour

en: Transform around center
en_AU: Transform around centre

en: When scaling, scale selection symmetrically around its rotation center. When rotating/skewing, transform relative to opposite corner/edge.
en_AU: When scaling, scale selection symmetrically around its rotation centre. When rotating/skewing, transform relative to opposite corner/edge.

en: Adjust the <b>tip radius</b> of the star or polygon; with <b>Shift</b> to round; with <b>Alt</b> to randomize
en_AU: Adjust the <b>tip radius</b> of the star or polygon; with <b>Shift</b> to round; with <b>Alt</b> to randomise

en: Adjust the <b>base radius</b> of the star; with <b>Ctrl</b> to keep star rays radial (no skew); with <b>Shift</b> to round; with <b>Alt</b> to randomize
en_AU: Adjust the <b>base radius</b> of the star; with <b>Ctrl</b> to keep star rays radial (no skew); with <b>Shift</b> to round; with <b>Alt</b> to randomise

[ctx: Transform handle tip]
en: <b>Shift+Ctrl</b>: scale uniformly about the rotation center
en_AU: <b>Shift+Ctrl</b>: scale uniformly about the rotation centre

[ctx: Transform handle tip]
en: <b>Shift+Alt</b>: scale using an integer ratio about the rotation center
en_AU: <b>Shift+Alt</b>: scale using an integer ratio about the rotation centre

[ctx: Transform handle tip]
en: <b>Shift</b>: scale from the rotation center
en_AU: <b>Shift</b>: scale from the rotation centre

[ctx: Transform handle tip]
en: <b>Rotation handle</b>: drag to rotate the selection around the rotation center
en_AU: <b>Rotation handle</b>: drag to rotate the selection around the rotation centre

[ctx: Transform handle tip]
en: <b>Shift</b>: skew about the rotation center
en_AU: <b>Shift</b>: skew about the rotation centre

[ctx: Transform handle tip]
en: <b>Rotation center</b>: drag to change the origin of transforms
en_AU: <b>Rotation centre</b>: drag to change the origin of transforms

note: TRANSLATORS: for info, see http://www.w3.org/TR/2000/CR-SVG-20000802/pservers.html#LinearGradientSpreadMethodAttribute
en: Whether to fill with flat color beyond the ends of the gradient vector (spreadMethod="pad"), or repeat the gradient in the same direction (spreadMethod="repeat"), or repeat the gradient in alternating opposite directions (spreadMethod="reflect")
en_AU: Whether to fill with flat colour beyond the ends of the gradient vector (spreadMethod="pad"), or repeat the gradient in the same direction (spreadMethod="repeat"), or repeat the gradient in alternating opposite directions (spreadMethod="reflect")

en: center is denser
en_AU: centre is denser

en: center is much denser
en_AU: centre is much denser

en: starts from center
en_AU: starts from centre

en: NOT randomized
en_AU: NOT randomised

en: visibly randomized
en_AU: visibly randomised

en: strongly randomized
en_AU: strongly randomised

en: Star: Change randomization
en_AU: Star: Change randomisation

en: Color/opacity used for color tweaking
en_AU: Colour/opacity used for colour tweaking

en: Set picked color
en_AU: Set picked colour

en: <b>Release mouse</b> to set color.
en_AU: <b>Release mouse</b> to set colour.

en: Visible Colors
en_AU: Visible Colours

en: Measure start, <b>Shift+Click</b> for position dialog
en_AU: Measure start, <b>Shift+Click</b> for position dialogue

en: Measure end, <b>Shift+Click</b> for position dialog
en_AU: Measure end, <b>Shift+Click</b> for position dialogue

en: Smoothed mesh corner color.
en_AU: Smoothed mesh corner colour.

en: Picked mesh corner color.
en_AU: Picked mesh corner colour.

en: <b>Sketch mode</b>: holding <b>Alt</b> interpolates between sketched paths. Release <b>Alt</b> to finalize.
en_AU: <b>Sketch mode</b>: holding <b>Alt</b> interpolates between sketched paths. Release <b>Alt</b> to finalise.

en: %s. Drag or click to <b>paint objects</b> with color.
en_AU: %s. Drag or click to <b>paint objects</b> with colour.

en: %s. Drag or click to <b>randomize colors</b>.
en_AU: %s. Drag or click to <b>randomise colours</b>.

en: Color paint tweak
en_AU: Colour paint tweak

en: Color jitter tweak
en_AU: Colour jitter tweak

en: Toggle color-managed display for this document window
en_AU: Toggle colour-managed display for this document window

en: Hexadecimal RGBA value of the color
en_AU: Hexadecimal RGBA value of the colour

en: Choose style of color selection
en_AU: Choose style of colour selection

en: Color Managed
en_AU: Colour Managed

en: grayscale
en_AU: greyscale

en: print colors preview
en_AU: print colours preview

en: Set fill color
en_AU: Set fill colour

en: Set stroke color
en_AU: Set stroke colour

[ctx: BlendMode]
en: Color Burn
en_AU: Colour Burn

[ctx: BlendMode]
en: Color Dodge
en_AU: Colour Dodge

[ctx: BlendMode]
en: Color
en_AU: Colour

en: Normal capitalization.
en_AU: Normal capitalisation.

en: Stop color
en_AU: Stop colour

en: Color profile:
en_AU: Colour profile:

en: Document license updated
en_AU: Document licence updated

en: Border and shadow color
en_AU: Border and shadow colour

en: Flat color
en_AU: Flat colour

en: <b>Flat color</b>
en_AU: <b>Flat colour</b>

en: Pattern color
en_AU: Pattern colour

en: Flat color (fill)
en_AU: Flat colour (fill)

en: Flat color (stroke)
en_AU: Flat colour (stroke)

en: Apply last set color to fill
en_AU: Apply last set colour to fill

en: Apply last set color to stroke
en_AU: Apply last set colour to stroke

en: Apply last selected color to fill
en_AU: Apply last selected colour to fill

en: Apply last selected color to stroke
en_AU: Apply last selected colour to stroke

en: Last Set Color
en_AU: Last Set Colour

en: Last Selected Color
en_AU: Last Selected Colour

en: Copy Color
en_AU: Copy Colour

en: Paste Color
en_AU: Paste Colour

en: Swatch color
en_AU: Swatch colour

en: Change swatch color
en_AU: Change swatch colour

en: Enlarge pinned colors
en_AU: Enlarge pinned colours

en: Show color labels
en_AU: Show colour labels

en: Select this on canvas (if applicable) or in the XML dialog (e.g. a pattern in the 'defs' section)
en_AU: Select this on canvas (if applicable) or in the XML dialogue (e.g. a pattern in the 'defs' section)

en: Set Favorite
en_AU: Set Favourite

en: Unset Favorite
en_AU: Unset Favourite

en: Layers and Objects dialog settings
en_AU: Layers and Objects dialogue settings

en: Search colors by their name
en_AU: Search colours by their name

en: Load palette of colors or swatches
en_AU: Load palette of colours or swatches

en: Show colors with names
en_AU: Show colours with names

en: Show colors in a grid
en_AU: Show colours in a grid

en: This dialog allows you to automatically convert a raster graphic into vector paths. Several options are available for different use cases:
     * "Brightness cutoff" detects areas that are darker than the threshold value and creates a path enclosing them (using potrace).
     * "Edge detection" detects changes greater than the given threshold value in the brightness of color patches and creates paths to separate them (using potrace).
     * "Color quantization" separates the image into the given number of colors, and separates them with a path (using potrace).
     * "Autotrace" uses the autotrace algorithm with the given option.
     * "Centerline tracing" tries to vectorize a line drawing (with autotrace).
     * "Multicolor" options separate the image into a number of scans, depending on brightness, color separation, or gray levels (using potrace), or using the autotrace algorithm, and create several paths for those.
     * The "Pixel art" tab allows to use an algorithm for pixel recognition or one for depixelizing to vectorize pixel art images.
    
     * NOTE:
      1) Save your work before tracing
      2) Watch your pixel count: "Trace pixel art" creates up to one path per pixel. It is not recommended for images that are not pixel art.
      3) Autotrace is slower than potrace, it is not recommended for big images. Preprocessing your images to increase contrast is recommended.
      4) If your goal is to get few nodes and good precision, manual tracing is always best.
en_AU: This dialogue allows you to automatically convert a raster graphic into vector paths. Several options are available for different use cases:
     * "Brightness cutoff" detects areas that are darker than the threshold value and creates a path enclosing them (using potrace).
     * "Edge detection" detects changes greater than the given threshold value in the brightness of colour patches and creates paths to separate them (using potrace).
     * "Colour quantisation" separates the image into the given number of colours, and separates them with a path (using potrace).
     * "Autotrace" uses the autotrace algorithm with the given option.
     * "Centreline tracing" tries to vectorise a line drawing (with autotrace).
     * "Multicolour" options separate the image into a number of scans, depending on brightness, colour separation, or grey levels (using potrace), or using the autotrace algorithm, and create several paths for those.
     * The "Pixel art" tab allows to use an algorithm for pixel recognition or one for depixellising to vectorise pixel art images.
    
     * NOTE:
      1) Save your work before tracing
      2) Watch your pixel count: "Trace pixel art" creates up to one path per pixel. It is not recommended for images that are not pixel art.
      3) Autotrace is slower than potrace, it is not recommended for big images. Preprocessing your images to increase contrast is recommended.
      4) If your goal is to get few nodes and good precision, manual tracing is always best.

en: Try to optimize paths by joining adjacent Bezier curve segments
en_AU: Try to optimise paths by joining adjacent Bezier curve segments

en: Color quantization
en_AU: Colour quantisation

en: Increase this to reduce the number of nodes in the trace by more aggressive optimization
en_AU: Increase this to reduce the number of nodes in the trace by more aggressive optimisation

en: Grays
en_AU: Greys

en: Multicolor
en_AU: Multicolour

en: Favors connections that are part of foreground color
en_AU: Favours connections that are part of foreground colour

en: The radius of the window analyzed
en_AU: The radius of the window analysed

[ctx: loading-fonts]
en: Initializing
en_AU: Initialising

en: Optimize speed
en_AU: Optimise speed

en: Optimize quality
en_AU: Optimise quality

en: Pixelated
en_AU: Pixellated

en: <big><b>See the full details about the Inkscape licenses <a href="https://inkscape.org/about/license/">here</a>!</b></big>
en_AU: <big><b>See the full details about the Inkscape licences <a href="https://inkscape.org/about/license/">here</a>!</b></big>

en: License file failed to load.
en_AU: Licence file failed to load.

en: Inkscape license
en_AU: Inkscape licence

en: Colorful
en_AU: Colourful

en: Select the default color background for the canvas
en_AU: Select the default colour background for the canvas

en: Randomized:
en_AU: Randomised:

en: Page background color used during editing and exporting
en_AU: Page background colour used during editing and exporting

en: Page border and drop shadow color
en_AU: Page border and drop shadow colour

en: Desk background color surrounding pages
en_AU: Desk background colour surrounding pages

en: If set, use a colored checkerboard for the desk background.
en_AU: If set, use a coloured checkerboard for the desk background.

en: Color:
en_AU: Colour:

en: Apply color to the current pattern
en_AU: Apply colour to the current pattern

en: Center on vertical axis
en_AU: Centre on vertical axis

en: Center on horizontal axis
en_AU: Centre on horizontal axis

en: Gray Scale
en_AU: Grey Scale

en: Color Management
en_AU: Colour Management

en: Show/Hide D_ialogs
en_AU: Show/Hide D_ialogues

en: Pick both the color and the alpha (transparency) under cursor; otherwise, pick only the visible color premultiplied by alpha
en_AU: Pick both the colour and the alpha (transparency) under cursor; otherwise, pick only the visible colour premultiplied by alpha

en: Open LPE dialog (to adapt parameters numerically)
en_AU: Open LPE dialogue (to adapt parameters numerically)

en: Pick colors for selected corner nodes from underneath mesh.
en_AU: Pick colours for selected corner nodes from underneath mesh.

note: #-#-#-#-#  5 (_avogadro-en_GB)  #-#-#-#-# i18n: file: qtplugins/templatetool/templatetoolwidget.ui:42 i18n: ectx: attribute (title), widget (QWidget, centersTab)
en: Centers
en_AU: Centres

en: Object rotation centers
en_AU: Object rotation centres

en: No overlap between colors
en_AU: No overlap between colours

en: Pick color from the drawing. You can use clonetiler trace dialog for advanced effects. In clone mode original fill or stroke colors must be unset.
en_AU: Pick colour from the drawing. You can use clonetiler trace dialogue for advanced effects. In clone mode original fill or stroke colours must be unset.

en: Apply picked color to fill
en_AU: Apply picked colour to fill

en: Apply picked color to stroke
en_AU: Apply picked colour to stroke

en: Inverted pick value, retaining color in advanced trace mode
en_AU: Inverted pick value, retaining colour in advanced trace mode

en: Pick from center instead of average area.
en_AU: Pick from centre instead of average area.

en: Open the Font Collections dialog
en_AU: Open the Font Collections dialogue

en: Align center
en_AU: Align centre

en: COLORS AND STYLES
en_AU: COLOURS AND STYLES

en: Paint the tool's color upon selected objects
en_AU: Paint the tool's colour upon selected objects

en: Jitter the colors of selected objects
en_AU: Jitter the colours of selected objects

en: In color mode, act on object's hue
en_AU: In colour mode, act on object's hue

en: In color mode, act on object's saturation
en_AU: In colour mode, act on object's saturation

en: In color mode, act on object's lightness
en_AU: In colour mode, act on object's lightness

en: In color mode, act on object's opacity
en_AU: In colour mode, act on object's opacity

en: Area is zero, cannot calculate Center of Mass
en_AU: Area is zero, cannot calculate Centre of Mass

en: You need at least 7mm bleed to show cutting marks or color marks
en_AU: You need at least 7mm bleed to show cutting marks or colour marks

en: Please select a color profile in the document settings.
en_AU: Please select a colour profile in the document settings.

en: Please only link a single color profile in the document settings. No output generated.
en_AU: Please only link a single colour profile in the document settings. No output generated.

en: Threshold Color (1-255):
en_AU: Threshold Colour (1-255):

en: Input (r,g,b) Color Range:
en_AU: Input (r,g,b) Colour Range:

en: 
    Allows you to evaluate different functions for each channel.
    r, g and b are the normalized values of the red, green and blue channels. The resulting RGB values are automatically clamped.
    
    Example (half the red, swap green and blue):
      Red Function: r*0.5
      Green Function: b
      Blue Function: g
en_AU: 
    Allows you to evaluate different functions for each channel.
    r, g and b are the normalised values of the red, green and blue channels. The resulting RGB values are automatically clamped.
    
    Example (half the red, swap green and blue):
      Red Function: r*0.5
      Green Function: b
      Blue Function: g

en: Randomizes hue, saturation, lightness and/or opacity (opacity randomization only for objects and groups). Change the range values to limit the distance between the original color and the randomized one.
en_AU: Randomises hue, saturation, lightness and/or opacity (opacity randomisation only for objects and groups). Change the range values to limit the distance between the original colour and the randomised one.

en: Replace Color
en_AU: Replace Colour

en: Color to replace
en_AU: Colour to replace

en: From color
en_AU: From colour

en: Ignore opacity when searching for colors to replace
en_AU: Ignore opacity when searching for colours to replace

en: New color
en_AU: New colour

en: To color
en_AU: To colour

en: Visualize Path
en_AU: Visualise Path

en: 
    Apply this extension after opening an SVG file
        exported from Adobe Illustrator to:
    
    (1) Recognize and import named layers.
    
    (2) Correct document scale, if necessary.
        (Illustrator may export SVG at 75% of correct size.)
en_AU: 
    Apply this extension after opening an SVG file
        exported from Adobe Illustrator to:
    
    (1) Recognise and import named layers.
    
    (2) Correct document scale, if necessary.
        (Illustrator may export SVG at 75% of correct size.)

en: - AutoCAD Release 14 DXF format.
    - The base unit parameter specifies in what unit the coordinates are output (96 px = 1 in).
    - Supported element types
        - paths (lines and splines)
        - rectangles
        - clones (the crossreference to the original is lost)
    - ROBO-Master spline output is a specialized spline readable only by ROBO-Master and AutoDesk viewers, not Inkscape.
    - LWPOLYLINE output is a multiply-connected polyline, disable it to use a legacy version of the LINE output.
    - You can choose to export all layers, only visible ones or by name match (case insensitive and use comma ',' as separator)
en_AU: - AutoCAD Release 14 DXF format.
    - The base unit parameter specifies in what unit the coordinates are output (96 px = 1 in).
    - Supported element types
        - paths (lines and splines)
        - rectangles
        - clones (the crossreference to the original is lost)
    - ROBO-Master spline output is a specialised spline readable only by ROBO-Master and AutoDesk viewers, not Inkscape.
    - LWPOLYLINE output is a multiply-connected polyline, disable it to use a legacy version of the LINE output.
    - You can choose to export all layers, only visible ones or by name match (case insensitive and use comma ',' as separator)

en: Exports the colors of this document as GIMP Palette
en_AU: Exports the colours of this document as GIMP Palette

en: Fractalize
en_AU: Fractalise

en: Stroke Color:
en_AU: Stroke Colour:

en: Fill Color:
en_AU: Fill Colour:

en: 
    This extension renders all text (or all selected text)
    in your document into using specialized "stroke" or
    "engraving" fonts designed for plotters.
    
    Whereas regular "outline" fonts (e.g., TrueType) work
    by filling in the region inside an invisible outline,
    engraving fonts are composed only of individual lines
    or strokes; much like human handwriting.
    
    Engraving fonts are used for creating text paths that
    computer controlled drawing and cutting machines (from
    pen plotters to CNC routers) can efficiently follow.
    
    A complete user guide is available to download at:
      http://wiki.evilmadscientist.com/hershey
    
    For extended help, click "Apply" with this tab selected.
en_AU: 
    This extension renders all text (or all selected text)
    in your document into using specialised "stroke" or
    "engraving" fonts designed for plotters.
    
    Whereas regular "outline" fonts (e.g., TrueType) work
    by filling in the region inside an invisible outline,
    engraving fonts are composed only of individual lines
    or strokes; much like human handwriting.
    
    Engraving fonts are used for creating text paths that
    computer controlled drawing and cutting machines (from
    pen plotters to CNC routers) can efficiently follow.
    
    A complete user guide is available to download at:
      http://wiki.evilmadscientist.com/hershey
    
    For extended help, click "Apply" with this tab selected.

en: 
    The classic Hershey fonts included are derived from
    work by Dr. A. V. Hershey.
    
    Additional modern "EMS" fonts in this distribution are
    derivatives created from fonts licensed under the SIL
    Open Font License.
    
    For full credits and license information, please read the
    credits embedded within the SVG fonts included with this
    distribution.
en_AU: 
    The classic Hershey fonts included are derived from
    work by Dr. A. V. Hershey.
    
    Additional modern "EMS" fonts in this distribution are
    derivatives created from fonts licensed under the SIL
    Open Font License.
    
    For full credits and licence information, please read the
    credits embedded within the SVG fonts included with this
    distribution.

en: Check this to mirror the X axis (Default: Unchecked)
en_AU: Tick this to mirror the X axis (Default: Unticked)

en: Check this to mirror the Y axis (Default: Unchecked)
en_AU: Tick this to mirror the Y axis (Default: Unticked)

en: Center zero point
en_AU: Centre zero point

en: Check this if your plotter uses a centered zero point (Default: Unchecked)
en_AU: Tick this if your plotter uses a centred zero point (Default: Unticked)

en: Check this to cut a small line before the real drawing starts to correctly align the tool orientation. (Default: Checked)
en_AU: Tick this to cut a small line before the real drawing starts to correctly align the tool orientation. (Default: Ticked)

en: Check this to auto align the drawing to the zero point (Plus the tool offset if used). If unchecked you have to make sure that all parts of your drawing are within the document border! (Default: Checked)
en_AU: Tick this to auto align the drawing to the zero point (Plus the tool offset if used). If unticked you have to make sure that all parts of your drawing are within the document border! (Default: Ticked)

en: The first option rediscretizes both paths before the interpolation with the other path's node positions. The second option removes extra nodes of the longer path.
en_AU: The first option rediscretises both paths before the interpolation with the other path's node positions. The second option removes extra nodes of the longer path.

en: Path Colors
en_AU: Path Colours

en: Set path color to blue:
en_AU: Set path colour to blue:

en: Set path color to cyan:
en_AU: Set path colour to cyan:

en: Set path color to green:
en_AU: Set path colour to green:

en: Set path color to black:
en_AU: Set path colour to black:

en: Set path color to magenta:
en_AU: Set path colour to magenta:

en: Set path color to orange:
en_AU: Set path colour to orange:

en: Set path color to red:
en_AU: Set path colour to red:

en: Set path color to white:
en_AU: Set path colour to white:

en: Set path color to yellow:
en_AU: Set path colour to yellow:

en: This extension allows you customize the key bindings JessyInk uses. Please see code.google.com/p/jessyink for more details.
en_AU: This extension allows you customise the key bindings JessyInk uses. Please see code.google.com/p/jessyink for more details.

en: This extension allows you customize the mouse handler JessyInk uses. Please see code.google.com/p/jessyink for more details.
en_AU: This extension allows you customise the mouse handler JessyInk uses. Please see code.google.com/p/jessyink for more details.

en: If the export already exists, it will skip it and color the rectangle GREY. If the "Overwrite existing exports" checkbox is selected, and the file was previously generated, it will color the rectangle RED. For new exports that did not previously exist, the rectangle will be GREEN.
en_AU: If the export already exists, it will skip it and colour the rectangle GREY. If the "Overwrite existing exports" tick box is selected, and the file was previously generated, it will colour the rectangle RED. For new exports that did not previously exist, the rectangle will be GREEN.

en: Randomize step (%):
en_AU: Randomise step (%):

en: Randomize angle (%):
en_AU: Randomise angle (%):

en: 
    The path is generated by applying the 
    substitutions of Rules to the Axiom, 
    Order times. The following commands are 
    recognized in Axiom and Rules:
    
    Any of A,B,C,D,E,F: draw forward 
    
    Any of G,H,I,J,K,L: move forward 
    
    +: turn left
    
    -: turn right
    
    |: turn 180 degrees
    
    [: remember point
    
    ]: return to remembered point
    
    Multiple rules can be provided by 
    separating them with a semicolon (;).
en_AU: 
    The path is generated by applying the 
    substitutions of Rules to the Axiom, 
    Order times. The following commands are 
    recognised in Axiom and Rules:
    
    Any of A,B,C,D,E,F: draw forward 
    
    Any of G,H,I,J,K,L: move forward 
    
    +: turn left
    
    -: turn right
    
    |: turn 180 degrees
    
    [: remember point
    
    ]: return to remembered point
    
    Multiple rules can be provided by 
    separating them with a semicolon (;).

en: Fill shadow with stroke color of selected object(s) if set
en_AU: Fill shadow with stroke colour of selected object(s) if set

en: Color Markers
en_AU: Colour Markers

en: Invert fill and stroke colors
en_AU: Invert fill and stroke colours

en: Assign fill color
en_AU: Assign fill colour

en: Assign stroke color
en_AU: Assign stroke colour

[ctx: measure extension]
en: Center of Mass
en_AU: Centre of Mass

en: Fixed Text, Center of BBox
en_AU: Fixed Text, Centre of BBox

en: Fixed Text, Center of Mass
en_AU: Fixed Text, Centre of Mass

en: Center (Middle)
en_AU: Centre (Middle)

en: This effect measures the length, area, or center-of-mass of the selected paths. Length and area are added as a text object with the selected units. Center-of-mass is shown as a cross symbol.
    
      * Text display format can be either Text-On-Path, or stand-alone text at a specified angle.
      * The number of significant digits can be controlled by the Precision field.
      * The Offset field controls the distance from the text to the path.
      * The Scale factor can be used to make measurements in scaled drawings. For example, if 1 cm in the drawing equals 2.5 m in the real world, Scale must be set to 250.
      * When calculating area, the result should be precise for polygons and Bezier curves. If a circle is used, the area may be too high by as much as 0.03%.
en_AU: This effect measures the length, area, or centre-of-mass of the selected paths. Length and area are added as a text object with the selected units. Centre-of-mass is shown as a cross symbol.
    
      * Text display format can be either Text-On-Path, or stand-alone text at a specified angle.
      * The number of significant digits can be controlled by the Precision field.
      * The Offset field controls the distance from the text to the path.
      * The Scale factor can be used to make measurements in scaled drawings. For example, if 1 cm in the drawing equals 2.5 m in the real world, Scale must be set to 250.
      * When calculating area, the result should be precise for polygons and Bezier curves. If a circle is used, the area may be too high by as much as 0.03%.

en: Font color:
en_AU: Font colour:

en: Color scheme:
en_AU: Colour scheme:

en: Custom colors:
en_AU: Custom colours:

en: Reverse color scheme
en_AU: Reverse colour scheme

en: Area fill shift
en_AU: Filling method

en: 
    Usage:
    1. Select all Area Offsets (gray outlines)
    2. Object/Ungroup (Shift+Ctrl+G)
    3. Press Apply
    
    Suspected small objects will be marked out by colored arrows.
en_AU: 
    Usage:
    1. Select all Area Offsets (grey outlines)
    2. Object/Ungroup (Shift+Ctrl+G)
    3. Press Apply
    
    Suspected small objects will be marked out by coloured arrows.

en: 
    Biarc interpolation tolerance is the maximum distance between path and its approximation.
    The segment will be split into two segments if the distance between path's segment and its approximation exceeds biarc interpolation tolerance.
    For depth function c=color intensity from 0.0 (white) to 1.0 (black), d is the depth defined by orientation points, s - surface defined by orientation points.
en_AU: 
    Biarc interpolation tolerance is the maximum distance between path and its approximation.
    The segment will be split into two segments if the distance between path's segment and its approximation exceeds biarc interpolation tolerance.
    For depth function c=colour intensity from 0.0 (white) to 1.0 (black), d is the depth defined by orientation points, s - surface defined by orientation points.

en: Parameterize Gcode
en_AU: Parameterise Gcode

en: Flip y axis and parameterize Gcode
en_AU: Flip y axis and parameterise Gcode

en: Create linearization preview
en_AU: Create linearisation preview

en: Optimized SVG Output
en_AU: Optimised SVG Output

en: Shorten color values
en_AU: Shorten colour values

en: Convert all color specifications to #RRGGBB (or #RGB where applicable) format.
en_AU: Convert all colour specifications to #RRGGBB (or #RGB where applicable) format.

en: Create groups for runs of elements having at least one attribute in common (e.g. fill-color, stroke-opacity, ...).
en_AU: Create groups for runs of elements having at least one attribute in common (e.g. fill-colour, stroke-opacity, ...).

en: Remove metadata tags along with all the contained information, which may include license and author information, alternate versions for non-SVG-enabled browsers, etc.
en_AU: Remove metadata tags along with all the contained information, which may include licence and author information, alternate versions for non-SVG-enabled browsers, etc.

en: Minimize the length of IDs using only lowercase letters, assigning the shortest values to the most-referenced elements. For instance, "linearGradient5621" will become "a" if it is the most used element.
en_AU: Minimise the length of IDs using only lowercase letters, assigning the shortest values to the most-referenced elements. For instance, "linearGradient5621" will become "a" if it is the most used element.

en: Optimized SVG Output is provided by
en_AU: Optimised SVG Output is provided by

en: Optimized SVG (*.svg)
en_AU: Optimised SVG (*.svg)

en: The Parity of your serial connection, 99% of all plotters use the default setting (default: None)
en_AU: Note: Bond Weight # calculations are a best-guess estimate.

en: The speed the pen will move with in centimeters or millimeters per second (depending on your plotter model). Set to 0 to omit command. Most plotters ignore this command (default: 0). Can be defined in the layer name together with the pen number (e.g. 'Pen 3 Speed 10').
en_AU: The speed the pen will move with in centimetres or millimetres per second (depending on your plotter model). Set to 0 to omit command. Most plotters ignore this command (default: 0). Can be defined in the layer name together with the pen number (e.g. 'Pen 3 Speed 10').

en: Center origin
en_AU: Centre origin

en: Fill color, Red:
en_AU: Fill colour, Red:

en: Fill color, Green:
en_AU: Fill colour, Green:

en: Fill color, Blue:
en_AU: Fill colour, Blue:

en: Color Bars
en_AU: Colour Bars

en: Optimized PNG
en_AU: Optimised PNG

en: Optimize PNG with 'optipng'
en_AU: Optimise PNG with 'optipng'

en: Allow color type reduction
en_AU: Allow colour type reduction

en: Optimized PNG (*.png)
en_AU: Optimised PNG (*.png)

en: Optimize PNG output for file size.
en_AU: Optimise PNG output for file size.

en: Invert the colors, may fail for symbols option
en_AU: Invert the colours, may fail for symbols option

en: Diameter of center hole (0 for none):
en_AU: Diameter of centre hole (0 for none):

en: Unit of measurement for both circular pitch and center diameter.
en_AU: Unit of measurement for both circular pitch and centre diameter.

en: Show color reference
en_AU: Show colour reference

en: Behavior:
en_AU: Behaviour:

en: Year color:
en_AU: Year colour:

en: Month color:
en_AU: Month colour:

en: Weekday name color:
en_AU: Weekday name colour:

en: Day color:
en_AU: Day colour:

en: Weekend day color:
en_AU: Weekend day colour:

en: Next month day color:
en_AU: Next month day colour:

en: Week number color:
en_AU: Week number colour:

en: Triangles color
en_AU: Triangles colour

en: Triangles with item color
en_AU: Triangles with item colour

en: Triangles with item color (random on apply)
en_AU: Triangles with item colour (random on apply)

en: Top and Center
en_AU: Top and Centre

en: Middle and Center
en_AU: Middle and Centre

en: Bottom and Center
en_AU: Bottom and Centre

en: Export Layout Pieces and HTML+CSS code
en_AU: Export layout pieces and HTML+CSS code

en: It uses vector graphics to allow for sharp printouts and renderings at unlimited resolution and is not bound to a fixed number of pixels like raster graphics. Inkscape uses the standardized SVG file format as its main format, which is supported by many other applications including web browsers.
en_AU: It uses vector graphics to allow for sharp printouts and renderings at unlimited resolution and is not bound to a fixed number of pixels like raster graphics. Inkscape uses the standardised SVG file format as its main format, which is supported by many other applications including web browsers.

en: Customizable handles
en_AU: Customisable handles

en: Document resources dialog
en_AU: Document resources dialogue

en: Single dialog for alignment options
en_AU: Single dialogue for alignment options

en: Gradient editing in Fill and Stroke dialog
en_AU: Gradient editing in Fill and Stroke dialogue

en: More customization options
en_AU: More customisation options

en: Welcome dialog
en_AU: Welcome dialogue

en: Complete rework of the dialog docking system
en_AU: Complete rework of the dialogue docking system

en: Search field in Preferences dialog
en_AU: Search field in Preferences dialogue

en: Improved Export PNG dialog
en_AU: Improved Export PNG dialogue

en: Ability to directly export JPG, TIFF, optimized PNG, and WebP
en_AU: Ability to directly export JPG, TIFF, optimised PNG, and WebP

en: Theming support and more new customization options
en_AU: Theming support and more new customisation options

en: Native support for macOS with a signed and notarized .dmg file
en_AU: Native support for macOS with a signed and notarised .dmg file

en: Integrated centerline tracing for vectorizing line drawings
en_AU: Integrated centreline tracing for vectorising line drawings

en: Searchable Symbols dialog
en_AU: Searchable Symbols dialogue

en: New Live Path Effect (LPE) selection dialog
en_AU: New Live Path Effect (LPE) selection dialogue

en: The color slider can be constrained to stepped values
en_AU: The colour slider can be constrained to stepped values

en: Improved fill and stroke HSL color selection
en_AU: Improved fill and stroke HSL colour selection

en: An additional handle at the center of shapes
en_AU: An additional handle at the centre of shapes

en: millimeter
en_AU: millimetre

en: millimeters
en_AU: millimetres

en: Millimeters (25.4 mm/in)
en_AU: Millimetres (25.4 mm/in)

en: centimeter
en_AU: centimetre

en: centimeters
en_AU: centimetres

en: Centimeters (10 mm/cm)
en_AU: Centimetres (10 mm/cm)

en: Ids
en_AU: IDs

en: Anonymize...
en_AU: Make anonymous...

note: LST_CAR_DATE, LST_CAR_MEMO, LST_CAR_METER, LST_CAR_FUEL, LST_CAR_PRICE, LST_CAR_AMOUNT, LST_CAR_DIST, LST_CAR_100KM column: Memo column = gtk_tree_view_column_new(); gtk_tree_view_column_set_title(column, _("Memo")); gtk_tree_view_append_column (GTK_TREE_VIEW(view), column); renderer = gtk_cell_rend
en: Meter
en_AU: Metre

en: Meter:
en_AU: Metre:

en: Cannot add an account '%s',
    this name already exists.
en_AU: Cannot add an account '%s"
    this name already exixts.

en: Current check number
en_AU: Current cheque number

en: Checkbook _1:
en_AU: Chequebook _1:

en: Checkbook _2:
en_AU: Chequebook _2:

en: The match is done in order: by account, amount and date.
    A date tolerance of 0 day means an exact match
en_AU: The match is done in order: by account, amount and date.
    A date tolerance of 0 days means an exact match

en: HomeBank has found some transaction that may be the associated transaction for the internal transfer.
en_AU: HomeBank has found a transaction that may be the associated transaction for the internal transfer.

en: Use _miles for meter
en_AU: Use _miles for distance

en: Amount colors
en_AU: Amount colours

en: Uses custom colors
en_AU: Uses custom colours

en: Uncategorized
en_AU: Uncategorised

en: Horizontal Center
en_AU: Horizontal Centre

en: Vertical Center
en_AU: Vertical Centre

en: Color Killer
en_AU: Colour Killer

en: Color Effects
en_AU: Colour Effects

en: greeting
en_AU: G'day

en: Create new accounts by clicking the New button in the main window tool bar. This will bring up a dialog box where you can enter account details. For more information on choosing an account type or setting up a chart of accounts, please see the GnuCash online manual.
en_AU: Create new accounts by clicking the New button in the main window tool bar. This will bring up a dialogue box where you can enter account details. For more information on choosing an account type or setting up a chart of accounts, please see the GnuCash online manual.

en: To enter multiple-split transactions such as a paycheck with multiple deductions, click the Split button in the tool bar. Alternatively, in the View menu, you can choose the register style Auto-Split Ledger or Transaction Journal.
en_AU: To enter multiple-split transactions such as a pay slip with multiple deductions, click the Split button in the tool bar. Alternatively, in the View menu, you can choose the register style Auto-Split Ledger or Transaction Journal.

en: When entering dates, you can type '+' or '-' to increment or decrement the selected date. You can use '+' and '-' to increment and decrement check numbers as well.
en_AU: When entering dates, you can type '+' or '-' to increment or decrement the selected date. You can use '+' and '-' to increment and decrement cheque numbers as well.

en: Style Sheets affect how reports are displayed. Choose a style sheet for your report as a report option, and use the Edit->Style Sheets menu to customize style sheets.
en_AU: Style Sheets affect how reports are displayed. Choose a style sheet for your report as a report option, and use the Edit->Style Sheets menu to customise style sheets.

en: Company issues a notional distribution, which is recorded as capital gain and increases the cost basis without affecting # units.
en_AU: Company issues a notional distribution, which is recorded as a capital gain and increases the cost basis without affecting # units.

en: Company issues additional units, thereby reducing the stock price by a divisor , while keeping the total monetary value of the overall investment constant. 
    
    If the split results in a cash in lieu for remainder units, please record the sale using the Stock Transaction Assistant first, then record the split.
en_AU: Company issues additional units, thereby reducing the stock price by a divisor, while keeping the total monetary value of the overall investment constant.
    
    If the split results in a cash in lieu for remainder units, please record the sale using the Stock Transaction Assistant first, then record the split.

en: Buy back stock to cover short position, and record capital gain/loss. 
    
    If you are unable to calculate capital gains you can enter a placeholder amount and correct it in the transaction later.
en_AU: Buy back stock to cover short position, and record capital gain/loss.
    
    If you are unable to calculate capital gains you can enter a placeholder amount and correct it in the transaction later.

en: Company returns capital, and the short stock holder must make a compensatory payment for the returned capital. This reduces the cost basis (less negative, towards 0.00 value) without affecting # units. A distribution previously recorded as a compensatory dividend is reclassified to compensatory return of capital,often due to end-of-year tax information.
en_AU: Company returns capital, and the short stock holder must make a compensatory payment for the returned capital. This reduces the cost basis (less negative, towards 0.00 value) without affecting # units. A distribution previously recorded as a compensatory dividend is reclassified to compensatory return of capital, often due to end-of-year tax information.

en: Company issues additional units, thereby reducing the stock price by a divisor, while keeping the total monetary value of the overall investment constant. 
    
    If the split results in a cash in lieu for remainder units, please record the cover buy using the Stock Transaction Assistant first, then record the split.
en_AU: Company issues additional units, thereby reducing the stock price by a divisor, while keeping the total monetary value of the overall investment constant.
    
    If the split results in a cash in lieu for remainder units, please record the cover buy using the Stock Transaction Assistant first, then record the split.

en: The post action was canceled because not all exchange rates were given.
en_AU: The post action was cancelled because not all exchange rates were given.

en: Cannot save check format file.
en_AU: Cannot save cheque format file.

en: There is a duplicate check format file.
en_AU: There is a duplicate cheque format file.

note: Translators: %1$s is the type of the first check format (user defined or application defined); %2$s is the filename of that format; %3$s the type of the other check format; and %4$s the filename of that other format.
en: The GUIDs in the %s check format file '%s' and the %s check format file '%s' match.
en_AU: The GUIDs in the %s cheque format file '%s' and the %s cheque format file '%s' match.

en: Cut the selected transaction into clipboard
en_AU: Cut the selected transaction onto the clipboard

en: Copy the selected transaction into clipboard
en_AU: Copy the selected transaction onto the clipboard

en: Cut the selected split into clipboard
en_AU: Cut the selected split onto the clipboard

en: Copy the selected split into clipboard
en_AU: Copy the selected split onto the clipboard

en: Print checks from multiple accounts?
en_AU: Print cheques from multiple accounts?

en: This search result contains splits from more than one account. Do you want to print the checks even though they are not all from the same account?
en_AU: This search result contains splits from more than one account. Do you want to print the cheques even though they are not all from the same account?

en: _Print checks
en_AU: _Print cheques

en: You can only print checks from a bank account register or search results.
en_AU: You can only print cheques from a bank account register or search results.

en: Make Pdf
en_AU: Make PDF

en: Designed to be easy to use, yet powerful and flexible, GnuCash allows you to track bank accounts, stocks, income and expenses. As quick and intuitive to use as a checkbook register, it is based on professional accounting principles like double-entry accounting to ensure balanced books and accurate reports.
en_AU: Designed to be easy to use, yet powerful and flexible, GnuCash allows you to track bank accounts, stocks, income and expenses. As quick and intuitive to use as a chequebook register, it is based on professional accounting principles like double-entry accounting to ensure balanced books and accurate reports.

en: Set the report options you want using this dialog.
en_AU: Set the report options you want using this dialogue.

en: _Show children accounts
en_AU: _Show child accounts

en: Set the account color for account '%s' including all sub-accounts to the selected color
en_AU: Set the account colour for account '%s' including all sub-accounts to the selected colour

note: Translators: Replace here and later CUSIP by the name of your local National Securities Identifying Number like gb:SEDOL, de:WKN, ch:Valorennummer, fr:SICOVAM ... See https://en.wikipedia.org/wiki/ISIN and https://en.wikipedia.org/wiki/National_numbering_agency for hints.
en: 
    Exchange code (ISIN, CUSIP or similar):
en_AU: 
    Exchange code (ISIN, ASX or similar):

en: This file is from an older version of GnuCash and will be upgraded when saved by this version. You will not be able to read the saved file from the older version of Gnucash (it will report an "error parsing the file"). If you wish to preserve the old version, exit without saving.
en_AU: This file is from an older version of GnuCash and will be upgraded when saved by this version. You will not be able to read the saved file from the older version of GnuCash (it will report an "error parsing the file"). If you wish to preserve the old version, exit without saving.

en: Account Color
en_AU: Account Colour

note: Translators: Again replace CUSIP by the name of your National Securities Identifying Number.
en: ISIN/CUSIP
en_AU: ISIN/ASX

note: Translators: Do not translate $DISPLAY! It is an environment variable for X11
en: Error: could not initialize graphical user interface and option add-price-quotes was not set.
    Perhaps you need to set the $DISPLAY environment variable?
en_AU: Error: could not initialise graphical user interface and option add-price-quotes was not set.
    Perhaps you need to set the $DISPLAY environment variable?

en: If active, at startup GnuCash will check to see whether any invoices will become due soon. If so, it will present the user with a reminder dialog. The definition of "soon" is controlled by the "Days in Advance" setting. Otherwise GnuCash does not check for due invoices.
en_AU: If active, at startup GnuCash will check to see whether any invoices will become due soon. If so, it will present the user with a reminder dialogue. The definition of "soon" is controlled by the "Days in Advance" setting. Otherwise GnuCash does not check for due invoices.

en: If this field is active then multiple entries in an invoice that transfer to the same account will be accumulated into a single split. This field can be overridden per invoice in the Posting dialog.
en_AU: If this field is active then multiple entries in an invoice that transfer to the same account will be accumulated into a single split. This field can be overridden per invoice in the Posting dialogue.

en: If active, at startup GnuCash will check to see whether any bills will become due soon. If so, it will present the user with a reminder dialog. The definition of "soon" is controlled by the "Days in Advance" setting. Otherwise GnuCash does not check for due bills.
en_AU: If active, at startup GnuCash will check to see whether any bills will become due soon. If so, it will present the user with a reminder dialogue. The definition of "soon" is controlled by the "Days in Advance" setting. Otherwise GnuCash does not check for due bills.

en: GUID of predefined check format to use
en_AU: GUID of predefined cheque format to use

en: This value specifies the predefined check format to use. The number is the guid of a known check format.
en_AU: This value specifies the predefined cheque format to use. The number is the GUID of a known cheque format.

en: Which check position to print
en_AU: Which cheque position to print

en: On preprinted checks containing multiple checks per page, this setting specifies which check position to print. The possible values are 0, 1 and 2, corresponding to the top, middle and bottom checks on the page.
en_AU: On preprinted cheques containing multiple cheques per page, this setting specifies which cheque position to print. The possible values are 0, 1 and 2, corresponding to the top, middle and bottom cheques on the page.

en: Number of checks to print on the first page.
en_AU: Number of cheques to print on the first page.

en: Units in which the custom coordinates are expressed (inches, mm, …).
en_AU: Units in which the custom coordinates are expressed (mm, inches, …).

en: This value contains the X,Y coordinates for the start of the payee line on the check.
en_AU: This value contains the X,Y coordinates for the start of the payee line on the cheque.

en: This value contains the X,Y coordinates for the start of the date line on the check. Coordinates are from the lower left corner of the specified check position.
en_AU: This value contains the X,Y coordinates for the start of the date line on the cheque. Coordinates are from the lower left corner of the specified cheque position.

en: Position of check amount in words
en_AU: Position of cheque amount in words

en: This value contains the X,Y coordinates for the start of the written amount line on the check. Coordinates are from the lower left corner of the specified check position.
en_AU: This value contains the X,Y coordinates for the start of the written amount line on the cheque. Coordinates are from the lower left corner of the specified cheque position.

en: Position of check amount in numbers
en_AU: Position of cheque amount in numbers

en: This value contains the X,Y coordinates for the start of the numerical amount line on the check. Coordinates are from the lower left corner of the specified check position.
en_AU: This value contains the X,Y coordinates for the start of the numerical amount line on the cheque. Coordinates are from the lower left corner of the specified cheque position.

en: This value contains the X,Y coordinates for the start of the payee address line on the check. Coordinates are from the lower left corner of the specified check position.
en_AU: This value contains the X,Y coordinates for the start of the payee address line on the cheque. Coordinates are from the lower left corner of the specified cheque position.

en: This value contains the X,Y coordinates for the start of the notes line on the check. Coordinates are from the lower left corner of the specified check position.
en_AU: This value contains the X,Y coordinates for the start of the notes line on the cheque. Coordinates are from the lower left corner of the specified cheque position.

en: This value contains the X,Y coordinates for the start of the memo line on the check. Coordinates are from the lower left corner of the specified check position.
en_AU: This value contains the X,Y coordinates for the start of the memo line on the cheque. Coordinates are from the lower left corner of the specified cheque position.

en: Offset for complete check
en_AU: Offset for complete cheque

en: This value contains the X,Y offset for the complete check. Coordinates are from the lower left corner of the specified check position.
en_AU: This value contains the X,Y offset for the complete cheque. Coordinates are from the lower left corner of the specified cheque position.

en: Number of degrees to rotate the check.
en_AU: Number of degrees to rotate the cheque.

en: This value contains the X,Y coordinates for the start of the split's amount line on the check. Coordinates are from the lower left corner of the specified check position.
en_AU: This value contains the X,Y coordinates for the start of the split's amount line on the cheque. Coordinates are from the lower left corner of the specified cheque position.

en: This value contains the X,Y coordinates for the start of the split's memo line on the check. Coordinates are from the lower left corner of the specified check position.
en_AU: This value contains the X,Y coordinates for the start of the split's memo line on the cheque. Coordinates are from the lower left corner of the specified cheque position.

en: This value contains the X,Y coordinates for the start of the split's account line on the check. Coordinates are from the lower left corner of the specified check position.
en_AU: This value contains the X,Y coordinates for the start of the split's account line on the cheque. Coordinates are from the lower left corner of the specified cheque position.

en: The default check printing font
en_AU: The default cheque printing font

en: The default font to use when printing checks. This value will be overridden by any font specified in a check description file.
en_AU: The default font to use when printing cheques. This value will be overridden by any font specified in a cheque description file.

en: Show currencies in this dialog
en_AU: Show currencies in this dialogue

en: UnLikely matching a transaction outside of these days
en_AU: Unlikely matching a transaction outside of these days

en: This field specifies the extra fee that is taken into account when matching imported transactions. In some places commercial ATMs (not belonging to a financial institution) are installed in places like convenience stores. These ATMs add their fee directly to the amount instead of showing up as a separate transaction or in your monthly banking fees. For example, you withdraw $100, and you are charged $101,50 plus Interac fees. If you manually entered that $100, the amounts won't match. You should set this to whatever is the maximum such fee in your area (in units of your local currency), so the transaction will be recognised as a match.
en_AU: This field specifies the extra fee that is taken into account when matching imported transactions. In some places commercial ATMs (not belonging to a financial institution) are installed in places like convenience stores. These ATMs add their fee directly to the amount instead of showing up as a separate transaction or in your monthly banking fees. For example, you withdraw $100, and you are charged $101.50 plus fees. If you manually entered that $100, the amounts won't match. You should set this to whatever is the maximum such fee in your area (in units of your local currency), so the transaction will be recognised as a match.

en: If active, all transactions marked as cleared in the register will appear already selected in the reconcile dialog. Otherwise no transactions will be initially selected.
en_AU: If active, all transactions marked as cleared in the register will appear already selected in the reconcile dialogue. Otherwise no transactions will be initially selected.

en: If active, always open the reconcile dialog using today's date for the statement date, regardless of previous reconciliations.
en_AU: If active, always open the reconcile dialogue using today's date for the statement date, regardless of previous reconciliations.

en: Run "since last run" dialog when a file is opened.
en_AU: Run "since last run" dialogue when a file is opened.

en: Show "since last run" notification dialog when a file is opened.
en_AU: Show "since last run" notification dialogue when a file is opened.

en: This setting controls whether the scheduled transactions notification-only "since last run" dialog is shown when a data file is opened (if "since last run" processing is enabled on file open). This includes the initial opening of the data file when GnuCash starts. If this setting is active, show the dialog, otherwise it is not shown.
en_AU: This setting controls whether the scheduled transactions notification-only "since last run" dialogue is shown when a data file is opened (if "since last run" processing is enabled on file open). This includes the initial opening of the data file when GnuCash starts. If this setting is active, show the dialogue, otherwise it is not shown.

en: Set "Review Created Transactions" as the default for the "since last run" dialog.
en_AU: Set "Review Created Transactions" as the default for the "since last run" dialogue.

en: This setting controls whether as default the "review created transactions" is set for the "since last run" dialog.
en_AU: This setting controls whether as default the "review created transactions" is set for the "since last run" dialogue.

en: Set the sort column in the "since last run" dialog.
en_AU: Set the sort column in the "since last run" dialogue.

en: This settings sets the sort column in the "since last run" dialog.
en_AU: This setting sets the sort column in the "since last run" dialogue.

en: Set the sort direction in the "since last run" dialog.
en_AU: Set the sort direction in the "since last run" dialogue.

en: This settings sets the sort direction in the "since last run" dialog.
en_AU: This setting sets the sort direction in the "since last run" dialogue.

en: The depth used in the tree to sort in the "since last run" dialog.
en_AU: The depth used in the tree to sort in the "since last run" dialogue.

en: The number of months to be shown in editor.
en_AU: The number of months to be shown in the editor.

en: Enables the "Tip Of The Day" when GnuCash starts up. If active, the dialog will be shown. Otherwise it will not be shown.
en_AU: Enables the "Tip Of The Day" when GnuCash starts up. If active, the dialogue will be shown. Otherwise it will not be shown.

en: If active, the size and location of each dialog window will be saved when it is closed. The sizes and locations of content windows will be remembered when you quit GnuCash. Otherwise the sizes will not be saved.
en_AU: If active, the size and location of each dialogue window will be saved when it is closed. The sizes and locations of content windows will be remembered when you quit GnuCash. Otherwise the sizes will not be saved.

en: Use account colors in the account hierarchy
en_AU: Use account colours in the account hierarchy

en: If active the account hierarchy will colorize the account using the account's custom color if set. This can serve as a visual aid to quickly identify accounts.
en_AU: If active the account hierarchy will colourise the account using the account's custom colour if set. This can serve as a visual aid to quickly identify accounts.

en: Use account colors in the tabs of open account registers
en_AU: Use account colours in the tabs of open account registers

en: If active the account register tabs will be colored using the account's custom color if set. This can serve as a visual aid to quickly identify accounts.
en_AU: If active the account register tabs will be coloured using the account's custom colour if set. This can serve as a visual aid to quickly identify accounts.

en: Color the register using a gnucash specific color theme
en_AU: Colour the register using a GnuCash specific colour theme

en: When enabled the register will use a GnuCash specific color theme (green/yellow). Otherwise it will use the system color theme. Regardless of this setting the user can always override the color theme via a gnucash specific css file to be stored in the gnucash used config directory. More information can be found in the gnucash FAQ.
en_AU: When enabled the register will use a GnuCash specific colour theme (green/yellow). Otherwise it will use the system colour theme. Regardless of this setting the user can always override the colour theme via a GnuCash specific CSS file to be stored in the GnuCash used config directory. More information can be found in the GnuCash FAQ.

en: Color all lines of a transaction the same
en_AU: Colour all lines of a transaction the same

en: If active all lines that make up a single transaction will use the same color for their background. Otherwise the background colors are alternated on each line.
en_AU: If active all lines that make up a single transaction will use the same colour for their background. Otherwise the background colours are alternated on each line.

en: If active, gnucash will be allowed to intentionally break file compatibility with older versions, so that a data file saved in this version cannot be read by an older version again. Otherwise gnucash will write data files only in formats that can be read by older versions as well.
en_AU: If active, GnuCash will be allowed to intentionally break file compatibility with older versions, so that a data file saved in this version cannot be read by an older version again. Otherwise GnuCash will write data files only in formats that can be read by older versions as well.

en: Print checks from multiple accounts
en_AU: Print cheques from multiple accounts

en: This dialog is presented if you try to print checks from multiple accounts at the same time.
en_AU: This dialogue is presented if you try to print cheques from multiple accounts at the same time.

en: This dialog is presented when there is more than one window.
en_AU: This dialogue is presented when there is more than one window.

en: This dialog is presented when you attempt to move out of a modified invoice entry. The changed data must be either saved or discarded.
en_AU: This dialogue is presented when you attempt to move out of a modified invoice entry. The changed data must be either saved or discarded.

en: This dialog is presented when you attempt to duplicate a modified invoice entry. The changed data must be saved or the duplication canceled.
en_AU: This dialogue is presented when you attempt to duplicate a modified invoice entry. The changed data must be saved or the duplication cancelled.

en: This dialog is presented before allowing you to delete a commodity.
en_AU: This dialogue is presented before allowing you to delete a commodity.

en: This dialog is presented before allowing you to delete a commodity that has price quotes attached. Deleting the commodity will delete the quotes as well.
en_AU: This dialogue is presented before allowing you to delete a commodity that has price quotes attached. Deleting the commodity will delete the quotes as well.

en: This dialog is presented before allowing you to delete multiple price quotes at one time.
en_AU: This dialogue is presented before allowing you to delete multiple price quotes at one time.

en: This dialog is presented before allowing you to replace an existing price.
en_AU: This dialogue is presented before allowing you to replace an existing price.

en: Edit account payable/accounts receivable register
en_AU: Edit accounts payable/accounts receivable register

en: This dialog is presented before allowing you to edit an accounts payable/accounts receivable account. These account types are reserved for the business features and should rarely be manipulated manually.
en_AU: This dialogue is presented before allowing you to edit an accounts payable/accounts receivable account. These account types are reserved for the business features and should rarely be manipulated manually.

en: This dialog is presented when a read-only register is opened.
en_AU: This dialogue is presented when a read-only register is opened.

en: This dialog is presented before allowing you to change the contents of a reconciled split. Allowing these changes can make it hard to perform future reconciliations.
en_AU: This dialogue is presented before allowing you to change the contents of a reconciled split. Allowing these changes can make it hard to perform future reconciliations.

en: This dialog is presented before allowing you to mark a transaction split as unreconciled. Doing so will throw off the reconciled value of the register and can make it hard to perform future reconciliations.
en_AU: This dialogue is presented before allowing you to mark a transaction split as unreconciled. Doing so will throw off the reconciled value of the register and can make it hard to perform future reconciliations.

en: This dialog is presented before allowing you to cut a split from a transaction.
en_AU: This dialogue is presented before allowing you to cut a split from a transaction.

en: This dialog is presented before allowing you to cut a reconciled split from a transaction. Doing so will throw off the reconciled value of the register and can make it hard to perform future reconciliations.
en_AU: This dialogue is presented before allowing you to cut a reconciled split from a transaction. Doing so will throw off the reconciled value of the register and can make it hard to perform future reconciliations.

en: This dialog is presented before allowing you to remove a split from a transaction.
en_AU: This dialogue is presented before allowing you to remove a split from a transaction.

en: This dialog is presented before allowing you to remove a reconciled split from a transaction. Doing so will throw off the reconciled value of the register and can make it hard to perform future reconciliations.
en_AU: This dialogue is presented before allowing you to remove a reconciled split from a transaction. Doing so will throw off the reconciled value of the register and can make it hard to perform future reconciliations.

en: This dialog is presented before allowing you to remove all splits from a transaction.
en_AU: This dialogue is presented before allowing you to remove all splits from a transaction.

en: This dialog is presented before allowing you to remove all splits (including some reconciled splits) from a transaction. Doing so will throw off the reconciled value of the register and can make it hard to perform future reconciliations.
en_AU: This dialogue is presented before allowing you to remove all splits (including some reconciled splits) from a transaction. Doing so will throw off the reconciled value of the register and can make it hard to perform future reconciliations.

en: This dialog is presented before allowing you to cut a transaction.
en_AU: This dialogue is presented before allowing you to cut a transaction.

en: This dialog is presented before allowing you to cut a transaction that contains reconciled splits. Doing so will throw off the reconciled value of the register and can make it hard to perform future reconciliations.
en_AU: This dialogue is presented before allowing you to cut a transaction that contains reconciled splits. Doing so will throw off the reconciled value of the register and can make it hard to perform future reconciliations.

en: This dialog is presented before allowing you to delete a transaction.
en_AU: This dialogue is presented before allowing you to delete a transaction.

en: This dialog is presented before allowing you to delete a transaction that contains reconciled splits. Doing so will throw off the reconciled value of the register and can make it hard to perform future reconciliations.
en_AU: This dialogue is presented before allowing you to delete a transaction that contains reconciled splits. Doing so will throw off the reconciled value of the register and can make it hard to perform future reconciliations.

en: This dialog is presented when you attempt to duplicate a modified transaction. The changed data must be saved or the duplication canceled.
en_AU: This dialogue is presented when you attempt to duplicate a modified transaction. The changed data must be saved or the duplication cancelled.

en: This dialog is presented when you attempt to move out of a modified transaction. The changed data must be either saved or discarded.
en_AU: This dialogue is presented when you attempt to move out of a modified transaction. The changed data must be either saved or discarded.

en: This dialog is presented when you are unable to jump on a transaction because it has splits for multiple other accounts. A specific split must be selected to jump to the other account.
en_AU: This dialogue is presented when you are unable to jump on a transaction because it has splits for multiple other accounts. A specific split must be selected to jump to the other account.

en: This dialog is presented when you are unable to jump on a transaction because it only has splits for the current account.
en_AU: This dialogue is presented when you are unable to jump on a transaction because it only has splits for the current account.

note: Run the assistant in your language to see GTK's translation of the button labels.
en: 
    This assistant will help you import Accounts from a file.
    
    The file must be in the same format as that exported as this is a fixed format import which can be seen by looking at a file created by using the "Export Account Tree to CSV" export menu option.
    
    If the account is missing, based on the full account name, it will be added as long as the security / currency specified exists. If the account exists, then four fields will be updated. These are code, description, notes and color.
    
    Click on "Next" to proceed or "Cancel" to Abort Import.
en_AU: 
    This assistant will help you import Accounts from a file.
    
    The file must be in the same format as that exported as this is a fixed format import which can be seen by looking at a file created by using the "Export Account Tree to CSV" export menu option.
    
    If the account is missing, based on the full account name, it will be added as long as the security / currency specified exists. If the account exists, then four fields will be updated. These are code, description, notes and colour.
    
    Click on "Next" to proceed or "Cancel" to Abort Import.

en: Delete Settings
    Deletes the settings saved under the name as entered in the adjacent text field.
    There are two reserved names which can never be deleted:
    - No settings
    - Gnucash default export format
en_AU: Delete Settings
    Deletes the settings saved under the name as entered in the adjacent text field.
    There are two reserved names which can never be deleted:
    - No settings
    - GnuCash default export format

en: Save Settings
    Saves current settings under the name as entered in the adjacent text field.
    There are two reserved names which can't be used to save custom settings:
    - No settings
    - Gnucash default export format
en_AU: Save Settings
    Saves current settings under the name as entered in the adjacent text field.
    There are two reserved names which can't be used to save custom settings:
    - No settings
    - GnuCash default export format

en: Allow existing prices to be over written.
en_AU: Allow existing prices to be overwritten.

en: Normally prices are not over written, select this to change that. This setting is not saved.
en_AU: Normally prices are not overwritten, select this to change that. This setting is not saved.

en: If you click "Next" Gnucash will perform a number of checks.
    
    If one of those <i>checks fails</i> you'll be automatically redirected to the preview page to try and correct.
    
    On the following page you will be able to associate each transaction to a category.
    
    If this is your <i>initial import into a new file</i>, you will first see a dialog for setting book options, since these can affect how imported data are converted to GnuCash transactions. If this is an existing file, the dialog will not be shown.
    
    If this is the <i>first time importing</i>, you will find that all lines may need to be associated. On subsequent imports, the importer will try to associate the transactions based on previous imports.
    
    The confidence of a correct association is displayed as a colored bar.
    
    More information can be displayed by using the help button.
en_AU: If you click "Next" GnuCash will perform a number of checks.
    
    If one of those <i>checks fails</i> you'll be automatically redirected to the preview page to try and correct.
    
    On the following page you will be able to associate each transaction to a category.
    
    If this is your <i>initial import into a new file</i>, you will first see a dialogue for setting book options, since these can affect how imported data are converted to GnuCash transactions. If this is an existing file, the dialogue will not be shown.
    
    If this is the <i>first time importing</i>, you will find that all lines may need to be associated. On subsequent imports, the importer will try to associate the transactions based on previous imports.
    
    The confidence of a correct association is displayed as a coloured bar.
    
    More information can be displayed by using the help button.

en: This assistant will help you create a set of GnuCash accounts for your assets (such as investments, checking or savings accounts), liabilities (such as loans) and different kinds of income and expenses you might have.
    
    You can pick a set of accounts here that seem close to your needs. After the assistant completes you will be able to add, rename, modify, and remove accounts, at any time later on. You will also be able to add sub-accounts, as well as move accounts (along with their sub-accounts) from one parent to another.
    
    Click 'Cancel' if you do not wish to create any new accounts now.
en_AU: This assistant will help you create a set of GnuCash accounts for your assets (such as investments, everyday or savings accounts), liabilities (such as loans) and different kinds of income and expenses you might have.
    
    You can pick a set of accounts here that seem close to your needs. After the assistant completes you will be able to add, rename, modify, and remove accounts, at any time later on. You will also be able to add sub-accounts, as well as move accounts (along with their sub-accounts) from one parent to another.
    
    Click 'Cancel' if you do not wish to create any new accounts now.

en: The selection you make here is only the starting point for your personalized account hierarchy. Accounts can be added, renamed, moved, or deleted by hand later at any time.
en_AU: The selection you make here is only the starting point for your personalised account hierarchy. Accounts can be added, renamed, moved, or deleted by hand later at any time.

en: Press 'Apply' to create your new accounts. You will then be able to save them to a file or database.
    
    Press 'Back' to review your selections.
    
    Press 'Cancel' to close this dialog without creating any new accounts.
en_AU: Press 'Apply' to create your new accounts. You will then be able to save them to a file or database.
    
    Press 'Back' to review your selections.
    
    Press 'Cancel' to close this dialogue without creating any new accounts.

en: Enter the number of months still to be paid off. This determines both the remaining principle and the duration of the scheduled transaction.
en_AU: Enter the number of months still to be paid off. This determines both the remaining principal and the duration of the scheduled transaction.

en: Do you utilize an escrow account, if so an account must be specified…
en_AU: Do you utilise an escrow account, if so an account must be specified…

en: … utilize an escrow account for payments?
en_AU: … utilise an escrow account for payments?

note: Run the assistant in your language to see GTK's translation of the button labels.
en: Please select a file to load. When you click "Next", the file will be loaded and analyzed. You may need to answer some questions about the account(s) in the file.
    
    You will have the opportunity to load as many files as you wish, so don't worry if your data is in multiple files.
en_AU: Please select a file to load. When you click "Next", the file will be loaded and analysed. You may need to answer some questions about the account(s) in the file.
    
    You will have the opportunity to load as many files as you wish, so don't worry if your data is in multiple files.

en: GnuCash uses separate Income and Expense accounts rather than categories to classify your transactions. Each of the categories in your QIF file will be converted to a GnuCash account.
    
    On the next page, you will have an opportunity to look at the suggested matches between QIF categories and GnuCash accounts. You may change matches that you do not like by double-clicking on the line containing the category name.
    
    If you change your mind later, you can reorganize the account structure safely within GnuCash.
en_AU: GnuCash uses separate Income and Expense accounts rather than categories to classify your transactions. Each of the categories in your QIF file will be converted to a GnuCash account.
    
    On the next page, you will have an opportunity to look at the suggested matches between QIF categories and GnuCash accounts. You may change matches that you do not like by double-clicking on the line containing the category name.
    
    If you change your mind later, you can reorganise the account structure safely within GnuCash.

en: Since you are creating a new file, you will next see a dialog for setting book options. These can affect how GnuCash imports transactions. If you come back to this page without cancelling and starting over, the dialog for setting book options will not be shown a second time when you go forward. You can access it directly from the menu via File->Properties.
en_AU: Since you are creating a new file, you will next see a dialogue for setting book options. These can affect how GnuCash imports transactions. If you come back to this page without cancelling and starting over, the dialogue for setting book options will not be shown a second time when you go forward. You can access it directly from the menu via File->Properties.

en: Tradable commodities
en_AU: Tradeable commodities

en: In this page, input any brokerage fees incurred in this transaction. The fee may be capitalized into the asset account, or expensed into a brokerage fees account. Typically fees on purchase are capitalized, and fees on sales are expensed. If there are no fees involved in this transaction, it can be left blank.
en_AU: In this page, input any brokerage fees incurred in this transaction. The fee may be capitalised into the asset account, or expensed into a brokerage fees account. Typically fees on purchase are capitalised, and fees on sales are expensed. If there are no fees involved in this transaction, it can be left blank.

en: Capitalize brokerage fees into stock account?
en_AU: Capitalise brokerage fees into stock account?

en: Whether multiple entries in an invoice which transfer to the same account should be accumulated into a single split by default. This setting can be changed in the Post dialog.
en_AU: Whether multiple entries in an invoice which transfer to the same account should be accumulated into a single split by default. This setting can be changed in the Post dialogue.

en: Enable Cascading Account Color
en_AU: Enable Cascading Account Colour

en: If any account has an existing color it will not be replaced unless the following is ticked.
en_AU: If any account has an existing colour it will not be replaced unless the following is ticked.

en: Replace any existing account colors
en_AU: Replace any existing account colours

en: Account _Color
en_AU: Account _Colour

en: This account (and any sub-accounts) will be hidden in the account tree and will not appear in the popup account list in the register. To reset this option, you will first need to open the "Filter By…" dialog for the account tree and check the "show hidden accounts" option. Doing so will allow you to select the account and reopen this dialog.
en_AU: This account (and any sub-accounts) will be hidden in the account tree and will not appear in the popup account list in the register. To reset this option, you will first need to open the "Filter By…" dialogue for the account tree and check the "show hidden accounts" option. Doing so will allow you to select the account and reopen this dialogue.

en: Choose Owner Dialog
en_AU: Choose Owner Dialogue

note: Again replace CUSIP by your National Securities Identifying Number.
en: ISIN, CUSI_P or other code
en_AU: ISIN, AS_X or other code

en: Exit the saved report configurations dialog
en_AU: Exit the saved report configurations dialogue

en: Job Dialog
en_AU: Job Dialogue

en: <span weight="bold" size="larger">Display Welcome Dialog Again?</span>
en_AU: <span weight="bold" size="larger">Display Welcome Dialogue Again?</span>

en: If you press the <i>Yes</i> button, the <i>Welcome to GnuCash</i> dialog will be displayed again next time you start GnuCash. If you press the <i>No</i> button, it will not be displayed again.
en_AU: If you press the <i>Yes</i> button, the <i>Welcome to GnuCash</i> dialogue will be displayed again next time you start GnuCash. If you press the <i>No</i> button, it will not be displayed again.

en: Close dialog and make no changes.
en_AU: Close dialogue and make no changes.

en: Apply changes but do not close dialog.
en_AU: Apply changes but do not close dialogue.

en: Apply changes and close dialog.
en_AU: Apply changes and close dialogue.

en: Print Check
en_AU: Print Cheque

en: Show the Account Color as background
en_AU: Show the Account Colour as background

en: Show the Account Color as Account Name Background.
en_AU: Show the Account Colour as Account Name Background.

en: Show the Account Color on tabs
en_AU: Show the Account Colour on tabs

en: Show the Account Color as tab background.
en_AU: Show the Account Colour as tab background.

en: The character that will be used between components of an account name. A legal value is any single character except letters and numbers, or any of the following strings: "colon" "slash", "backslash", "dash" and "period".
en_AU: The character that will be used between components of an account name. A valid value is any single character except letters and numbers, or any of the following strings: "colon" "slash", "backslash", "dash" and "period".

en: Present the new account list dialog when you choose File->New File.
en_AU: Present the new account list dialogue when you choose File->New File.

en: Display "_tip of the day" dialog
en_AU: Display "_tip of the day" dialogue

en: <b>Search Dialog</b>
en_AU: <b>Search Dialogue</b>

en: In some places commercial ATMs (not belonging to a financial institution) are installed in places like convenience stores. These ATMs add their fee directly to the amount instead of showing up as a separate transaction or in your monthly banking fees. For example, you withdraw $100, and you are charged $101,50 plus Interac fees. If you manually entered that $100, the amounts won't match. You should set this to whatever is the maximum such fee in your area (in units of your local currency), so the transaction will be recognised as a match.
en_AU: In some places commercial ATMs (not belonging to a financial institution) are installed in places like convenience stores. These ATMs add their fee directly to the amount instead of showing up as a separate transaction or in your monthly banking fees. For example, you withdraw $100, and you are charged $101.50 plus fees. If you manually entered that $100, the amounts won't match. You should set this to whatever is the maximum such fee in your area (in units of your local currency), so the transaction will be recognised as a match.

en: <b>Checks</b>
en_AU: <b>Cheques</b>

en: The default check printing font.
en_AU: The default cheque printing font.

en: Print '***' before and after each text field on the check.
en_AU: Print '***' before and after each text field on the cheque.

en: Pre-check cleared transactions when creating a reconcile dialog.
en_AU: Pre-check cleared transactions when creating a reconcile dialogue.

en: Always open the reconcile dialog using today's date for the statement date, regardless of previous reconciliations.
en_AU: Always open the reconcile dialogue using today's date for the statement date, regardless of previous reconciliations.

en: _Use GnuCash built-in color theme
en_AU: _Use GnuCash built-in colour theme

en: GnuCash uses a yellow/green theme by default for register windows. Uncheck this if you want to use the system color theme instead.
en_AU: GnuCash uses a yellow/green theme by default for register windows. Uncheck this if you want to use the system colour theme instead.

en: Double _mode colors alternate with transactions
en_AU: Double _mode colours alternate with transactions

en: Alternate the primary and secondary colors by transaction instead of by alternating by row.
en_AU: Alternate the primary and secondary colours by transaction instead of by alternating by row.

en: Save Custom Check Format
en_AU: Save Custom Cheque Format

en: Enter a title for this custom format. This title will appear in the "Check format" selector of the Print Check dialog. Using the title of an existing custom format will cause that format to be overwritten.
en_AU: Enter a title for this custom format. This title will appear in the "Cheque format" selector of the Print Cheque dialogue. Using the title of an existing custom format will cause that format to be overwritten.

en: Deluxe(tm) Personal Checks US-Letter
en_AU: Deluxe(tm) Personal Cheques US-Letter

en: Quicken(tm) Wallet Checks w/ side stub
en_AU: Quicken(tm) Wallet Cheques w/ side stub

en: Check _format
en_AU: Cheque _format

en: Check po_sition
en_AU: Cheque po_sition

en: Check format must have an
    ADDRESS item defined in order
    to print an address on the check.
en_AU: Cheque format must have an
    ADDRESS item defined in order
    to print an address on the cheque.

en: Checks on first _page
en_AU: Cheques on first _page

en: You have requested that the following warning dialogs not be presented. To re-enable any of these dialogs, select the check box next to the dialog, then click OK.
en_AU: You have requested that the following warning dialogues not be presented. To re-enable any of these dialogues, select the check box next to the dialogue, then click OK.

en: Set 'Review created transactions' as the default in the "since last run" dialog.
en_AU: Set 'Review created transactions' as the default in the "since last run" dialogue.

en: Use this dialog if you want GnuCash to automatically find which transactions are cleared, given an ending balance. For example, said ending balance can be the current balance given by your bank online.
en_AU: Use this dialogue if you want GnuCash to automatically find which transactions are cleared, given an ending balance. For example, said ending balance can be the current balance given by your bank online.

en: Secure HTTP access is disabled. You can enable it in the Network section of the Preferences dialog.
en_AU: Secure HTTP access is disabled. You can enable it in the Network section of the Preferences dialogue.

en: Network HTTP access is disabled. You can enable it in the Network section of the Preferences dialog.
en_AU: Network HTTP access is disabled. You can enable it in the Network section of the Preferences dialogue.

en: The setup for matching Online Banking accounts to GnuCash accounts is now finished. You can now invoke Online Banking actions on those accounts.
    
    If you want to add another bank, user, or account, you can start this assistant again anytime.
    
    Press "Apply" now.
en_AU: The setup for matching Online Banking accounts to GnuCash accounts is now finished. You can now invoke Online Banking actions on those accounts.
    
    If you want to add another bank, user, or account, you can start this assistant again any time.
    
    Press "Apply" now.

en: This list contains the file formats that AQBanking knows how to import. The profile list contains specializations and is populated according to which format you select in this list.
en_AU: This list contains the file formats that AQBanking knows how to import. The profile list contains specialisations and is populated according to the format that you select in this list.

en: This lists one or more specialization templates that adjust the import for different banks' uses of fields in the selected import format.
en_AU: This lists one or more specialisation templates that adjust the import for different banks' uses of fields in the selected import format.

en: Some banks place part of transaction description as "transaction text" in the MT940 file. Normally GNUcash ignores this text. However by activating this option, the transaction text is used for the transaction description too.
en_AU: Some banks place part of transaction description as "transaction text" in the MT940 file. Normally GnuCash ignores this text. However by activating this option, the transaction text is used for the transaction description too.

en: You have changed the list of online transfer templates, but you cancelled the transfer dialog. Do you nevertheless want to store the changes?
en_AU: You have changed the list of online transfer templates, but you cancelled the transfer dialogue. Do you nevertheless want to store the changes?

en: The backend found an error during the preparation of the job. It is not possible to execute this job.
    
    Most probable the bank does not support your chosen job or your Online Banking account does not have the permission to execute this job. More error messages might be visible on your console log.
    
    Do you want to enter the job again?
en_AU: The backend found an error during the preparation of the job. It is not possible to execute this job.
    
    Most probably the bank does not support your chosen job or your Online Banking account does not have the permission to execute this job. More error messages might be visible on your console log.
    
    Do you want to enter the job again?

en: No Online Banking account found for this gnucash account. These transactions will not be executed by Online Banking.
en_AU: No Online Banking account found for this GnuCash account. These transactions will not be executed by Online Banking.

en: Taxincluded
en_AU: Tax-included

en: Import Bills or Invoices from csv
en_AU: Import Bills or Invoices from CSV

en: The accounts will be imported from the file '%s' when you click 'Apply'.
    
    You can verify your selections by clicking on 'Back' or 'Cancel' to Abort Import.
    
    If this is your initial import into a new file, you will first see a dialog for setting book options, since these can affect how imported data is converted to GnuCash transactions.
    Note: After import, you may need to use 'View / Filter By / Other' menu option and select to show unused Accounts.
en_AU: The accounts will be imported from the file '%s' when you click 'Apply'.
    
    You can verify your selections by clicking on 'Back' or 'Cancel' to Abort Import.
    
    If this is your initial import into a new file, you will first see a dialogue for setting book options, since these can affect how imported data is converted to GnuCash transactions.
    Note: After import, you may need to use 'View / Filter By / Other' menu option and select to show unused Accounts.

en: Import Customers from csv
en_AU: Import Customers from CSV

en: The log file you selected cannot be read. The file header was not recognized.
en_AU: The log file you selected cannot be read. The file header was not recognised.

en: Unknown OFX checking account
en_AU: Unknown OFX everyday account

en: Canceling
en_AU: Cancelling

en: Unrecognized or inconsistent format.
en_AU: Unrecognised or inconsistent format.

note: Translators: This is an error message about actions like buy, sell …
en: Unrecognized action '~a'.
en_AU: Unrecognised action '~a'.

[ctx: sample]
note: Translators: Enter the longest expected path of an Account
en: Expenses:Automobile:Gasoline
en_AU: Expenses:Vehicle:Fuel

en: ATM Draw
en_AU: ATM Withdraw

en: Teller
en_AU: Bank Clerk

en: Paycheck
en_AU: Pay slip

en: Enter a reference, such as an invoice or check number, common to all entry lines (splits)
en_AU: Enter a reference, such as an invoice or cheque number, common to all entry lines (splits)

en: Enter a reference, such as an invoice or check number, unique to each entry line (split)
en_AU: Enter a reference, such as an invoice or cheque number, unique to each entry line (split)

en: Enter a reference, such as a check number, common to all entry lines (splits)
en_AU: Enter a reference, such as a cheque number, common to all entry lines (splits)

en: Enter a reference, such as a check number, unique to each entry line (split)
en_AU: Enter a reference, such as a cheque number, unique to each entry line (split)

en: Enter a transaction reference, such as an invoice or check number, common to all entry lines (splits)
en_AU: Enter a transaction reference, such as an invoice or cheque number, common to all entry lines (splits)

en: Enter a reference number, such as the next check number, or choose an action type from the list
en_AU: Enter a reference number, such as the next cheque number, or choose an action type from the list

en: This is a color option.
en_AU: This is a colour option.

en: Depth limit behavior
en_AU: Depth limit behaviour

en: Realized Gain
en_AU: Realised Gain

en: Unrealized Gain
en_AU: Unrealised Gain

en: Unrealized Gains
en_AU: Unrealised Gains

en: Unrealized Losses
en_AU: Unrealised Losses

en: Unrealized Gains for Period
en_AU: Unrealised Gains for Period

en: Unrealized Losses for Period
en_AU: Unrealised Losses for Period

en: Show realized gain column(s)
en_AU: Show realised gain column(s)

en: Show unrealized gain column(s)
en_AU: Show unrealised gain column(s)

en: Warn if the 'Realized Gain/Loss' split(s) sum does not match the computed gains
en_AU: Warn if the 'Realised Gain/Loss' split(s) sum does not match the computed gains

en: ST Realized Gain
en_AU: ST Realised Gain

en: LT Realized Gain
en_AU: LT Realised Gain

en: Realized ROI
en_AU: Realised ROI

en: ST Unrealized Gain
en_AU: ST Unrealised Gain

en: LT Unrealized Gain
en_AU: LT Unrealised Gain

en: Unrealized ROI
en_AU: Unrealised ROI

en: Show realized gain table column(s) for sold shares
en_AU: Show realised gain table column(s) for sold shares

en: Show unrealized gain table column(s) for unsold shares
en_AU: Show unrealised gain table column(s) for unsold shares

en: Lots with more than one purchase split are not well formed. It may make ambiguous the capital gains age
en_AU: Lots with more than one purchase split are not well formed. It may make the capital gains age ambiguous

en: Detect possible errors in 'Realized Gain/Loss' splits that are created when adding a sale split to a lot
en_AU: Detect possible errors in 'Realised Gain/Loss' splits that are created when adding a sale split to a lot

en: Warning: Above lot's computed gain ~a is not equal to the "Realized Gain/Loss" split(s) sum ~a. Difference: ~a
en_AU: Warning: Above lot's computed gain ~a is not equal to the "Realised Gain/Loss" split(s) sum ~a. Difference: ~a

en: Please make all checks payable to
en_AU: Please make all cheques payable to

en: Payable Aging
en_AU: Payable Ageing

en: Receivable Aging
en_AU: Receivable Ageing

en: Marker Color
en_AU: Marker Colour

en: Color of the marker.
en_AU: Colour of the marker.

en: Display the check number/action?
en_AU: Display the cheque number/action?

en: Display the check number?
en_AU: Display the cheque number?

en: CSS color.
en_AU: CSS colour.

en: Name of organization or company prepared for.
en_AU: Name of organisation or company prepared for.

en: Name of organization or company.
en_AU: Name of organisation or company.

en: General background color for report.
en_AU: General background colour for report.

en: Normal body text color.
en_AU: Normal body text colour.

en: Link Color
en_AU: Link Colour

en: Link text color.
en_AU: Link text colour.

en: Table Cell Color
en_AU: Table Cell Colour

en: Alternate Table Cell Color
en_AU: Alternate Table Cell Colour

en: Subheading/Subtotal Cell Color
en_AU: Subheading/Subtotal Cell Colour

en: Default color for subtotal rows.
en_AU: Default colour for subtotal rows.

en: Sub-subheading/total Cell Color
en_AU: Sub-subheading/total Cell Colour

en: Color for subsubtotals.
en_AU: Colour for subsubtotals.

en: Grand Total Cell Color
en_AU: Grand Total Cell Colour

en: Color for grand totals.
en_AU: Colour for grand totals.

en: Technicolor
en_AU: Technicolour

en: Name of organization or company the report is prepared for.
en_AU: Name of organisation or company the report is prepared for.

en: Background color for reports.
en_AU: Background colour for reports.

en: Background color for alternate lines.
en_AU: Background colour for alternate lines.

en: Cut the current selection and copy it to clipboard
en_AU: Cut the current selection and copy it to the clipboard

en: Copy the current selection to clipboard
en_AU: Copy the current selection to the clipboard

en: Open the New Invoice dialog
en_AU: Open the New Invoice dialogue

note: Translators: currently implemented are, US: income tax and DE: VAT, So adjust this string
en: Setup relevant accounts for tax reports, e.g. US income tax
en_AU: Setup relevant accounts for tax reports, e.g. GST

en: Open the New Customer dialog
en_AU: Open the New Customer dialogue

en: Open the Find Customer dialog
en_AU: Open the Find Customer dialogue

en: Open the Find Invoice dialog
en_AU: Open the Find Invoice dialogue

en: Open the New Job dialog
en_AU: Open the New Job dialogue

en: Open the Find Job dialog
en_AU: Open the Find Job dialogue

en: Open the Process Payment dialog
en_AU: Open the Process Payment dialogue

en: Open the Invoices Due Reminder dialog
en_AU: Open the Invoices Due Reminder dialogue

en: Open the New Vendor dialog
en_AU: Open the New Vendor dialogue

en: Open the Find Vendor dialog
en_AU: Open the Find Vendor dialogue

en: Open the New Bill dialog
en_AU: Open the New Bill dialogue

en: Open the Find Bill dialog
en_AU: Open the Find Bill dialogue

en: Open the Bills Due Reminder dialog
en_AU: Open the Bills Due Reminder dialogue

en: Open the New Employee dialog
en_AU: Open the New Employee dialogue

en: Open the Find Employee dialog
en_AU: Open the Find Employee dialogue

en: Open the New Voucher dialog
en_AU: Open the New Voucher dialogue

en: Open the Find Expense Voucher dialog
en_AU: Open the Find Expense Voucher dialogue

en: Test Search Dialog
en_AU: Test Search Dialogue

en: Initialize Test Data
en_AU: Initialise Test Data

en: Show customer aging overview for all customers
en_AU: Show customer ageing overview for all customers

en: Show vendor aging overview for all vendors
en_AU: Show vendor ageing overview for all vendors

en: _Print Checks…
en_AU: _Print Cheques…

note: Translators: currently implemented are, US: income tax and DE: VAT, So adjust this string
en: Setup relevant accounts for tax reports, e.g. US income tax.
en_AU: Setup relevant accounts for tax reports, e.g. GST.

en: Cut the selected transaction into clipboard.
en_AU: Cut the selected transaction onto the clipboard.

en: Copy the selected transaction into clipboard.
en_AU: Copy the selected transaction onto the clipboard.

en: Create a Scheduled Transaction with the current transaction as a template or edit the Scheduled Transaction that current transaction was created by.
en_AU: Create a Scheduled Transaction with the current transaction as a template or edit the Scheduled Transaction that the current transaction was created by.

en: Failed to initialize Finance::Quote:
en_AU: Failed to initialise Finance::Quote:

en: Finance::Quote returned a quote with a price that GnuCash was unable to covert to a number.
en_AU: Finance::Quote returned a quote with a price that GnuCash was unable to convert to a number.

en: Currency quotes requires at least two currencies
en_AU: Currency quotes require at least two currencies

en: Unrecognized Finance::Quote Error:
en_AU: Unrecognised Finance::Quote Error:

en: Realized Gain/Loss
en_AU: Realised Gain/Loss

en: Realized Gains or Losses from Commodity or Trading Accounts that haven't been recorded elsewhere.
en_AU: Realised Gains or Losses from Commodity or Trading Accounts that haven't been recorded elsewhere.

en: Choose the number of days after which transactions will be read-only and cannot be edited anymore. This threshold is marked by a red line in the account register windows. If zero, all transactions can be edited and none are read-only.
en_AU: Choose the number of days after which transactions will be read-only and cannot be edited any more. This threshold is marked by a red line in the account register windows. If zero, all transactions can be edited and none are read-only.

en: Type to start searching.
en_AU: Type to start searching

en: Error saving {0}
en_AU: Error saving {0}.

en: OnlyShowIn
en_AU: Only Show in

en: Opens many kinds of items.
en_AU: Opens many kinds of items

en: _Color:
en_AU: _Colour:

en: Start _minimized in the Notification Area
en_AU: Start _minimised in the Notification Area

en: Whether to show error message dialogs when auto-connecting of bookmarks fails
en_AU: Whether to show error message dialogues when auto-connecting of bookmarks fails

en: Please submit a bugreport.
en_AU: Please submit a bug report.

en: [%s] failed to convert color %s in function "set_button_color". %s
en_AU: [%s] failed to convert colour %s in function "set_button_colour". %s

en: A dialog that is used to change preferences settings.
en_AU: A dialogue that is used to change preferences settings.

en: Closes the dialog.
en_AU: Closes the dialogue.

en: Inactive module color:
en_AU: Inactive module colour:

en: Active module color:
en_AU: Active module colour:

en: Result font color:
en_AU: Result font colour:

en: RPN stack color:
en_AU: RPN stack colour:

en: Pick a Display Background Color
en_AU: Pick a Display Background Colour

en: Pick a Display Result Font Color
en_AU: Pick a Display Result Font Colour

en: Pick a RPN Stack Color
en_AU: Pick a RPN Stack Colour

en: Pick a Inactive Module Color
en_AU: Pick a Inactive Module Colour

en: Pick a Active Module Color
en_AU: Pick a Active Module Colour

note: EXO_ICON_CHOOSER_CONTEXT_OTHER
en: Uncategorized Icons
en_AU: Uncategorised Icons

en: %s comes with ABSOLUTELY NO WARRANTY,
    You may redistribute copies of %s under the terms of
    the GNU Lesser General Public License which can be found in the
    %s source package.
en_AU: %s comes with ABSOLUTELY NO WARRANTY,
    You may redistribute copies of %s under the terms of
    the GNU Lesser General Public Licence which can be found in the
    %s source package.

en: Start minimized (to tray, if possible)
en_AU: Start minimised (to tray, if possible)

en: Rescan Collection
en_AU: Re-scan Collection

en: Choose a Plugin
en_AU: Choose a Plug-in

en: Plugin Archives
en_AU: Plug-in Archives

en: R_andomize Playlist
en_AU: R_andomise Playlist

en: R_andomize Selection
en_AU: R_andomise Selection

en: Requires plugins providing dynamic playlists
en_AU: Requires plug-ins providing dynamic playlists

en: When using a menu item to add/replace tracks on the playlist, start playback if there is track currently playing. This option was the default behavior before Exaile 0.3.3
en_AU: When using a menu item to add/replace tracks on the playlist, start playback if there is track currently playing. This option was the default behaviour before Exaile 0.3.3

en: Uppercase first letter of all tags
en_AU: Capitalise first letter of all tags

en: Randomize results
en_AU: Randomise results

en: _Equalizer
en_AU: _Equaliser

en: No categorization tags found in selected tracks
en_AU: No categorisation tags found in selected tracks

en: Analyze playlists
en_AU: Analyse playlists

en: Analyze playlist
en_AU: Analyse playlist

en: Equalizer
en_AU: Equaliser

en: Show menuitem to toggle submission
en_AU: Show menu item to toggle submission

en: Categorization tag name
en_AU: Categorisation tag name

en: Playlist(s) to analyze
en_AU: Playlist(s) to analyse

en: Searches Amazon for covers
    
    To be able to use this plugin, an AWS API key and secret key are required.
en_AU: Searches Amazon for covers
    
    To be able to use this plug-in, an AWS API key and secret key are required.

en: A 10-band equalizer
en_AU: A 10-band equaliser

en: A simple plugin for testing the basic plugin system
en_AU: A simple plug-in for testing the basic plug-in system

en: Playlist Analyzer
en_AU: Playlist Analyser

en: Syncing folders
en_AU: Synchronising folders

en: Cannot open message
en_AU: Can not open message

en: Syncing folder
en_AU: Synchronising folder

en: Cannot parse search expression: %s:
    %s
en_AU: Can not parse search expression: %s
    %s

en: Cannot build locking helper pipe: %s
en_AU: Can not build locking helper pipe: %s

en: Cannot fork locking helper: %s
en_AU: Can not fork locking helper: %s

en: Cannot get folder: Invalid operation on this store
en_AU: Can not get folder: Invalid operation on this store

en: Cannot create folder: Invalid operation on this store
en_AU: Can not create folder: Invalid operation on this store

en: Cannot delete folder: %s: Invalid operation
en_AU: Can not delete folder: %s: Invalid operation

en: Cannot rename folder: %s: Invalid operation
en_AU: Can not rename folder: %s: Invalid operation

en: Cannot delete folder: %s: No such folder
en_AU: Can not delete folder: %s: No such folder

en: Cannot rename folder: %s: No such folder
en_AU: Can not rename folder: %s: No such folder

en: Cannot get message: %s
      %s
en_AU: Can not get message: %s
      %s

en: Cannot get folder: %s: %s
en_AU: Can not get folder: %s: %s

en: Cannot append message to maildir folder: %s: %s
en_AU: Can not append message to maildir folder: %s: %s

en: Cannot get message: %s from folder %s
      %s
en_AU: Can not get message: %s from folder %s
      %s

en: Cannot open maildir directory path: %s: %s
en_AU: Can not open maildir directory path: %s: %s

en: Storing folder
en_AU: Synchronising folder

en: Cannot create folder lock on %s: %s
en_AU: Can not create folder lock on %s: %s

en: Cannot open mailbox: %s: %s
en_AU: Can not open mailbox: %s: %s

en: Cannot append message to mbox file: %s: %s
en_AU: Can not append message to mbox file: %s: %s

en: Cannot check folder: %s: %s
en_AU: Synchronising folder failed: %s: %s

en: Could not close temp folder: %s
en_AU: Could not close temporary folder: %s

en: Error writing to temp mailbox: %s
en_AU: Error writing to temporary mailbox: %s

en: Writing to tmp mailbox failed: %s: %s
en_AU: Writing to temporary mailbox failed: %s: %s

en: Cannot append message to mh folder: %s: %s
en_AU: Can not append message to mh folder: %s: %s

en: Cannot open MH directory path: %s: %s
en_AU: Can not open MH directory path: %s: %s

en: Spool folders cannot be deleted
en_AU: Spool folders can not be deleted

en: _ZIP Code:
en_AU: _Post Code:

en: Could not initialize Bonobo
en_AU: Could not initialise Bonobo

en: %d %B %Y
en_AU: %m/%d/%Y

en: Color for tasks due today
en_AU: Colours for display

en: Organizer:
en_AU: Organiser:

note: #-#-#-#-#  104 (evolution 0.6)  #-#-#-#-# strftime format of a weekday, a date and a time, 24-hour. strptime format of a weekday, a date and a time, in 24-hour format. strftime format of a weekday, a date and a time, in 24-hour format.
en: %a %m/%d/%Y %H:%M:%S
en_AU: %a %d/%m/%Y %H:%M:%S

note: #-#-#-#-#  104 (evolution 0.6)  #-#-#-#-# strftime format of a weekday, a date and a time, 12-hour. strptime format of a weekday, a date and a time, in 12-hour format. strftime format of a weekday, a date and a time, in 12-hour format.
en: %a %m/%d/%Y %I:%M:%S %p
en_AU: %a %d/%m/%Y %I:%M:%S %p

note: #-#-#-#-#  104 (evolution 0.6)  #-#-#-#-# This is a strftime() format string %a = abbreviated weekday name, %m = month number, %d = month day, %Y = full year. This is a strftime() format string %a = abbreviated weekday name, %m = month number, %d = month day, %Y = full year. strptime format of a wee
en: %a %m/%d/%Y
en_AU: %a %d/%m/%Y

note: #-#-#-#-#  104 (evolution 0.6)  #-#-#-#-# This is a strftime() format string %m = month number, %d = month day, %Y = full year. strptime format of a weekday and a date. This is the preferred date format for the locale. This is a strftime() format for a short date. %m = month, %d = day of month, %Y =
en: %m/%d/%Y
en_AU: %d/%m/%Y

note: #-#-#-#-#  104 (evolution 0.6)  #-#-#-#-# strptime format of a weekday, a date and a time, in 12-hour format, without seconds. strftime format of a weekday, a date and a time, in 12-hour format, without seconds.
en: %a %m/%d/%Y %I:%M %p
en_AU: %a %d/%m/%Y %I:%M %p

note: #-#-#-#-#  104 (evolution 0.6)  #-#-#-#-# strptime format of a weekday, a date and a time, in 24-hour format, without seconds. strftime format of a weekday, a date and a time, in 24-hour format, without seconds.
en: %a %m/%d/%Y %H:%M
en_AU: %a %d/%m/%Y %H:%M

note: #-#-#-#-#  104 (evolution 0.6)  #-#-#-#-# strptime format of a weekday, a date and a time, in 12-hour format, without minutes or seconds.
en: %a %m/%d/%Y %I %p
en_AU: %a %d/%m/%Y %I:%M %p

note: #-#-#-#-#  104 (evolution 0.6)  #-#-#-#-# strptime format of a weekday, a date and a time, in 24-hour format, without minutes or seconds.
en: %a %m/%d/%Y %H
en_AU: %a %d/%m/%Y %H:%M

note: #-#-#-#-#  104 (evolution 0.6)  #-#-#-#-# strptime format of a date and a time, in 12-hour format.
en: %m/%d/%Y %I:%M:%S %p
en_AU: %a %d/%m/%Y %I:%M:%S %p

note: #-#-#-#-#  104 (evolution 0.6)  #-#-#-#-# strptime format of a date and a time, in 24-hour format.
en: %m/%d/%Y %H:%M:%S
en_AU: %a %d/%m/%Y %H:%M:%S

note: #-#-#-#-#  104 (evolution 0.6)  #-#-#-#-# strptime format of a date and a time, in 12-hour format, without seconds.
en: %m/%d/%Y %I:%M %p
en_AU: %a %d/%m/%Y %I:%M %p

note: #-#-#-#-#  104 (evolution 0.6)  #-#-#-#-# strptime format of a date and a time, in 24-hour format, without seconds.
en: %m/%d/%Y %H:%M
en_AU: %a %d/%m/%Y %H:%M

note: #-#-#-#-#  104 (evolution 0.6)  #-#-#-#-# strptime format of a date and a time, in 12-hour format, without minutes or seconds.
en: %m/%d/%Y %I %p
en_AU: %a %d/%m/%Y %I:%M %p

note: #-#-#-#-#  104 (evolution 0.6)  #-#-#-#-# strptime format of a date and a time, in 24-hour format, without minutes or seconds.
en: %m/%d/%Y %H
en_AU: %d/%m/%Y

en: C_olors
en_AU: C_olours

en: Storing folder '%s'
en_AU: Synchronising "%s"

en: %d/%m/%Y
en_AU: %m/%d/%Y

en: Viet Nam
en_AU: Vietnam

note: NOTE: Ante Meridian (i.e. like 10:00 am)
en: am
en_AU: AM

note: NOTE: Post Meridian (i.e. like 10:00 pm)
en: pm
en_AU: PM

en: Url
en_AU: URL

en: As custom color:
en_AU: As custom colour:

en: As custom c_olor:
en_AU: As custom c_olour:

en: Color for Transparent Areas
en_AU: Colour for Transparent Areas

en: The color that is used to fill the area behind the image. If the use-background-color key is not set, the color is determined by the active GTK+ theme instead.
en_AU: The colour that is used to fill the area behind the image. If the use-background-colour key is not set, the colour is determined by the active GTK+ theme instead.

en: Use a custom background color
en_AU: Use a custom background colour

en: If this is active, the color set by the background-color key will be used to fill the area behind the image. If it is not set, the current GTK+ theme will determine the fill color.
en_AU: If this is active, the colour set by the background-colour key will be used to fill the area behind the image. If it is not set, the current GTK+ theme will determine the fill colour.

en: Determines how transparency should be indicated. Valid values are checked, color and none. If color is chosen, then the trans-color key determines the color value used.
en_AU: Determines how transparency should be indicated. Valid values are checked, colour and none. If colour is chosen, then the trans-colour key determines the colour value used.

en: Transparency color
en_AU: Transparency colour

en: If the transparency key has the value COLOR, then this key determines the color which is used for indicating transparency.
en_AU: If the transparency key has the value COLOUR, then this key determines the colour which is used for indicating transparency.

en: Randomize the image sequence
en_AU: Randomise the image sequence

en: Trash images without asking
en_AU: Rubbish images without asking

en: If activated, Eye of MATE won't ask for confirmation when moving images to the trash. It will still ask if any of the files cannot be moved to the trash and would be deleted instead.
en_AU: If activated, Eye of MATE won't ask for confirmation when moving images to the rubbish. It will still ask if any of the files cannot be moved to the rubbish and would be deleted instead.

en: Whether the metadata list in the properties dialog should have its own page.
en_AU: Whether the metadata list in the properties dialogue should have its own page.

en: If activated, the detailed metadata list in the properties dialog will be moved to its own page in the dialog. This should make the dialog more usable on smaller screens, e.g. as used by netbooks. If disabled, the widget will be embedded on the "Metadata" page.
en_AU: If activated, the detailed metadata list in the properties dialogue will be moved to its own page in the dialogue. This should make the dialogue more usable on smaller screens, e.g. as used by netbooks. If disabled, the widget will be embedded on the "Metadata" page.

en: C_enter:
en_AU: C_entre:

en: Are you sure you want to move
    "%s" to the trash?
en_AU: Are you sure you want to move
    "%s" to the rubbish?

en: A trash for "%s" couldn't be found. Do you want to remove this image permanently?
en_AU: A rubbish for "%s" couldn't be found. Do you want to remove this image permanently?

en: Some of the selected images can't be moved to the trash and will be removed permanently. Are you sure you want to proceed?
en_AU: Some of the selected images can't be moved to the rubbish and will be removed permanently. Are you sure you want to proceed?

en: Move to _Trash
en_AU: Move to _Rubbish

en: Couldn't access trash.
en_AU: Couldn't access rubbish.

en: Rotate Counterc_lockwise
en_AU: Rotate Anti-c_lockwise

en: Move the selected image to the trash folder
en_AU: Move the selected image to the rubbish folder

[ctx: action (to trash)]
en: Trash
en_AU: Rubbish

en: List of applications entered in the Open file dialog and not associated with the file type.
en_AU: List of applications entered in the Open file dialogue and not associated with the file type.

note: Translators: the name references to a filename.  This message can appear when renaming a file.
en: New name is the same as old one, please type other name.
en_AU: New name is the same as old one, please type another name.

en: File format not recognized
en_AU: File format not recognised

note: Translators: the %s references to a filename.  This message can appear when renaming a file.
en: Name "%s" is not valid because it contains at least one of the following characters: %s, please type other name.
en_AU: Name "%s" is not valid because it contains at least one of the following characters: %s, please type another name.

note: TRANSLATORS: '\"%s\"' is a placeholder for the quoted basename of a file.  It may change position but must not be translated or removed '\"' is an escaped quoted mark.  This may be replaced with another suitable character (escaped if necessary)
en: Files in the folder "%s" cannot be deleted because you do not have permissions to see them.
en_AU: Files in the folder "%s" cannot be deleted because you do not have permission to see them.

en: Cannot move file to trash or delete it
en_AU: Cannot move file to the Rubbish Bin or delete it

en: It is not permitted to trash or delete files on a read only filesystem.
en_AU: It is not permitted to move to the Rubbish Bin or delete files on a read only filesystem.

en: It is not permitted to trash or delete files inside folders for which you do not have write privileges.
en_AU: It is not permitted to move to the Rubbish Bin or delete files inside folders for which you do not have write privileges.

en: It is not permitted to trash or delete folders for which you do not have write privileges.
en_AU: It is not permitted to move to the Rubbish Bin or delete folders for which you do not have write privileges.

en: Cannot move file to trash. Try to delete it immediately?
en_AU: Cannot move file to the Rubbish Bin. Try to delete it immediately?

en: This file could not be moved to trash. See details below for further information.
en_AU: This file could not be moved to the Rubbish Bin. See details below for further information.

en: This file could not be moved to trash. You may not be able to delete it either.
en_AU: This file could not be moved to the Rubbish Bin. You may not be able to delete it either.

en: Cannot copy into trash.
en_AU: Cannot copy into the Rubbish Bin.

en: It is not permitted to copy files into the trash
en_AU: It is not permitted to copy files into the Rubbish Bin

en: Open trash folder and restore manually
en_AU: Open Rubbish Bin folder and restore manually

en: Permanently delete all items from Trash?
en_AU: Permanently delete all items from the Rubbish Bin?

en: All items in all trash directories, including those on any mounted external drives, will be permanently deleted.
en_AU: All items in all Rubbish Bins, including those on any mounted external drives, will be permanently deleted.

en: Permanently delete all items from Trash on this mount?
en_AU: Permanently delete all items from the Rubbish Bin on this mount?

en: All items in the trash on this mount, will be permanently deleted.
en_AU: All items in the Rubbish Bin on this mount, will be permanently deleted.

note: TRANSLATORS: '\"%s\"' is a placeholder for the quoted basename of a file.  It may change position but must not be translated or removed '\"' is an escaped quoted mark.  This may be replaced with another suitable character (escaped if necessary)
en: Are you sure you want to permanently delete "%s" from the trash?
en_AU: Are you sure you want to permanently delete "%s" from the Rubbish Bin?

note: TRANSLATORS: '\"%s\"' is a placeholder for the quoted basename of a file.  It may change position but must not be translated or removed '\"' is an escaped quoted mark.  This may be replaced with another suitable character (escaped if necessary)
en: Permanently delete “%s”?
en_AU: Permanently delete "%s"?

en: Empty the Trash
en_AU: Empty the Rubbish Bin

en: Restore from Trash
en_AU: Restore from Rubbish Bin

en: Reversed Order
en_AU: Reverse Order

en: Cannot copy files that are in the trash
en_AU: Cannot copy files that are in the Rubbish Bin

en: Trash Is Empty
en_AU: Rubbish Bin Is Empty

en: The file selected no longer exists.
en_AU: The selected file no longer exists.

en: Open the Trash
en_AU: Open the Rubbish Bin

en: Analyze any display. Input a few simple details and figure out the aspect ratio, DPI, and other details of a particular display. Great for deciding which laptop or external monitor to purchase, and if it would be considered HiDPI.
en_AU: Analyse any display. Input a few simple details and figure out the aspect ratio, DPI, and other details of a particular display. Great for deciding which laptop or external monitor to purchase, and if it would be considered HiDPI.

en: Analyze a Display
en_AU: Analyse a Display

en: Prioritize First/Last
en_AU: Prioritise First/Last

en: A peer-to-peer file sharing program
    utilizing the BitTorrent protocol.
en_AU: A peer-to-peer file sharing program
    utilising the BitTorrent protocol.

en: Minimize to tray on close
en_AU: Minimise to tray on close

en: Prioritize first and last pieces of torrent
en_AU: Prioritise first and last pieces of torrent

en: Prioritize first and last pieces of files in torrent
en_AU: Prioritise first and last pieces of files in torrent

en: Bring the dialog to focus
en_AU: Bring the dialogue to focus

en: Author Email:
en_AU: Author E-mail:

en: Do not show this dialog in the future
en_AU: Do not show this dialogue in the future

en: Prioritize First/Last Pieces
en_AU: Prioritise First/Last Pieces

en: There was an error sending the notification email: %s
en_AU: There was an error sending the notification e-mail: %s

en: Notification email sent.
en_AU: Notification e-mail sent.

en: This email is to inform you that Deluge has finished downloading "%(name)s", which includes %(num_files)i files.
    To stop receiving these alerts, simply turn off email notification in Deluge's preferences.
    
    Thank you,
    Deluge.
en_AU: This e-mail is to inform you that Deluge has finished downloading "%(name)s", which includes %(num_files)i files.
    To stop receiving these alerts, simply turn off e-mail notification in Deluge's preferences.
    
    Thank you,
    Deluge.

en: <b>Email Notifications</b>
en_AU: <b>E-mail Notifications</b>

en: Sound Customization
en_AU: Sound Customisation

en: Important documents, data, and settings can be protected by storing them in a backup. In the case of a disaster, you would be able to recover them from that backup.
en_AU: Important documents, data and settings can be protected by storing them in a backup. In the case of a disaster, you would be able to recover them from that backup.

en: Not all files were successfully backed up.  See dialog for more details.
en_AU: Not all files were successfully backed up.  See dialogue for more details.

en: Please enter a password not less than 8 characters
en_AU: Please enter a password at least 8 characters in length

en: The hardware switch of WLAN Card is off, please switch on as necessary.
en_AU: The WLAN is turned off, please turned on.

en: System proxy is set successfully.
en_AU: Successfully setup System proxy.

en: System proxy has been cancelled.
en_AU: System proxy setup has been cancelled.

en: Keep icons sorted by trash time in rows
en_AU: Keep icons sorted by rubbish time in rows

en: _Organize Desktop by Name
en_AU: _Organise Desktop by Name

en: _Organize by Name
en_AU: _Organise by Name

en: By T_rash Time
en_AU: By _Rubbish Time

en: Date Digitized
en_AU: Date Digitised

en: The Link "%s" is Broken. Move it to Trash?
en_AU: The Link "%s" is Broken. Move it to Rubbish?

en: Open the trash
en_AU: Open the rubbish

en: Move each selected item to the Trash
en_AU: Move each selected item to the Rubbish

en: Delete each selected item, without moving to the Trash
en_AU: Delete each selected item, without moving to the Rubbish

en: Move this folder to the Trash
en_AU: Move this folder to the Rubbish

en: Delete this folder, without moving to the Trash
en_AU: Delete this folder, without moving to the Rubbish

en: Move the open folder out of the trash to "%s"
en_AU: Move the open folder out of the rubbish to "%s"

en: Move the open folder to the Trash
en_AU: Move the open folder to the Rubbish

en: _Trash
en_AU: _Rubbish

en: Open your personal trash folder
en_AU: Open your personal rubbish folder

en: Trashed On
en_AU: Rubbished On

en: Date when file was moved to the Trash
en_AU: Date when file was moved to the Rubbish

en: Original location of file before moved to the Trash
en_AU: Original location of file before moved to the Rubbish

en: Are you sure you want to permanently delete "%B" from the trash?
en_AU: Are you sure you want to permanently delete "%B" from the rubbish?

en: Empty all items from Trash?
en_AU: Empty all items from Rubbish?

en: All items in the Trash will be permanently deleted.
en_AU: All items in the Rubbish will be permanently deleted.

en: Cannot move file to trash, do you want to delete immediately?
en_AU: Cannot move file to rubbish, do you want to delete immediately?

en: The file "%B" cannot be moved to the trash.
en_AU: The file "%B" cannot be moved to the rubbish.

en: Restore '%s' from trash
en_AU: Restore '%s' from rubbish

en: By Trashed Date
en_AU: By Rubbished Date

en: <b>Trash</b>
en_AU: <b>Rubbish</b>

en: Ask before _emptying the Trash or deleting files
en_AU: Ask before _emptying the Rubbish or deleting files

en: I_nclude a Delete command that bypasses Trash
en_AU: I_nclude a Delete command that bypasses Rubbish

en: Show advanced permissions in the file property dialog
en_AU: Show advanced permissions in the file property dialogue

en: Parental Control
en_AU: Parent Control

en: Initializing
en_AU: Initialising

en: Failed to launch '%s'
en_AU: Failed to launch %s

note: Translators: This is the date which appears in the calendar applet, as a tooltip and as a title header inside the applet. The format uses the strftime syntax. %A, %B %-e, %Y is the American Date format (Saturday, January 4, 2020): %A is the name of the day, %B is the name of the month %-e is the non
en: %A, %B %-e, %Y
en_AU: %A, %-e %B %Y

en: disconnecting...
en_AU: disconnecting…

en: connecting...
en_AU: connecting…

en: Auto broadband
en_AU: Auto Broadband

en: Auto bluetooth
en_AU: Auto Bluetooth

en: Auto wireless
en_AU: Auto Wireless

en: Connecting to the cellular network...
en_AU: Connecting to the mobile network…

en: Connecting to the wireless network...
en_AU: Connecting to the wireless network…

en: Connecting to the wired network...
en_AU: Connecting to the wired network…

en: Connecting to the VPN...
en_AU: Connecting to the VPN…

en: Connecting to the network...
en_AU: Connecting to the network…

en: Connected to the cellular network
en_AU: Connected to the mobile network

note: removable-drives@cinnamon.org->metadata.json->name
en: Removable drives
en_AU: Removable Drives

en: Open file manager
en_AU: Open File Manager

en: Are you sure you want to delete all items from the trash?
en_AU: Are you sure you want to delete all items from the rubbish bin?

en: Open Trash
en_AU: Open Rubbish Bin

en: Configure display settings...
en_AU: Configure display settings…

en: Customize
en_AU: Customise

en: calibre includes a built-in E-book viewer that can view all the major e-book formats. The E-book viewer is highly customizable and has many advanced features.
en_AU: calibre includes a built-in E-book viewer that can view all the major e-book formats. The E-book viewer is highly customisable and has many advanced features.

en: Customizing the look and feel of your reading experience
en_AU: Customising the look and feel of your reading experience

en: calibre is an e-book library manager. It can view, convert and catalog e-books in most of the major e-book formats. It can also talk to many e-book reader devices. It can go out to the Internet and fetch metadata for your books. It can download newspapers and convert them into e-books for convenient reading. It is cross platform, running on Linux, Windows and macOS.
en_AU: calibre is an e-book library manager. It can view, convert and catalogue e-books in most of the major e-book formats. It can also talk to many e-book reader devices. It can go out to the Internet and fetch metadata for your books. It can download newspapers and convert them into e-books for convenient reading. It is cross platform, running on Linux, Windows and MacOS.

en: Once you've admired the list of books you just added to your heart's content, you'll probably want to read one. In order to do that you'll have to convert the book to a format your reader understands. When first running calibre, the :guilabel:`Welcome wizard` starts and will set up calibre for your reader device. Conversion is a breeze. Just select the book you want to convert then click the "Convert books" button. Ignore all the options for now and click "OK". The little icon in the bottom right corner will start spinning. Once it's finished spinning, your converted book is ready. Click the "View" button to read the book.
en_AU: Once you've admired the list of books you just added to your heart's content, you'll probably want to read one. In order to do that you'll have to convert the book to a format your reader understands. When first running Calibre, the :guilabel:`Welcome wizard` starts and will set up calibre for your reader device. Conversion is a breeze. Just select the book you want to convert then click the "Convert books" button. Ignore all the options for now and click "OK". The little icon in the bottom right corner will start spinning. Once it's finished spinning, your converted book is ready. Click the "View" button to read the book.

en: Adding your favorite news website to calibre
en_AU: Adding your favourite news website to calibre

en: Customizing calibre's e-book conversion
en_AU: Customising calibre's e-book conversion

en: Customizing calibre
en_AU: Customising calibre

en: Save to disk
en_AU: Save to disc

en: Restart calibre
en_AU: Restart Calibre

en: Quit calibre
en_AU: Quit Calibre

en: Catalog options
en_AU: Catalogue options

en: An e-book store.
en_AU: An e-book shop.

en: Create a PMLZ archive containing the PML file and all images in the folder pmlname_img or images. This plugin is run every time you add a PML file to the library.
en_AU: Create a PMLZ archive containing the PML file and all images in the folder pmlname_img or images. This plug-in is run every time you add a PML file to the library.

en: Enter {0} below to have the EPUB metadata writer plugin not add cover images to EPUB files that have no existing cover image.
en_AU: Enter {0} below to have the EPUB metadata writer plug-in not add cover images to EPUB files that have no existing cover image.

en: Show a dialog for creating and managing template functions and stored templates
en_AU: Show a dialogue for creating and managing template functions and stored templates

en: Export books from your calibre library to the hard disk
en_AU: Export books from your Calibre library to the hard disk

en: Open the folder that contains the book files in your calibre library
en_AU: Open the folder that contains the book files in your Calibre library

en: Customize calibre
en_AU: Customise Calibre

en: Switch between different calibre libraries and perform maintenance on them
en_AU: Switch between different Calibre libraries and perform maintenance on them

en: Copy a book from one calibre library to another
en_AU: Copy a book from one Calibre library to another

en: Find the next or previous match when searching in your calibre library in highlight mode
en_AU: Find the next or previous match when searching in your Calibre library in highlight mode

en: Choose a random book from your calibre library
en_AU: Choose a random book from your Calibre library

en: Get new calibre plugins or update your existing ones
en_AU: Get new Calibre plug-ins or update your existing ones

en: Customize the toolbars and context menus, changing which actions are available in each
en_AU: Customise the toolbars and context menus, changing which actions are available in each

en: Customize the way searching for books works in calibre
en_AU: Customise the way searching for books works in calibre

en: Saving books to disk
en_AU: Saving books to disc

en: Control how calibre exports files from its database to disk when using Save to disk
en_AU: Control how calibre exports files from its database to disc when using Save to disc

en: Setup the calibre Content server which will give you access to your calibre library from anywhere, on any device, over the internet
en_AU: Setup the calibre Content server which will give you access to your calibre library from anywhere, on any device, over the Internet

en: Add/remove/customize various bits of calibre functionality
en_AU: Add/remove/customise various bits of calibre functionality

en: Customize the keyboard shortcuts used by calibre
en_AU: Customise the keyboard shortcuts used by Calibre

en: Specify the character encoding of the input document. If set this option will override any encoding declared by the document itself. Particularly useful for documents that do not declare an encoding or that have erroneous encoding declarations.
en_AU: Specify the character encoding of the input document. If set this option will override any encoding declared by the document itself. This is particularly useful for documents that do not declare any encoding or that have erroneous encoding declarations.

en: If specified, the output plugin will try to create output that is as human readable as possible. May not have any effect for some output plugins.
en_AU: If specified, the output plug-in will try to create output that is as human-readable as possible. May not have any effect for some output plug-ins.

en: This profile tries to provide sane defaults and is useful if you know nothing about the input document.
en_AU: This profile tries to provide reasonable defaults and is useful if you have no information about the input document.

en: This profile is intended for the SONY PRS line. The 500/505/600/700 etc.
en_AU: This profile is intended for the SONY PRS line; the 500/505/600/700 etc.

en: This profile is intended for the SONY PRS 300.
en_AU: This profile is intended for the Sony PRS 300.

en: This profile is intended for the SONY PRS-900.
en_AU: This profile is intended for the Sony PRS-900.

en: This profile is intended for the Microsoft Reader.
en_AU: This profile is intended for Microsoft's Reader format.

en: This profile is intended for the Mobipocket books.
en_AU: This profile is intended for the Mobipocket format.

en: This profile is intended for the Irex Illiad.
en_AU: This profile is intended for the iRex iLiad.

en: This profile is intended for the IRex Digital Reader 1000.
en_AU: This profile is intended for the iRex Digital Reader 1000.

en: This profile tries to provide sane defaults and is useful if you want to produce a document intended to be read at a computer or on a range of devices.
en_AU: This profile tries to produce logical defaults and proves useful for when you want to produce a document intended to be read on a computer, or on a range of different devices.

en: This profile is intended for the SONY PRS-300.
en_AU: This profile is intended for the Sony PRS-300.

en: This profile is intended for the SONY PRS line. The 500/505/700 etc, in landscape mode. Mainly useful for comics.
en_AU: This profile is intended for the Sony PRS line; the 500, 505, 700 etc., in landscape mode. Mainly useful for reading comics and similar print layouts.

en: Enabled plugins
en_AU: Enabled plug-ins

en:     %prog options
    
        Customize calibre by loading external plugins.
en_AU:     %prog options
    
        Customise calibre by loading external plug-ins.

en: Add a plugin by specifying the path to the ZIP file containing it.
en_AU: Add a plug-in by specifying the path to the ZIP file containing it.

en: For plugin developers: Path to the folder where you are developing the plugin. This command will automatically zip up the plugin and update it in calibre.
en_AU: For plug-in developers: Path to the folder where you are developing the plug-in. This command will automatically zip up the plug-in and update it in calibre.

en: Remove a custom plugin by name. Has no effect on builtin plugins
en_AU: Remove a custom plugin by name. Has no effect on built-in plugins

en: Catalog
en_AU: Catalogue

en: Path to library ({0}) too long. It must be less than {1} characters.
en_AU: Path to library ({0}) too long. It must be fewer than {1} characters.

en: Path to library too long. It must be less than %d characters.
en_AU: Path to library too long. It must be fewer than %d characters.

en: A comma separated list of languages (best to use ISO639 language codes, though some language names may also be recognized)
en_AU: A comma separated list of languages (best to use ISO639 language codes, though some language names may also be recognised)

en: A dictionary of options to customize how the data in this column will be interpreted. This is a JSON  string. For enumeration columns, use --display="{\"enum_values\":[\"val1\", \"val2\"]}"
    There are many options that can go into the display variable.The options by column type are:
    composite: composite_template, composite_sort, make_category,contains_html, use_decorations
    datetime: date_format
    enumeration: enum_values, enum_colors, use_decorations
    int, float: number_format
    text: is_names, use_decorations
    
    The best way to find legal combinations is to create a custom column of the appropriate type in the GUI then look at the backup OPF for a book (ensure that a new OPF has been created since the column was added). You will see the JSON for the "display" for the new column in the OPF.
en_AU: A dictionary of options to customise how the data in this column will be interpreted. This is a JSON  string. For enumeration columns, use --display="{\"enum_values\":[\"val1\", \"val2\"]}"
    There are many options that can go into the display variable.The options by column type are:
    composite: composite_template, composite_sort, make_category,contains_html, use_decorations
    datetime: date_format
    enumeration: enum_values, enum_colors, use_decorations
    int, float: number_format
    text: is_names, use_decorations
    
    The best way to find legal combinations is to create a custom column of the appropriate type in the GUI then look at the backup OPF for a book (ensure that a new OPF has been created since the column was added). You will see the JSON for the "display" for the new column in the OPF.

en: Comma-separated list of database IDs to catalog.
    If declared, --search is ignored.
    Default: all
en_AU: Comma-separated list of database IDs to catalogue.
    If declared, --search is ignored.
    Default: all

en: You must specify a catalog output file
en_AU: You must specify a catalogue output file

en: Cannot generate a catalog in the {} format
en_AU: Cannot generate a catalogue in the {} format

en: %prog remove ids
    
    Remove the books identified by ids from the database. ids should be a comma separated list of id numbers (you can get id numbers by using the search command). For example, 23,34,57-85 (when specifying a range, the last number in the range is not included).
en_AU: %prog remove ids
    
    Remove the books identified by ids from the database. ids should be a comma-separated list of id numbers (you can get id numbers by using the search command). For example, 23,34,57-85 (when specifying a range, the last number in the range is not included).

en: Error: Action %s not recognized, must be one of: (add|remove|list)
en_AU: Error: Action %s not recognised, must be one of: (add|remove|list)

en: Add a simple plugin (i.e. a plugin that consists of only a .py file), by specifying the path to the py file containing the plugin code.
en_AU: Add a simple plug-in (i.e. a plug-in that consists of only a .py file) by specifying the path to the .py file containing the plug-in code.

en: No plugin named %s found
en_AU: No plug-in named %s found

en: Communicate with Android phones.
en_AU: Communicate with Android devices.

en: Communicate with the Blackberry smart phone.
en_AU: Communicate with RIM Blackberry devices.

en: Check this box if the device's main memory is being seen as card a and the card is being seen as main memory. Some tolino devices may need this option.
en_AU: Tick this box if the device's main memory is being seen as card a and the card is being seen as main memory. Some tolino devices may need this option.

en: Removing books from device...
en_AU: Removing books from device…

en: Communicate with the IRex Digital Reader 800
en_AU: Communicate with the iRex Digital Reader 800

en: Communicate with the Iriver Story reader.
en_AU: Communicate with the iriver Story reader.

en: Send page number information when sending books
en_AU: Send page number information when sending books.

en: The Kindle 3 and newer versions can use page number information in MOBI files. With this option, calibre will calculate and send this information to the Kindle when uploading MOBI files by USB. Note that the page numbers do not correspond to any paper book.
en_AU: The Kindle 3 and newer versions can use page number information in MOBI files. With this option, Calibre will calculate and send this information to the Kindle when uploading MOBI files by USB. Note that the page numbers do not correspond to any paper book.

en: The Kobo supports several collections including
en_AU: The Kobo supports several collections including:

en: Getting list of books on device...
en_AU: Getting list of books on device…

en: Removing books from device metadata listing...
en_AU: Removing books from device metadata listing…

en: Adding books to device metadata listing...
en_AU: Adding books to device metadata listing…

en: Choose the color to use when letterboxing the cover. The default color is black (#000000)
en_AU: Choose the colour to use when letterboxing the cover. The default colour is black (#000000)

en: Communicate with the Sweex/Kogan/Q600/Wink
en_AU: Communicate with the Sweex/Kogan/Q600/Wink.

en: Communicate with the Adam tablet
en_AU: Communicate with the Adam tablet.

en: Communicate with the Moovybook Reader
en_AU: Communicate with the Moovybook Reader.

en: Communicate with the COBY
en_AU: Communicate with the COBY.

en: Get device information...
en_AU: Get device information…

en: Transferring books to device...
en_AU: Transferring books to device…

en: Comma separated list of metadata fields to turn into collections on the device. Possibilities include:
en_AU: Comma-separated list of metadata fields to turn into collections on the device. Possibilities include:

en: Setting this option tells calibre to look for books in all folders on the device and its cards. This permits calibre to find books put on the device by other software and by wireless download.
en_AU: Setting this option tells Calibre to look for books in all folders on the device and its cards. This permits Calibre to find books put on the device by other software and by wireless download.

en: Check this box to allow connections when calibre starts
en_AU: Tick this box to allow connections when calibre starts

en: If checked, use the port number in the "Port" box, otherwise the driver will pick a random port
en_AU: If ticked, use the port number in the "Port" box, otherwise the driver will pick a random port

en: Enter the port number the driver is to use if the "fixed port" box is checked
en_AU: Enter the port number the driver is to use if the "fixed port" box is ticked

en: Check this box if requested when reporting problems
en_AU: Tick this box if requested when reporting problems

en: If this box is checked, calibre will automatically disconnect if a connected device does nothing for %d minutes. Unchecking this  box disables this timeout, so calibre will never automatically disconnect.
en_AU: If this box is ticked, calibre will automatically disconnect if a connected device does nothing for %d minutes. Unticking this box disables this timeout, so calibre will never automatically disconnect.

en: Unable to detect the %s disk drive. Either the device has already been ejected, or your kernel is exporting a deprecated version of SYSFS.
en_AU: Unable to detect the %s disc drive. Either the device has already been ejected, or your kernel is exporting a deprecated version of SYSFS.

en: Failed to access files on the SD card in your device. This can happen for many reasons. The SD card may be corrupted, it may be too large for your device, it may be write-protected, etc. Try a different SD card, or reformat your SD card using the FAT32 filesystem. Also make sure there are not too many files in the root of your SD card. Underlying error: %s
en_AU: Failed to access files on the SD card in your device. This can happen for many reasons: The SD card may be corrupted; it may be too large for your device; it may be write-protected, etc. Try a different SD card, or reformat your SD card using the FAT32 filesystem. Also make sure there aren't too many files in the root of your SD card. Underlying error: %s

en: Sending metadata to device...
en_AU: Sending metadata to device…

en: Enter the folder where the books are to be stored. This folder is prepended to any send_to_device template
en_AU: Enter the folder where the books are to be stored. This folder is prepended to any send_to_device template.

en: Check this box if the device's main memory is being seen as card a and the card is being seen as main memory
en_AU: Tick this box if the device's main memory is being seen as card a and the card is being seen as main memory

en: Modify the document text and structure using common patterns. Disabled by default. Use %(en)s to enable.  Individual actions can be disabled with the %(dis)s options.
en_AU: Modify the document text and structure using common patterns. Disabled by default. Use %(en)s to enable. Individual actions can be disabled with the %(dis)s options.

en: The options and default values for the options change depending on both the
    input and output formats, so you should always check with::
    
        %s
    
    Below are the options that are common to all conversion, followed by the
    options specific to every input and output format.
en_AU: The options and default values for the options change depending on both the
    input and output formats, so you should always check with::
    
        %s
    
    Below are the options that are common to all conversions, followed by the
    options specific to every input and output format.

en: Reduce the number of colors used in the image. This works only if you choose the PNG output format. It is useful to reduce file sizes. Set to zero to turn off. Maximum value is 256. It is off by default.
en_AU: Reduce the number of colours used in the image. This works only if you choose the PNG output format. It is useful to reduce file sizes. Set to zero to turn off. Maximum value is 256. It is off by default.

en: Disable normalize (improve contrast) color range for pictures. Default: False
en_AU: Disable normalize (improve contrast) colour range for pictures. Default: False

en: Don't sort the files found in the comic alphabetically by name. Instead use the order they were added to the comic.
en_AU: Don't sort the files found in the comic alphabetically by name. Instead use the order in which they were added to the comic.

en: Do not convert the image to grayscale (black and white)
en_AU: Do not convert the image to greyscale (black and white)

en: When converting a CBC do not add links to each page to the TOC. Note this only applies if the TOC has more than one section
en_AU: When converting a CBC do not add links to each page to the TOC. Note this only applies if the TOC has more than one section.

en: Normally this input plugin re-arranges all the input files into a standard folder hierarchy. Only use this option if you know what you are doing as it can result in various nasty side effects in the rest of the conversion pipeline.
en_AU: Normally this input plug-in rearranges all the input files into a standard folder hierarchy. Only use this option if you know what you are doing, as it can result in various nasty side effects in the rest of the conversion pipeline.

en: Top level HTML file %s is empty
en_AU: Top level HTML file %s is empty.

en: Don't add Table of Contents to the book. Useful if the book has its own table of contents.
en_AU: Don't add Table of Contents to the book. (Useful if the book has its own table of contents.)

en: Ignore margins in the input document. If False, then the MOBI output plugin will try to convert margins specified in the input document, otherwise it will ignore them.
en_AU: Ignore margins in the input document. If False, then the MOBI output plug-in will try to convert margins specified in the input document, otherwise it will ignore them.

en: When adding the Table of Contents to the book, add it at the start of the book instead of the end. Not recommended.
en_AU: When adding the Table of Contents to the book, add it at the start of the book instead of the end. (Not recommended)

en: By default calibre converts all images to JPEG format in the output MOBI file. This is for maximum compatibility as some older MOBI viewers have problems with other image formats. This option tells calibre not to do this. Useful if your document contains lots of GIF/PNG images that become very large when converted to JPEG.
en_AU: By default, calibre converts all images to JPEG format in the output MOBI file. This is for maximum compatibility as some older MOBI viewers have problems with other image formats. This option tells calibre not to do this. Useful if your document contains lots of GIF/PNG images that become very large when converted to JPEG.

en: Specify the character encoding of the output document. The default is cp1252. Note: This option is not honored by all formats.
en_AU: Specify the character encoding of the output document. The default is cp1252. Note: This option is not honoured by all formats.

en: Add Table of Contents to beginning of the book.
en_AU: Add Table of Contents to the beginning of the book.

en: Do not remove font color from output. This is only useful when TXT output formatting is set to textile. Textile is the only formatting that supports setting font color. If this option is not specified font color will not be set and default to the color displayed by the reader (generally this is black).
en_AU: Do not remove font colour from output. This is only useful when TXT output formatting is set to textile. Textile is the only formatting that supports setting font colour. If this option is not specified font colour will not be set and will default to the colour displayed by the reader (generally this is black).

en: Some badly designed documents use tables to control the layout of text on the page. When converted these documents often have text that runs off the page and other artifacts. This option will extract the content from the tables and present it in a linear fashion.
en_AU: Some badly designed documents use tables to control the layout of text on the page. When converted, these documents often have text that runs off the page and other artefacts. This option will extract the content from the tables and present it in a linear fashion.

en: Some documents specify page margins by specifying a left and right margin on each individual paragraph. calibre will try to detect and remove these margins. Sometimes, this can cause the removal of margins that should not have been removed. In this case you can disable the removal.
en_AU: Some documents specify page margins by specifying a left and right margin on each individual paragraph. Calibre will try to detect and remove these margins. Sometimes, this can cause the removal of margins that should not have been removed. In this case, you can disable the removal.

en: Look for common words and patterns that denote italics and italicize them.
en_AU: Look for common words and patterns that denote italics and italicise them.

en: Left aligned scene break markers are center aligned. Replace soft scene breaks that use multiple blank lines with horizontal rules.
en_AU: Left-aligned scene break markers are centre-aligned. Replace soft scene breaks that use multiple blank lines with horizontal rules.

en: Analyze hyphenated words throughout the document.  The document itself is used as a dictionary to determine whether hyphens should be retained or removed.
en_AU: Analyse hyphenated words throughout the document. The document itself is used as a dictionary to determine whether hyphens should be retained or removed.

en: Converting input to HTML...
en_AU: Converting input to HTML…

en: Running %s plugin
en_AU: Running %s plug-in

en: Normally, when following links in HTML files calibre does it depth first, i.e. if file A links to B and  C, but B links to D, the files are added in the order A, B, D, C.  With this option, they will instead be added as A, B, C, D
en_AU: Normally, when following links in HTML files, Calibre does it depth first i.e. if file A links to B and C, but B links to D, the files are added in the order A, B, D, C. With this option, they will instead be added as A, B, C, D.

en: 	Parsing HTML...
en_AU: 	Parsing HTML…

en: 	Baen file detected. Re-parsing...
en_AU: 	Baen file detected. Re-parsing…

en: 	Converting to BBeB...
en_AU: 	Converting to BBeB…

en: Parsing LRF...
en_AU: Parsing LRF…

en: Creating XML...
en_AU: Creating XML…

en: Path to a graphic that will be set as this files' thumbnail
en_AU: Path to a graphic that will be set as this file's thumbnail

en: Set the cover to the specified file.
en_AU: Set the cover for the specified file.

en: Image is in the CMYK colorspace
en_AU: Image is in the CMYK colourspace

en: This is an invalid (unrecognized) entity. Replace it with whatever text it is supposed to have represented.
en_AU: This is an invalid (unrecognised) entity. Replace it with whatever text it is supposed to have represented.

en: Images are already fully optimized
en_AU: Images are fully optimised

en: OPF/NCX/etc. generation options.
en_AU: OPF/NCX/etc generation options.

en: Could not find pdftohtml, check it is in your PATH
en_AU: Could not find pdftohtml; check it is in your PATH

en: Incoming book formats were processed and merged into your calibre database according to your auto-merge settings. Click "Show details" to see the list of merged books.
en_AU: Incoming book formats have been processed and merged into your calibre database according to your auto-merge settings. Click "Show details" to see the list of merged books.

en: Create catalog
en_AU: Create catalogue

en: No books selected for catalog generation
en_AU: No books selected for catalogue generation

en: Generating %s catalog...
en_AU: Generating %s catalogue...

en: Catalog generated.
en_AU: Catalogue generated.

en: Export catalog folder
en_AU: Export catalogue folder

en: No existing calibre library was found at %s. If the library was moved, select its new location below. Otherwise calibre will forget this library.
en_AU: No existing Calibre library was found at %s. If the library was moved, select its new location below. Otherwise Calibre will forget this library.

en: No existing calibre library found at %s
en_AU: No existing Calibre library found at %s

en: You are running calibre portable, all calibre data is already in the calibre portable folder. Export/import is unavailable.
en_AU: You are running calibre portable. All calibre data is already in the calibre portable folder. Export/import is unavailable.

en: The library %s has been removed from calibre. The files remain on your computer, if you want to delete them, you will have to do so manually.
en_AU: The library %s has been removed from Calibre. The files remain on your computer. If you want to delete them, you will have to do so manually.

en: Path to library too long. It must be less than %d characters. Move your library to a location with a shorter path using Windows Explorer, then point calibre to the new location and try again.
en_AU: Path to library too long. It must be fewer than %d characters. Move your library to a location with a shorter path using Windows Explorer, then point calibre to the new location and try again.

en: Database integrity check failed, click "Show details" for details.
en_AU: Database integrity check failed. Click "Show details" for details.

en: Create a catalog of the books in your calibre library
en_AU: Create a catalogue of the books in your calibre library

en: The copying process was interrupted. {} books were copied.
en_AU: The copying process has been interrupted. {} books have been copied.

en: No books were deleted from this library.
en_AU: No books have been deleted from this library.

en: Many IP addresses. See Start/Stop dialog.
en_AU: Many IP addresses. See Start/Stop dialogue.

en: Plugin updater
en_AU: Plug-in updater

en: Update any plugins you have installed in calibre
en_AU: Update any plug-ins you have installed in calibre

en: Change calibre behavior
en_AU: Change Calibre behaviour

en: Get plugins to enhance calibre
en_AU: Get plug-ins to enhance Calibre

en: Save only %s format to disk
en_AU: Save only %s format to disc

en: Save single format to disk...
en_AU: Save single format to disc...

en: Cannot save to disk
en_AU: Cannot save to disc

en: You are trying to save files into the calibre library. This can cause corruption of your library. Save to disk is meant to export files from your calibre library elsewhere.
en_AU: You are trying to save files into the calibre library. This can cause corruption of your library. Save to disc is meant to export files from your calibre library elsewhere.

en: Stores
en_AU: Shops

en: Choose stores
en_AU: Choose shops

en: Using the integrated search you can easily find which store has the book you are looking for, at the best price. You also get DRM status and other useful information.
en_AU: Using the integrated search, you can easily find which shop has the book you are looking for, at the best price. You also get DRM status and other useful information.

en: Capitalize
en_AU: Capitalise

en: Foreground color
en_AU: Foreground colour

en: Choose foreground color
en_AU: Choose foreground colour

en: Choose background color
en_AU: Choose background colour

en: Enter a URL. If you check the "Treat the URL as an image" box then the URL will be added as an image reference instead of as a link. You can also choose to create a link to a file on your computer. Note that if you create a link to a file on your computer, it will stop working if the file is moved.
en_AU: Enter a URL. If you tick the "Treat the URL as an image" box then the URL will be added as an image reference instead of as a link. You can also choose to create a link to a file on your computer. Note that if you create a link to a file on your computer, it will stop working if the file is moved.

en: Put generated Table of Contents at &start of book instead of end
en_AU: Put generated Table of Contents at &start of book instead of end.

en: For settings that cannot be specified in this dialog, use the values saved in a previous conversion (if they exist) instead of using the defaults specified in the Preferences
en_AU: For settings that cannot be specified in this dialogue, use the values saved in a previous conversion (if they exist) instead of using the defaults specified in the Preferences

en: &Number of colors:
en_AU: &Number of colours:

en: Disable &normalize
en_AU: Disable &normalise

en: Italicize common words and patterns
en_AU: Italicise common words and patterns

en: <p>When calibre removes inter paragraph spacing, it automatically sets a paragraph indent, to ensure that paragraphs can be easily distinguished. This option controls the width of that indent.
en_AU: <p>When calibre removes inter-paragraph spacing, it automatically sets a paragraph indent, to ensure that paragraphs can be easily distinguished. This option controls the width of that indent.

en: &Linearize tables
en_AU: &Linearise tables

en: Removes foreground and background colors
en_AU: Removes foreground and background colours

en: &Colors
en_AU: &Colours

en: Comma separated list of CSS properties to remove. For example: display, color, font-family
en_AU: Comma separated list of CSS properties to remove. For example: display, colour, font-family

en: Tags categorize the book. This is particularly useful while searching. <br><br>They can be any words or phrases, separated by commas.
en_AU: Tags categorise the book. This is particularly useful while searching. <br><br>They can be any words or phrases, separated by commas.

en: Goto:
en_AU: Go to:

en: Keep text &color, when possible
en_AU: Keep text &colour, when possible

en: Choose color
en_AU: Choose colour

en: Color &1:
en_AU: Colour &1:

en: Color &2:
en_AU: Colour &2:

en: Contrast color &1 (mainly for text):
en_AU: Contrast colour &1 (mainly for text):

en: Contrast color &2 (mainly for text):
en_AU: Contrast colour &2 (mainly for text):

en: The color scheme name "%s" is invalid. It must start with a # and be at least two characters long.
en_AU: The colour scheme name "%s" is invalid. It must start with a # and be at least two characters long.

en: A color scheme with the name "%s" already exists.
en_AU: A colour scheme with the name "%s" already exists.

en: When generating covers, a color scheme for the cover is chosen at random from the color schemes below. You can prevent an individual scheme from being selected by unchecking it. The preview on the right shows the currently selected color scheme.
en_AU: When generating covers, a colour scheme for the cover is chosen at random from the colour schemes below. You can prevent an individual scheme from being selected by unticking it. The preview on the right shows the currently selected colour scheme.

en: Choose a color scheme to be used for this generated cover.
en_AU: Choose a colour scheme to be used for this generated cover.

en: In normal cover generation, the color scheme is chosen at random from the list of color schemes below. You can prevent an individual color scheme from being chosen by unchecking it here.
en_AU: In normal cover generation, the colour scheme is chosen at random from the list of colour schemes below. You can prevent an individual colour scheme from being chosen by unticking it here.

en: &New color scheme
en_AU: &New colour scheme

en: &Edit color scheme
en_AU: &Edit colour scheme

en: &Remove color scheme
en_AU: &Remove colour scheme

en: When generating covers, a style for the cover is chosen at random from the styles below. You can prevent an individual style from being selected by unchecking it. The preview on the right shows the currently selected style.
en_AU: When generating covers, a style for the cover is chosen at random from the styles below. You can prevent an individual style from being selected by unticking it. The preview on the right shows the currently selected style.

en: In normal cover generation, the style is chosen at random from the list of styles below. You can prevent an individual style from being chosen by unchecking it here.
en_AU: In normal cover generation, the style is chosen at random from the list of styles below. You can prevent an individual style from being chosen by unticking it here.

en: My Color Scheme
en_AU: My Colour Scheme

en: Cannot edit a builtin color scheme. Create a new color scheme instead.
en_AU: Cannot edit a built-in colour scheme. Create a new colour scheme instead.

en: Cannot remove a builtin color scheme.
en_AU: Cannot remove a built-in colour scheme.

en: Save the current settings as the settings to use always instead of just this time. Remember that for styles and colors the actual style or color used is chosen at random from the list of checked styles/colors.
en_AU: Save the current settings as the settings to use always instead of just this time. Remember that for styles and colours the actual style or colour used is chosen at random from the list of ticked styles/colours.

en: Sending catalogs to device.
en_AU: Sending catalogues to device.

en: Select the devices to be <b>ignored</b>. calibre <b>will not</b>
                connect to devices with a checkmark next to their names.
en_AU: Select the devices to be <b>ignored</b>. calibre <b>will not</b>
                connect to devices with a tick next to their names.

en: <b>No MTP device connected.</b><p> You can only configure the MTP device plugin when a device is connected.
en_AU: <b>No MTP device connected.</b><p> You can only configure the MTP device plug-in when a device is connected.

en: Extra driver customization options
en_AU: Extra driver customisation options

en: Generate catalog
en_AU: Generate catalogue

en: Generate catalog for {0} books
en_AU: Generate catalogue for {0} books

en: Catalo&g format:
en_AU: Catalo&gue format:

en: Catalog &title (existing catalog with the same title will be replaced):
en_AU: Catalogue &title (existing catalogue with the same title will be replaced):

en: &Send catalog to device automatically
en_AU: &Send catalogue to device automatically

en: Add the catalog to your calibre library after it is generated.
    Note that if you disable adding of the catalog to the library
    automatic sending of the catalog to the device will not work.
en_AU: Add the catalogue to your calibre library after it is generated.
    Note that if you disable adding of the catalogue to the library
    automatic sending of the catalogue to the device will not work.

en: &Add catalog to library
en_AU: &Add catalogue to library

en: Vacuuming database to improve performance.
en_AU: Cleaning up database to improve performance.

en: Delete marked files (checked subitems)
en_AU: Delete marked files (ticked subitems)

en: Fix marked sections (checked fixable items)
en_AU: Fix marked sections (ticked fixable items)

en: Create a basic news recipe, by adding RSS feeds to it.
    For some news sources, you will have to use the "Switch to advanced mode" button below to further customize the fetch process.
en_AU: Create a basic news recipe, by adding RSS feeds to it.
    For some news sources, you will have to use the "Switch to advanced mode" button below to further customise the fetch process.

en: Customize &builtin recipe
en_AU: Customise &builtin recipe

en: Customize a builtin news download source
en_AU: Customise a built-in news download source

en: All checked books will be <b>permanently deleted</b> from your device. Please verify the list.
en_AU: All ticked books will be <b>permanently deleted</b> from your device. Please verify the list.

en: Invalid colors specification
en_AU: Invalid colours specification

en: Either all values or no values must have colors
en_AU: Either all values or no values must have colours

en: Immediately make all changes without closing the dialog. This operation cannot be canceled or undone
en_AU: Immediately make all changes without closing the dialogue. This operation cannot be cancelled or undone.

en: This will cause the author sort field to be automatically updated
     based on the authors field for each selected book. Note that if
     you use the control above to set authors in bulk, the author sort
     field is updated anyway, regardless of the value of this checkbox.
en_AU: This will cause the author sort field to be automatically updated
     based on the authors field for each selected book. Note that if
     you use the control above to set authors in bulk, the author sort
     field is updated anyway, regardless of the value of this tick box.

en: If checked, the publisher will be cleared
en_AU: If ticked, the publisher will be cleared

en: Check this box to remove all tags from the books.
en_AU: Tick this box to remove all tags from the books.

en: If checked, the series will be cleared
en_AU: If ticked, the series will be cleared

en: If not checked, the series number for the books will be set to 1.
    If checked, selected books will be automatically numbered, in the order
    you selected them. So if you selected Book A and then Book B,
    Book A will have series number 1 and Book B series number 2.
en_AU: If not ticked, the series number for the books will be set to 1.
    If ticked, selected books will be automatically numbered, in the order
    you selected them. So if you selected Book A and then Book B,
    Book A will have series number 1 and Book B series number 2.

en: Series will normally be renumbered from the highest number in the database
    for that series. Checking this box will tell calibre to start numbering
    from the value in the box
en_AU: Series will normally be renumbered from the highest number in the database
    for that series. Ticking this box will tell calibre to start numbering
    from the value in the box

en: Force the title to be in title case. If both this and swap authors are checked,
    title and author are swapped before the title case is set
en_AU: Force the title to be in title case. If both this and swap authors are ticked,
    title and author are swapped before the title case is set

en: Choose which identifier type to operate upon
en_AU: Choose which identifier type to operate upon.

en: Check this box if the search string must match exactly upper and lower case. Uncheck it if case is to be ignored
en_AU: Tick this box if the search string must match exactly upper and lower case. Untick it if case is to be ignored

en: This plugin is FREE but you can reward the developer for their effort
    by donating to them via PayPal.
    
    Right-click and choose Donate to reward:
en_AU: This plug-in is FREE but you can reward the developer for their effort
    by donating to them via PayPal.
    
    Right-click and choose Donate to reward:

en: Plugin deprecated
en_AU: Plug-in deprecated

en: This plugin has been deprecated and should be uninstalled
en_AU: This plug-in has been deprecated and should be uninstalled

en: This plugin can only be installed on: %s
en_AU: This plug-in can only be installed on: %s

en: You can install this plugin
en_AU: You can install this plug-in

en: A new version of this plugin is available
en_AU: A newer version of this plug-in is available

en: This plugin is installed and up-to-date
en_AU: This plug-in is installed and up-to-date

en: Plugin homepage
en_AU: Plug-in homepage

en: Unable to reach the plugin index page.
en_AU: Unable to reach the plug-in index page.

en: User plugins
en_AU: User Plug-ins

en: Install the selected plugin
en_AU: Install the selected plug-in

en: &Customize plugin
en_AU: &Customise plug-in

en: Customize the options for this plugin
en_AU: Customise the options for this plug-in

en: Enable or disable this plugin
en_AU: Enable or disable this plug-in

en: &Remove plugin
en_AU: &Remove plug-in

en: Uninstall the selected plugin
en_AU: Uninstall the selected plug-in

en: Donate to the developer of this plugin
en_AU: Donate to the developer of this plug-in

en: &Customize plugin
en_AU: &Customise plug-in

en: Are you sure you want to uninstall the <b>%s</b> plugin?
en_AU: Are you sure you want to uninstall the <b>%s</b> plug-in?

en: Installing plugins is a <b>security risk</b>. Plugins can contain a virus/malware. Only install it if you got it from a trusted source. Are you sure you want to proceed?
en_AU: Installing plug-ins is a <b>security risk</b>. Plug-ins can contain a virus/malware. Only install it if you got it from a trusted source. Are you sure you want to proceed?

en: Installing plugin: %s
en_AU: Unable to locate a plug-in zip file for <b>%s</b>

en: Plugin installed: %s
en_AU: Plug-in installed: %s

en: Plugin not customizable
en_AU: Plug-in isn't customisable

en: Plugin: %s does not need customization
en_AU: Plug-in: %s does not need customisation

en: You must restart calibre before you can configure the <b>%s</b> plugin
en_AU: You must restart calibre before you can configure the <b>%s</b> plug-in

en: Plugin cannot be disabled
en_AU: Plug-in cannot be disabled

en: The plugin: %s cannot be disabled
en_AU: The plug-in: %s cannot be disabled

en: Click in a column  in the library view to see the information for that book
en_AU: Click in a column in the library view to see the information for that book.

en:                 Download this periodical every week on the specified days after
                    the specified time. For example, if you choose: Monday after
                    9:00 AM, then the periodical will be download every Monday as
                    soon after 9:00 AM as possible.
en_AU:                 Download this periodical every week on the specified days after
                    the specified time. For example, if you choose: Monday after
                    9:00 AM, then the periodical will be downloaded every Monday as
                    soon after 9:00 AM as possible.

en:                 Download this periodical every month, on the specified days.
                    The download will happen as soon after the specified time as
                    possible on the specified days of each month. For example,
                    if you choose the 1st and the 15th after 9:00 AM, the
                    periodical will be downloaded on the 1st and 15th of every
                    month, as soon after 9:00 AM as possible.
en_AU:                 Download this periodical every month, on the specified days.
                    The download will happen as soon after the specified time as
                    possible, on the specified days of each month. For example:
                    if you choose the 1st and the 15th after 9:00 AM, the
                    periodical will be downloaded on the 1st and 15th of every
                    month, as soon after 9:00 AM as possible.

en:                 Download this periodical every x days. For example, if you
                    choose 30 days, the periodical will be downloaded every 30
                    days. Note that you can set periods of less than a day, like
                    0.1 days to download a periodical more than once a day.
en_AU:                 Download this periodical every x days. For example, if you
                    choose 30 days, the periodical will be downloaded every 30
                    days. Note that you can set periods of less than a day, like
                    0.1 days, to download a periodical more than once a day.

en:  issues
en_AU:  Issues

en: all issues
en_AU: All issues

en: <p>Delete downloaded news older than the specified number of days. Set to zero to disable.
    <p>You can also control the maximum number of issues of a specific periodical that are kept by clicking the Advanced tab for that periodical above.
en_AU: <p>Delete downloaded news older than the specified number of days. (Set to zero to disable)
    <p>You can also control the maximum number of issues of a specific periodical that are kept, by clicking the Advanced tab for that periodical above.

en: Check this box if you want calibre to automatically start the smart device interface when calibre starts. You should not do this if you are using a network that is not secure and you are not setting a password.
en_AU: Tick this box if you want calibre to automatically start the smart device interface when calibre starts. You should not do this if you are using a network that is not secure and you are not setting a password.

en: Check this box if you want calibre to use a fixed network port. Normally you will not need to do this. However, if your device consistently fails to connect to calibre, try checking this box and entering a number.
en_AU: Tick this box if you want calibre to use a fixed network port. Normally you will not need to do this. However, if your device consistently fails to connect to calibre, try ticking this box and entering a number.

en: The template box cannot be empty
en_AU: The template box cannot be empty.

en: No column chosen
en_AU: No column chosen.

en: You must specify a column to be colored
en_AU: You must specify a column to be coloured.

en: Set the color of the column:
en_AU: Set the colour of the column:

en: Copy a color name to the clipboard:
en_AU: Copy a colour name to the clipboard:

en: Copy the selected color name to the clipboard
en_AU: Copy the selected colour name to the clipboard

en: No file specified to download.
en_AU: No file specified to be downloaded.

en: Losslessly optimizing images, please wait...
en_AU: Losslessly optimising images, please wait...

en: Optimizing images failed, click "Show details" for more information
en_AU: Optimising images failed, click "Show details" for more information

en: Optimizing %s
en_AU: Optimising %s

en: This job cannot be stopped
en_AU: This job cannot be stopped.

en: Double click on any entry to change the keyboard shortcuts associated with it
en_AU: Double click on any entry to change the keyboard shortcuts associated with it.

en: Show books in storage card A
en_AU: Show books on storage card A

en: Show books in storage card B
en_AU: Show books on storage card B

en: Start minimized to system tray.
en_AU: Start minimised to system tray.

en: Ignore custom plugins, useful if you installed a plugin that is preventing calibre from starting
en_AU: Ignore custom plug-ins (useful if you installed a plug-in that is preventing calibre from starting.)

en: Initializing user interface...
en_AU: Initialising user interface...

en: Specify how the author(s) of this book should be sorted. For example Charles Dickens should be sorted as Dickens, Charles.
    If the box is colored green, then text matches the individual author's sort strings. If it is colored red, then the authors and this text do not match.
en_AU: Specify how the author(s) of this book should be sorted. For example Charles Dickens should be sorted as Dickens, Charles.
    If the box is coloured green, then text matches the individual author's sort strings. If it is coloured red, then the authors and this text do not match.

en: Customize the styles and colors of the generated cover
en_AU: Customise the styles and colours of the generated cover

en: When the download completes you will be asked for confirmation before calibre applies the downloaded metadata.
en_AU: When the download completes, you will be asked for confirmation before Calibre applies the downloaded metadata.

en: Mark rejected books in the book list after this dialog is closed
en_AU: Mark rejected books in the book list after this dialogue is closed

en: Automatically create the author sort entry based on the current author entry. Using this button to create author sort will change author sort from red to green.  There is a menu of functions available under this button. Click and hold on the button to see it.
en_AU: Automatically create the author sort entry based on the current author entry. Using this button to create author sort will change author sort from red to green. There is a menu of functions available under this button. Click and hold on the button to see it.

en: Change how calibre downloads metadata
en_AU: Change how Calibre downloads metadata

en: calibre is downloading metadata from:
en_AU: Calibre is downloading metadata from:

en: Failed to download metadata. Click Show Details to see details
en_AU: Failed to download metadata. Click "Show Details" to see details.

en: When using the  "&Copy to library" action to copy books between libraries, preserve the date
en_AU: Preserve the date when using the "&Copy to library" action to copy books between libraries

en: Confirmation dialogs have all been reset
en_AU: Confirmation dialogues have all been reset

en: If checked, Yes/No custom columns values can be Yes, No, or Unknown.
    If not checked, the values can be Yes or No.
en_AU: If ticked, Yes/No custom column values can be Yes, No, or Unknown.
    If not ticked, the values can be Yes or No.

en: Reset all disabled &confirmation dialogs
en_AU: Reset all disabled &confirmation dialogues

en: has id
en_AU: has ID

en: does not have id
en_AU: does not have ID

en: Enter a number
en_AU: Enter a number.

en: Enter a regular expression
en_AU: Enter a regular expression.

en: column coloring
en_AU: column colouring

en: Open to see checkboxes
en_AU: Open to see tick boxes

en: You must specify at least one non-empty condition for this rule
en_AU: You must specify at least one non-empty condition for this rule.

en: You can control the color of columns in the book list by creating "rules" that tell calibre what color to use. Click the "Add rule" button below to get started.<p>You can <b>change an existing rule</b> by double clicking it.
en_AU: You can control the colour of columns in the book list by creating "rules" that tell calibre what colour to use. Click the "Add rule" button below to get started.<p>You can <b>change an existing rule</b> by double clicking it.

en: No rule selected
en_AU: No rule selected.

en: Here you can re-arrange the layout of the columns in the calibre library book list. You can hide columns by unchecking them. You can also create your own, custom columns.
en_AU: Here you can rearrange the layout of the columns in the calibre library book list. You can hide columns by unticking them. You can also create your own custom columns.

en: Column built from other columns, behaves like tags
en_AU: Column built from other columns, behaves like tags.

en: Show &checkmarks
en_AU: Show &ticks

en: A list of color names to use when displaying an item. The
    list must be empty or contain a color for each value.
en_AU: A list of colour names to use when displaying an item. The
    list must be empty or contain a colour for each value.

en: Colors:
en_AU: Colours:

en: How this column should handled in the GUI when sorting and searching
en_AU: How this column should be handled in the GUI when sorting and searching

en: Examples: The format <code>{0:0>4d}</code> gives a 4-digit number with leading zeros. The format <code>{0:d}&nbsp;days</code> prints the number then the word "days"
en_AU: Examples: The format <code>{0:0>4d}</code> gives a 4-digit number with leading zeros. The format <code>{0:d}&nbsp;days</code> prints the number then the word "days".

en: The colors box must be empty or contain the same number of items as the value box
en_AU: The colours box must be empty or contain the same number of items as the value box.

en: The color {0} is unknown
en_AU: The colour {0} is unknown

en: Ensure your device is disconnected, then press OK
en_AU: Ensure your device is disconnected, then press OK.

en: Ensure your device is connected, then press OK
en_AU: Ensure your device is connected, then press OK.

en: Subject of the email to use when sending. When left blank the title will be used for the subject. Also, the same templates used for "Save to disk" such as {title} and {author_sort} can be used here.
en_AU: Subject of the email to use when sending. When left blank, the title will be used for the subject. Also, the same templates used for "Save to disk" such as {title} and {author_sort} can be used here.

en: If checked, downloaded news will be automatically mailed to this email address (provided it is in one of the listed formats and has not been filtered by tags).
en_AU: If ticked, downloaded news will be automatically sent to this email address (provided it is in one of the listed formats and has not been filtered by tags).

en: The list of devices that you have asked calibre to ignore. Uncheck a device to have calibre stop ignoring it.
en_AU: The list of devices that you have asked calibre to ignore. Untick a device to have calibre stop ignoring it.

en: The list of device plugins you have disabled. Uncheck an entry to enable the plugin. calibre cannot detect devices that are managed by disabled plugins.
en_AU: The list of device plug-ins you have disabled. Untick an entry to enable the plug-in. calibre cannot detect devices that are managed by disabled plug-ins.

en: There is currently a background image set, so the color you have chosen will not be visible. Remove the background image?
en_AU: There is currently a background image set, so the colour you have chosen will not be visible. Remove the background image?

en: Use &alternating row colors
en_AU: Use &alternating row colours

en: Column &coloring
en_AU: Column &colouring

en: This source is configured and ready to go
en_AU: This source is configured and ready to go.

en: This plugin is useful only for <b>Chinese</b> language books. It can return incorrect results for books in English. Are you sure you want to enable it?
en_AU: This plug-in is useful only for <b>Chinese</b> language books. It can return incorrect results for books in English. Are you sure you want to enable it?

en: Sources with a red X next to their names must be configured before they will be used.
en_AU: Sources with a red X next to their names must be configured before they're used.

en: If you uncheck any fields, metadata for those fields will not be downloaded
en_AU: If you untick any fields, metadata for those fields will not be downloaded.

en: Restore your own subset of checked fields that you define using the 'Set as default' button
en_AU: Restore your own subset of ticked fields that you define using the 'Set as default' button.

en: <p>Different metadata sources have different sets of tags for the same book. If this option is checked, then calibre will use the smaller tag sets. These tend to be more like genres, while the larger tag sets tend to describe the books content.
    <p>Note that this option will only make a practical difference if one of the metadata sources has a genre like tag set for the book you are searching for. Most often, they all have large tag sets.
en_AU: <p>Different metadata sources have different sets of tags for the same book. If this option is ticked, then calibre will use the smaller tag sets. These tend to be more like genres, while the larger tag sets tend to describe the book's content.
    <p>Note that this option will only make a practical difference if one of the metadata sources has a genre-like tag set for the book you are searching for. Most often, they all have large tag sets.

en: Max. simultaneous conversion/&news download/plugin jobs:
en_AU: Max. simultaneous conversion/&news download/plug-in jobs:

en: The {0} device plugin is disabled.
en_AU: The {0} device plug-in is disabled.

en: 
    Customization:
en_AU: 
    Customisation:

en: 
    
    This plugin has been disabled
en_AU: 
    
    This plug-in has been disabled

en: Search for plugin
en_AU: Search for plug-in

en: Could not find any matching plugins
en_AU: Could not find any matching plug-ins

en: Add plugin
en_AU: Add plug-in

en: No valid plugin path
en_AU: No valid plug-in path

en: %s is not a valid plugin path
en_AU: %s is not a valid plug-in path

en: Select an actual plugin under <b>%s</b> to customize
en_AU: Select an actual plug-in under <b>%s</b> to customise

en: Disabling the plugin %s is not allowed
en_AU: Disabling the plug-in %s is not allowed

en: Are you sure you want to remove the plugin: %s?
en_AU: Are you sure you want to remove the plug-in: %s?

en: Cannot remove builtin plugin
en_AU: Cannot remove built-in plug-in

en:  cannot be removed. It is a builtin plugin. Try disabling it instead.
en_AU:  cannot be removed. It is a built-in plug-in. Try disabling it instead.

en: Show only those plugins that have been installed by you
en_AU: Show only those plug-ins that have been installed by you

en: Show only &user installed plugins
en_AU: Show only &user installed plug-ins

en: Get &new plugins
en_AU: Get &new plug-ins

en: Check for &updated plugins
en_AU: Check for &updated plug-ins

en: &Load plugin from file
en_AU: &Load plug-in from file

en: That name is already used for a column or grouped search term
en_AU: That name is already used for a column or grouped search term.

en: The value box cannot be empty
en_AU: The value box cannot be empty!

en: The empty grouped search term cannot be deleted
en_AU: The empty grouped search term cannot be deleted!

en: Click to choose toolbar or menu to customize
en_AU: Click to choose toolbar or menu to customise

en: <p>The toolbar in calibre is different depending on whether a device is connected or not. Choose <b>which toolbar</b> you would like to customize:
en_AU: <p>The toolbar in calibre is different, depending on whether a device is connected or not. Choose <b>which toolbar</b> you would like to customise:

en: Choose the toolbar to customize
en_AU: Choose the toolbar to customise

en: This tweak has been customized
en_AU: This tweak has been customised

en: Plugin tweaks
en_AU: Plug-in tweaks

en: Add/edit tweaks for any custom plugins you have installed. Documentation for these tweaks should be available on the website from where you downloaded the plugins.
en_AU: Add/edit tweaks for any custom plug-ins you have installed. Documentation for these tweaks should be available on the website from where you downloaded the plug-ins.

en: Edit tweaks for any custom plugins you have installed
en_AU: Edit tweaks for any custom plug-ins you have installed

en: &Plugin tweaks
en_AU: &Plug-in tweaks

en: Saved searches recognized in the expression:
en_AU: Saved searches recognised in the expression:

en: Open store in external web browser
en_AU: Open shop in external web browser

en: This store is currently disabled and cannot be used in other parts of calibre.
en_AU: This shop is currently disabled and cannot be used in other parts of calibre.

en: This store is currently enabled and can be used in other parts of calibre.
en_AU: This shop is currently enabled and can be used in other parts of calibre.

en: This store is headquartered in %s. This is a good indication of what market the store caters to. However, this does not necessarily mean that the store is limited to that market only.
en_AU: This shop is headquartered in %s. This is a good indication of what market the shop caters to. However, this does not necessarily mean that the shop is limited to that market only.

en: Buying from this store supports the calibre developer: %s.
en_AU: Buying from this shop supports the calibre developer: %s.

en: Detected price as: %s. Check with the store before making a purchase to verify this price is correct. This price often does not include promotions the store may be running.
en_AU: Detected price as: %s. Check with the shop before making a purchase to verify this price is correct. This price often does not include promotions the shop may be running.

en: This book as been detected as having DRM restrictions. This book may not work with your reader and you will have limitations placed upon you as to what you can do with this book. Check with the store before making any purchases to ensure you can actually read this book.
en_AU: This book has been detected as having DRM restrictions. This book may not work with your reader and you will have limitations placed upon you as to what you can do with this book. Check with the shop before making any purchases, to ensure you can actually read this book.

en: This book has been detected as being DRM Free. You should be able to use this book on any device provided it is in a format calibre supports for conversion. However, before making a purchase double check the DRM status with the store. The store may not be disclosing the use of DRM.
en_AU: This book has been detected as being DRM-free. You should be able to use this book on any device, provided it is in a format calibre supports for conversion. However, before making a purchase, double-check the DRM status with the shop. The shop may not be disclosing the use of DRM.

en: Buying from this store supports the calibre developer: %s</p>
en_AU: Buying from this shop supports the calibre developer: %s</p>

en: The name %s is already used
en_AU: The name %s is already used.

en: Running checks, please wait...
en_AU: Running checks. Please wait...

en: Checking external links, please wait...
en_AU: Checking external links. Please wait...

en: Normalize image
en_AU: Normalise image

en: Improve contrast (normalize image)
en_AU: Improve contrast (normalise image)

en: No color
en_AU: No colour

en: Remove color
en_AU: Remove colour

en: &Color
en_AU: &Colour

en: Change text color
en_AU: Change text colour

en: <h3>Color</h3>Change the color of the selected text
en_AU: <h3>Colour</h3>Change the colour of the selected text

en: &Background color
en_AU: &Background colour

en: Change background color of text
en_AU: Change background colour of text

en: <h3>Background color</h3>Change the background color of the selected text
en_AU: <h3>Background colour</h3>Change the background colour of the selected text

en: &Capitalize
en_AU: &Capitalise

en: Create/edit &custom color schemes
en_AU: Create/edit &custom colour schemes

en: &Color scheme:
en_AU: &Colour scheme:

en: Foreground color:
en_AU: Foreground colour:

en: Link color:
en_AU: Link colour:

en: When using a dark theme force dark colors, otherwise same as "No change"
en_AU: When using a dark theme force dark colours, otherwise same as "No change"

en: Choose a custom color
en_AU: Choose a custom colour

en: Choose which toolbar you want to customize
en_AU: Choose which toolbar you want to customise

en: Book wide tools from third party plugins
en_AU: Book-wide tools from third-party plug-ins

en: &Toolbar to customize:
en_AU: &Toolbar to customise:

en: Customize templates
en_AU: Customise templates

en: 
                <h3>Live preview</h3>
    
                <p>Here you will see a live preview of the HTML file you are currently editing.
                The preview will update automatically as you make changes.
    
                <p style="font-size:x-small; color: gray">Note that this is a quick preview
                only, it is not intended to simulate an actual e-book reader. Some
                aspects of your e-book will not work, such as page breaks and page margins.
en_AU: 
                <h3>Live preview</h3>
    
                <p>Here you will see a live preview of the HTML file you are currently editing.
                The preview will update automatically as you make changes.
    
                <p style="font-size:x-small; color: gray">Note that this is a quick preview
                only; it is not intended to simulate an actual e-book reader. Some
                aspects of your e-book will not work, such as page breaks and page margins.

en: You have turned off search wrapping, so all text might not have been searched. Try the search again, with wrapping enabled. Wrapping is enabled via the "Wrap" checkbox at the bottom of the search panel.
en_AU: You have turned off search wrapping, so all text might not have been searched. Try the search again, with wrapping enabled. Wrapping is enabled via the "Wrap" tick box at the bottom of the search panel.

en: {0} supports the use of LibreOffice dictionaries for spell checking. You can
                download more dictionaries from <a href="{1}">the LibreOffice extensions repository</a>.
                The dictionary will download as an .oxt file. Simply specify the path to the
                downloaded .oxt file here to add the dictionary to {0}.
en_AU: {0} supports the use of LibreOffice dictionaries for spell checking. You can
                download more dictionaries from <a href="{1}">the LibreOffice extensions repository</a>.
                The dictionary will be downloaded as an .oxt file. Simply specify the path to the
                downloaded .oxt file here to add the dictionary to {0}.

en: A dictionary with the nick name "%s" already exists.
en_AU: A dictionary with the nickname "%s" already exists.

en: Re-scan the book for words, useful if you have edited the book since opening this dialog
en_AU: Re-scan the book for words, useful if you have edited the book since opening this dialogue

en: Checking, please wait...
en_AU: Checking. Please wait...

en: Failed to check spelling, click "Show details" for the full error information.
en_AU: Failed to check spelling. Click "Show details" for the full error information.

en: The files in the editor were edited outside the spell check dialog, and the word %s no longer exists.
en_AU: The files in the editor were edited outside the spell check dialogue, and the word %s no longer exists.

en: Show the saved searches dialog
en_AU: Show the saved searches dialogue

en: &Plugins
en_AU: &Plug-ins

en: Plugins tool bar
en_AU: Plug-ins toolbar

en: Minimize the calibre window
en_AU: Minimise the calibre window

en: Running database shutdown plugins. This could take a few seconds...
en_AU: Running database shutdown plug-ins. This could take a few seconds...

en: Update &plugins
en_AU: Update &plug-ins

en: Install and configure user plugins
en_AU: Install and configure user plug-ins

en: Switch color scheme
en_AU: Switch colour scheme

en: Choose &color
en_AU: Choose &colour

en: No username and password set for mailserver. Most  mailservers need a username and password. Are you sure?
en_AU: No username and password set for mailserver. Most mailservers need a username and password. Are you sure?

en: The fields to output when cataloging books in the database.  Should be a comma-separated list of fields.
    Available fields: %(fields)s.
    plus user-created custom fields.
    Example: %(opt)s=title,authors,tags
    Default: '%%default'
    Applies to: BIBTEX output format
en_AU: The fields to output when cataloguing books in the database. Should be a comma-separated list of fields.
    Available fields: %(fields)s.
    plus user-created custom fields.
    Example: %(opt)s=title,authors,tags
    Default: '%%default'
    Applies to: BIBTEX output format

en: Entry type for BibTeX catalog.
    Available types: book, misc, mixed.
    Default: '%default'
    Applies to: BIBTEX output format
en_AU: Entry type for BibTeX catalogue.
    Available types: book, misc, mixed.
    Default: '%default'
    Applies to: BIBTEX output format

en: The fields to output when cataloging books in the database.  Should be a comma-separated list of fields.
    Available fields: %(fields)s,
    plus user-created custom fields.
    Example: %(opt)s=title,authors,tags
    Default: '%%default'
    Applies to: CSV, XML output formats
en_AU: The fields to output when cataloguing books in the database. Should be a comma-separated list of fields.
    Available fields: %(fields)s,
    plus user-created custom fields.
    Example: %(opt)s=title,authors,tags
    Default: '%%default'
    Applies to: CSV, XML output formats

en: No books available to catalog
en_AU: No books available to catalogue

en: No books available to include in catalog
en_AU: No books available to include in catalogue

en: The date when the metadata for this book record was last modified
en_AU: The date when the metadata for this book record was last modified.

en: Options to control saving to disk
en_AU: Options to control saving to disc

en: Normally, calibre will update the metadata in the saved files from what is in the calibre library. Makes saving to disk slower.
en_AU: Normally, calibre will update the metadata in the saved files from what is in the calibre library. Makes saving to disc slower.

en: The full interface gives you many more features, but it may not work well on a small screen
en_AU: The full interface gives you many more features, but it may not work well on a small screen.

en: Settings and plugins
en_AU: Settings and plug-ins

en: Aborted, taking too long
en_AU: Aborted, taking too long.

en: Failed to log in, check your username and password for the calibre Periodicals service.
en_AU: Failed to log in. Check your username and password for the calibre Periodicals service.

en: Main menu
en_AU: Main Menu

en: By default, calibre splits a string containing multiple author names on
    ampersands and the words "and" and "with". You can customize the splitting
    by changing the regular expression below. Strings are split on whatever the
    specified regular expression matches, in addition to ampersands.
    Default: r'(?i),?\s+(and|with)\s+'
en_AU: By default, calibre splits a string containing multiple author names on
    ampersands and the words "and" and "with". You can customise the splitting
    by changing the regular expression below. Strings are split on whatever the
    specified regular expression matches, in addition to ampersands.
    Default: r'(?i),?\s+(and|with)\s+'

en: Specify columns to sort the booklist by on startup
en_AU: Specify columns by which to sort the booklist on startup

en: Control how title and series names are formatted when saving to disk/sending
    to device. The behavior depends on the field being processed. If processing
    title, then if this tweak is set to 'library_order', the title will be
    replaced with title_sort. If it is set to 'strictly_alphabetic', then the
    title will not be changed. If processing series, then if set to
    'library_order', articles such as 'The' and 'An' will be moved to the end. If
    set to 'strictly_alphabetic', the series will be sent without change.
    For example, if the tweak is set to library_order, "The Lord of the Rings"
    will become "Lord of the Rings, The". If the tweak is set to
    strictly_alphabetic, it would remain "The Lord of the Rings". Note that the
    formatter function raw_field will return the base value for title and
    series regardless of the setting of this tweak.
en_AU: Control how title and series names are formatted when saving to disk/sending
    to device. The behaviour depends on the field being processed. If processing
    title, then if this tweak is set to 'library_order', the title will be
    replaced with title_sort. If it is set to 'strictly_alphabetic', then the
    title will not be changed. If processing series, then if set to
    'library_order', articles such as 'The' and 'An' will be moved to the end. If
    set to 'strictly_alphabetic', the series will be sent without change.
    For example, if the tweak is set to library_order, "The Lord of the Rings"
    will become "Lord of the Rings, The". If the tweak is set to
    strictly_alphabetic, it would remain "The Lord of the Rings". Note that the
    formatter function raw_field will return the base value for title and
    series regardless of the setting of this tweak.

en: Specify a folder calibre should connect to at startup
en_AU: Specify a folder Calibre should connect to at startup

en: Set this to True to ensure that tags in 'Tags to add when adding
    a book' are added when copying books to another library
en_AU: Set this to True to ensure that tags in 'Tags to add when adding
    a book' are added when copying books to another library.

en: Set the maximum number of sort 'levels' that calibre will use to resort the
    library after certain operations such as searches or device insertion. Each
    sort level adds a performance penalty. If the database is large (thousands of
    books) the penalty might be noticeable. If you are not concerned about multi-
    level sorts, and if you are seeing a slowdown, reduce the value of this tweak.
en_AU: Set the maximum number of sort 'levels' that Calibre will use to resort the
    library after certain operations such as searches or device insertion. Each
    sort level adds a performance penalty. If the database is large (thousands of
    books) the penalty might be noticeable. If you are not concerned about multi-
    level sorts, and if you are seeing a slowdown, reduce the value of this tweak.

en: The value used for the fuzz distance when trimming a cover.
    Colors within this distance are considered equal.
    The distance is in absolute intensity units.
en_AU: The value used for the fuzz distance when trimming a cover.
    Colours within this distance are considered equal.
    The distance is in absolute intensity units.

en: The maximum width and height for covers saved in the calibre library
en_AU: The maximum width and height for covers saved in the Calibre library

en: All covers in the calibre library will be resized, preserving aspect ratio,
    to fit within this size. This is to prevent slowdowns caused by extremely
    large covers
en_AU: All covers in the Calibre library will be resized, preserving aspect ratio,
    to fit within this size. This is to prevent slowdowns caused by extremely
    large covers.

en: When automatically sending downloaded news to a connected device, calibre
    will by default send it to the main memory. By changing this tweak, you can
    control where it is sent. Valid values are "main", "carda", "cardb". Note
    that if there isn't enough free space available on the location you choose,
    the files will be sent to the location with the most free space.
en_AU: When automatically sending downloaded news to a connected device, Calibre
    will by default send it to the main memory. By changing this tweak, you can
    control where it is sent. Valid values are "main", "carda", "cardb". Note
    that if there isn't enough free space available on the location you choose,
    the files will be sent to the location with the most free space.

en: Change the font size at which book details are rendered in the side panel and
    comments are rendered in the metadata edit dialog. Set it to a positive or
    negative number to increase or decrease the font size.
en_AU: Change the font size at which book details are rendered in the side panel and
    comments are rendered in the metadata edit dialogue. Set it to a positive or
    negative number to increase or decrease the font size.

en: Restrict the list of available output formats in the conversion dialogs.
    For example, if you only want to convert to EPUB and AZW3, change this to
    restrict_output_formats = ['EPUB', 'AZW3']. The default value of None causes
    all available output formats to be present.
en_AU: Restrict the list of available output formats in the conversion dialogues.
    For example, if you only want to convert to EPUB and AZW3, change this to
    restrict_output_formats = ['EPUB', 'AZW3']. The default value of None causes
    all available output formats to be present.

en: Allows to quickly share a folder
en_AU: Allows you to quickly share a folder

en: The folder "%s" needs the following extra permissions for sharing to work:
    %s%s%sDo you want Caja to add these permissions to the folder automatically?
en_AU: The folder "%s" needs the following extra permissions for sharing to work:
    %s%s%s Do you want Caja to add these permissions to the folder automatically?

en: Fibers
en_AU: Fibres

en: Drag a color to an object to change it to that color
en_AU: Drag a colour to an object to change it to that colour

en: Enables the classic Caja behavior, where all windows are browsers
en_AU: Enables the classic Caja behaviour, where all windows are browsers

en: If set to true, then all Caja windows will be browser windows. This is how Nautilus used to behave before version 2.6, and some people prefer this behavior.
en_AU: If set to true, then all Caja windows will be browser windows. This is how Nautilus used to behave before version 2.6, and some people prefer this behaviour.

en: Whether to ask for confirmation when deleting files, or emptying Trash
en_AU: Whether to ask for confirmation when deleting files, or emptying Rubbish

en: If set to true, then Caja will ask for confirmation when you attempt to delete files, or empty the Trash.
en_AU: If set to true, then Caja will ask for confirmation when you attempt to delete files, or empty the Rubbish.

en: If set to true, then Caja will have a feature allowing you to delete a file immediately and in-place, instead of moving it to the trash. This feature can be dangerous, so use caution.
en_AU: If set to true, then Caja will have a feature allowing you to delete a file immediately and in-place, instead of moving it to the rubbish. This feature can be dangerous, so use caution.

en: What to do with executable text files when they are activated (single or double clicked). Possible values are "launch" to launch them as programs, "ask" to ask what to do via a dialog, and "display" to display them as text files.
en_AU: What to do with executable text files when they are activated (single or double clicked). Possible values are "launch" to launch them as programs, "ask" to ask what to do via a dialogue, and "display" to display them as text files.

en: Default Background Color
en_AU: Default Background Colour

en: Color for the default folder background. Only used if background_set is true.
en_AU: Colour for the default folder background. Only used if background_set is true.

en: Default Side Pane Background Color
en_AU: Default Side Pane Background Colour

en: If this preference is set, all columns in the compact view have the same width. Otherwise, the width of each column is determined seperately.
en_AU: If this preference is set, all columns in the compact view have the same width. Otherwise, the width of each column is determined separately.

en: Trash icon visible on desktop
en_AU: Rubbish icon visible on desktop

en: If this is set to true, an icon linking to the trash will be put on the desktop.
en_AU: If this is set to true, an icon linking to the rubbish will be put on the desktop.

en: Desktop trash icon name
en_AU: Desktop rubbish icon name

en: This name can be set if you want a custom name for the trash icon on the desktop.
en_AU: This name can be set if you want a custom name for the rubbish icon on the desktop.

en: Whether the navigation window should be maximized.
en_AU: Whether the navigation window should be maximised.

en: Whether the navigation window should be maximized by default.
en_AU: Whether the navigation window should be maximised by default.

en: Do not manage the desktop (ignore the preference set in the preferences dialog).
en_AU: Do not manage the desktop (ignore the preference set in the preferences dialogue).

en: Create a New Color:
en_AU: Create a New Colour:

en: Color _value:
en_AU: Colour _value:

en: The color cannot be installed.
en_AU: The colour cannot be installed.

en: Sorry, but you must specify an unused color name for the new color.
en_AU: Sorry, but you must specify an unused colour name for the new colour.

en: Sorry, but you must specify a non-blank name for the new color.
en_AU: Sorry, but you must specify a non-blank name for the new colour.

en: Select a Color to Add
en_AU: Select a Colour to Add

en: _Add a New Color...
en_AU: _Add a New Colour...

en: Click on a color to remove it
en_AU: Click on a colour to remove it

en: _Remove a Color...
en_AU: _Remove a Colour...

en: Caja is free software; you can redistribute it and/or modify it under the terms of the GNU General Public License as published by the Free Software Foundation; either version 2 of the License, or (at your option) any later version.
en_AU: Caja is free software; you can redistribute it and/or modify it under the terms of the GNU General Public Licence as published by the Free Software Foundation; either version 2 of the Licence, or (at your option) any later version.

en: Caja is distributed in the hope that it will be useful, but WITHOUT ANY WARRANTY; without even the implied warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE.  See the GNU General Public License for more details.
en_AU: Caja is distributed in the hope that it will be useful, but WITHOUT ANY WARRANTY; without even the implied warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE.  See the GNU General Public Licence for more details.

en: You should have received a copy of the GNU General Public License along with Caja; if not, write to the Free Software Foundation, Inc., 51 Franklin Street, Fifth Floor, Boston, MA 02110-1301 USA
en_AU: You should have received a copy of the GNU General Public Licence along with Caja; if not, write to the Free Software Foundation, Inc., 51 Franklin Street, Fifth Floor, Boston, MA 02110-1301 USA

en: Caja lets you organize files and folders, both on your computer and online.
en_AU: Caja lets you organise files and folders, both on your computer and online.

en: Display patterns, colors, and emblems that can be used to customize appearance
en_AU: Display patterns, colours, and emblems that can be used to customise appearance

en: Show a window that lets you set your desktop background's pattern or color
en_AU: Show a window that lets you set your desktop background's pattern or colour

en: Manage your trash from the Budgie panel
en_AU: Manage your rubbish from the Budgie panel

en: _Adapter
en_AU: _Adaptor

en: _Exit
en_AU: Exit

en: Hide _unnamed devices
en_AU: Hide unnamed device

en: Bluetooth needs to be turned on for the adapter manager to work
en_AU: Bluetooth needs to be turned on for the adaptor manager to work

en: Bluetooth Adapters
en_AU: Bluetooth Adaptors

en: Bluez daemon is not running, blueman-manager cannot continue.
    This probably means that there were no Bluetooth adapters detected or Bluetooth daemon was not started.
en_AU: Bluez daemon is not running, blueman-manager cannot continue.
    This probably means that there were no Bluetooth adaptors detected or Bluetooth daemon was not started.

en: Authorization request for:
en_AU: Authorisation request for:

en: Adapter selection
en_AU: Adaptor selection

en: Adapter for this connection is not available
en_AU: Adaptor for this connection is not available

en: Please make sure that directory "<b>%s</b>" exists or configure it with blueman-services. Until then the default "%s" will be used
en_AU: Please make sure that directory ‘<b>%s</b>’ exists or configure it with blueman-services. Until then the default ‘%s’ will be used

en: Adap_ters
en_AU: Adap_tors

en: Provides a menu item for making the default adapter temporarily visible when it is set to hidden by default
en_AU: Provides a menu item for making the default adaptor temporarily visible when it is set to hidden by default

en: Make the default adapter temporarily visible
en_AU: Make the default adaptor temporarily visible

en: Controls Bluetooth adapter power states
en_AU: Controls Bluetooth adaptor power states

en: Turn off all adapters
en_AU: Turn off all adaptors

en: Turn on all adapters
en_AU: Turn on all adaptors

en: IP address overlaps with subnet of interface %s, which has the following configuration  %s/%s
    This may cause incorrect network behavior
en_AU: IP address overlaps with subnet of interface %s, which has the following configuration  %s/%s
    This may cause incorrect network behaviour

en: A database of URLs including bookmarks, favicons, and a history of visited web sites
en_AU: A database of URLs including bookmarks, favicons and a history of visited web sites

en: Empty the trash
en_AU: Empty the rubbish bin

en: This function deletes all BleachBit settings and then quits the application. Use this to hide your use of BleachBit or to reset its settings. The next time you start BleachBit, the settings will initialize to default values.
en_AU: This function deletes all BleachBit settings and then quits the application. Use this to hide your use of BleachBit or to reset its settings. The next time you start BleachBit, the settings will initialise to default values.

note: TRANSLATORS: The variable is a device like /dev/sda2
en: Reinitializing the swap device %s.
en_AU: Reinitialising the swap device %s.

en: New notes color.
en_AU: New notes colour.

en: The color name set here will be used as the color when creating new notes.
en_AU: The colour name set here will be used as the colour when creating new notes.

en: Window maximized
en_AU: Window maximised

en: Window maximized state.
en_AU: Window maximised state.

en: Note Color
en_AU: Note Colour

en: Note color
en_AU: Note colour

en: Default Color
en_AU: Default Colour

en: _View Trash
en_AU: _View Rubbish

en: Aluminum
en_AU: Aluminium

en: Sulfur
en_AU: Sulphur

en: Cesium
en_AU: Caesium

en: Align Molecules
    
    Left Mouse: 	Select up to two atoms.
    	The first atom is centered at the origin.
    	The second atom is aligned to the selected axis.
    Right Mouse: 	Reset alignment.
    Double-Click: 	Center the atom at the origin.
en_AU: Align Molecules
    
    Left Mouse: 	Select up to two atoms.
    	The first atom is centred at the origin.
    	The second atom is aligned to the selected axis.
    Right Mouse: 	Reset alignment.
    Double-Click: 	Centre the atom at the origin.

en: By Custom Color…
en_AU: By Custom Colour…

[ctx: colormap]
en: Gray
en_AU: Grey

en: Apply color schemes to atoms and residues.
en_AU: Apply colour schemes to atoms and residues.

en: Color Atoms
en_AU: Colour Atoms

en: Color Residues
en_AU: Colour Residues

en: Select Colormap
en_AU: Select Colourmap

note: i18n: file: qtplugins/applycolors/chargedialog.ui:20 i18n: ectx: property (text), widget (QLabel, colormapLabel) i18n: file: qtplugins/surfaces/surfacedialog.ui:143 i18n: ectx: property (text), widget (QLabel, label_7)
en: Colormap:
en_AU: Colourmap:

en: ApplyColors
en_AU: ApplyColours

en: Display of biomolecule ribbons / cartoons.
en_AU: Display of biomolecule ribbons/cartoons.

en: Add Center of Mass
en_AU: Add Centre of Mass

en: Add centroids and center-of-mass.
en_AU: Add centroids and centre-of-mass.

en: Edit Color Opacity Map…
en_AU: Edit Colour Opacity Map…

en: ColorOpacityMap
en_AU: ColourOpacityMap

en: Edit color opacity maps, primarily for volume rendering.
en_AU: Edit colour opacity maps, primarily for volume rendering.

en: Select the python interpreter to run external scripts.
    Avogadro must be restarted for any changes to take effect.
en_AU: Select the Python interpreter to run external scripts.
    Avogadro must be restarted for any changes to take effect.

en: Line color:
en_AU: Line colour:

en: Forcefield optimization
en_AU: Force field optimization

en: Forcefield minimization, including scripts
en_AU: Force field minimization, including scripts

en: InsertDNA
en_AU: Insert DNA

en: InsertFragment
en_AU: Insert Fragment

en: Display labels on ball and stick style.
en_AU: Display labels on ball-and-stick style.

en: Render atoms as licorice / sticks.
en_AU: Render atoms as licorice/sticks.

en: An error occurred while retrieving the list of supported forcefields. (using '%1').
en_AU: An error occurred while retrieving the list of supported force fields. (using '%1').

[ctx: pi helix]
en: π Helix
en_AU: π-Helix

[ctx: alpha helix]
en: α Helix
en_AU: α-Helix

[ctx: beta sheet]
en: β Sheet
en_AU: β-Sheet

[ctx: beta bridge]
en: β Bridge
en_AU: β-Bridge

en: Tables for displaying and editng atom, bond, angle and torsion properties.
en_AU: Tables for displaying and editng atom, bond, angle, and torsion properties.

note: i18n: file: qtplugins/symmetry/symmetrywidget.ui:99 i18n: ectx: property (text), widget (QPushButton, symmetrizeMoleculeButton)
en: Symmetrize
en_AU: Symmetrise

en: Select Foreground Color
en_AU: Select Foreground Colour

en: Select Calculated Spectra Color
en_AU: Select Calculated Spectra Colour

en: Select Imported Spectra Color
en_AU: Select Imported Spectra Colour

note: i18n: file: qtplugins/coordinateeditor/coordinateeditordialog.ui:46 i18n: ectx: property (text), item, widget (QComboBox, distanceUnit)
en: Angstrom
en_AU: Ångstrom

note: i18n: file: qtplugins/lammpsinput/lammpsinputdialog.ui:854 i18n: ectx: property (text), item, widget (QComboBox, dimensionCombo)
en: 2d
en_AU: 2D

note: i18n: file: qtplugins/lammpsinput/lammpsinputdialog.ui:859 i18n: ectx: property (text), item, widget (QComboBox, dimensionCombo)
en: 3d
en_AU: 3D

note: i18n: file: qtplugins/openmminput/openmminputdialog.ui:91 i18n: ectx: property (text), widget (QLabel, label_forceField)
en: Forcefield:
en_AU: Force Field:

note: i18n: file: qtplugins/openmminput/openmminputdialog.ui:465 i18n: ectx: property (text), widget (QLabel, label_generationTemp)
en: Generation Temp:
en_AU: Generation Temp.:

note: i18n: file: qtplugins/plotxrd/xrdoptionsdialog.ui:97 i18n: ectx: property (toolTip), widget (QDoubleSpinBox, spin_wavelength)
en: <html><head/><body><p>The wavelength of the x-ray in Angstroms. </p><p>Default: 1.50560 Å</p></body></html>
en_AU: <html><head/><body><p>The wavelength of the x-ray in Ångstroms. </p><p>Default: 1.50560 Å</p></body></html>

note: i18n: file: qtplugins/selectiontool/selectiontoolwidget.ui:21 i18n: ectx: property (text), widget (QLabel, label)
en: Apply Color
en_AU: Apply Colour

note: i18n: file: qtplugins/spectra/spectradialog.ui:249 i18n: ectx: property (text), widget (QPushButton, push_colorImported) i18n: file: qtplugins/spectra/spectradialog.ui:301 i18n: ectx: property (text), widget (QPushButton, push_colorForeground) i18n: file: qtplugins/spectra/spectradialog.ui:330 i18n:
en: Set Color...
en_AU: Set Colour...

note: i18n: file: qtplugins/surfaces/surfacedialog.ui:95 i18n: ectx: property (text), widget (QLabel, label_4)
en: Color by:
en_AU: Colour by:

note: i18n: file: qtplugins/yaehmop/banddialog.ui:52 i18n: ectx: property (toolTip), widget (QCheckBox, cb_plotFermi)
en: <html><head/><body><p>The Fermi level should be known before checking this box. You can discover the Fermi level by performing a density of states calculation and displaying the data (it will be at the top of the data). In addition, if a density of states calculation is performed, the Fermi level here will automatically be set to what was detected during the density of states calculation.</p><p>If this box is checked, be sure the correct Fermi level is set in the spinbox on the right.</p><p>Default: off</p></body></html>
en_AU: <html><head/><body><p>The Fermi level should be known before checking this box. You can discover the Fermi level by performing a density-of-states calculation and displaying the data (it will be at the top of the data). In addition, if a density-of-states calculation is performed, the Fermi level here will automatically be set to what was detected during the density-of-states calculation.</p><p>If this box is checked, be sure the correct Fermi level is set in the spinbox on the right.</p><p>Default: off</p></body></html>

en: Canceled.
en_AU: Cancelled.

en: Optimized:
en_AU: Optimised:

note: MENU_LABEL_ALIGN
en: &Align
en_AU: &Centre

note: DLG_Options_Label_CheckWhiteForTransparent
en: Allow screen colors other than white
en_AU: Allow screen colours other than white

note: DLG_InsertTable_AutoFit
en: AutoFit behavior
en_AU: AutoFit behaviour

note: DLG_FormatFrame_Border_Color DLG_FormatTable_Border_Color DLG_BorderShading_Border_Color
en: Border color:
en_AU: Border colour:

note: TabToggleCenterTab
en: Center Tab
en_AU: Centre Tab

note: TOOLBAR_STATUSLINE_ALIGN_CENTER TOOLBAR_TOOLTIP_ALIGN_CENTER
en: Center alignment
en_AU: Centre alignment

note: MENU_STATUSLINE_ALIGN_CENTER
en: Center-align the paragraph
en_AU: Centre-align the paragraph

note: DLG_Background_Title
en: Change Background Color
en_AU: Change Background Colour

note: DLG_Background_TitleHighlight
en: Change Highlight Color
en_AU: Change Highlight Colour

note: DLG_Background_TitleFore
en: Change Text Color
en_AU: Change Text Colour

note: DLG_Options_Label_ChooseForTransparent
en: Choose Screen Color
en_AU: Choose Screen Colour

note: DLG_Options_Label_ColorChooserLabel
en: Choose screen color for AbiWord
en_AU: Choose screen colour for AbiWord

note: DLG_Background_ClearClr
en: Clear Background Color
en_AU: Clear Background Colour

note: DLG_Background_ClearHighlight
en: Clear Highlight Color
en_AU: Clear Highlight Colour

note: FIELD_DateTime_Custom
en: Customizable date/time
en_AU: Customisable date/time

note: DLG_Lists_Customize
en: Customized List
en_AU: Customised List

note: TOOLBAR_LABEL_COLOR_FORE TOOLBAR_STATUSLINE_COLOR_FORE TOOLBAR_TOOLTIP_COLOR_FORE
en: Font color
en_AU: Font colour

note: MENU_LABEL_RDF_HIGHLIGHT
en: Highlight RDF
en_AU: HighLight RDF

note: FIELD_DateTime_MilTime
en: Military Time
en_AU: 24 Hour Time

note: DLG_Para_PreviewSampleFallback
en: This paragraph represents words as they might appear in your document.  To see the text from your document used in this preview, position your cursor in a document paragraph with some text in it and open this dialog.
en_AU: This paragraph represents words as they might appear in your document.  To see the text from your document used in this preview, position your cursor in a document paragraph with some text in it and open this dialogue.

note: DLG_UFS_BGColorTab
en: HighLight Color
en_AU: HighLight Colour

note: DLG_UFS_TransparencyCheck
en: Set no Highlight Color
en_AU: Set no Highlight Colour

en: Delete all files and folders in the Trash
en_AU: Delete all files and folders in the Rubbish

en: Move the selected file to the Trash | Move the selected files to the Trash
en_AU[0]: Move the selected file to the Rubbish
en_AU[1]: Move the selected files to the Rubbish

en: Open the bulk rename dialog
en_AU: Open the bulk rename dialogue

en: Moving files into the trash...
en_AU: Moving files into the rubbish...

en: Remove all files and folders from the Trash?
en_AU: Remove all files and folders from the Rubbish?

en: If you choose to empty the Trash, all items in it will be permanently lost. Please note that you can also delete them separately.
en_AU: If you choose to empty the Rubbish, all items in it will be permanently lost. Please note that you can also delete them separately.

en: Emptying the Trash...
en_AU: Emptying the Rubbish...

en: This will remove the application launcher that appears in the file context menu, but will not uninstall the application itself.
    
    You can only remove application launchers that were created using the custom command box in the "Open With" dialog of the file manager.
en_AU: This will remove the application launcher that appears in the file context menu, but will not uninstall the application itself.
    
    You can only remove application launchers that were created using the custom command box in the "Open With" dialogue of the file manager.

note: create the label that explains the column sizing option
en: By default columns will be automatically expanded if
    needed to ensure the text is fully visible. If you dis-
    able this behavior below the file manager will always
    use the user defined column widths.
en_AU: By default columns will be automatically expanded if
    needed to ensure the text is fully visible. If you dis-
    able this behaviour below the file manager will always
    use the user defined column widths.

en: If you select this option your choice will be remembered and you won't be asked again. You can use the preferences dialog to alter your choice afterwards.
en_AU: If you select this option your choice will be remembered and you won't be asked again. You can use the preferences dialogue to alter your choice afterwards.

en: Select this option to display icon emblems in the shortcuts pane for all folders for which emblems have been defined in the folders properties dialog.
en_AU: Select this option to display icon emblems in the shortcuts pane for all folders for which emblems have been defined in the folders properties dialogue.

en: Select this option to display icon emblems in the tree pane for all folders for which emblems have been defined in the folders properties dialog.
en_AU: Select this option to display icon emblems in the tree pane for all folders for which emblems have been defined in the folders properties dialogue.

en: When single-click activation is enabled, pausing the mouse pointer over an item will automatically select that item after the chosen delay. You can disable this behavior by moving the slider to the left-most position. This behavior may be useful when single clicks activate items, and you want only to select the item without activating it.
en_AU: When single-click activation is enabled, pausing the mouse pointer over an item will automatically select that item after the chosen delay. You can disable this behaviour by moving the slider to the left-most position. This behaviour may be useful when single clicks activate items, and you want only to select the item without activating it.

en: When changing the permissions of a folder, you
    can also apply the changes to the contents of the
    folder. Select the default behavior below:
en_AU: When changing the permissions of a folder, you
    can also apply the changes to the contents of the
    folder. Select the default behaviour below:

en: Trash contains %d file | Trash contains %d files
en_AU[0]: Rubbish contains %d file
en_AU[1]: Rubbish contains %d files

en: The folder "%s" does not exist anymore but is required to restore the file "%s" from the trash
en_AU: The folder "%s" does not exist anymore but is required to restore the file "%s" from the rubbish

en: Display the contents of the trash can
en_AU: Display the contents of the rubbish bin

note: display an error to the user
en: Failed to display the contents of the trash can
en_AU: Failed to display the contents of the rubbish bin

note: tell the user that we failed to connect to the trash
en: Failed to connect to the Trash
en_AU: Failed to connect to the Rubbish

note: tell the user whether the trash is full or empty
en: Trash contains files
en_AU: Rubbish contains files

en: Display the trash can
en_AU: Display the rubbish bin
